October 18, 2022
Marisa Purcell is a finalist in the 2022 Fisher's Ghost Art Award with her work 'Yesterday's Song' (image below).
The Award is an annual art prize inviting artists to submit works in a variety of artistic categories and mediums. Now in its 60th year, there is $72,000 in prize money to be won. The Open Award is acquisitive to the Campbelltown City Council collection and in 2022, in celebration of the 60th Anniversary; the award is valued at $60,000.
October 18, 2022
Marisa Purcell is a finalist in the 2022 Mosman Art prize with her work 'Hovering Overhead' (image below).
Established in 1947, the Mosman Art Prize is Australia's oldest and most prestigious local government art award. It was founded by the artist, architect and arts advocate, Alderman Allan Gamble, at a time when only a small handful of art prizes were in existence in Australia and the community had very little support and few opportunities to exhibit their work.
As an acquisitive art award for painting, the winning artworks collected form a splendid collection of modern and contemporary Australian art, reflecting all the developments in Australian art practice since 1947. Artists who have won the Mosman Art Prize include Margaret Olley, Guy Warren, Grace Cossington Smith, Weaver Hawkins, Nancy Borlase, Lloyd Rees, Elisabeth Cummings, Adam Cullen, Michael Zavros, Natasha Walsh and Salote Tawale.
The 2022 judge of the Mosman Art Prize is Rhana Devenport ONZM.
July 8, 2021
Art, Activism And The Archibald
Art has always been a vehicle for social dialogue, and a window into current political issues. When Sydney artist Julian Meagher met former professional soccer player, commentator and human rights advocate Craig ‘Fozzy’ Foster AM, he was inspired.
June 29, 2021
Marisa Purcell is a finalist in the 2021 Sulman Prize with her work 'That Time of Day'. Administered by the Art Gallery of New South Wales, the prize was first awarded in 1936. Each year the trustees invite a guest artist to judge the competition.
Marisa's work 'That time of day' considers those moments between day and night, where the last burst of blue lets itself dissipate into the darkness. These transitory spaces are intrinsic to human experience everywhere.
The painting contemplates layers of light and colour and the affect it can have when you are surrounded by it. Supported by a warm ground of raw linen and pink, veils of transparent colour shift in and out of perceptibility, activating an awareness of looking. This is a human-scaled painting, intended as an opportunity to feel and connect with this shared human experience.
June 8, 2021
WORDS EMMA-KATE WILSON
A few years ago, Sydney-based artist Julian Meagher welcomed the birth of his son and found himself working more instinctively. ‘I think I’m making better works because I am taking a lot more risks, I make so many more bad paintings that end up in the bin now than I used to,’ he comments.
When his daughter was born eight months ago, he went through a whole new level of sleep deprivation and heartbreak, with their little girl suffering reflux for six months. ‘Sleepwalking’ channels this energy, exploring the space between altered states, the subconscious and dreaming.
Alongside ultra-romantic pink and blue landscapes, complete with rainbows, built through active painting, raw brushstrokes and delicate fades, Meagher presents his sleeping family. The small and intimate portraits connect with the large glitchy, idyllic landscapes. ‘I’m trying to make sense of the complex human existence through the power and beauty of nature,’ he adds, ‘I feel like a rainbow next to a little sleeping baby is what we need right now … A hope that things will get better on both a personal and collective level.’
Meagher’s palette is deliberately muted, soft, subtle. He says, ‘I think painting is only good if you’re true to yourself. Painting is a kind of meditation for me in a way; I want the end result to slow down my breath rate.’
To construct his portraits and colour fields – which can be read as landscapes, abstracted, or the sky out of his studio window – Meagher applies thin layers and begins to remove the colour as it starts to dry. Working against the drying time of the paint stops the artist from ‘overcooking’ them. By revealing the linen below, the canvases hold luminosity, adding a watercolour effect evocative of the ocean-inspired landscapes. ‘We’ve all seen those storms out to sea; it’s in our collective consciousness,’ he explains, ‘most can associate strong memories and rites of passage with these coastline images.’
August 17, 2019
Through the Margaret Olley Art Centre, the Tweed Regional Gallery offers a unique experience of Margaret Olley’s home studio, provide insight into Australian art history and practice, and honor the artist’s legacy of mentorship and patronage. The Nancy Fairfax Artist-In-Residence (AIR) studio program encourages arts practice and creative engagement between artist, community and place.
The AIR studio will extend and complete the re-creation of Margaret Olley’s home studio at Tweed Regional Gallery. Throughout her professional life, Margaret Olley supported many artists through mentorship and financial assistance. To Margaret, the most productive ways of supporting artists were to encourage the public exhibition of an artist’s practice and to encourage sales. It is widely known that Olley mentored a number of younger artists and encouraged their representation in public and private collections. She actively supported artists and advanced their careers through purchasing works for collections or offering artists the opportunity to further their development through fellowship programs.
The AIR studio program will offer artists an opportunity to stimulate their practice in a creative environment. The Gallery will administer and promote a program which will see at least two invited artists participate in funded residency programs at TRG annually. The artwork resulting from these residences will be included in the Gallery’s exhibition program and displayed in the Friends of the Gallery.
Marisa Purcell will take up the Residency in 2020.
August 9, 2019
Marisa Purcell has been awarded a Kedewatan Residency in Ubud which she will take up later in 2019.
The Kedewatan Residency Program was established by artists as a space for professional contemporary artists, writers, curators, dancers to make work, while providing the opportunity to immerse themselves in the vibrant community of Ubud. The studio residency offers a private residence for both the research and creation of new work.
February 28, 2019
After receiving a record-breaking 482 entries this year and careful deliberation from the judges, the Glover Prize has announced its 42 finalists for 2019. These finalists represent the Judges’ selection of the best artworks of the Tasmanian landscape, chosen from the 482 entrants coming from every Australian state and territory, as well as a number of submissions from New Zealand, Italy, and the United Kingdom. These 42 artworks will be on display at the Glover Prize Exhibition at Falls Park Pavilion in Evandale, Tasmania during March this year.
The judges for the Glover Prize 2019 are Art Fairs Australia CEO and director, Barry Keldoulis; Sydney artist Joan Ross; and Tasmanian Museum and Art Gallery (TMAG) director, Janet Carding. The judges next task is to carefully narrow down the 42 finalists to choose the winner of the $50,000 cash prize. After its display at the exhibition, the John Glover Society Inc. will acquire the winning artwork for its collection.
Julian Meagher's work Democratic Mountain has been selected as one of the finalists. The exhibition commences on the March long-weekend, running from Saturday the 9th of March, 2019 and continuing until the end of the following weekend on Sunday the 17th of March, 2019, at the historic Falls Park Pavilion in Evandale.
October 4, 2018
The King’s Art Prize is a $20,000 acquisitive award presented to the best contemporary artwork created by an artist resident in Australia and represented by a commercial gallery, supporting both the artists and the fine arts industry. Entry is by invitation only and the finalists are selected by an appointed Art Prize panel.
September 30, 2018
Congratulations to Julian Meagher who is a finalist in the Paddington Art Prize 2018.
The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.
Of his entry 'Wapengo Lake Tideline', Julian says
I wanted this work to chase the spontaneity and freedom of a watercolour. It was painted at a time of great change just before my son was born. A time of giving in to forces far greater than me, of tides, cycles and connection to country.
August 3, 2018
Marisa Purcell's work Tesselate has been selected as a finalist in the Redland Art Awards.
This is a biennial contemporary painting competition open to all Australian artists. Redland Art Awards 2018 features four prizes, totalling over $20,000.
Now celebrating its 31st year, the competition is presented at the Redland Art Gallery in Brisbane. Opened in 2003, Redland Art Gallery is a vibrant cultural destination with a varied exhibition program of innovative and traditional works.
Sunday 2 September - Sunday 14 October 2018. Read more HERE.
May 14, 2018
The Salon des Refusés was initiated by the S.H.Ervin Gallery in 1992 in response to the large number of works entered into the Archibald Prize which were not selected for display in the official exhibition. The Archibald Prize is one of Australia’s most high profile and respected awards which attracts hundreds of entries each year and the S.H. Ervin Gallery’s ‘alternative’ selection has become a much anticipated feature of the Sydney art scene.
Julian Meagher's work 'Wapengo #1' was selected in 2018. Wapengo #1 is from a series painted after a recent residency on the Sapphire Coast where Meagher spent a month with his pregnant wife Beejal in Mimosa Rocks National Park. He says:
‘I wanted these oil paintings to chase the spontaneity and freedom of a watercolour. They are unashamedly romantic, painted at a time of great change just before my son was born. A time of giving in to forces far greater than me, of tides, cycles and connection to country.’
May 14, 2018
Julian Meagher is a finalist in the Art Gallery of New South Wales' Archibald prize, the most prestigious portrait prize in Australia. His work is of Man Booker prize recipient Richard Flanagan. Meagher says:
'Richard Flanagan’s novels are published in 42 countries and have received numerous honours and awards, including the 2002 Commonwealth Writers’ Prize, the 2014 Man Booker Prize and the 2016 Athens Prize for Literature.
‘He is one of my favourite novelists but it is his writing and interviews on literature, the environment, art and politics that particularly make him one of Australia’s most important voices,’ says Julian Meagher. ‘Herb, Richard’s writing partner, was pretty insistent that he be included in the painting.’
Born in 1978 in Sydney, Meagher still lives and works there. This is his third time in the Archibald Prize. He has also been a Wynne finalist.
May 14, 2018
Marisa Purcell is a finalist in the 2018 Ravenswood Art Prize with her work 'Cage'. More than just an art prize, The Ravenswood is a visual art movement championed by women.
Approximately 70% of art school graduates nationally are female. However, female artists are significantly underrepresented in gallery exhibitions and prize recipients. ‘The numbers just don’t add up for women in the visual arts world,’ said Edwina Palmer, Head of Visual Arts at Ravenswood School for Girls.
The prize is designed to promote and connect Australia’s female artists. It consists of two categories; the Professional Artists’ prize valued at $35,000, and an Emerging Artist prize valued at $5,000, making the Ravenswood Australian Women’s Art Prize the richest professional art prize for women in Australia.
‘I see it very much as a space for women, and we hope we can do a lot for them. The Art Prize gives women another opportunity to build their careers, and to put the spotlight on women in art,’ said Palmer.
Established in 2017, the inaugural Art Prize was an extraordinary success with over 780 entrants. Palmer was stunned with the reception the Prize received.
May 3, 2018
Julian Meagher is featured in the May/June edition of Vogue Living magazine.
March 30, 2018
5 x 5 – the Artist and the Patron
The artist-collector relationship has existed for millennia, manifesting in multiple forms with varying outcomes. During the Renaissance, the patronage of the Medici family enabled Raphael and Leonardo DaVinci to focus solely on art. Just outside Melbourne, during the mid twentieth century, at their home Heidi, John and Sunday Reed invited a young Sidney Nolan inside their world, creating a consummate creative union. In Sydney, Judith Nielsen has helped usher contemporary Chinese artists from emerging to legendary status. Each partnership has yielded significant outputs reverberating throughout different cultures.
5X5 recognizes the cultural significance of these types of pairings by exploring the trajectories of five artists and their parallel collector relationships:
- Amanda Love / Tracey Emin
- Dr. Dick Quan / Uji ‘Hahan’ Handoko Eko Saputro
- Lisa Paulsen / Patrick Hartigan
- James Emmett / Julian Meagher
- The Private Collector / Nigel Milsom
Marking a twenty-five-year relationship, artist Julian Meagher and collector James Emmett have the longest standing association of all the collector-artist pairings showcased in 5X5. Their journey begins when they went to high school together. The pair would become closer friends when Emmett’s partner, Peter Wilson commissioned Meagher to paint Emmett’s portrait during their university years (included in this exhibition).
The works included in this exhibition span the entire period of the Emmett and Meagher’s art collecting/ art making histories. Interestingly, Meagher admits that some of these earlier works are no longer representative of his current practice, revealing the temporal nature of collecting. Often new acquisitions redefine the collection or an artist’s output as a whole by casting new light on past works or acquisitions and suggesting possible directions for the future. Nevertheless, this relationship timestamps their shared experiences as they developed into their adult selves.
March 6, 2018
Tides and cycles
By Christopher Barker, Tuesday February 13, 2018
For Sydney artist Julian Meagher, 'Inlet/Outlet' is a new type of beast.
Not so much in its challenge to Australia’s contemporary cultural identity (something he is largely known and regarded for), but for translating those ideals to landscape works inspired by the far South Coast of New South Wales Australia. The result, a 21-piece exhibition at the Bega Valley Regional Gallery, chases freedom, the tide and slow looking. The effect on him, profound as it may be, is outlined in our interview below.
March 6, 2018
Julian Meagher's three week residency at the Myer House at Blithry Inlet on the south coast of New South Wales and the resultant solo exhibition at Bega Regional Gallery is profiled on the Artist Profile blog.
'Sydney artist Julian Meagher's latest exhibition 'Inlet Outlet' is the fruit of a 2017 residency with Bega Valley Regional Gallery (BVRG). A pilot project for a long-term partnership between the National Parks and Wildlife Service (NPWS) and BVRG, the inaugural residency signals 'another key step in the development of the arts in the region and provides the opportunity for visual artists to draw from the unique natural environment of the local region, connect with regional communities and expand their practice outside of metropolitan studios', says BVRG Director Iain Dawson.'
March 6, 2018
In April 2017 Bega Valley Regional Gallery welcomed prominent Sydney artist Julian Meagher as inaugural artist in residence. A pilot project for a long term partnership between the National Parks and Wildlife Service and the BVRG, the residency offered the opportunity for visual artists to draw from the unique natural environment of the local region, whilst connecting with regional communities and expanding their practice outside of metropolitan studios.
Meagher spent time at the beautiful Sir Roy Grounds-designed Myer House set on Bithry Inlet in the pristine Mimosa Rocks National Park and Inlet Outlet showcases the artistic fruits of that stay.
Exhibition on until 10 march 2018
March 6, 2018
Marisa Purcell's work 'Conceal' 2016 has been included in the inaugural exhibition of the new Gippsland Art Gallery title 'imagine' which celebrates the imagination in all its wild and wonderful forms.
Curated by Simon Gregg, 'imagine' is about beginnings — the beginning of the world, the birth of consciousness, an awakening to the possibilities before us.
February 28, 2018
Byron Bay's Byron at Byron Hotel recently completed a renovation which included a suite of works by Julian Meagher.
Designed by well known interior designer Luchetti Krelle, art takes pride of place within the newly renovated walls, with finalist of the 2015 Archibald Prize, Julian Meagher commissioned to paint a series of still life paintings featuring Australian natives for the hotel.
September 29, 2017
The acquisitive Award offers a major award of $20,000 as well as a People’s Choice Award of $5,000. This years' judge is Lisa Slade, Assistant Director of Artistic Programs at Art Gallery of South Australia.
Finalist works exhibited Friday 24th November 2017 to Saturday 20th of January 2018 at Coffs Harbour Regional Gallery.
September 19, 2017
Congratulations to artist Marisa Purcell for being a finalist in this years Paddington Art Prize 2017.
The Paddington Art Prize is a $25,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. Established in 2004 by Arts Patron, Marlene Antico OAM, this National prize takes its place among the country’s most lucrative and highly coveted painting prizes.
The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.
This year welcomes the People's Choice award. Details here.
Exhibition current until Sunday 22nd October.
August 7, 2017
Hosted by the National Association for the Visual Arts (NAVA) in Sydney on 18 August, you now have the chance to learn life drawing from some of the best in the business, with a one-off class led by Archibald Prize finalists.
Supporting NAVA, the 15-person only event will see past Archibald finalists Jasper Knight, Julian Meagher, Dean Brown and Oliver Watts give out tips via way of a life drawing class, discuss their work and also tour their Darlinghurst studio.
“One of the things I like most about life drawing is the communal nature of it. Oliver, Jasper and I spent many of our teenage years together at life drawing classes. I'm looking forward to getting the band back together! Art can be a lonely pursuit so it is magical when you can bounce ideas and create work alongside your peers. NAVA plays a key role in our community and I think it is fitting to be able to support it in this way,” says Julian Meagher, who was selected as a 2015 Archibald finalist for his Daniel Johns portrait.
Visit NAVA to book.
May 8, 2017
The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.
Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.
Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.
Image: Julian Meagher | The Ashes Fall - The Wine Spills | 2016 | oil on linen | 152 x 122 cm
December 7, 2016
Museums & Galleries of New South Wales is delighted to announce five residencies have been awarded through the Artist or Curator Residency Program for 2017. Generously supported by the Copyright Agency’s Cultural Fund, each residency of $11,250 will provide artists and curators the space and time to immerse themselves in a unique place, community or collection within a regional gallery, boosting their creative process.
Bega Valley Regional Gallery, New South Wales
In partnership with the National Parks and Wildlife Services, Bega Valley Regional Gallery will host contemporary painter Julian Meagher on a month long residency within the south east NSW region. Over the month long residency Julian will deliver three workshops and one masterclass.
November 7, 2016
Marisa Purcell is a finalist in the 2016 Grace Cossington Smith Art Award.
The award is sponsored by Abbotsleigh School and commemorates one of its alumni, Grace Cossington Smith, who is known as a pioneer of modernist painting in Australia. Artists were invited to submit original two dimensional artworks reflecting the theme of Making Connections. The winning entry will form part of the permanent collection of Abbotsleigh’s Grace Cossington Smith Gallery.
Read more about the award here.
May 31, 2016
Julian Meagher has been selected as a finalist for the Shirley Hannan Bega Portrait Prize at the Bega Valley Regional Gallery. The prize is a $50,000 non-acquisitive award for realistic portraiture. The winner will be announced by the judge Dr. Christopher Chapman, Senior Curator at the National Portrait Gallery, Friday 17 June.
View Julian’s available works here.
May 28, 2016
The IN/OUT design blog features an article on Marisa Purcell’s ‘Screen’, an exhibition of new paintings. Katrina Arent writes, ‘Abstract art is deeply engaged with science and the natural universe and yet not always in specific ways that are readily apparent. Discovering ways to articulate these often complex ideas provides the central motivation for artist Marisa Purcell… Intangible concepts about the nature of reality, coupled with the open-ended process of making an artwork, gives rise to paintings that provoke thought and engage the senses.’ Read the full article here.
April 6, 2016
Congratulations to Julian Meagher who has been selected as a finalist in the 2016 Gold Award at Rockhampton Art Gallery. The Gold Award is a national invitation painting award with an acquisitive cash prize of $50,000 made possible through a generous bequest from the Estate of Moya Gold. The winning artist will be announced by Chris Saines, Director Queensland Art Gallery | Gallery of Modern Art.
The exhibition is current from 23 July – 4 September 2016.
November 7, 2015
Featured in the November issue of Art Guide Australia, Sarah Werkmeister writes of Julian's current show,
"It’s fair to say that Australia has a rocky history. Julian Meagher’s new exhibition, Alone in the Sun, interrogates the scars left behind, in both the national consciousness and in the landscape itself, with a deft poeticism...
Meagher’s trademark bottles and flora feature in the show as well, making reference not only to the artefact – he worked with a scuba diver to source bottles from Sydney Harbour and scoured op shops too – but also to the need to drink to deal with hardship. Instead of imbuing the typical Australian masculinity onto notions of drinking, the delicacy and translucency of the paint allude to the passing of time through an object, speaking to an understanding of human nature and the way it influences our psychic environment.
Meagher seems to suggest that we’re all implicated in Australia’s scars and that the only way to move forward is to start by looking back."
Read the full article here.
October 7, 2015
Julian Meagher's portrait of superstar National Rugby League player Johnathan Thurston is on the cover of the October issue for Rugby League Player Magazine. Meagher was a finalist in the 2015 Archibald Prize with his portrait of Daniel Johns. The Thurston portrait is part of a suite of works from the 'Code' series which shines a light on the vulnerability of some of Australia's biggest football heroes, dramatising the precarious fragility in each man’s isolated facial expression.
Julian Meagher's solo exhibition 'Alone in the Sun' is on from 3 - 27 November 2015.
October 6, 2015
We are pleased to announce that Julian is a semi-finalist with his portrait Paul Ryan for the Doug Moran National Portrait Prize. Julian was also a finalist with his work Floating In A Darkened Sky for the Eutick Memorial Still Life Award (EMSLA) at Coffs Harbour Regional Gallery.
Julian will be exhibiting new works for Alone in the Sun at Edwina Corlette Gallery, November 3 - 21, 2015. This series of new work further investigates how our past inhabits our present. 'As I have grown older I have become interested in the concept of both collective and personal notions of inherited history,' he says.
July 18, 2015
Originally posted on CULTURAL FLANERIE:
In one of life’s more curious turns, I ended up owning a cocktail bar about six years ago. Me, the chick with no hospitality experience, who’d never waited tables, never pulled a beer and didn’t knowthe difference between an ale and a lager, was suddenly having to work out how to change a beer keg and what the hell people meant when they asked for a “CC and dry.” To say it was a steep learning curve is an understatement. It was a world away from my previous life in writing and interior design.But the patrons and Isurvived the rocky start and now its almost second nature to me. I’ve even won awards for my espresso martinis – go figure!
Howeverowning a bar, even now that I’m rarely actually the one serving drinks, is something that has never sat easily with me. On a daily basis I rely on the…
View original 635 more words
February 6, 2015
Marisa Purcell speaks openly about her practice leading up to her solo exhibition at Edwina Corlette Gallery:
“Getting my first studio was a significant thing for me – and since then I have taken a path of showing my work very regularly – in both artist-run spaces and commercial spaces in Australia and overseas. Moving overseas and undertaking residencies allowed me to explore European art and see painting from an international viewpoint.”
Read the full interview on Daily Imprint here.
February 6, 2015
We paid a visit to Marisa's studio prior to her solo exhibition of new paintings titled, 'Unbounded'. Hear what Marisa has to say about her practice:
February 6, 2015
Freelance arts writer, Louise Martin-Chew, covers Marisa Purcell's 2015 solo exhibition Unbounded in a preview article for Art Guide Australia. Louise writes:
"In Unbounded, Marisa Purcell explores the natural, the sacred and the spirit through a series of abstract paintings. At turns poignant, moving and arresting in their capture of space, time and memory, they direct the viewer to an ephemeral moment just below the conscious."
Read the full article here.
December 19, 2014
Congratulations to Marisa Purcell who is a finalist in the 2014 Blake Prize with her beautiful work Quiver. Judges of the Blake Prize, Anne Ferran (artist), Alexie Glass-Kantor (curator), and Alex Norman (religion academic), said submissions had ‘cast aside the leaden notion of religions as simply collections of statements about the nature of things. Here instead we see the religious and the spiritual as diverse, contradictory, uplifting, and mundane, all at once. Some of the works are playful and wry. Equally, we also see darkness, fear, and lamentation. Taken together, a distinctly optimistic and positive sentiment is palpable.’
December 19, 2014
Julian Meagher has been commissioned by Belvoir St Theatre in Sydney to bring the Company’s actors to life with a suite of drawings for their 2015 catalogue. Belvoir’s position as one of Australia’s most innovative and acclaimed theatre companies has been determined by such landmark productions as The Wild Duck, The Diary of a Madman, The Blind Giant is Dancing, The Book of Everything, Cloudstreet, Measure for Measure, Keating!, Parramatta Girls, Exit the King, The Alchemist, Hamlet, Waiting for Godot, The Sapphires, Who’s Afraid of Virginia Woolf?, Stuff Happens and Medea.
December 19, 2014
When Julian Meagher first met John Waters ‘He was rehearsing Looking Through A Glass Onion with Stewart, my girlfriend’s father, in his lounge room. They were making a lot of noise, laughing and playing Norwegian Wood. It was great to meet the man I had watched on Play School, now far removed from Big Ted’.
John Waters is an English film, theatre and television actor best known in Australia, which he’s called home since 1968. Meagher says ‘I wanted to paint John in a puffy shirt, both as a nod to his theatrical profession and to re-imagine him as a kind of colonial character. ‘He has such a strong face, which really suited my painting style. It was my hope to capture a complex expression. Rather than looking back at the viewer, he is engaged with something outside our understanding’.
Born in Sydney in 1978, Meagher left work as a medical doctor nine years ago to paint full time and has exhibited regularly since then both locally and internationally. He studied the Atelier method in Florence, Italy. He has been a finalist five times in the Salon Des Refuses. He was a finalist in the Doug Moran Portrait Prize in 2009 and 2012, as well as in the Metro Art Prize and Blake Prize for Religious Art.
18 October 2022 – 5 November 2022
Julian Meagher & Marisa Purcell ‘Light Matter’
3 January 2022 – 1 February 2022
THE SUMMER SALON
23 November 2021 – 15 December 2021
THE ART OF CHRISTMAS | ONLINE ONLY
5 – 21 October 2021
Marisa Purcell ‘Outside In’
20 April 2021 – 8 May 2021
Marisa Purcell ‘Endlessness’
28 October 2020 – 18 November 2020
Julian Meagher ‘Sleepwalking’
8 – 28 August 2019
MARISA PURCELL 'Fieldwork'
26 June 2019 – 17 July 2019
THE NEW GALLERY SHOW — A Group Exhibition
18 September 2018 – 10 October 2018
Julian Meagher ‘Tidelines’
29 August 2018 – 15 September 2018
THE 10TH ANNIVERSARY EXHIBITION
16 March 2018 – 7 April 2018
Marisa Purcell ‘Transmission’
24 August 2017 – 30 September 2017
COAST — LAURA JONES, PAUL RYAN, TIM McMONAGLE, JULIAN MEAGHER, JUDITH SINNAMON, FRANK NOWLAN + THE ARTISTS FROM MANINGRIDA
8 – 29 November 2016
Tim McMonagle & Julian Meagher ‘Recent Work’
11 – 14 August 2016
Julian Meagher ‘Everybody Talks in Their Sleep’ (Melbourne)
14 May 2016 – 11 June 2016
Marisa Purcell ‘Screen’
3 – 25 November 2015
Julian Meagher ‘Alone In The Sun’
3 – 28 February 2015
Marisa Purcell ‘Unbounded’
14 – 17 August 2014
Melbourne Art Fair
11 – 29 March 2014
Marisa Purcell ‘Walking with Time’
10 September 2013 – 12 October 2013
5th Anniversary Exhibition
16 April 2013 – 4 May 2013
Julian Meagher ‘The Space Between Clouds and Mud’
26 March 2013 – 13 April 2013
Marisa Purcell ‘Communion’
27 March 2012 – 14 April 2012
Marisa Purcell ‘Murmuration’
6 – 24 March 2012
17 October 2011 – 5 November 2011
Julian Meagher ‘The King of Good Times’ (Gallery 1)
14 March 2011 – 2 April 2011
Marisa Purcell ‘Immanence’ (Gallery 1)
2 January 2011 – 19 February 2011
27 September 2010 – 16 October 2010
12 April 2010 – 1 May 2010
Julian Meagher ‘Portable Shrines’