Crazy Quilting2016 oil and acrylic on linen 122 x 92 cm
SOLD
Crazy QuiltingMiranda Skoczek
Crazy Quilting2016 oil and acrylic on linen 122 x 92 cm
SOLD
“My paintings speak of a desire to create sanctuary for the self” says Miranda Skoczek. In her work, combined energies of gestural freedom, opulent colour and the physical qualities of paint emanate from the field of the canvas, extending to the viewer a sensual immersion within a haptic, temporal space. Further playing on a connection to perceptual depth and the passage of time, references are made to ancient cultures, the decorative arts and domestic architectures, proposing in the words of cultural critic Alain de Botton that ‘home is the guardian of our identity’.
Skoczek evokes the palimpsest as archeology, layering paint to provide a source of history and ramping up process for a leap into the unknown. A self-confessed “big consumer of images”, she constantly trolls the internet and glossy magazines to fuel her need to collect, organize, edit and re-edit images from high and popular culture. By valuing honesty over notions of purity, a gentle irony seeps into Skoczek’s search for the sublime: her work rests upon the coexistence of beauty and imperfection. Seeing, finding and revealing are invested with spiritual importance for the artist and the viewer and create a shared, meditative, visual world not unknown to artists like Rothko, but here accessible and accepting through her elegant, yet slightly off-kilter lyricism.
Miranda Skoczek holds a Bachelor of Fine Arts in Painting from the Victoria College of Arts, University of Melbourne and a Diploma of Applied Arts and Graphic Design from the Canberra Institute of Technology. She has exhibited her paintings and collages internationally as well as throughout Australia in numerous solo and group exhibitions.
Miranda Skoczek is inspired by opulence. Not the kind you see in lifestyles of the rich and famous, though it might be. Nor the sort you find in the troves of the world’s museums and places of worship, though again it could be. But for Skoczek, opulence doesn’t equal luxury so much as joy and the pursuit of it – just as easily found in the slums of India during Holi, when the streets become such a riot of colour and adornment that the harsh living conditions are momentarily overshadowed.
Architecture, pop culture, fashion, religious iconography, antiquities, art history, traditional arts and crafts, music, travel, mysticism, talismans, interior design and customary rituals – these are just some of the influences that shape Skoczek’s practice. Her paintings are spacial and emotional responses to everything she consumes and surrounds herself with, informed by a theoretical understanding of colour and composition.
To what extent her surroundings impact her art practice was brought into strong relief during Melbourne’s protracted COVID-19 second wave. Skoczek continued to paint while juggling home-schooling as a single mother and, though challenging, it confirmed her home as an oasis – an extension of herself and identity, where her dreams are actualised and restored. This sense of happy containment has imbued her practice with deeper contemplations on time, space, change, transience, history and meaning, while simultaneously embracing contrasts as broad as those of the artist herself – materialistic yet spiritual, sometimes physical, sometimes soft and lyrical, intuitive and feminine, strong and self-assured.
Miranda Skoczek graduated with a Bachelor of Fine Art – Painting from the Victorian College of the Arts in 2004, and won the College’s painting prize the same year. She also holds a Diploma in Visual Art – Painting from Victoria University of Technology (2001) and a Diploma of Applied Arts and Graphic Design from Canberra Institute of Technology (1997). She has exhibited at Linden New Art and Heide Museum of Modern Art as well as McClelland Gallery and internationally in exhibitions in Copenhagen and Hong Kong. Her work is collected by private clients in Australia, Asia, the Middle East and in the UK.
Miranda Skoczek
Born 1977, Melbourne
Lives and works in Melbourne
EDUCATION
2004
Bachelor of Fine Arts - Painting, Victorian College of the Arts
2001
Diploma of Visual Art - Painting, Victoria University of Technology
1997
Diploma of Applied Arts & Graphic Design, Canberra Institute of Technology
SOLO EXHIBITIONS
2024
'Red Ribbons', Post Space, Exeter, England
2023
'Flowers Look Back at Me', Edwina Corlette, Brisbane
2022
‘Inner Worlds’, Nicholas Thompson Gallery, Melbourne
2020
‘Floating Moons, Dizzying Hues’, Nicholas Thompson Gallery, Melbourne
'Spirit and Matter', Edwina Corlette, Brisbane
2019
'Better Get It In Your Soul', Edwina Corlette, Brisbane
The Clayton Utz Art Partnership: curated by 3:33 Art Projects’, Clayton Utz, Melbourne (joint exhibition with Lottie Consalvo)
'Suggesting Icons', Nicholas Thomson Gallery, Melbourne
2018
'Permission to Play', Edwina Corlette, Brisbane
'Flashes Across The Field', Nicholas Thompson Gallery, Melbourne
2017
'Rags, Rugs and Lion Heads', Edwina Corlette, Brisbane
'Physical Thinking', Arthouse Gallery, Sydney
Fragments and Sunbeams’, NKN Gallery, Melbourne
2016
'Crazy Patchwork', Edwina Corlette, Brisbane
'Fragments and Fantasy', Arthouse Gallery, Rushcutters Bay, Sydney
‘All the Places’, NKN Gallery, Melbourne
2014
'Constructed Reality', Edwina Corlette, Brisbane
2013
'Historical Panorama', Edwina Corlette, Brisbane
2012
'Spirit Garden', Edwina Corlette, Brisbane
'Unicorns and Alchemy', Iain Dawson Gallery, Sydney
2011
'Animal Fantastical', Edwina Corlette, Brisbane
2009
'Patterns of Knowledge', Edwina Corlette, Brisbane
'Rhythm & Memory', Gilligan Grant Gallery, Melbourne
2008
'The Beautiful and the Good', Gilligan Grant Gallery, Melbourne
GROUP EXHIBITIONS
2024
'How to Swim', Edwina Corlette, Brisbane
2022
'Common Ground', Edwina Corlette, Brisbane
Sydney Contemporary Art Fair, Edwina Corlette
2021
Sydney Contemporary Art Fair, Edwina Corlette
2019
'The New Gallery Show', Edwina Corlette, Brisbane
'Gorman: Ten Years of Collaboration', Heide Museum of Modern Art, Melbourne
Miranda Skoczek has been a guest on ABC Radio National, delving into the new direction of her current exhibition at Post Space in Exeter, England. In a vibrant conversation with Kimberly Price, Miranda explains the deeply personal body of work, and her distinctive abstract painting.
At the time they both connected over their love for nature and now, roughly 10 years later Miranda has collaborated with Katie [Kolodinski] to curate The Protection Collection. Centred around symbolism and the rituals of self-protection including the iconic Aster flower, central to Katie’s upbringing, this was a harmonious alignment given Miranda’s style of art which is deeply influenced by historical references and ancient cultures.
For Miranda, her art allows people to explore other worlds and she hopes that placing her designs on clothing encourages people to have those conspectus conversations as well.
In line with this creative endeavour, she shared insights on her practices, creating the collection and her relationship with symbolism.
Miranda Skoczek is featured in ‘Artists at Home’ a new book about Australian female artists by Karina Dias Pires, published by Thames and Hudson, out now.
There is more to Miranda Skoczek’s paintings than immediately meets the eye. They are built intuitively and in layers, from colours, patterns and objects that she absorbs in her immediate home environment – and all over the world. They are often abstract, sometimes with figurative elements; they focus on paint and colour, process and time, to create a space that takes us somewhere other, outside the material world. Inspiration comes from art and antiquities, folk art and contemporary design – and through obsessive consumption of images. Skoczek describes herself as “a sponge,” confessing to VAULT: “I have 95,000 photographs on my phone.”
The mystical is evident in Skoczek’s hope that her paintings work like amulets for those who acquire them. Protective elements aside, in their sensual textures and influences, so powerfully evoked, these paintings emerge as poignant and poetic visual essays written to the past and the present."\
- Louise Martin-Chew, Vault Magazine
IMAGE:
Front Cover of Vault Magazine, Issue 37, 2022, featuring Miranda Skoczek's Dreaming of Betty (Woodman), 2018
Copywriter and content specialist Elle McClure was asked by the team at Medium Rare Content agency to help produce content for the autumn 2021 issue of the David Jones magazine, JONES HOME. As well as compiling trend pages and writing copy across the issue, Elle interviewed Otis Hope Carey, Louise Olsen and Miranda Skoczek as part of profiles on the artists.
In celebration of Gorman’s decade-long collaboration with visual artists, Heide is presenting a two-week pop-up exhibition in the iconic modernist building, Heide II.
The exhibition will feature garments from a new range by Gorman created in collaboration with ten artists who have worked with the Australian clothing label since 2009, including Miranda Skoczek. The garments will be displayed alongside the artworks which inspired them.
The King’s Art Prize is a $20,000 acquisitive award presented to the best contemporary artwork created by an artist resident in Australia and represented by a commercial gallery, supporting both the artists and the fine arts industry. Entry is by invitation only and the finalists are selected by an appointed Art Prize panel.
Miranda Skoczek's exhibition 'Rag Rugs and Lion Heads' is featured on the Art Guide website. Miranda spoke with Louise Martin-Chew about her latest exhibition 'Rag Rugs and Lion Heads', her inspiration and the shift in her practice to looser, more expressive works:
Miranda Skoczek’s abstract paintings evoke old walls with layers of forms and shapes that emerge over time. In her studio, she might work simultaneously on nine canvases. Transferring from one to the other, she allows each oil layer to dry before repeatedly painting over it until jewel-like colours resonate and a spatial sensibility has been established within which the viewer may dwell. Skoczek told Art Guide Australia, “I don’t paint about social concerns. I create wholly immersive, beautiful pictures. They are places for escape and restoration: harmonious, calming pictures.”
- Louise Martin Chew
Miranda's exhibition is at the gallery from 14 November until 5 December 2017.
Miranda Skoczek was a featured artist in the international group exhibition, The human experience, we are the ones doing works on canvas/Paintings XXXX at the Carlsberg Byens Galleri & Kunstsalon in Denmark. The exhibition was curated by Galina Munroe (Great Britain), Simon Ganshorn (Denmark) and Jordan Kerwick (Australia). The show featured 116 artists each working with abstraction through painting in their own distinct manner to promote diversity and highlight the possibility of medium and painting theory.
Miranda Skoczek presents her first collection of jewellery works at Pieces of Eight Gallery in Melbourne as part of the Virgin Australia Melbourne Fashion Festival 2017.
In DESHILADO, Miranda pays homage to the samplers created by stitchers in the early 16th Century. The collection is a three dimensional gathering of a myriad of interests and influences remixing materials and techniques, blurring the boundaries between objects, jewellery and art.
With a desire to connect ancient traditions with fashion, while acknowledging the archaeological importance of jewellery as artefact, Skoczek takes the opportunity to bring permanency to ornaments that have up to this point existed as abstract fragments in her paintings.
Miranda Skoczek is featured on The Design Files blog with a look at her move from an inner city two bedroom apartment, to a bucolic retreat set amongst the verdant landscape of the Dandenong Ranges. Miranda and her seven year old son Harper speak about the influence of nature on their lives and the impact a move to the country will have on her painting practice.
Miranda Skoczek is renowned for her engaging, energetic works and her spectacular use of colour. A fixture on the Australian art scene, her work is instantly recognisable for its layers of intuitive colour, pattern and motifs. Iconic Australian label Country Road thought her work was perfect for a collaboration with charity RedKite. Miranda has designed two tote bags and a t-shirt, with all proceeds from each sale going towards providing essential support to children and their families who are facing cancer.
Miranda Skoczek has collaborated with Gorman Clothing for their 2015 winter collection. In sync with the label’s aesthetic, Miranda’s artwork blends seamlessly into signature Gorman textures and styles. Her work is featured across all 53 pieces in the collection, with every print originating from five of her artworks.
