December 4, 2018
Obsession: Devil in the detail examines our fascination with the meticulous and micro, the real and the hyperreal and brings together a range of historical and contemporary works under three broad themes of still life, portraiture and landscape. Featuring artworks that seduce us with the power of their realism and intricate detail, the devil in the detail becomes the ideas and concepts that exist beneath the surface.
Featuring work by local and international artists including Natasha Bieniek, Chris Bond, Erin Coates, Audrey Flack, Juan Ford, James Gleeson, Sam Jinks, Jess Johnson, Anna Kristensen, eX de Medici, Tully Moore, Callum Morton, Jan Nelson, Sandra Selig, Vipoo Srivilasa, Ricky Swallow, teamLab, Eugene von Guerard and more.
30 November 2018 - 17 February 2019
November 20, 2018
Vipoo Srivilasa has been commissioned to design seven large sculptures for ICONSIAM, a mixed-use development on the banks of the Chao Phraya River in Bangkok Thailand, opening on 9 November 2018.
ICONSIAM is the ultimate shopping destination. The all-in-one complex, located on 750,000 square metres of the land on the banks of Chao Phraya River is a wonder to behold for those passionate about retail and development. It is divided into three main sections: the main ICONSIAM, the glamorous riverside ICONLUXE, and street facing side Siam Takashimaya.
May 30, 2018
Vipoo Srivilasa's work forms part of a touring exhibition through the Australian Design Centre titled 'Obsessed: Compelled to Make' which is on now at Cairns Regional Gallery.
Obsessed: Compelled to make presents the work of 14 artists from across Australia, delving beyond the finished object, beyond the personality of the maker, into the fundamental conceptual framework of their creations. We look at the complexities of their materials and processes, the realities of their day-to-day studio routine and unravel what compels each maker to create over the course of their personal career – Why this technique or material? Why that concept? How does the mind of a maker work?
This exhibition explores the act of making through the framework of obsession – how it consumes us, carrying us along in its wake, colouring every aspect of our lives. With these professional artists, it is their obsessions, and all the associated angst, failures, breakthroughs and milestones, that feeds their productivity and to deliver exceptional outcomes.
Artists: Gabriella Bisetto | Lorraine Connelly-Northey | Honor Freeman, | Jon Goulder | Kath Inglis | Laura McCusker | Elliat Rich and James B Young (Elbowrkshp) | Kate Rohde | Oliver Smith | Vipoo Srivilasa | Tjunkaya Tapaya | Louise Weaver | Liz Williamson.
Obsessed: Compelled to makeis an Australian Design Centre of ADC on Tour exhibition touring to 12 venues across Australia, accompanied by a series of films and a full-length catalogue.
May 30, 2018
Vipoo Srivilasa's work #happy_together VI 2017, acquired by Wollongong Art Gallery, is currently being exhibited in 'East Meets West' until 11 November 2018.
The Mann-Tatlow collection of Asian Art, gifted in 2003 and the Nancye Dryden Collection of South East Asian Textiles bequeathed to the Gallery in 2012, have formed the Gallery’s newest collecting area. This exhibition relates collection works by contemporary Asian artists and Australian artists who have responded to Asian culture within their practice and to the Mann-Tatlow Collection of Asian Art including works by Julie Bartholomew, Lionel Bawden, Kirsten Coelho, Tom Dion, Dongwang Fan, Sarah Goffman, Tie Hua Huang, Shotei Ibata, Lindy Lee, Joanne Saad, Shigeo Shiga, Vipoo Srivilasa, Laurens Tan, Andy Warhol and Gerry Wedd.
April 4, 2018
Barnaby Smith has reviewed Vipoo Srivilasa's exhibition Everyday Shrines at Gippsland Art Gallery:
'The experience of belonging to two or more countries is an increasingly universal one, especially for Australians. An affiliation with multiple cultures and an identity formed by multiple traditions is, after all, the migrant experience. It is a theme that has been widely explored across the arts spectrum, yet rarely with as much playfulness as in the work of Thai-Australian ceramicist Vipoo Srivilasa. His new exhibition Everyday Shrines, shown at Gippsland Art Gallery as part of Craft Victoria’s Craft Forward series, takes an impish yet thoughtful approach to fusing the imagery and iconography of Australian and Thai societies.'
The exhibition is current until 17 June 2018 at Gippsland Art Gallery.
Read full article HERE
March 6, 2018
Vipoo Srivilasa's solo exhibition 'Everyday Shrines' will open at the newly refurbished Gippsland Art Gallery on 31 March 2018 and run until 17 June. The exhibition which has been developed jointly with Craft Victoria, looks at similarities between Srivilasa's Thai heritage and his adopted home in Australia.
March 6, 2018
Vipoo Srivilasa's work 'Deity of Immortal' has been selected as a finalist in the Tom Bass Prize for Figurative Sculpture Exhibition at Juniper hall in Sydney from 2 - 25 March.
March 6, 2018
Vipoo Srivilasa's work 'Sang Thong' has been acquired by the Whitehorse City Council in Victoria.
The City of Whitehorse is located just 15 kilometres east of Melbourne and covers an area of 64 square kilometres.
Srivilasa's work 'Sang Thong' is based on a well-known Thai folk tale, centred on a marriage between a man and a woman of different social status.
September 29, 2017
Congratulations to Julian Meagher and Vipoo Srivilasa for being finalists of the 2017 National Still Life Award at Coffs Harbour Regional Gallery.
The acquisitive Award offers a major award of $20,000 as well as a People’s Choice Award of $5,000. This years' judge is Lisa Slade, Assistant Director of Artistic Programs at Art Gallery of South Australia.
Finalist works exhibited Friday 24th November 2017 to Saturday 20th of January 2018 at Coffs Harbour Regional Gallery.
September 23, 2017
In conjunction with National Clay Week, Artaxis presents 12 hours of live-streaming conversations with 24 Artaxis members from 16 countries.
Vipoo Srivilasa is scheduled to talk between 12:00pm - 1:00pm, 11 October 2017. Questions may be submitted here.
Vipoo’s work explores similarities between the cultures of his native home, Thailand and his adoptive home, Australia. His work is a playful blend of historical, figurative and decorative art practices whilst engaging with contemporary culture.
Using blue and white colour, he creates complex narratives through highly decorated images on ceramic forms. His work requires an intimacy in which the key elements of the drama are often found in unusual places within the forms themselves.
Collaboration has been an important part of Vipoo's creative practice. He has been using clay to engage communities into his creating process in the past 10 years. In addition to exhibiting his work, Vipoo actively initiates and organises cultural exchange projects between national and internationally artists.
Get your questions ready and join Vipoo and others for a Q&A. To watch click here.
September 22, 2017
Vipoo Srivilasa is the recipient of the general skills and arts development grant from the Australian Council for the Arts to work with Sakarin Krue-On, a multi-disciplinary Thai artist, and Marije Vogelzang, the world's first eating designer from the Netherland, in order to develop and create new interactive ceramic work for an exhibition at Edwina Corlette Gallery in 2019 and the S.A.C. Subhashok The Arts Centre in Bangkok.
Keep up to date here.
May 8, 2017
The Deakin University Contemporary Small Sculpture Award has shortlisted Vipoo Srivilasa's work, amongst others for its annual prize.
"This is the ninth year of the award and we were pleased to receive 232 entries, from which 40 finalists were selected.
The external judges are Mr Ewen Coates (Sculptor) and Associate Professor Ken Wach, Former Principal Research Fellow and Head of the School of Creative Arts, The University of Melbourne.
The Small Sculpture exhibition launch is on Tuesday 6 June, 2017.
March 14, 2017
Vipoo Srivilasa has won the 44th Muswellbrook Art Prize in the Ceramics section. The $10,000 acquisitive prize was awarded to Vipoo's porcelain work 'The Good, The Bad and the Cuddly (self portrait)'.
The biennial Muswellbrook Art Prize began in 1958 and has helped form a significant collection of modern and contemporary Australian painting, works on paper and ceramics for the Muswellbrook Regional Arts Centre.
The exhibition is current until 7 May 2017.
December 18, 2016
Headlining the celebrations for Queensland's Gallery of Modern Art is 'SUGAR SPIN — YOU ME ART AND EVERYHTING' featuring over 250 contemporary artworks exploring light, space, architecture and the senses. From brand-new immersive works to large-scale visitor favourites, the exhibition reflects our complex connections to the natural world with an explosion of colour, sensation and spinning delights.
Major new artworks include Nervescape, a multi-coloured landscape of synthetic hair by Icelandic-born artist Hrafnhildur Arnardóttir a.k.a. Shoplifter, and the electrifying Heard by American sculptor and performance artist Nick Cave, a group of vibrant sculptural horses brought to life by dancers.
Vipoo Srivilasa's work 'BLEACH IV' is part of the exhibition which runs until 17 April 2017. Read more here.
December 17, 2016
Established in 2001, the Gyeonggi International Ceramic Biennale in Korea is one of the largest ceramic events in the world, representing contemporary artists from over 70 countries.
Artists are invited to take part in the competition which calls for works that mirror modern trends and point to the future of contemporary ceramics and redefine its essence by exploring spirit, values, forms and technique.
The winner will receive a cash prize of KRW 50,000,000 (approx $43,000 US) and will be invited to have a solo exhibition during the 2019 Biennale.
In 2017 Vipoo Srivilasa will be representing Australia. READ MORE HERE.
November 28, 2016
The first Central China International Ceramics Biennale will be held at the Henan Museum. Curated by art historian Wendy Gers the biennale will exhibit work by 50 Chinese and international artists.
Vipoo Srivilasa is one of six artists to be commissioned to create a site-specific work for the Biennale. In November he will take a residency at the Ceramic Art Institute of Henan University to create six large figurines for the exhibition.
November 9, 2016
One of the biggest celebrations of cultural diversity in New South Wales, Parramasala will be held from 10-12 March 2017, thanks to a multi-year funding arrangement between the State Government and City of Parramatta Council.
Parramasala’s new mascot, an illuminated six metre tall inflatable creature will be revealed prior to the festival. Created by Vipoo Srivilasa, the mascot represents the coming together of many cultures in a harmonious and friendly way. Vipoo incorporated the V symbol denoting peace to reflect the multicultural event.
“It was an amazing experience as I’d never seen my work this size before,” the Thai-born artist said.
November 7, 2016
Vipoo Srivilasa's work has been curated into Gippsland Art Gallery's 'Weird Ceramic' exhibition.
Weird Ceramic is a survey of the strange and peculiar in contemporary Australian ceramics featuring twenty-seven works by eleven artists: Glenn Barkley, Stephen Bird, Chris Dolman, Lynda Draper, Donna Green, Emily Hunt, Philjames, Jenny Orchard, Stephen Ralph, Sarah Smuts-Kennedy, and Vipoo Srivilasa.
With its basis in the 1970s arts/craft movement, contemporary ceramics has one eye on the past while looking forward to new forms, techniques and processes.
Saturday 26 November 2016 to Sunday 12 February 2017, open during Gallery hours. Read more here.
July 13, 2016
Congratulations to Vipoo Srivilasa who is a finalist in the 2016 Basil Sellers Art Prize.
The prize defines sport in the broadest possible sense. An acquisitive prize of $100,000 will be awarded to a single, outstanding artwork, displayed in an exhibition of shortlisted finalists at the Ian Potter Museum of Art, the University of Melbourne in July 2016.
This prize is supported by Basil Sellers in order to encourage contemporary artists to develop their practice, to engage with the many themes within sport past and present, and to contribute to critical reflection on all forms of sport and sporting culture in Australia.
View available works by Vipoo Srivilasa HERE.
April 5, 2016
Vipoo Srivilasa’s solo exhibition ‘Red-Eared Slider’ is currently underway at the Subhashok The Art Centre in Bangkok, Thailand.
The ‘Red-Eared Slider’ is a turtle native to the United State and feral across the globe. Originally introduced by a Japanese trader in Thailand, these red-eared turtles disrupt the natural ecology of Thai waters, threatening the native freshwater turtles. For Vipoo, who divides his time between Bangkok and Melbourne, the red-eared turtle represents the disregard humans have for their environment.
The exhibition is current to 30 April, 2016.
Click here for more information.
March 14, 2016
Deianira Tolema explores the concepts behind Vipoo’s practice in ‘Vipoo Srivilasa’s Playful Kingdom of Ceramic Figurines’ for Hi Fructose: The New Contemporary Magazine. She writes,
"Srivilasa’s work also explores the commonalities between Thai and Australian culture and Eastern and Western culture, where he uses blue and white as a reference to the export of blue and white porcelain from China to Europe. While being fully aware of his heritage, Srivilasa has been mixing up echoes from the past with traces of the present in a carefully arranged juxtaposition of old and new ways of thinking.”
Read the full article here.
March 12, 2016
Vipoo Srivilasa’s has been chosen by Rebecca Hill, Exhibitions and Collections Co-ordinator at Gallery Oldham, as her favourite piece in the Crafts Council Collection, London.
"I really love the fact that this piece is technically excellent, yet doesn’t seem to take itself too seriously.” Rebecca Hill, January 2016.
Read the full article here.
February 17, 2016
Vipoo Srivilasa's sculpture 'Collective Reef' has been shortlisted for the $65,000 Fleurieu Art Prize for Landscape, hosted at the Anne & Gordon Samstag Museum of Art in Adelaide. The Fleurieu Art Prize focuses on landscape as a means of expressing the power of connection to place. This years judging panel includes Nigel Hurst, Director of Saatchi Gallery London; Suhanya Raffel, Deputy Director and Director of Collections AGNSW; and Erica Green, Director of Samstag Museum of Art.
The winner is announced at opening night, Thursday 3 June 5 - 7pm at the Anne & Gordon Samstag Museum of Art in Adelaide, University of South Australia, 55 North Terrace, Adelaide. The Exhibition is current 3 June - 29 July, 2016.
Vipoo will present a new body of work at Edwina Corlette Gallery 16 November - 3 December, 2016. To view Vipoo's available works, click here.
December 15, 2015
Vipoo Srivilasa has collaborated with local indigenous artists for Collisions: Cross-Cultural Collaborations, a community cultural development partnership between Shepparton Art Museum and Gallery Kaiela. The project involves local Indigenous artists partnering with established Melbourne-based contemporary artists.
Through the sharing of ideas, narratives and techniques, the artists have engaged in an exploration of cultural difference and similarity, conflict and connection, forging relationships in a dialogic exchange that departs from the art-making process.
Collisions: Cross-Cultural Collaborations is on show at SAM and runs current to 14 February 2016.
October 17, 2015
Vipoo Srivilasa exhibited in 'More Love Hours' at The Ian Potter Museum of Art, Melbourne. 'More Love Hours' brought together the works of contemporary Australian artists who use traditional techniques and processes in their practice. The works demonstrated the use of 'traditional' forms of creativity as a means to express contemporary values and complex ideologies.
'More Love Hours' installation at The Ian Potter Museum of Art, photographed by Viki Petherbridge
Carol Shwarzman writes, "at first glance, their balanced poise beckons for our approval, to satisfy desire for perfection, decoration, or to escape into the soft murmurs of collectible comfort and status quo. Inevitably, closer inspection reveals Srivilasa's take on cross-cultural social tensions, the commodification of artistic integrity, the role of the self within popular culture, and the history of ceramics worldwide."
To see more of Vipoo's work, click here.
April 8, 2015
Congratulations to Vipoo whose work New Family I (2014) was recently acquired by the Parliament House Collection, Canberra.
April 8, 2015
Congratulations to Vipoo whose work Soup Bowl With Turtle (2012) was recently acquired by the Lady Cilento Children's Hospital, Brisbane.
April 8, 2015
Congratulations Vipoo Srivilasa who recently visited the U.S. to be a part of the Roundtable Discussion for the National Council on Education for the Ceramic Arts (NCECA) on March 26, 2015.
‘”Pass the Peas: Food, Objects and the Making of Community”, will expand on themes explored in our 2015 keynote lecture. Namita Gupta Wiggers will moderate this lively discussion with Aruna D’Souza, Julia Galloway, Frederick Opie and Vipoo Srivilasa. As writers, artists, curators and historians these individuals all deal with the complex ways that we understand place and memory through objects, food and community engagement.’
February 13, 2015
December 19, 2014
Congratulations to Vipoo Srivilasa whose work Bleach IV (2012) was acquired by the Queensland Art Gallery and Gallery of Modern Art.
Image: Bleach IV (2012), pocelain and cobalt pigment
September 27, 2014
Congratulations to Vipoo Srivilasa who was announced the winner of the 2014 Gold Coast International Ceramics Award. Vipoo’s thoughtful porcelain work Battle of Old and New Power was selected from 48 entries from several countries including Japan, Argentina and Isreal. Judge Dr Patsy Hely from the Australian National University School of Art described Vipoo’s work as having ‘resonance not just with one country’s internal battles but with the pulls and pushes of global relations and power struggles more broadly. In this way, it is a work in which the contemporary world is writ large.’ Srivilasa’s work was described as ‘at once beautiful and unsettling’ and reflects the contemporary world by ‘speak[ing] loudly of this moment in time.’
Image: Battle of New and Old Power (2012), porcelain