Bundit Puangthong has been working on multiple murals for Soi38's new location. Soi38 brings authentic Thai food to Melbourne, with distinct street food style architecture and seating. The restaurant thrived and became an institution. And its fiery salads, raw seafood and moo kata (Thai barbeque) helped kick off a new wave of Thai dining in Melbourne.

The mural has Bundit's distinct mix of bold street art and traditional Thai drawing on a monumental scale, featuring imagery of the monkey god 'Hanuman'.

"The walls are covered in swirling, star-studded murals by Melbourne-based Thai artist Bundit Puangthong, and a stainless steel bar anchors the room, allowing for an expanded drinks menu that includes Thai beers on tap, natural wines by the bottle, and a signature cocktail menu that features gin infused in-house with Thai ingredients like lemongrass, chilli and makrut lime."

READ MORE HERE

IMAGE:

Installation view, Bundit's Soi38 mural, courtesy Chege Mbuthi

Bundit Puangthong has been teaching crowds of visitors this week in the National Gallery of Victoria's 'Drop By Drawing' sessions. Occurring every Saturday during their summer program, the drawing sessions encourage members of the public to learn new tips, tricks, and drawing techniques from renowned artists, taking inspiration from the Gallery's collection.

READ MORE HERE

IMAGE:

Drop By Drawing session at NGV, 2025, courtesy Michael Pham

Congratulations to Ari Athans whose work ‘A ripple and a rock’, made in collaboration with Urban Art Projects is now installed at Wentworth Point in Sydney.

This work is inspired by sedimentary rocks such as sandstone and shale which make up the ripple valley of Sydney Harbour.

Seeking to re-invoke the soft and natural elements of the area, ‘A ripple and a rock’ signals a place and a point of arrival along the urban coastline. The forms appear to have tumbled together and washed ashore, their shape framing the bay and supporting view lines across the water.

- Ari Athans


IMAGE:

Ari Athans

A ripple and a rock 2024

sandstone, cast aluminium, fabricated steel

dimensions variable

Ari Athans was featured recently in the Qantas In-Flight magazine in an article written by Noelle Faulkner.

Ari Athan's work 'Strata Sample One' is featured in the current issue of Belle Magazine inside Anna Spiro's home.

IMAGE:

Ari Athans

Strata Sample One 2022

ceramic, wood and acrylic paint

57 x 20 x 20 cm

‘Expanded Canvas’ is a major exhibition at Town Hall Gallery exploring the dynamic and innovative nature of contemporary painting. The traditional grid and 2D picture plane are replaced by modern surfaces, including drop sheets, sign vinyl, virtual space, and the gallery wall itself.

Bundit’s mural painting will be exhibited in the major exhibition ‘Expanded Canvas’, showing at Hawthorn Arts Centre, Victoria - 23 April to Saturday 2 July 2022.

READ MORE HERE

The disparate textural layers of Aggregates in Construct blend the myriad forms and patterns of nature marked by the boundaries of human action. Ari Athans’ stacked, sculptural arrangements flow between the handmade, organic and industrial, marking the liminal points where the landscape rests upon and collides with the built world.

- Art Almanac, 2022

IMAGE:

Ari Athans

Ultra Surface 2022

ceramic, wood, vesicular basalt, acrylic paint

36 x 22 x 20 cm

READ MORE HERE

NGV is committed to providing creative experiences for young people and their families and sharing new ways to be creative. The gallery invited Bundit Puangthong to conduct a series of online workshops for their NGV Kids programme, during the 2021 Melbourne lockdown.

With a background in puppeteering, Bundit created a range of workshops with an introduction to making paper puppets.

READ MORE HERE

This year Bundit Puangthong was a finalist with his work 'Riding Stars' 2021 in the Sunshine Coast Art Prize - a visual arts award reflecting outstanding contemporary 2D arts practice in Australia. 16 years into this annual award, it has become the pinnacle event for the Sunshine Coast’s Regional Gallery in Caloundra, attracting entries from emerging and established artists across the nation.

READ MORE HERE

Bundit Puangthong is a finalist in the 2021 Arthur Guy Memorial Painting Prize, with his work 'The Living Room' 2021. Occurring biennially, the 'Arthur Guy Memorial Painting Prize' attracts Australian artists and awards an acquisitive prize of $50,000. The Prize provides Bendigo Art Gallery with the opportunity to survey contemporary painting by established and emerging artists from across Australia.

READ MORE HERE

Flash Forward is a Melbourne based project that aims to reinvigorate some lesser-known laneways with visual and acoustic designs from local creatives. The project has invited more than 80 artists to work on commissions of art installations, albums, and stage gigs across the city.

As part of the project Bundit was commissioned to make a large-scale work in Rose Lane.

READ MORE HERE

The 2021 Geelong contemporary art prize is a signature event that assists with the development of the Geelong Gallery’s collection while fostering Australian artists and contemporary painting practice in general.

Bundit Puangthong’s work ‘Skull splitter’ takes inspiration from a famous Buddhist story where a prince’s ship sinks, and he has to swim all the way back to shore. The story represents the challenges we all face, despite our social status, and the lessons we learn from them. ⁠

⁠
IMAGE:

Bundit Puangthong

Skull splitter 2020

synthetic polymer paint and spray paint

READ MORE HERE

Art, Activism And The Archibald

CREATIVE PEOPLE

Art has always been a vehicle for social dialogue, and a window into current political issues. When Sydney artist Julian Meagher met former professional soccer player, commentator and human rights advocate Craig ‘Fozzy’ Foster AM, he was inspired.

READ MORE ON THE DESIGN FILES HERE

WORDS EMMA-KATE WILSON

A few years ago, Sydney-based artist Julian Meagher welcomed the birth of his son and found himself working more instinctively. ‘I think I’m making better works because I am taking a lot more risks, I make so many more bad paintings that end up in the bin now than I used to,’ he comments.

When his daughter was born eight months ago, he went through a whole new level of sleep deprivation and heartbreak, with their little girl suffering reflux for six months. ‘Sleepwalking’ channels this energy, exploring the space between altered states, the subconscious and dreaming.

Alongside ultra-romantic pink and blue landscapes, complete with rainbows, built through active painting, raw brushstrokes and delicate fades, Meagher presents his sleeping family. The small and intimate portraits connect with the large glitchy, idyllic landscapes. ‘I’m trying to make sense of the complex human existence through the power and beauty of nature,’ he adds, ‘I feel like a rainbow next to a little sleeping baby is what we need right now … A hope that things will get better on both a personal and collective level.’

Meagher’s palette is deliberately muted, soft, subtle. He says, ‘I think painting is only good if you’re true to yourself. Painting is a kind of meditation for me in a way; I want the end result to slow down my breath rate.’

To construct his portraits and colour fields – which can be read as landscapes, abstracted, or the sky out of his studio window – Meagher applies thin layers and begins to remove the colour as it starts to dry. Working against the drying time of the paint stops the artist from ‘overcooking’ them. By revealing the linen below, the canvases hold luminosity, adding a watercolour effect evocative of the ocean-inspired landscapes. ‘We’ve all seen those storms out to sea; it’s in our collective consciousness,’ he explains, ‘most can associate strong memories and rites of passage with these coastline images.’

READ FULL ARTICLE HERE

SHOWCASE

One in three American museums have not re-opened after lockdowns in March. But art continues to be bought, lent, and displayed by private banks. Dieter Buchhart, Art Critic

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Un/Thaid, curated by Vipoo Srivilasa and featuring Bundit Puangthong has been reviewed in the Sydney Morning Herald:

A new exhibition showcases the work of five Thai-born artists now living and working in Australia, the first of its kind in Melbourne. Curated by Vipoo Srivilasa, the show was designed to provide a platform, "for [the artists] to have a voice in Australia". An artist who moved to Australia 22 years ago, Srivilasa says when you emigrate, your cultural identity changes.

"All of them have a very strong sense of Thai culture in their work, yet it’s not traditional. It blends with Australian culture and becomes something new, something exciting."

- Kerrie O'Brien, Sydney Morning Herald

Un/Thaid runs until July 27 at Grau Projekt.

READ MORE HERE

UN/THAID Curated by Vipoo Srivilasa

This exhibition brings together the work of five contemporary artists from Thailand who now live and work in Australia. Arriving in Australia independently of one another across the 1990s and 2000s, these five artists are based in the urban centres of Melbourne and Sydney and have continued their distinct individual practices since arriving in this country. The work on display in this exhibition is a diverse offering, including performance, painting, ceramics, sculpture, video and installation. Articulating multi-dimensional and layered histories, all of these artists are emboldened in their shared cultural experience of growing up in Thailand and then relocating to Australia while continuing to develop and refine their artistic practices. This exhibition features the work of Phaptawan Suwannakudt, Nakarin Aaron Jaikla, Bundit Puangthong, Pimpisa Tinpalit and Somchai Charoen. A Thai born Melbourne based artist, Vipoo Srivilasa has initiated and organised this exhibition because of his desire to provide visibility and voice for Thai Contemporary artists who have been working and living in Australia.

The exhibition is open 13 June – 27 July, 2019

Grau Projekt, Melbourne

READ MORE HERE

After receiving a record-breaking 482 entries this year and careful deliberation from the judges, the Glover Prize has announced its 42 finalists for 2019. These finalists represent the Judges’ selection of the best artworks of the Tasmanian landscape, chosen from the 482 entrants coming from every Australian state and territory, as well as a number of submissions from New Zealand, Italy, and the United Kingdom. These 42 artworks will be on display at the Glover Prize Exhibition at Falls Park Pavilion in Evandale, Tasmania during March this year.

The judges for the Glover Prize 2019 are Art Fairs Australia CEO and director, Barry Keldoulis; Sydney artist Joan Ross; and Tasmanian Museum and Art Gallery (TMAG) director, Janet Carding. The judges next task is to carefully narrow down the 42 finalists to choose the winner of the $50,000 cash prize. After its display at the exhibition, the John Glover Society Inc. will acquire the winning artwork for its collection.

Julian Meagher's work Democratic Mountain has been selected as one of the finalists. The exhibition commences on the March long-weekend, running from Saturday the 9th of March, 2019 and continuing until the end of the following weekend on Sunday the 17th of March, 2019, at the historic Falls Park Pavilion in Evandale.

READ MORE HERE

Ari Athans is interviewed in the latest issue of Vault Magazine about the breadth of her creative practice - between sculpture, painting, and jewellery.

READ MORE HERE & PDF

Miranda Skoczek, Julian Meagher and John Aslanidis are finalists in The Kings School Art Prize 2018.

The King’s Art Prize is a $20,000 acquisitive award presented to the best contemporary artwork created by an artist resident in Australia and represented by a commercial gallery, supporting both the artists and the fine arts industry. Entry is by invitation only and the finalists are selected by an appointed Art Prize panel.

READ MORE HERE

Congratulations to Julian Meagher who is a finalist in the Paddington Art Prize 2018.

The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.

Of his entry 'Wapengo Lake Tideline', Julian says

I wanted this work to chase the spontaneity and freedom of a watercolour. It was painted at a time of great change just before my son was born. A time of giving in to forces far greater than me, of tides, cycles and connection to country.

READ MORE HERE

The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually. The prize is specific to paintings inspired by the Australian landscape, as the imagery is integral to the tradition of Australia painting and is an enduring motif within contemporary art, shaping national identity.

Bundit Puangthong is a 2018 Finalist with his painting 'Green Fields'.

IMAGE:

Bundit Puangthong

Green Fields 2018

150 x 135cm

acrylic & pastel on paper

READ MORE HERE

Designed as an invitational award, The Gold Award aims to acquire contemporary Australian painting to Rockhampton Art Gallery’s collection by means of the most outstanding work or works by an artist awarded a cash prize of $50,000 and acquired by Rockhampton Art Gallery. The Award was conceived in 2010 when the then Rockhampton Art Gallery Trust received a substantial bequest from the Estate of Moya Gold for the acquisition of Australian paintings. With industry review and guidance, the Trustees advised to expend the interest accumulated by the Gold Trust to fund a new painting award. Now in its fourth iteration The Gold Award has become a premier biennial event of national significance. Presented by Rockhampton Art Gallery, The Gold Award is a joint initiative of Rockhampton Art Gallery Philanthropy Board and Rockhampton Regional Council.

The Gold Award 2018 has been judged by Simon Elliott, Deputy Director, Collection and Exhibitions, Queensland Art Gallery | Gallery of Modern Art.

Bundit Puangthong was selected for the Gold Award in 2018.

IMAGE:

Bundit Puangthong

Sharp Knife 2018

acrylic, spray paint and soft pastel on linen

168 x 168 cm

READ MORE HERE

The Salon des Refusés was initiated by the S.H.Ervin Gallery in 1992 in response to the large number of works entered into the Archibald Prize which were not selected for display in the official exhibition. The Archibald Prize is one of Australia’s most high profile and respected awards which attracts hundreds of entries each year and the S.H. Ervin Gallery’s ‘alternative’ selection has become a much anticipated feature of the Sydney art scene.

Julian Meagher's work 'Wapengo #1' was selected in 2018.  Wapengo #1 is from a series painted after a recent residency on the Sapphire Coast where Meagher spent a month with his pregnant wife Beejal in Mimosa Rocks National Park. He says:

‘I wanted these oil paintings to chase the spontaneity and freedom of a watercolour. They are unashamedly romantic, painted at a time of great change just before my son was born. A time of giving in to forces far greater than me, of tides, cycles and connection to country.’

READ MORE HERE

Julian Meagher is a finalist in the Art Gallery of New South Wales' Archibald prize, the most prestigious portrait prize in Australia. His work is of Man Booker prize recipient Richard Flanagan.  Meagher says:

'Richard Flanagan’s novels are published in 42 countries and have received numerous honours and awards, including the 2002 Commonwealth Writers’ Prize, the 2014 Man Booker Prize and the 2016 Athens Prize for Literature.

‘He is one of my favourite novelists but it is his writing and interviews on literature, the environment, art and politics that particularly make him one of Australia’s most important voices,’ says Julian Meagher. ‘Herb, Richard’s writing partner, was pretty insistent that he be included in the painting.’

Born in 1978 in Sydney, Meagher still lives and works there. This is his third time in the Archibald Prize. He has also been a Wynne finalist.

READ MORE HERE

Julian Meagher is featured in the May/June edition of Vogue Living magazine.

5 x 5 – the Artist and the Patron

24 March 2018 – 20 May 2018

The artist-collector relationship has existed for millennia, manifesting in multiple forms with varying outcomes. During the Renaissance, the patronage of the Medici family enabled Raphael and Leonardo DaVinci to focus solely on art. Just outside Melbourne, during the mid twentieth century, at their home Heidi, John and Sunday Reed invited a young Sidney Nolan inside their world, creating a consummate creative union. In Sydney, Judith Nielsen has helped usher contemporary Chinese artists from emerging to legendary status. Each partnership has yielded significant outputs reverberating throughout different cultures.

5X5 recognizes the cultural significance of these types of pairings by exploring the trajectories of five artists and their parallel collector relationships:

• Amanda Love / Tracey Emin
• Dr. Dick Quan / Uji ‘Hahan’ Handoko Eko Saputro
• Lisa Paulsen / Patrick Hartigan
• James Emmett / Julian Meagher
• The Private Collector / Nigel Milsom

Marking a twenty-five-year relationship, artist Julian Meagher and collector James Emmett have the longest standing association of all the collector-artist pairings showcased in 5X5. Their journey begins when they went to high school together. The pair would become closer friends when Emmett’s partner, Peter Wilson commissioned Meagher to paint Emmett’s portrait during their university years (included in this exhibition).

The works included in this exhibition span the entire period of the Emmett and Meagher’s art collecting/ art making histories. Interestingly, Meagher admits that some of these earlier works are no longer representative of his current practice, revealing the temporal nature of collecting. Often new acquisitions redefine the collection or an artist’s output as a whole by casting new light on past works or acquisitions and suggesting possible directions for the future. Nevertheless, this relationship timestamps their shared experiences as they developed into their adult selves.

Click here to view the Catalogue

Tides and cycles

By Christopher Barker, Tuesday February 13, 2018

For Sydney artist Julian Meagher, 'Inlet/Outlet' is a new type of beast.

Not so much in its challenge to Australia’s contemporary cultural identity (something he is largely known and regarded for), but for translating those ideals to landscape works inspired by the far South Coast of New South Wales Australia. The result, a 21-piece exhibition at the Bega Valley Regional Gallery, chases freedom, the tide and slow looking. The effect on him, profound as it may be, is outlined in our interview below. 

READ THE ARTICLE HERE

Julian Meagher's three week residency at the Myer House at Blithry Inlet on the south coast of New South Wales and the resultant solo exhibition at Bega Regional Gallery is profiled on the Artist Profile blog.

'Sydney artist Julian Meagher's latest exhibition 'Inlet Outlet' is the fruit of a 2017 residency with Bega Valley Regional Gallery (BVRG). A pilot project for a long-term partnership between the National Parks and Wildlife Service (NPWS) and BVRG, the inaugural residency signals 'another key step in the development of the arts in the region and provides the opportunity for visual artists to draw from the unique natural environment of the local region, connect with regional communities and expand their practice outside of metropolitan studios', says BVRG Director Iain Dawson.'

VIEW THE ARTICLE HERE

In April 2017 Bega Valley Regional Gallery welcomed prominent Sydney artist Julian Meagher as inaugural artist in residence. A pilot project for a long term partnership between the National Parks and Wildlife Service and the BVRG, the residency offered the opportunity for visual artists to draw from the unique natural environment of the local region, whilst connecting with regional communities and expanding their practice outside of metropolitan studios.

Meagher spent time at the beautiful Sir Roy Grounds-designed Myer House set on Bithry Inlet in the pristine Mimosa Rocks National Park and Inlet Outlet showcases the artistic fruits of that stay.

Exhibition on until 10 march 2018

READ MORE HERE

Byron Bay's Byron at Byron Hotel recently completed a renovation which included a suite of works by Julian Meagher.

Designed by well known interior designer Luchetti Krelle, art takes pride of place within the newly renovated walls, with finalist of the 2015 Archibald Prize, Julian Meagher commissioned to paint a series of still life paintings featuring Australian natives for the hotel. 

READ MORE HERE

Congratulations to Julian Meagher and Vipoo Srivilasa for being finalists of the 2017 National Still Life Award at Coffs Harbour Regional Gallery.

The acquisitive Award offers a major award of $20,000 as well as a People’s Choice Award of $5,000. This years' judge is Lisa Slade, Assistant Director of Artistic Programs at Art Gallery of South Australia. 

Finalist works exhibited Friday 24th November 2017 to Saturday 20th of January 2018 at Coffs Harbour Regional Gallery.

Hosted by the National Association for the Visual Arts (NAVA) in Sydney on 18 August, you now have the chance to learn life drawing from some of the best in the business, with a one-off class led by Archibald Prize finalists. 

Supporting NAVA, the 15-person only event will see past Archibald finalists Jasper Knight, Julian Meagher, Dean Brown and Oliver Watts give out tips via way of a life drawing class, discuss their work and also tour their Darlinghurst studio. 

“One of the things I like most about life drawing is the communal nature of it. Oliver, Jasper and I spent many of our teenage years together at life drawing classes. I'm looking forward to getting the band back together! Art can be a lonely pursuit so it is magical when you can bounce ideas and create work alongside your peers. NAVA plays a key role in our community and I think it is fitting to be able to support it in this way,” says Julian Meagher, who was selected as a 2015 Archibald finalist for his Daniel Johns portrait. 

Visit NAVA to book. 

Ari Athans' work has been selected for Redcliffe Gallery's 15 Artists Exhibition 2017.

This annual award plays a pivotal role in the growth of the Moreton Bay Regional Council Art Collection. The $8000 acquisitive prize exhibits 15 Artists that reflect the collection’s focus of culture, identity, spirit and sense of place.

Artists selected for 2017 are Ari Athans, Glenn Barkley, Sue Beyer, Megan Cope, Hannah Cutts, Jeremy Eden, Martin Edge, Ian Friend, Stephen Hart, Barbara Heath, Abbey McCulloch, Kate McKay, Stephen Nothling, Graeme Peebles and Nan Dingle.

The exhibition runs from 1 September - 28 October 2017.

READ MORE HERE

The Drawing Wall is an ongoing series of site-specific, commissioned, temporary wall-based drawings or installations enlivening the foyer-space of the Eastbank Centre, directly outside Shepparton Art Museum. This year Bundit Puangthong has been commissioned to complete a drawing across the 4 x 12 metre space as well as conducting a stencil workshop in July.

READ MORE HERE

Occurring biennially, the 'Arthur Guy Memorial Painting Prize' attracts Australian artists and awards an acquisitive prize of $50,000. The Prize provides Bendigo Art Gallery with the opportunity to survey contemporary painting by established and emerging artists from across Australia.

Works from the shortlisted artists will be on display at Bendigo Art Gallery in the Arthur Guy Memorial Painting Prize exhibition from 17 June – 20 August 2017. The 2017 winner will be announced at the exhibition’s opening on Friday 16 June 2017.

Bundit Puangthong was selected as a finalist in the 2017 prize for his work 'No Where To Hide'

IMAGE:

Bundit Puangthong

No Where To Hide 2017

acrylic on linen

168 x 168 cm

READ MORE HERE

Ari Athans work 'Felsic Plume' has been selected as a finalist in the 2017 Moreton Bay Art Award. This annual acquisitive award exhibition is supported by the Moreton Bay Regional Council. The Art Award offers two acquisitive prizes of $7,500 and two supplementary $1,000 prizes for a Local Artists and a People’s Choice Award.

The Moreton Bay Region Art Award has featured prominent and emerging artists for the last 24 years, and is now an important feature in the cultural landscape of the region.

Dr Campbell Gray, Director of the University of Queensland Art Museum is the 2017 judge.

IMAGE:

Ari Athans

Felsic Plume 2016

enamel on mild steel

30 x 70 cm

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.

Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.

Image: Julian Meagher | The Ashes Fall - The Wine Spills | 2016 | oil on linen | 152 x 122 cm

Read more Here.

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.

Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.

IMAGE:

Bundit Puangthong

Where Is the Buddha? 2017

acrylic on linen

122 x 122 cm

READ MORE HERE

Museums & Galleries of New South Wales is delighted to announce five residencies have been awarded through the Artist or Curator Residency Program for 2017. Generously supported by the Copyright Agency’s Cultural Fund, each residency of $11,250 will provide artists and curators the space and time to immerse themselves in a unique place, community or collection within a regional gallery, boosting their creative process.

Bega Valley Regional Gallery, New South Wales

In partnership with the National Parks and Wildlife Services, Bega Valley Regional Gallery will host contemporary painter Julian Meagher on a month long residency within the south east NSW region. Over the month long residency Julian will deliver three workshops and one masterclass.

Read more here

Melissa Pesa thoughtfully writes about Bundit Puangthong's latest exhibition in the current edition of Art Almanac:

Puangthong’s paintings explore, in depth, the cultural differences experienced since his arrival in Australia in 2000. Utilising a range of techniques from stencils to detailed, academic brushwork and an evocative colour palette, Puangthong creates texturally layered paintings that highlight his interest in American pop and Australian street art. Captivated by Melbourne’s creative ambience, its feast of colour, ideas and energy generated from public spaces, cross-cultural similarities became apparent. Puangthong reminisces, “When I came to Melbourne and saw all the street art everywhere it reminded me of the stencil work in the temples in Thailand.” Incorporating this approach with a modern medium, Puangthong brings a fresh art style onto the canvas.

- Melissa Pesa, Art Almanac

READ MORE HERE

Julian Meagher has been selected as a finalist for the Shirley Hannan Bega Portrait Prize at the Bega Valley Regional Gallery. The prize is a $50,000 non-acquisitive award for realistic portraiture. The winner will be announced by the judge Dr. Christopher Chapman, Senior Curator at the National Portrait Gallery, Friday 17 June.

View Julian’s available works here.

Congratulations to Julian Meagher who has been selected as a finalist in the 2016 Gold Award at Rockhampton Art Gallery. The Gold Award is a national invitation painting award with an acquisitive cash prize of $50,000 made possible through a generous bequest from the Estate of Moya Gold. The winning artist will be announced by Chris Saines, Director Queensland Art Gallery | Gallery of Modern Art. 

The exhibition is current from 23 July – 4 September 2016.

This March at the Festival of Live Art in Melbourne, Bundit Puangthong will take part in Asian Artists in Conversation. Participating artists will provide a critical overview of the Asian art landscape, and discuss the shifting boundaries and concepts of contemporary Asian art.

When: Sunday 6 March, 1pm – 5pm

Venue: FCAC Roslyn Smorgon Gallery

Cost: Free, bookings required

The Festival of Live Art is hosted by Arts House, Theatre Works and Footscray Community Arts Centre, and is current 1 – 13 March 2016.

Bundit's forthcoming exhibition is from 4 - 22 October 2016.

READ MORE HERE

Watch Bundit in the Studio Here

Julian Meagher's portrait of superstar National Rugby League player Johnathan Thurston is on the cover of the October issue for Rugby League Player Magazine.  Meagher was a finalist in the 2015 Archibald Prize with his portrait of Daniel Johns. The Thurston portrait is part of a suite of works from the 'Code' series which shines a light on the vulnerability of some of Australia's biggest football heroes, dramatising the precarious fragility in each man’s isolated facial expression.

Julian Meagher's solo exhibition 'Alone in the Sun' is on from 3 - 27 November 2015.

We are pleased to announce that Julian is a semi-finalist with his portrait Paul Ryan for the Doug Moran National Portrait Prize. Julian was also a finalist with his work Floating In A Darkened Sky for the Eutick Memorial Still Life Award (EMSLA) at Coffs Harbour Regional Gallery.

Julian will be exhibiting new works for Alone in the Sun at Edwina Corlette Gallery, November 3 - 21, 2015. This series of new work further investigates how our past inhabits our present. 'As I have grown older I have become interested in the concept of both collective and personal notions of inherited history,' he says.

Originally posted on CULTURAL FLANERIE:

View original 635 more words

Julian Meagher has been commissioned by Belvoir St Theatre in Sydney to bring the Company’s actors to life with a suite of drawings for their 2015 catalogue. Belvoir’s position as one of Australia’s most innovative and acclaimed theatre companies has been determined by such landmark productions as The Wild Duck, The Diary of a Madman, The Blind Giant is Dancing, The Book of Everything, Cloudstreet, Measure for Measure, Keating!, Parramatta Girls, Exit the King, The Alchemist, Hamlet, Waiting for Godot, The Sapphires, Who’s Afraid of Virginia Woolf?, Stuff Happens and Medea.

When Julian Meagher first met John Waters ‘He was rehearsing Looking Through A Glass Onion with Stewart, my girlfriend’s father, in his lounge room. They were making a lot of noise, laughing and playing Norwegian Wood. It was great to meet the man I had watched on Play School, now far removed from Big Ted’.

John Waters is an English film, theatre and television actor best known in Australia, which he’s called home since 1968.  Meagher says ‘I wanted to paint John in a puffy shirt, both as a nod to his theatrical profession and to re-imagine him as a kind of colonial character. ‘He has such a strong face, which really suited my painting style. It was my hope to capture a complex expression. Rather than looking back at the viewer, he is engaged with something outside our understanding’.

Born in Sydney in 1978, Meagher left work as a medical doctor nine years ago to paint full time and has exhibited regularly since then both locally and internationally. He studied the Atelier method in Florence, Italy. He has been a finalist five times in the Salon Des Refuses. He was a finalist in the Doug Moran Portrait Prize in 2009 and 2012, as well as in the Metro Art Prize and Blake Prize for Religious Art.