Peta Minnici

We are delighted to share that Peta Minnici has been selected as a finalist in the 2024 Calleen Art Award with her work ‘Rose Connection’.

The Calleen Art Award is a $30,000 National acquisitive prize, awarded annually to celebrate contemporary art practices and to foster originality, creativity and excellence in the visual arts. The finalists will be exhibited at the Cowra Regional Art Gallery from 28 September - 17 November 2024.

IMAGE:
Peta Minnici
Rose Connection 2023
oil on linen
112 x 112 cm

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Peta Minnici's still life painting ‘Sensory Perception’ was selected as a finalist in 2024 Muswellbrook Art Prize. The Muswellbrook Art Prize aims to foster the interest in and understanding of art in the Upper Hunter Valley and to help promote and encourage Australian artist’s and their work.

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IMAGE:
Peta Minnici
Sensory Perception 2024
oil on linen
112 x 112cm

We are thrilled to announce that Peta Minnici features in 'Clayton Utz Art Partnership, The First Five Years'.

Published in Conjunction with Clayton Utz, 3:33 Art Projects, and Bandicoot Publishing Pty Ltd, Alexandria, NSW, Australia. Editors: Bruce Cooper, Kon Gouriotis and Max Germanos. Contributing writer: Dr. Judith Pugh.

The Clayton Utz Art Partnership brings together a unique collaboration between two outstanding Australian artists and their firm.

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The Dobell Drawing Prize is an unparalleled celebration of drawing technique and innovation. Presented by the National Art School in partnership with the Sir William Dobell Art Foundation, the biennial prize explores the enduring importance of drawing within contemporary art practice. The 2021 exhibition showcased work by 64 finalists from around the country, demonstrating the vitality and scope of current Australian drawing.

Minnici's drawing are formed intuitively using a gradual technique of mark making, creating a blurring of focus and a slowing of viewing time; emphasising the tonal structure of each image through the loss of edges and turning the photographic image into a series of atmospheric sensations reminiscent of a memory.

IMAGE:

Peta Minnici

Looking into Bundanon 2019

ink in saunders paper

83.5 x 66.4 cm

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Peta Minnici has been featured in the book 'Still Life' written by Amber Creswell Bell, published by Thames & Hudson.

The Kedumba Drawing Collection was started in 1990 and embodies and reflects all the elements of outstanding drawing created in Australia over more than 50 years and has acquired almost two hundred drawings.

Peta Minnici subject of her work depicts Minnici almost as a voyeur peering from outside through glass windows of Bundanon Homestead during my recent residency.
Capturing both inside and surrounding landscape in one frame, as a play on reflections, allows the internal foyer and staircase to fuse seamlessly with the mountains and trees.

Minnici's work 'Looking In, Seeing Out - Bundanon' has been acquired into this collection.

IMAGE:

Peta Minnici

Looking in, Seeing out – Bundanon 2018

ink on paper

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Congratulations to Peta Minnici who is a finalist for the 2019 Dobell Drawing Award for her work 'Dusk Hill End'.

The Dobell Drawing Prize was originally held annually at the Art Gallery of NSW, initiated by the Gallery and the Trustees of the Sir William Dobell Art Foundation. The Prize aims to encourage excellence in drawing and draughtsmanship among Australian Artists.

The subject depicted in my work illustrate an internal thought process that is based on personal memory and focuses on an implied journey through time, i.e. Drawing at Hill End in the late afternoon . Although the drawing is based on a photograph, my aim was to deconstruct the representation portrayed, into vertical lines of tone, turning the photographic image into a series of atmospheric sensations which are reminiscent of a memory. I transcribe the image onto paper with a graphite pencil, enlarging the scale of the image then apply the tonal variations through a hatching technique of small vertical lines with black pen. My technique creates a blurring of focus and emphasises the tonal structure of each image through the loss of edges. In this work the drawn mark evokes the fragility of remembering, as the mark making creates a movement causing it to move from a past to a present. The drawn line also relates to the concept of memory consisting of a mass of marks that are designated into what we have seen, heard and felt.

- Peta Minnici, 2019

IMAGE:

Peta Minnici

Dusk Hill End 2017

pen on paper

107 x 78 cm

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