Cranberry Creek (Study) Joanna Logue Joanna Logue - Cranberry Creek (Study)
Cranberry Creek (Study) 2023
acrylic on birch
40 x 50 cm
$4,800  ENQUIRE
Cranberry Creek (Study)Joanna LogueCranberry Creek (Study)
Cranberry Creek (Study)2023
acrylic on birch
40 x 50 cm
$4,800  ENQUIRE
Granite Pool Joanna Logue Joanna Logue - Granite Pool
Granite Pool 2023
acrylic on birch
40 x 50 cm
$4,800  ENQUIRE
Granite PoolJoanna LogueGranite Pool
Granite Pool2023
acrylic on birch
40 x 50 cm
$4,800  ENQUIRE
Holding Joanna Logue Joanna Logue - Holding
Holding 2024
acrylic on birch
60 x 60 cm
$7,200  ENQUIRE
HoldingJoanna LogueHolding
Holding2024
acrylic on birch
60 x 60 cm
$7,200  ENQUIRE
Passage Joanna Logue Joanna Logue - Passage
Passage 2024
acrylic on birch
50 x 60 cm
$5,400  ENQUIRE
PassageJoanna LoguePassage
Passage2024
acrylic on birch
50 x 60 cm
$5,400  ENQUIRE

Joanna Logue is an Australian-born painter, born in 1964 in the Hunter Valley, New South Wales. She holds a Bachelor of Arts in Visual Arts (1986) and a Graduate Diploma in Painting (1987) from the City Art Institute in Sydney. Raised in a rural environment, Logue developed an early connection to the landscape that would become central to her artistic practice. After establishing her career in Australia, she relocated to Mount Desert Island, Maine in 2017 where she continues to live and work. She draws inspiration from the dramatic changing of seasons seen in the landscape around her. The dramatic seasonal shifts and coastal terrain of the northeastern United States now serve as a new source of inspiration, offering a striking contrast to the light and climate of her native Australia.

Logue has exhibited widely in both solo and group exhibitions across Australia, the United States, the United Kingdom, Canada, and Hong Kong. She has been the recipient of several awards, including the Country Energy Prize for Landscape Painting (2006) and the Central West Regional Artist Award (2009), and has been a finalist in significant national prizes such as the Fleurieu Art Prize, the Paddington Landscape Painting Prize, and the NSW Parliament Plein Air Painting Prize. Logue has undertaken residencies at Hill End, Bull Bay, and through Bathurst Regional Art Gallery. Her work is held in a range of public and private collections, including Bathurst and Cowra Regional Art Galleries, Cornell University, and numerous corporate collections throughout Australia and North America.

Born 1964 Scone, NSW, Australia

EDUCATION

1987

  • Graduate Diploma (Professional Art Studies) City Art Institute, Sydney

1986

  • B.A. (Visual Arts) City Art Institute

    SOLO EXHIBITIONS

    2025

    • 'The Island Within', King Street Gallery, Sydney

    2023

    • 'New Work', John Martin Gallery, London
    • 'Pond' Dowling Walsh Gallery, Rockland, Maine

    2022

    • 'Echo' King Street Gallery on William, Sydney

    2021

    • 'Alone in the Marsh (after JP)', Scott Livesey Gallery, Melbourne

    2019

    • 'Floating World', King Street Gallery on William, Sydney

    2018

    • 'Of Long Time Past', Bank of America Merril Lynch, Sydney NSW
    • 'Arcadia' Scott Livesey, Vic

    2017

    • Heartland King Street Gallery on William, Sydney

    2016

    • 'Reveries', Anna Pappas Gallery, Melbourne
    • 'Where she was sleeping', Bathurst Regional Art Gallery, NSW

    2015

    • 'New work', King Street Gallery on William, Sydney

    2013

    • 'New work', James Makin Gallery, Melbourne

    2012

    • 'New work', King Street Gallery on William, Sydney

    2011

    • 'Hill End – New work', Bathurst Regional Art Gallery, Bathurst

    2010

    • 'Essington – New work', Cowra Regional Art Gallery, Cowra
    • 'New work', King Street Gallery on William, Sydney

    2009

    • 'New paintings' acga Gallery @ Fed Square, Melbourne (with King Street Gallery on William)

    2008

    • 'New work', Tim Olsen Gallery, Sydney

    2007

    • 'New work', Tim Olsen Annex Gallery, Sydney
    • 'New work', Gadfly Gallery, Perth
    • 'Glimpse', Bathurst Regional Art Gallery, NSW

    2006

    • 'New work', Tim Olsen Gallery, Sydney

    2005

    • 'Parks', Tim Olsen Annex Gallery, Sydney

    2004

    • 'New work', Tim Olsen Gallery Axia Modern Art, Melbourne

    2003

    • Tim Olsen Gallery

    2002

    • Axia Modern Art

    2001

    • Axia Modern Art

    2000

    • Michael Nagy Fine Art, Sydney Axia Modern Art

    1999

    • Michael Nagy Fine Art

    1998

    • Axia Modern Art

    1997

    • Michael Nagy Fine Art

    1996

    • Vastness Axia Modern Art
    • Recent Landscapes Solander Gallery, Canberra

    1995

    • A Time and Place Editions Galleries, Melbourne

    1994

    • New York City Landscapes Central Park Solander Gallery

    1993

    • Oberon Painters Gallery, Sydney

    1992

    • Tidal Marks Solander Gallery

    1988

    • Cooper Gallery, Sydney

    1987

    • Cooper Gallery

    SELECTED GROUP EXHIBITIONS

    2025

    • 'Light and Land', curated by Alex Grady, Edwina Corlette, Brisbane

    2024

    • '36 Paintings', Harpers East Hamptons, New York
    • 'Holiday', Harpers Chelsea, New York

    2023

    • '10 year Anniversary exhibition', Bank of America, Sydney

    2022

    • 'Love Calls Us to the Things of this World', UCM Gallery of Art & Design, Missouri
    • 'Enonymous was a woman', Clint Roenisch gallery, Toronto

    2021

    • 'Postcards', Galleri Magnus Karlsson, Sweden
    • 'Moments in Colour', Glasshouse Regional Art Gallery, Port Macquarie

    2018

    • 'Inside/Outside', King Street Gallery, Sydney

    2017

    • 'At Bull Bay', Despard Gallery, Hobart TAS
    • 'Plein Air Art', Prize NSW Parliament House, Sydney

    2016

    • 'Salon des Refuses', S.H. Ervin Gallery Sydney, Mornington Peninsula Regional Gallery, Victoria
    • 'Calleen Art Award', Cowra Regional Art Gallery, Cowra, NSW
    • 'Blake Prize', Casula Power House
    • 'Plein Air Art Prize', NSW Parliament House

    2015

    • 'Country and Western – Visions of Australi’ Townsville Regional Gallery and travelling Blue Mountains Cultural Centre
    • 'Plein Air Art Prize', NSW Parliament House
    • 'Mosman Art Prize', Mosman Regional Gallery and Museum, Sydney
    • 'The Piano has been Drinking (Not Me)', Maitland Regional Art Gallery, NSW
    • '200x200 a retrospective', Bathurst Regional Art Gallery
    • 'At Bull Bay', Despard Gallery, Hobart
    • Art Stag Singapore Art Fair

    2014

    • 'Australia Day Exhibition', Australian Galleries, Sydney
    • 'Australia Day Exhibition' Australian Galleries, Sydney
    • 'Natura Morta', Dubbo Regional gallery
    • 'Plein Air Art Prize', NSW Parliament House
    • 'Tattersall’s Landscape Painting Prize', Tattersall's Club, Brisbane
    • 'Norvill Art Prize', Murrurrundi
    • Paddington Art Prize Sydney

    2013

    • 'The Feminine Optic – Perspectives on Landscape', Tamworth Regional Art Gallery
    • 'Kedumba Drawing Award', Wentworth Falls
    • Loaded Australian High Commission, Singapore
    • Tattersall’s Landscape Painting Prize Brisbane
    • Calleen Art Prize Cowra Regional Art Gallery, Cowra, NSW
    • Plein Air Art Prize NSW Parliament House
    • Looking Forward King Street Gallery on William, Sydney

    2012

    • 'Norvill Art Prize', Murrurrundi
    • 'Paddington Art Prize', Sydney
    • 'Fleurieu Art Prize', South Australia
    • 'Picturing the Great Divide: Visions from Australia’s Blue Mountains', Blue Mountains Cultural Centre, New South Wales
    • 'The Big Picture', King Street Gallery, Sydney

    2011

    • 'Fleurieu Art Prize', South Australia
    • 'Paddington Art Prize', Menzies Art Brands Gallery, Sydney
    • 'New Romantics', Gippsland Regional Gallery
    • 'Wattle' Australian Contemporary Art Cat Street Gallery, Hong Kong
    • 'New Acquisitions', Cowra Regional Art Gallery
    • 'Arkaba Station – Flinders Ranges', King Street Gallery, Sydney

    2010

    • 'Paddington Art Prize', Menzies Art Brands Gallery
    • ANL Maritime Exhibition, Melbourne
    • Small Image/Grand Visions Wagner Gallery, Sydney
    • Plein Air Prize NSW Parliament House, Sydney

    2009

    • 'Plein Air Prize', NSW Parliament House
    • 'Mosman Art Prize', Mosman Art Gallery, Sydney
    • 'ANL Maritime Art Prize Exhibition', Melbourne
    • 'Gosford Art Prize', Gosford Regional Gallery, Gosford

    2008

    • 'Directors Choice', Bathurst Regional Art Gallery, NSW

    2007

    • 'Greetings from Coogee –Streeton Inspired', Mary Place Gallery, Sydney

    2006

    • 'Beyond Hill End', Cudgegong Gallery, NSW
    • 'Country Energy Prize for Landscape Painting',

    2003

    • 'Depth of Field', Shepparton Art Gallery, Victoria

    2001

    • 'Decade', Bathurst Regional Art Gallery
    • 'Five Women', The Bell Gallery, Berrima, NSW

    2000

    • 'Sydney Scene Olympic Arts Festival', Michael Nagy Fine Art

    1992

    • North Sydney Contemporary Gallery, Sydney

    1990

    • 'New Art 1990', Bonython-Meadmore Fine Art, Sydney

    1989

    • Australian Heritage Award Blaxland Gallery, Sydney

    1987

    • 'Australian Textiles Award', Sydney Textiles Museum
    • 'Post Graduate Exhibition', Ivan Dougherty Gallery, COFA, UNSW, Sydney
    • 'Douglass Art Award', Ivan Dougherty Gallery

    1986

    • Graduating Students Exhibition City Art Institute, Sydney
    • Nude Show Gates Gallery, Sydney

    1985

    • Seasons Gallery, Sydney

    AWARDS & RESIDENCIES

    2016

    • Bull Bay Artist Residency, Bruny Island, Tasmania

    2014

    • Bull Bay Artist Residency, Bruny Island, Tasmania

    2013

    • Collected into Kedumba Drawing Collection

    2012

    • Highly commended Norvill Art Prize
    • People’s choice, Paddington Art Prize

    2011

    • Warry’s cottage Hill End residency, Paddington Art Prize

    2010

    • Haefliger’s Cottage, Hill End Residency, Bathurst Regional Art Gallery

    2009

    • People’s Choice Paddington Art Prize
    • Central West Artist Award, Cowra Regional Art Gallery

    2006

    • Country Energy Art Prize for Landscape Painting

    2000

    • Kings School Art Prize

    1998

    • Gunnery Studio, NSW Gunnery Studios Program


    PUBLIC COMMISSION

    • World Square Foyer

    COLLECTIONS

    Australia Club, Sydney
    Ampol Collection, Australia
    Australian Art Investment Trust
    Australian Institute of Management
    Australian Metal Holdings Ltd
    Australian Property Network
    Baker & McKenzie, NSW
    Barclays Bank, Australia
    Bathurst Regional Art Gallery, NSW
    Burns Philip Ltd, Australia
    Cowra Regional Art Gallery
    WTPartnership, Australia
    Cornell University, USA
    Country Energy, NSW
    Fluor Daniel Australia Pty Ltd
    Kurrajong Hotel, ACT
    Kedumba Drawing Collection
    Macquarie Bank, Australia
    Mann Judd Pty Ltd, Australia
    McKinsey & Co., Australia & New Zealand
    Mirvac, Australia
    NRMA, Australia
    Orange Regional Gallery, NSW
    Parncutt Acton, Australia
    Pracom Ltd, Australia
    Qantas, Australia
    Rand Corporation, Australia
    University of New South Wales
    Vaughan Construction, Australia
    Walker Corporation Ltd
    WTPartnership, Australia


    SELECTED BIBLIOGRAPHY

    2021

    • Little, Carl, Joanna Logue: An Australian in Acadia, Maine Arts Journal, Winter Issue.

    2020

    • Beaumont, Julian, The Australian Club Collection, Beagle Press, p206-207.

    2017

    • Smith, Linda, Tas Weekend: Susan Biard and Joanna Logue Bond over shared passion, The Mercury, 4 March.
    • Wilson, Gavin, Country & Western Landscape Re-imagined, Catalogue Essay, p38.
    • Minter, Peter, The Jade Pavilion, Heartland Catalogue entry, King Street Gallery, p2.

    2015

    • Mar, Diane, Artist Profile Magazine, Issue 29, p2.
    • Joanna Takes her New Work to Sydney, Oberon Review, May 21.
    • Frost, Andrew, Catalogue Essay, King Street Gallery on William.
    • Art Collector Magazine, Singapore Art Fair.

    2014

    • Wilson, Gavin, Natura Morta - recent perspectives of an old-age genre, Orange Regional Art Gallery.

    2013

    • Frost, Andrew, The Feminine Optic – Perspectives on Landscape, Tamworth Regional Art Gallery.

    2012

    • Wilson, Gavin, Picturing the Great Divide – Visions from Australia’s Blue Mountains, Blue Mountains Cultural Centre.

    2011

    • Gregg, Simon, New Romantics: Darkness and Light in Australian Art, Australian Scholarly Publishing.
    • Wilson, Gavin, Hill End, Catalogue Essay, Bathurst Regional Art Gallery.

    2010

    • Frost, Andrew, Natural Impressions, Sydney Morning Herald, Metro Art, 18 June, p14.
    • Water: Australia Day 2010, The Age, 26 January, front page pullout.

    2009

    • Beverage, Ann, A Brush With Nature, Blue Mountains Life Magazine, October-November, p40.

    2007

    • Hetherington, Sarah, Joanna Logue, Art World Magazine, October/November, p142-145.
    • Newstead, Adrian, Greetings from Coogee, Catalogue Essay.

    2006

    • Winner’s Profile, Countryscapes, Country Energy (website)
    • Country Energy Art Prize for Landscape Painting, Countryways, Nov/Dec/Jan, p4
    • Musa, Helen: ‘Oberon artist’s brush with Braidwood pays dividends,’
    • The Canberra Times, Oct 13, p4

    2005

    • Jones, Julia: ‘Regional art hotties: Out There,’ Australian Art Review, Iss 07 Mar-June, pp47-48

    2002

    • Tegart, Louise; Hall, Karen, Joanna Logue: Depth of Field, catalogue essay, Shepparton Art Gallery, p28-29.

    2001

    • Bock, Ilana: ‘A Case of Reputation,’ Australian Art Collector, Iss 17, July-Sept, p96

    2000

    • Makin, Jeff: Arts Review, Melbourne Sunday Herald
    • Smee, Sebastian: Arts Review, The Sydney Morning Herald

    1999

    • Ed. Drury, E : ‘Images 3’ published by Craftsman House

    1997

    • Auty, Giles: Art Review, The Weekend Australian
    • James, Bruce : Arts Review, Sydney Morning Herald

    1996

    • Boyd, Chris : Art Review, The Australian Financial Review
    • Grishin, Sasha : Art Review, Canberra Times
    • Ed. Drury, E : ‘Images 2’ published by Craftsman House

    1994

    • Arts Review, Canberra Times, July 6

    1992

    • Arts Review, Canberra Times, Aug 12