Exile Exile
Exile 2017
ExileExile
Exile2017
acrylic on canvas
150 x 100 cm
SOLD 
Haven Haven
Haven 2017
HavenHaven
Haven2017
acrylic on canvas
60 x 50 cm
SOLD 
The West The West
The West 2017
The WestThe West
The West2017
acrylic on canvas
100 x 100 cm
SOLD 
The Dancer Abbey McCulloch Abbey McCulloch - The Dancer
The Dancer 2017
The DancerAbbey McCullochThe Dancer
The Dancer2017
acrylic on canvas
30 x 26 cm
SOLD 
Squeeze Abbey McCulloch - Squeeze
Squeeze 2017
SqueezeSqueeze
Squeeze2017
acrylic on canvas
36 x 28 cm
SOLD 
Teller Abbey McCulloch Abbey McCulloch - Teller
Teller 2017
TellerAbbey McCullochTeller
Teller2017
acrylic on canvas
150 x 100 cm
$9,000  ENQUIRE
High Tide Abbey McCulloch Abbey McCulloch - High Tide
High Tide 2017
High TideAbbey McCullochHigh Tide
High Tide2017
acrylic on canvas
36 x 28 cm
$2,500  ENQUIRE
Captain Abbey McCulloch Abbey McCulloch - Captain
Captain 2017
CaptainAbbey McCullochCaptain
Captain2017
acrylic on canvas
36 x 28 cm
$2,500  ENQUIRE
Bubble Abbey McCulloch Abbey McCulloch - Bubble
Bubble 2017
BubbleAbbey McCullochBubble
Bubble2017
acrylic on canvas
70 x 60 cm
$4,000  ENQUIRE
Highlighter Abbey McCulloch Abbey McCulloch - Highlighter
Highlighter 2017
HighlighterAbbey McCullochHighlighter
Highlighter2017
acrylic on canvas
30 x 26 cm
$2,200  ENQUIRE
Wild Abbey McCulloch - Wild
Wild 2017
WildWild
Wild2017
acrylic on canvas
20 x 25 cm
SOLD 
The Unfolding Abbey McCulloch Abbey McCulloch - The Unfolding
The Unfolding 2017
The UnfoldingAbbey McCullochThe Unfolding
The Unfolding2017
acrylic on canvas
20 x 25 cm
$1,800  ENQUIRE
The Lowdown Abbey McCulloch Abbey McCulloch - The Lowdown
The Lowdown 2017
The LowdownAbbey McCullochThe Lowdown
The Lowdown2017
acrylic on canvas
60 x 50 cm
$3,500  ENQUIRE
Funpark Abbey McCulloch - Funpark
Funpark 2017
FunparkFunpark
Funpark2017
acrylic on canvas
167 x 140 cm
$11,000  ENQUIRE
Passengers Abbey McCulloch Abbey McCulloch - Passengers
Passengers 2017
PassengersAbbey McCullochPassengers
Passengers2017
acrylic on canvas
20 x 25 cm
$1,800  ENQUIRE
Zero Abbey McCulloch - Zero
Zero 2017
ZeroZero
Zero2017
oil on canvas
150 x 120 cm
$10,000  ENQUIRE

"ZERO is an exhibition of paintings reflecting on the idea that stillness is an illusive and yet oh-so-necessary state of being. Silencing our self-chatter can be a constant battle and I often wonder whether softening our inner chaos is even possible, especially today when constant noise seems to come from everywhere. 

These new works are about escaping to ourselves for comfort and refusing to look elsewhere and this can sometimes feel like running back into a burning house. Each of these paintings explore this idea that we can be our own salve, our own sanctuary. ZERO is about a fascination with disconnecting. I have recently discovered the benefits of meditation, I’m only just starting out but I have already felt it’s soothing nudge in reminding us of how effective we can be at undoing our own damage." Abbey McCulloch - March 2017

Women as social beings: mothers, daughters, sisters - the manner in which the feminine might present itself when the public gaze is not present and perfection not a requirement - this is what concerns Abbey McCulloch. Her paintings of the female persona, while grounded in the tradition of self-portraiture, also act as vehicles for exploring emotions ranging from awe to frustration, from screaming abandon to resolute determination. McCulloch says she looks to create a “reflexive mirroring process” using her own image as a prop to lay bare contrivances necessary for emotional survival in our overly self-conscious culture. Her ease and facility in working with the face and figure lead to “a mix of theatre, a bit of softening, some exaggeration” and subsequently, an incisive glimpse into forthright, unsentimental observation

Her palette favours complementary colours applied in thin layers, building to a sense of irony: opposites work against one another in disagreement and tension. “My work is an absolutely private pilgrimage. I want the viewer to feel the struggle between risk and hesitation”. 

McCulloch holds a Masters in Fine Art from the Queensland College of Art, Griffith University. Named as one of Australia’s 50 Most Collectable Artists by Art Collector in 2009, 2010 and 2011, she has been a finalist in the Archibald Prize three times (with portraits of Toni Collette [2007], Nell Schofield [2009] and Naomi Watts in 2013). She has also been a finalist in the Redland Art Prize, the Paul Guest Drawing Prize, the Northern Rivers Portrait Prize, the Stan and Maureen Duke Prize and the Metro Art Prize.

"Considering the gradual shifts around contemporary female culture right now, it feels necessary to turn up the truth on the things that scare us and anger us and make our big feelings bigger. In this new body of work; colour, clay and glaze, overlapping characters and repetition of line and form create a sense of new rhythm for my work that feels charged and less timid. The sculptures embody the paintings and their three-dimensionality speaks to feelings that are often experienced as a fear of taking up too much space. The sculptures and paintings in this show are monuments to the necessity of taking up this space and they boldly stake claim on the sometimes-monstrous nature of our thoughts and feelings."

McCulloch holds a Masters in Fine Art from the Queensland College of Art, Griffith University. Named as one of Australia’s 50 Most Collectable Artists by Art Collector in 2009, 2010 and 2011, she has been a finalist in the Archibald Prize three times (with portraits of Toni Collette [2007], Nell Schofield [2009] and Naomi Watts in 2013). She has also been a finalist in the Redland Art Prize, the Paul Guest Drawing Prize, the Northern Rivers Portrait Prize, the Stan and Maureen Duke Prize and the Metro Art Prize.

Abbey McCulloch

Born 1975

Lives and works in Queensland, Australia

EDUCATION

2008

  • Research Masters of Visual Arts, Queensland College of Art, Griffith University

1995

  • Bachelor of Visual Arts, Queensland College of Art, Griffith University

SELECTED SOLO EXHIBITIONS

2019

  • 'Monument', Edwina Corlette Gallery, Brisbane

2017

  • 'Zero', Edwina Corlette Gallery, Brisbane
  • ‘Sugar’, This is no Fantasy, Melbourne

2016

  • 'Performance', Tweed Regional Gallery

2015

  • 'The Shallows', Edwina Corlette Gallery, Brisbane

2014

  • 'Control', Art Stage Singapore, Marina Bay Sands, Singapore

2012

  • 'A New Normal', Helen Gory Galerie, Melbourne

2011

  • 'The Thunderheads', Helen Gory Galerie, Melbourne

2010

  • 'Cabin Fever', Helen Gory Galerie, Melbourne

2009

  • 'New Portraits', Helen Gory Galerie, Melbourne

2008

  • 'The Sting', Schubert Contemporary, Queensland
  • 'The Pretender', Helen Gory Galerie, Melbourne

2007

  • 'Piggy in the Middle', Richard Martin Art, Woollahra
  • 'The Penny Drops', Art Galleries Schubert, Queensland

2006

  • 'I WANT', Helen Gory Galerie, Melbourne
  • '10 Palominos', Philip Neville Gallery, Darwin

2005

  • 'I Miss You Most of All', Helen Gory Galerie, Melbourne
  • 'Bathroom Paintings', Art Galleries Schubert, Gold Coast, Queensland
  • 'Stripped', Richard Martin Art, Woollahra

SELECTED GROUP EXHIBITIONS

2019

  • 'The New Gallery Show - Group Exhibition', Edwina Corlette Gallery, Brisbane
  • ‘Ensemble’, Down Town M/Arts, Murwillumbah, Tweed Regional Gallery

2018

  • 'Let Her Rip', Byron School of Art
  • '10th Anniversary Exhibition', Edwina Corlette Gallery, Brisbane

2016

  • 'Rawhide with Tara Marynowsky', Edwina Corlette Gallery, Brisbane
  • The Gold Coast Art Prize, Gold Coast City Gallery, Queensland
  • 'RESORT': Art on James St curated by Alison Kubler, Samantha Ogilvie, James St, New Farm

2014

  • The Gold Award, Rockhampton Regional Gallery, Rockhampton

2013

  • Archibald Portrait Prize, Art Gallery of New South Wales

2012

  • 'Sexualising the City', Gold Coast City Art Gallery

2010

  • Redland Art Prize, Redland City Art Gallery, Queensland
  • Melbourne International Art Fair, Helen Gory Galerie, Melbourne
  • Paul Guest Drawing Prize, Bendigo Art Gallery, Bendigo
  • Northern Rivers Portrait Prize, Lismore Regional Gallery
  • 'Flying Colours', Gold Coast City Art Gallery, Gold Coast
  • 'Salon des Refuses', SH Ervin Gallery, Millers Point

2009

  • 'Wax On', Hazelhurst Regional Gallery, Hazelhurst
  • Archibald Prize, Art Gallery of New South Wales

2008

  • The Stan and Maureen Duke Prize, Gold Coast City Art Gallery
  • Metro5 Art Prize, Metro5 Art Gallery, Melbourne

2007

  • Archibald Prize, Art Gallery of New South Wales

2006

  • Redland Art Prize, Redland City Art Gallery, Queensland

AWARDS AND PRIZES

2019

  • Finalist, Sunshine Coast Art Prize, Caloundra
  • Highly Commended, Ravenswood Australian Women's Art Prize, Sydney

2018

  • Finalist, Ravenswood Australian Women's Art Prize, Sydney
  • Finalist, Hurford Hardwood Portrait Prize, Lismore Regional Gallery

2017

  • Finalist, Josephine Ulrick And Win Schubert Photography Award, Gold Coast
  • Residency, Sunshine Coast Art Prize, Caloundra

2016

  • Finalist, Portia Geach Memorial Award, SH Erwin Gallery

2015

  • Finalist, Portia Geach Memorial Award, SH Erwin Gallery
  • Finalist, Gold Coast Art Prize, Gold Coast City Gallery

2014

  • Finalist, Gold Award, Gold Coast Art Gallery

2013

  • Finalist, 2013 Archibald Prize, Art Gallery of New South Wales

2011

  • Semi-Finalist, Doug Moran National Portrait Prize

2010

  • Finalist, Redland Art Prize, Redland Art Gallery, Queensland
  • Finalist, Paul Guest Drawing Prize, Bendigo Art Gallery
  • Finalist, Northern Rivers Portrait Prize, Lismore Regional Gallery

2009

  • Finalist, Archibald Prize, Art Gallery of New South Wales

2008

  • Finalist, The Stan and Maureen Duke Prize, Gold Coast City Art Gallery
  • Finalist, Metro5 Art Prize, Melbourne

2007

  • Finalist, Archibald Prize, Art Gallery of New South Wales

2006

  • Second Prize, Redland Art Prize, Redland Art Gallery, Queensland

BIBLIOGRAPHY

2017

  • Charlee Dornauf, Behind a Person, Art Enquirer, September, p 12
  • Art Almanac, Abbey McCulloch: Zero, 3 May

2015

  • Interview, Daily Imprint, 7 April
  • Bazaar Diary, Harper’s Bazaar, March, p 248
  • Carrie McCarthy, Abbey McCulloch’s Shallows, Cultural Flanerie, 31 March

2014

  • Alison Kubler, Feast or famine? Art in Queensland, Art Monthly, July, p 52
  • Singapore Fling, Art and About, Vogue Living, January/February, p 55

2013

  • Andrew Taylor, Every picture tells a story as dab hands vie for victory’, The Sydney Morning Herald, March 12

2012

  • Sharne Wolff, Catalogue Essay, A New Normal, September

2011

  • Susie Burge, Downtown Abbey, Harper’s Bazaar, September, p 180
  • Feature, Art Nation, ABC TV, screened nationally, 3 July
  • 50 Most Collectable Artists, Australian Art Collector, Issue 55, Jan – March, p 202

2010

  • Susie Burge, Colourful Character, Harper’s Bazaar, August, p 79
  • Interview: Abbey McCulloch Painter, Frankie Magazine, May – June

COLLECTIONS

  • Gold Coast City Art Gallery
  • Bendigo Art Gallery
  • The Local Collection, Fehily Contemporary
  • Turner + Associates Architects
  • Private collections in Australia and Internationally

June 1, 2019

ABBEY MCCULLOCH 'SKIN' LIFE DRAWING CLASS AT GRIFFITH UNIVERSITY

WHEN: Wednesday 5 June 2019, 6pm - 8.30pm

WHERE: Griffith University Art Museum

COST: $20.00 including refreshments

Join us for a lively life drawing workshop facilitated by contemporary artist and Queensland College of Art alumna Abbey McCulloch!

Suitable for all ages and abilities, the class will foster different ways of seeing, drawing and thinking, using observational and intuitive methods to learn and investigate ways to express their own mark making.

Drawing materials will be supplied, however participants are also encouraged to bring their own journals and media.

READ MORE HERE

May 13, 2019

ABBEY McCULLOCH FINALIST IN THE SUNSHINE COAST ART PRIZE

Abbey McCulloch's work 'The Forcefield' 2019 has been selected as a finalist in the 2019 Sunshine Coast Art Prize, administered by Caloundra Regional Gallery.

The Sunshine Coast Art Prize 2019 is a national contemporary acquisitive award presented by Sunshine Coast Council. The award is open to any artist who is an Australian resident, working in a 2D medium. Forty finalists have been selected for exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

The Sunshine Coast Art Prize 2019 offers a prize pool of more than $30,000 in cash and prizes.

Image: The Forcefield 2019, oil on canvas, 66 x 100cm

READ MORE HERE

May 13, 2019

ABBEY McCULLOCH 'HIGHLY COMMENDED' IN THE RAVENSWOOD AUSTRALIAN WOMEN'S ART PRIZE

Abbey McCulloch was awarded 'Highly Commended' in the Ravenswood Australian Women's Art Prize with her work 'Mammoth' 2019.

The annual prize was launched in 2017 to advance art and opportunity for emerging and established female artists in Australia. There are two prize categories, including a $35,000 prize — the richest professional art prize for women in Australia. Artwork judging will be overseen by Ravenswood Australian Women's Art Prize Patron and acclaimed artist, Jennifer Turpin, and announced at the exhibition opening on 31 May, 2019.

Image: 'Mammoth' 2019, oil on canvas 101 x 101cm

READ MORE HERE

March 1, 2019

ABBEY MCCULLOCH AT THE GALLERY DONWTOWN FOR TWEED REGIONAL GALLERY

An initiative of Tweed Shire Council, and housed within the creative hub of Murwillumbah’s vibrant M-Arts Precinct, Gallery DownTown aims to act as a driver of creative and economic development in the heart of Murwillumbah’s CBD.

Many artists within the geographical footprint of the Tweed Regional Gallery have mounted their first solo exhibitions through the Community Access Exhibition Program (CAEP) which offers a valuable exercise in professional development, and raises artists’ profiles in the regional community and beyond.

Ensemble: artists from our region at Gallery DownTown showcases the visual arts practice of 10 of the artists who have recently held exhibitions at the Tweed Regional Gallery through the CAEP.

These artworks highlight the talent of artists living on our doorstep. Many of these artists held their first solo exhibition through the CAEP and have gone on to have further successful shows.

Artists featured in Ensemble are Phil Barron, Andew Hmelnitsky, Helle Jorgensen, Gatya Kelly, Abbey McCulloch, Deb Mostert, Lae Oldmeadow, Dale Rhodes, Craig Tuffin and Oksana Waterfall.

May 30, 2018

ABBEY McCULLOCH AT HOTA

Abbey McCulloch's work 'Beyond' 2016 is part of an exhibition at the new Home of the Arts (HOTA) on the Gold Coast until 15 July 2018.

WE ARE GOLD COAST: WORKS FROM THE GALLERY AT HOTA COLLECTION

The Gold Coast is often misjudged and scorned by out-dated beliefs that it’s just surf, schoolies and theme parks.

But we know ‘The Goldie’ is driven by youthful and infectious energy; incredible natural wonders and a talented, thriving artistic community.

Featuring works from the collection, this vibrant exhibition is a visual exploration of our identity and sense of place. It provides the opportunity to contrast the ‘old’ and ‘new’ Gold Coast and documents the vibrant cultural evolution of the area.

READ MORE HERE

October 27, 2017

RESIDENCY RECIPIENT: ABBEY McCULLOCH

Abbey McCulloch has been awarded the Sunshine Coast Art Prize Residency for 2017. The residency is administered by Caloundra Regional Gallery and sponsored by Montville Country Cabins.

The award was judged by Angela Goddard, Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery in Brisbane.

Image: Abbey McCullochExile | 2017 | acrylic on canvas | 150 x 100 cm

Read more here

October 13, 2017

ABBEY MCCULLOCH FEATURED IN ART ENQUIRER

Art Enquirer is a new publication and joint initiative of the Flying Arts Artiz and IMA Art Club programs. It hosts a collection of essays written by senior students of visual arts from Queensland state and non-state high schools.

Student Charlee Dornauf (Launceston Church Grammar School) wrote an essay, 'Behind a Person' which featured works from McCulloch's solo exhibition Zero. Dornauf's focus was a visual analysis drawing attention to remerging themes in McCulloch's practice of femininity and sexuality.

The publication is available at the Institute of Modern Art in Brisbane.

September 14, 2017

ABBEY MCCULLOCH: FINALIST 2017 JOSEPHINE ULRICK AND WIN SCHUBERT PHOTOGRAPHY AWARD

Artist Abbey McCulloch is a finalist in this years Josephine Ulrick and Win Schubert Photography Award (JUWSPA).

This year the award holds special significance as the Gold Coast honours the memory of Win Schubert and her extraordinary generosity, a lifelong custodian of Australian photography, art and creativity.

There is a diverse range of themes in this years exhibition from both established and emerging artists including portraiture, landscape, abstract and fashion, along with a strong representation of contemporary topics affecting twenty-first century Australians such as climate change, gender representation and shifting economic and technological landscapes.

Congratulations to Polly Borland for her winning photograph Two Heads A.

Artwork: Abbey McCulloch, The Nerve, 2017, inkjet print, 60 x 80 cm

June 2, 2017

ABBEY McCULLOCH FEATURED IN ART ALMANAC

Abbey McCulloch's recent exhibition 'Zero' is featured in the current edition of Art Almanac:

'Abbey McCulloch’s portraits articulately render the complexities of human emotion. ‘Zero’ is a series of new paintings of opaque pigments and translucent washes, reflecting on the idea that stillness is an illusive and yet essential state of being. Through her portraiture, McCulloch explores the inherent battle in what she calls ‘silencing our self-chatter’.'

See more here.

May 8, 2017

ABBEY McCULLOCH FINALIST IN THE SUNSHINE COAST ART PRIZE 2017

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.

Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.

Image: Abbey McCulloch | Exile | 2017 | acrylic on canvas | 150 x 100 cm

Read more Here.

November 20, 2016

ABBEY McCULLOCH AT TWEED REGIONAL GALLERY

Like bursts from a camera shutter, Abbey McCulloch’s new series Performance at Tweed Regional Gallery captures not only the most consciously posed and poised bodies, but those moments in between that reveal the out-takes, where gestures belie the vivacious, confident woman caught only a millisecond before.

Somehow, we all know one of these fabulous creatures. She oozes with self-possession, acuity and style. She has a kind of élan, or je ne sais quoi that can be neither bought or photoshopped. With a prolonged and desiring gaze we realise that she is not one, but many women. She is composite and contemporary taste. She is a construction created by you and I, and them ‘out there’.

In this moment, McCulloch’s aim comes into sharp relief, problematising the very act of looking. She asks simply, “What do you want from her?” And in asking this question, McCulloch characterises the expectations we place on others and ourselves in the performance of everyday life.  Dr Laini Burton, 2016

Friday 9 December, 2016 to Sunday 26 February, 2017 at Tweed Regional Gallery. 

READ MORE HERE

November 12, 2016

ABBEY McCULLOCH FEATURED ON 'THE ART LIFE'

The Art Life's Sharne Wolff recently posed six and a half questions to Abbey McCulloch about being a finalist in the 2016 Portia Geach prize, and what it's like to paint portraits.  

Sharne Wolff: You’ve been an Archibald finalist twice and your portrait of curator and arts writer Alison Kubler Two 2016, is now showing in the Portia Geach Memorial Award. Tell us a bit about the process of making portraits.

Abbey McCulloch: Actually three times in the Archie but hey, who’s counting? They’ve all been great experiences getting to meet the subjects – even the ones that didn’t make the cut – so in some ways the motivation to have a specific encounter is behind my wanting produce a portrait at all. I think my idea of a person shapes the portrait, and playing around with that preconception is far more interesting to me than simply re-creating someone on canvas. I keep the sitting brief as there is usually something that happens in those initial moments of meeting someone that sticks with you and I don’t like to lose that feeling. There is this immediate wrestle with the person you expected in your mind and I like to play around with that. I also hope to capture some of the nerves as they’re there somewhere too – for both of us.

Read more here.

October 30, 2016

ABBEY MCCULLOCH - PORTIA GEACH FINALIST 2016

Abbey McCulloch's work 'Two', a portrait of writer and curator Alison Kubler has been selected as a finalist in the Portia Geach Memorial Art Award for women artists for 2016.

The award, which was first given in 1965 in memory of the artist Portia Geach, displays selected entries from artists across the nation representing diversity in contemporary portraiture. The award is recognised as one of the most important celebrations of the talents and creativity of Australian female portrait painters and has played a major role in developing the profile of the nation’s women artists.

February 13, 2016

Abbey McCulloch New Works

Abbey McCulloch’s current practice has been transforming over the summer, from small ink on paper studies to large oil on canvas works. 

“We seem to let more of our hidden selves bubble to the surface as we age but perhaps it is just the prickly self-consciousness of youth that dissolves away. I think that at times we all struggle with honest versions of ourselves. Perhaps that is the best part about getting older, the guard lowers, our Dobermans settle."

With this idea that we can be too careful for own good, the images explore the impossible and yet wonderful abandon in letting aspects of our hidden selves surface. Allowing the consequences to fall around us, even if for a moment.

Abbey McCulloch and Tara Marynowsky joint exhibition 'Rawhide' is on from 14 June – 9 July, 2016. To view Abbey’s available works, click here.

November 11, 2015

Abbey McCulloch: Finalist in the Gold Coast Art Prize 2015

Congratulations to Abbey McCulloch who has been selected as a finalist in the Gold Coast Art Prize 2015 with her work 'Abundance'.  The winner will be announced at the Official Opening on the 5th December. Exhibition current until 31 January 2016.

Abbey's next exhibition at Edwina Corlette Gallery is in June 2016. To view available works click here.

October 10, 2015

Abbey McCulloch for Portia Geach Memorial Award 2015

We are very pleased to announce Abbey McCulloch was a finalist in the Portia Geach Memorial Award. The Award is recognised as one of the most important celebrations of the talents and creativity of contemporary Australian female portrait painters.

The Portia Geach Memorial Award was established by the will of the late Florence Kate Geach in memory of her sister, Portia Geach. The non-acquisitive award of $30,000 is awarded by the Trustee for the entry which is of the highest artistic merit, 'for the best portrait painted from life of some man or woman distinguished in Art, Letters, or the Sciences by any female artist resident in Australia.'

April 8, 2015

Cultural Flanerie reviews 'The Shallows'

Carrie McCarthy writes, "There is a lot of water in The Shallows, which surprises me as it always does in artists’ work. Using such an obvious trope is a big risk. Art and literature are already so full of stories of rivers and beaches, and waves that overwhelm. Water as a metaphor – cleansing, baptism, renewal – the phases of human life depicted in the ebb and flow of the tide. We stay afloat, tread water, swim against the tide." 

McCarthy's deeply thoughtful review of Abbey McCulloch's 'The Shallows' can be found here.

April 8, 2015

DAILY IMPRINT interviews Abbey McCulloch

In an interview with DAILY IMPRINT, Abbey says: “I have just always loved communicating through images for as long as I can remember. Drawing was just something that I had to do, in a compulsive and almost therapeutic sense.”’ See here for the full interview.

February 13, 2015

Abbey McCulloch in Harper’s Bazaar Magazine

Abbey McCulloch's work features in the March 2015 issue of Harper’s Bazaar Magazine.

26 June 2019 – 17 July 2019
THE NEW GALLERY SHOW — A Group Exhibition

29 August 2018 – 15 September 2018
THE 10TH ANNIVERSARY EXHIBITION

4 – 25 May 2017
Abbey McCulloch ‘Zero’

24 March 2015 – 18 April 2015
Abbey McCulloch ‘The Shallows’