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In his podcast Alan Kohler tells the world that his three best non-share investments (that he actually owns) are:

1. A house in Richmond, Melbourne
2. A painting by Stefan Dunlop
3. A longines watch

He goes on the say that Stefan Dunlop is “taking off” as a painter.

Stefan is mentioned at about 31.30 min

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Vipoo Srivilasa has been awarded The 2021 Ceramic Artist of the Year by the editorial staff of Ceramics Monthly and Pottery Making Illustrated (USA).

The annual Ceramic Artist of the Year award is presented to an artist whose work reflects current aesthetics and sets an example for ceramic artists by embracing current trends, technology, studio, marketing, and/or community-focused practices.

“Over the course of your career, you’ve been very active with exhibitions, winning numerous awards, public art projects, teaching, mentoring, and community outreach. In addition, you have helped to support and advance the global clay community through innovative social media fundraising campaigns, among other projects.

You have also been very active in engaging with the field of ceramics and expanding creative connections with other creative fields and the wider community.

The fact that you can consistently create work as a self-employed artist in addition to having a busy international workshop, lecture, and exhibition schedule is impressive. In short due to all of your personal creative achievements, as well as your dedication to the field, we feel that you are more than deserving of the Ceramic Artist of the Year award.”

Jessica Knapp

Editor, Ceramics Monthly Magazine, Associate Editor, Pottery Making Illustrated, at The American Ceramic Society

In addition to the monetary award, The Artist of the Year feature will be in the 2021 Ceramic Arts Yearbook.

For the first time in its 22 year history, the Brett Whiteley Travelling Art Scholarship has been awarded to five artists, one of whom is Dan Kyle.

Congratulations Charlie Ingemar Harding (Victoria), Emily Grace Imeson (NSW), Dan Kyle (NSW), Lily Platts (NSW) and Georgia Spain (Tasmania).

Art Gallery of New South Wales Director, Michael Brand, said that in one of the most challenging years the arts community has ever experienced he’s delighted that the Scholarship could be awarded, albeit in a different format.

‘That the Scholarship this year is shared between five artists instead of a single artist speaks to the moment we’re in, where we all need to work together and find new ways of thinking for the benefit of our community.

‘The Scholarship remains a prestigious, national painting award and I welcome all five recipients to the Brett Whiteley Travelling Art Scholarship alumni who have, like Brett Whiteley before them, had their worlds open up as a result of being offered this opportunity to spend time creating work in a new location,’ Brand said.

For the first time in its 22 year history, the Brett Whiteley Travelling Art Scholarship has been awarded to five artists, one of whom is Emily Imeson.

Congratulations Charlie Ingemar Harding (Victoria), Emily Grace Imeson (NSW), Dan Kyle (NSW), Lily Platts (NSW) and Georgia Spain (Tasmania).

Art Gallery of New South Wales Director, Michael Brand, said that in one of the most challenging years the arts community has ever experienced he’s delighted that the Scholarship could be awarded, albeit in a different format.

‘That the Scholarship this year is shared between five artists instead of a single artist speaks to the moment we’re in, where we all need to work together and find new ways of thinking for the benefit of our community.

‘The Scholarship remains a prestigious, national painting award and I welcome all five recipients to the Brett Whiteley Travelling Art Scholarship alumni who have, like Brett Whiteley before them, had their worlds open up as a result of being offered this opportunity to spend time creating work in a new location,’ Brand said.

Emmanuel College within the University of Queensland commissioned a portrait of immediate past principal Dr Jane Thomson by artist Judith Sinnamon.

Congratulations to Sally Anderson whose upcoming exhibition has been featured in Brisbane Art Guide.

To coincide with her exhibition at Tweed Regional Gallery, Edwina Corlette Gallery is delighted to present a series of new paintings by Sally Anderson. Sally is a past winner of the prestigious Brett Whiteley Travelling Art Scholarship and a finalist in this year’s Portia Geach Award for female portraiture, with her painting of Claudia Karvan (below).

Born in Lismore, Anderson began her undergraduate studies in Visual Art at Southern Cross University before transferring to the College of Fine Art in Sydney. A past finalist in the Sunshine Coast Art Prize and the Paddington Art Prize, Anderson was invited to participate in the Association of Icelandic Visual Artists Residency in Reykjavik in 2014. Her work has been acquired by Artbank, the Australian Catholic University and corporate and private clients in Australia and Europe.

- Brisbane Art Guide, 2020

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Eliza Gosse's work 'Spoonfuls of Milo at Kosciuszko' is a finalist in the 2020 Wynne Prize at the Art Gallery of New South Wales.

The Wynne Prize is awarded annually for 'the best landscape painting of Australian scenery in oils or watercolours or for the best example of figure sculpture by Australian artists'. This open competition is judged by the trustees of the Art Gallery of NSW.

IMAGE:

Eliza Gosse

Spoonfuls of Milo at Kosciuszko 2020

oil on canvas

150 x 120 cm

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Eliza Gosse's work 'A Triangle of Vegemite Toast Lay Forgotten Under the Mustard Chair' is a finalist in the 2020 Mosman Art Prize.

Established in 1947, the Mosman Art Prize is Australia's oldest and most prestigious local government art award. It was founded by the artist, architect and arts advocate, Alderman Allan Gamble, at a time when only a small handful of art prizes were in existence in Australia and the community had very little support and few opportunities to exhibit their work.

IMAGE:

Eliza Gosse

A Triangle of Vegemite Toast Lay Forgotten Under the Mustard Chair 2020

acrylic on canvas

The concept of home has changed in 2020. For a lot of people, home has never been just one static place, and yet in the last few months that stasis has been forced upon us. In the midst of shelter-in-place orders, we’ve been directed to decide on a single location that represents our place in the world and stay there, hoping it keeps us safe.

Reframing the domestic space as a new landscape intrigues artist and new mother Sally Anderson. Her new body of work is entitled Bridal Veil Falls, the Window and the Piano Lesson, and was created almost entirely in lockdown. The pieces will be on display at Edwina Corlette gallery in Brisbane from tomorrow, in an exhibition that explores the fusion between Sally’s subjective experience of parenthood, and the collective endurance of pandemic paralysis.

- Sasha Gattermayr, The Design Files, 2020

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To help my son sleep we put on white noise of a small river in Scotland and Llyn Gwynant waves in Wales. The toponomy of Lismore indicates it was named after Isle of Lismore which lies in Loch Linnhe, an arm of the sea, on the West Coast of Scotland. I was born in Lismore early 1990, an experience I hadn’t intimately considered until the birth of my son a couple of years ago. My son was conceived in the Nancy Fairfax Artist in Residence Studio at Tweed Regional Gallery. There’s a pair of hoop pines (aka Richmond River Pines) that dominate the side view from the residency verandah. I often use these trees, along with banksias, within my work to represent the Northern Rivers region, my transition to motherhood and European exploration/invasion of Australia.

The works in 'Arm of the Sea and the Fertile Tree' use landscape metaphor rather than subject. Intimate personal experience and collective experience are translated into paintings, bedspreads, windows, still lifes and stages.

- Sally Anderson, 2020

The exhibition is open from 3 July — 29 November 2020

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