‘Yarrenyty Arltere Artists’ featuring Rhonda Sharpe, Marlene Rubuntja, Roxanne Petrick, Louise Robertson, Beth Ebatarinja, Trudy Raggett

Arrernte and Southern Luritja artist Sally M Nangala Mulda alongside Arrernte and Western Arrarnta artist Marlene Rubuntja have developed their practice to be completely recognisable and representative of the place in which they live, Mparntwe/Alice Springs. Working from Tangentyere Artists and Yarrenyty Arltere Artists (art centres), these senior women have established themselves as two of Australia’s leading visual artists.

The third Artbank + ACMI Commission, Two Girls From Amoonguna, encompasses video, soft sculpture and paintings, with the centerpiece the animated work titled Arrkutja Tharra, Kungka Kutjara, Two Girls.

Arrkutja Tharra, Kungka Kutjara, Two Girls delves into the reality of First Peoples’ experiences in Central Australia by chronicling the artists’ successes and struggles. The work centres Sally and Marlene’s voices, as well as the voices of their younger family members, who can be heard in the animation. It was made in collaboration with Ludo Studio, the Emmy-award winning production company behind Bluey, Robbie Hood and The Strange Chores, along with script writer Courtney Collins, Left of Elephant Sound and Tangentyere Artists producer Ellanor Webb.

Figures from Marlene’s soft sculptures and Sally’s acrylic on linen paintings star in the animation, embedded on top of Marlene’s ink on paper works of the Central Australian landscape. Bringing together both artists’ practice, Sally’s iconic cursive painted lettering produce the subtitles.

Having grown up at the Amoonguna Settlement outside of Mparntwe/Alice Springs in the early 1960s, the two friends wouldn’t reconnect until much later in life, after both of them had seen their fair amount of hardships; now having achieved so much, they are immensely proud of one another.

Two Girls from Amoonguna is an exhibition about two of Australia’s leading artists and their journey to get there.

IMAGES:

1/ Sally M Nangala Mulda at Tarnanthi, 2019

2/ Marlene Rubuntja holding a soft echidna sculpture

WATCH HERE

READ MORE HERE

Arrernte and Western Arrarnta artist Marlene Rubuntja alongside Arrernte and Southern Luritja artist Sally M Nangala Mulda have developed their practice to be completely recognisable and representative of the place in which they live, Mparntwe/Alice Springs. Working from Tangentyere Artists and Yarrenyty Arltere Artists (art centres), these senior women have established themselves as two of Australia’s leading visual artists.

The third Artbank + ACMI Commission, Two Girls From Amoonguna, encompasses video, soft sculpture and paintings, with the centerpiece the animated work titled Arrkutja Tharra, Kungka Kutjara, Two Girls.

Arrkutja Tharra, Kungka Kutjara, Two Girls delves into the reality of First Peoples’ experiences in Central Australia by chronicling the artists’ successes and struggles. The work centres Sally and Marlene’s voices, as well as the voices of their younger family members, who can be heard in the animation. It was made in collaboration with Ludo Studio, the Emmy-award winning production company behind Bluey, Robbie Hood and The Strange Chores, along with script writer Courtney Collins, Left of Elephant Sound and Tangentyere Artists producer Ellanor Webb.

Figures from Marlene’s soft sculptures and Sally’s acrylic on linen paintings star in the animation, embedded on top of Marlene’s ink on paper works of the Central Australian landscape. Bringing together both artists’ practice, Sally’s iconic cursive painted lettering produce the subtitles.

Having grown up at the Amoonguna Settlement outside of Mparntwe/Alice Springs in the early 1960s, the two friends wouldn’t reconnect until much later in life, after both of them had seen their fair amount of hardships; now having achieved so much, they are immensely proud of one another.

Two Girls from Amoonguna is an exhibition about two of Australia’s leading artists and their journey to get there.

Watch Two Girls from Amoonguna HERE

Read more HERE

Yarrenyty Arltere Artists and Tangentyere Artists, Blak Parliament House, 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony.

Blak Parliament House is a 2021 installation of soft sculptures and paintings created collaboratively by members of Yarrenyty Altere Artists and Tangentyere Artists, Aboriginal-run art centres located in Mpwarnte/Alice Springs, Northern Territory. The structure is surrounded by people, animals, meetings and debates, as well as placards protesting the treatment of Aboriginal people.

The soft sculptures, created by members of Yarrenyty Altere Artists, are made from reclaimed woollen blankets, carefully dyed with pigments sourced from local plants, tea, and corroding metal, embellished with brightly coloured woollen thread and feathers. Alongside this is a series of paintings taking the form of placards created by artists from Tangentyere Artists, they bear slogans such as ‘SAFE WATER FOR EVERYONE’ and ‘OUR KIDS BELONG WITH US’.

For many First Nations peoples, especially those living in remote and regional areas, Kamberri/Canberra is seen as a distant place where decisions are made that affect their everyday lives. This interpretation of Parliament House shows Aboriginal people and others meeting, debating, and taking an active role in the political process.

IMAGE

Yarrenyty Arltere Artists and Tangentyere Artists

Blak Parliament House 2021

National Gallery of Australia

LISTEN TO MARLENE RUBUNJA AND READ MORE HERE