Situated at the Larapinta Valley Town Camp at the base of Mt Gillen in Alice Springs, the Art Room of the Yarrenyty Arltere Learning Centre has quickly become one of the most dynamic forces in contemporary Australian Indigenous art.
Established in 2000 as an intergenerational education and community facility, Yarrenyty Arltere was introduced as a safe space away from the extreme poverty, overcrowding and social issues that afflicted the remote town, and provide the town camp’s residents with new skills and opportunities in an area with little access to work or education. A social enterprise since 2008, the Yarrenyty Arltere Learning Centre is credited with significantly improving living conditions within the community.
Especially noted for their soft sculptures made from recycled woollen blankets hand-dyed with local plants and rusted metal, the Yarrenyty Arltere artists create works that reveal the stories and experiences of generations of town camp residents.
Represented in significant public and private collections throughout Australia, the unique sculptures have twice won the Wandjuk Marika Memorial Three-Dimensional Award (Rhonda Sharpe – 2015, 2013) at the Telstra National Aboriginal & Torres Strait Islander Art Awards (NATSIAAs), won the inaugural Vincent Lingiari Award (Marlene Rubuntja, 2016), and have been included in major Australian exhibitions such as the 2018 NGV Triennial, Melbourne, the 21stBiennale of Sydney, and the 2017 TARNANTHI Festival of Contemporary Aboriginal and Torres Strait Islander Art, Adelaide.
Yarrenyty Arltere Artists: Dulcie Sharpe, Rhonda Sharpe, Marlene Rubuntja, Trudy Inkamala, Louise Robertson, Beth Ebatarinja, Patricia Nelson, Benita Multa
May 24, 2023
MARLENE RUBUNJA FEATURING IN ARTBANK + ACMI COMMISSION
Arrernte and Western Arrarnta artist Marlene Rubuntja alongside Arrernte and Southern Luritja artist Sally M Nangala Mulda have developed their practice to be completely recognisable and representative of the place in which they live, Mparntwe/Alice Springs. Working from Tangentyere Artists and Yarrenyty Arltere Artists (art centres), these senior women have established themselves as two of Australia’s leading visual artists.
The third Artbank + ACMI Commission, Two Girls From Amoonguna, encompasses video, soft sculpture and paintings, with the centerpiece the animated work titled Arrkutja Tharra, Kungka Kutjara, Two Girls.
Arrkutja Tharra, Kungka Kutjara, Two Girls delves into the reality of First Peoples’ experiences in Central Australia by chronicling the artists’ successes and struggles. The work centres Sally and Marlene’s voices, as well as the voices of their younger family members, who can be heard in the animation. It was made in collaboration with Ludo Studio, the Emmy-award winning production company behind Bluey, Robbie Hood and The Strange Chores, along with script writer Courtney Collins, Left of Elephant Sound and Tangentyere Artists producer Ellanor Webb.
Figures from Marlene’s soft sculptures and Sally’s acrylic on linen paintings star in the animation, embedded on top of Marlene’s ink on paper works of the Central Australian landscape. Bringing together both artists’ practice, Sally’s iconic cursive painted lettering produce the subtitles.
Having grown up at the Amoonguna Settlement outside of Mparntwe/Alice Springs in the early 1960s, the two friends wouldn’t reconnect until much later in life, after both of them had seen their fair amount of hardships; now having achieved so much, they are immensely proud of one another.
Two Girls from Amoonguna is an exhibition about two of Australia’s leading artists and their journey to get there.
Watch Two Girls from Amoonguna HERE
Read more HERE
March 1, 2021
YARRENYTY ARLTERE ARTISTS AT THE NATIONAL GALLERY OF AUSTRALIA
Yarrenyty Arltere Artists and Tangentyere Artists, Blak Parliament House, 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony.
Blak Parliament House is a 2021 installation of soft sculptures and paintings created collaboratively by members of Yarrenyty Altere Artists and Tangentyere Artists, Aboriginal-run art centres located in Mpwarnte/Alice Springs, Northern Territory. The structure is surrounded by people, animals, meetings and debates, as well as placards protesting the treatment of Aboriginal people.
The soft sculptures, created by members of Yarrenyty Altere Artists, are made from reclaimed woollen blankets, carefully dyed with pigments sourced from local plants, tea, and corroding metal, embellished with brightly coloured woollen thread and feathers. Alongside this is a series of paintings taking the form of placards created by artists from Tangentyere Artists, they bear slogans such as ‘SAFE WATER FOR EVERYONE’ and ‘OUR KIDS BELONG WITH US’.
For many First Nations peoples, especially those living in remote and regional areas, Kamberri/Canberra is seen as a distant place where decisions are made that affect their everyday lives. This interpretation of Parliament House shows Aboriginal people and others meeting, debating, and taking an active role in the political process.
LISTEN TO MARLENE RUBUNJA AND READ MORE HERE
IMAGE
Yarrenyty Arltere Artists and Tangentyere Artists
Blak Parliament House 2021
National Gallery of Australia
10 – 30 April 2024
‘Yarrenyty Arltere Artists’ featuring Rhonda Sharpe, Marlene Rubuntja, Roxanne Petrick, Louise Robertson, Beth Ebatarinja, Trudy Raggett
8 – 11 September 2022
SYDNEY CONTEMPORARY
17 September 2020 – 7 October 2020
YARRENYTY ARLTERE ARTISTS 'Art of Women'
12 – 15 September 2019
SYDNEY CONTEMPORARY ART FAIR - JOHN BOKOR, ELIZA GOSSE, TARA MARYNOWSKY, SALLY M NANGALA MULDA, YARRENYTY ARLTERE ARTISTS
27 June 2019 – 17 July 2019
YARRENYTY ARLTERE ARTISTS
10 – 28 April 2018
YARRENYTY ARLTERE ARTISTS