DAILY DILEMMAS is Christopher Zanko’s third solo exhibition at Edwina Corlette and is a show that subtly, yet decidedly shares with the viewer the lens through which the artist sees the world, and importantly, the streets, homes, and locale of his youth, and now his own young family’s upbringing. The title of this exhibition draws focus to the everyday, to the familiarity of one’s well-trodden surroundings, as well as the permanence and inevitable impermanence of the structures, shapes and colours that fuel a sense of home and belonging in these areas. Zanko addresses the dilemmas of suburbia in both a macro and micro sense. Large scale, these homes and blocks of land are part of a continuously sprawling and unavoidably changing landscape in a country with an ever-increasing need for abundant and sustainable housing. Small scale, there is deep thought about the immediate and the intimate and what will happen to these homes, memories, and community-driven traditions of the past to make way for innovation and economical use of space in the future. How do we preserve these structures and all they evoke in competition with this need?
It is in this newest body of work by Christopher Zanko, an artist based on Dharawal land in New South Wales, that an answer to this question is suggested through the offering of personal experiences, new perspectives, ideas, and musings on his iconic Australian suburban scenes. The snapshots and views of the homes, porch scenes and snippets of daily life in this exhibition are inspired by a slower tempo of viewing and creating, and as the audience, we are invited to join in at strolling pace. Works like Friday Drop Off and Friday Pick Up show up close, slowed down versions of these scenes, drawn from a time Chris was walking, instead of driving, with his daughter to preschool. With this latest offering, we also see a subtle lean toward abstraction with the close-up views of bathroom tiles, cropped perspectives of houses and with monochromatic works painted singularly to emphasise shadow and the visual language of texture that the artist continues to develop. Coloured borders refer to Chris’ own heritage through their ties to Eastern European folk art and cut-outs of a car and a keyboard fill the gaps in a way and insert themselves into the empty spaces of these suburban scenes. Throughout these works there is also an allusion to the always absent inhabitants of these spaces, which allows us to imagine ourselves in these nostalgic fragments of time.
Themes of permanence and change naturally exist in tandem in Zanko’s artworks and are represented through the artist’s purposeful marriage of medium and concept. The decision to carve and gouge these objects and vistas into wood imprints them forever and is a method of preservation that will perhaps outlast the structures themselves and the communities that surround them. Though apprehensive of it, Zanko does acknowledge change and accepts that it is an inevitable part of living in one location long enough to see it creeping in. To represent this, we see exaggerated texture and movement as well as variations in the colours of the leaves of the deciduous trees in works like Chimney, Autumn Skies which show the natural seasonal change from verdant greens to burnt umbers, symbolising the greater changes happening all around us.
DAILY DILEMMAS presents artworks that are born out of an innate desire to preserve memory and in doing so, give a long life to the iconic architecture of Australian suburbia as well as the communities they support and the memories and lifestyles they create. Chris explains “the main things that are going to change are the built environment and making works like this is a way for me to process that change happening around me and create a sense of stability and permanency.”
Eva Izabela Balog, 2023
Townships change. Places we call home can become virtually unrecognisable overnight as populations shift and new industries take hold. Landmarks disappear, and a district’s charm is changed forever due to redevelopment and urban renewal. Bearing witness to this loss of character is artist Christopher Zanko, who sees firsthand these changes in his hometown of Wollongong, south of Sydney.
Situated on the narrow coastal strip between the Illawarra Escarpment and the Pacific Ocean, Wollongong is an area as noted for its heavy industry and bustling port as it is the natural beauty of its location. Like many regional towns, ‘The Gong’s’ varied past has resulted in an eclectic mix of architecture that reflects each wave of economic and social change.
Keen to preserve this layered history, Zanko uses his art practice to document the miner’s cottages, beach shacks and art deco bungalows that feature throughout the Illawarra. Combining elements of printmaking and painting, his woodcarvings play with texture and bold colour to depict the atmosphere and aesthetics of mid-century suburbia. An evolving project, Zanko’s landscapes form a archive of the vanishing beauty of regional Australia, and the communities we’re losing along the way.
Christopher Zanko graduated with a Bachelor of Creative Arts from Wollongong University with a Distinction in Painting. He was a 2019 and 2023 finalist in the Wynne Prize at the Art Gallery of New South Wales and a 2019 finalist of the National Still Life Award. He was a finalist of the 2018 and 2016 Gosford Art Prize and the 2015 Lloyd Rees Memorial Youth Art Award. He has exhibited in group exhibitions including at Hazelhurst Regional Gallery and Project Contemporary Art Space in Wollongong. In 2017 he was invited to participate in Art Box Projects' Japanese residency in Shibuya, Tokyo.
Carrie McCarthy
Christopher Zanko
Born 1992
Wollongong, New South Wales
EDUCATION
2015
Bachelor of Creative Arts, Wollongong University
2012
Diploma of Fine Art, West Wollongong TAFE
SOLO EXHIBITIONS
2024
'Daily Dilemmas', EDWINA CORLETTE, Brisbane
'Kakurega', Laid Bug, Tokyo, Japan
2023
'Downshifter' Egg and Dart Gallery, Thirroul
'Wandering Where', Sydney Contemporary, Carriage Works, Sydney
2022
'Lost Between', EDWINA CORLETTE, Brisbane
'Measured Moments', Laid Bug, Tokyo, Japan
2021
Sweet Misgivings, Egg and Dart Gallery, Thirroul
2020
'Heretofore', EDWINA CORLETTE, Brisbane
2019
'Stranger Avenue', Egg and Dart Gallery, Thirroul
'A Different Road Home', EDWINA CORLETTE, Brisbane
2018
'Online', Egg and Dart Gallery, Thirroul
2017
‘Umbra’, Egg and Dart Gallery, Thirroul
SELECTED GROUP EXHIBITIONS
2024
The Wynne Prize, Art Gallery of New South Wales, Sydney
Blake Art Prize, Casula Powerhouse, New South Wales
2023
'Lateral Landscapes', Museum of Art and Culture, Lake Macquarie
'Vision Splendid', Hazelhurst Art Centre, Gymea
Spring 1883, Hotel Windsor, Melbourne
2022
'Substratum', Woollahra Gallery at Redleaf, Woollahra
'Resistance', Beams, Harajuku, Japan
2021
'Slippin Matters', Tsutaya Books, Tokyo, Japan
'93 Bourke & Friends', Ninety Three Bourke ARI, Sydney
2020
'The Home', Hazelhurst Regional Gallery & Arts Centre, Gymea, New South Wales
'Treading Water', Egg and Dart Gallery, Thirroul
'The Home’, Hazelhurst Regional Gallery, New South Wales
2019
'The New Gallery Show', EDWINA CORLETTE, Brisbane
'An Exhibition', Egg and Dart Gallery, Thirroul
'A Place Called Home', Wollongong Regional Gallery
'Schorcher', Egg and Dart Gallery, Thirroul
'TBD', School of Arts, Clifton
'YMO at Home', Leichardt House, Sydney
'Yours And Owls Stage Design', Wollongong
2018
'Life in Working Art', Hazelhurst Regional Gallery, Gymea
We are thrilled to share that Christopher Zanko is a finalist in the 2024 Fisher’s Ghost Art Award with his work ‘The Laundry’.
The annual Fisher’s Ghost Art Award is now in its 62nd year, and there is over $60,000 in prize money to be won across the categories. The Fisher’s Ghost Art Award coincides with Campbelltown’s annual Festival of Fisher’s Ghost. Held over ten days, the Festival dates back to 1956 and celebrates Australia’s most famous ghost – Frederick Fisher.
The finalists exhibition will be held at the Campbelltown Arts Centre from Saturday 26 October – Friday 6 December, 2024
IMAGE
‘The Laundry’ 2023 acrylic on wood relief carving 59 x 54 cm
We are pleased to share that Chris Zanko is a finalist in this year’s Sunshine Coast National Art Prize for his work ‘The Bathroom’.
The national acquisitive Sunshine Coast National Art Prize is a dynamic visual arts award reflecting outstanding contemporary 2D and new media arts practice in Australia. The finalists exhibiton will be exhibited at the Caloundra Regional Gallery from 24 August - 13 October 2024.
‘From the house I grew up in to the share houses and rentals I've lived in since, there has always been a variation of this tile in the bathroom, laundry, or kitchen. In recent years, I've begun to collect different colour variations of it. Sometimes I feel as though I've seen them all, then I incidentally come across a new colour motif. Synonymous with the mid-century red brick and fibro houses in my local area of Wollongong, many of the houses and buildings with these tiles are disappearing. Carving this design into wood is a way of enacting a sense of permanence, as the marks cannot be undone.’
Thrilled to share the news that Chris Zanko is a finalist in the 2024 Wynne Prize with his work ‘Personal plethoras’.
Growing up, Christopher Zanko formed impressions of local architecture that helped him build a ‘cognitive map’. Particular houses and streets in the Wollongong suburbs of his childhood, on Dharawal land, became markers for him in a place now undergoing development and gentrification.
Zanko, a two-time Wynne finalist, noticed this house while walking to his daughter’s preschool in 2023. ‘The arrangement of shadows cast by the eaves and the glimpse into the backyard gave a sense of familiarity,’ he says. Rendered large, with confident lines, the house’s textures of red brick, speckled concrete, pruned bushes and drawn blinds have been lovingly depicted. Zanko carves into the wooden surface with small hand chisels before adding colour, then accentuates the work’s graphic details and deep shadows by applying black paint with a roller.
While the changing nature of our environment can be challenging, Zanko notes, it ‘is arguably necessary, especially considering Australia’s current housing crisis’. ‘Through my process I seek to give a sense of permanency to the narratives and experiences of suburban Australia.’
Hosted by Namila Benson, Art Works is the ABC's weekly half-hour arts show sharing the most inspiring, surprising, and formative ways that Australian creatives are telling our stories today.
Namila talks to artist Christopher Zanko who shares how he combines woodcarving and painting.
Congratulations to Christopher Zanko and Paul Ryan who are finalists with a collaborative work in the 2022 Sulman Art Prize at the Art Gallery of New South Wales. The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist.
Christopher Zanko and Paul Ryan's work is set against the backdrop of Wollongong in NSW. This painting is concerned with the vulnerability of the changing demographics of an area once defined by coal mining, steelmaking and allied industries.
The Gosford Art Prize is the premier art prize of the Central Coast region, with local and national artists engaged in friendly competition for over $25,000 in total prizes.
Still is a biennial, acquisitive award for artworks in the genre of still life, in all mediums. The award is open to artists at all stages of their careers. Still: National Still Life Award seeks to highlight the diversity and vitality of still life in Australian contemporary art practice, broadening the interpretation and meaning of this enduring genre.
The Still exhibition opens at Coffs Harbour Regional Gallery on Friday 20th September 2019, with the official opening on Saturday 21st September, and runs until Saturday 30th November 2019.
Christopher Zanko is a finalist in the 2019 Wynne Prize at the Art Gallery of New South Wales with his work 'Bulli: bricks and black diamonds' 2019.
The Wynne Prize is awarded annually for 'the best landscape painting of Australian scenery in oils or watercolours or for the best example of figure sculpture by Australian artists’.
This open competition is judged by the trustees of the Art Gallery of NSW. Finalists are displayed in an exhibition at the Gallery (although in the early years all entrants were hung). Many winning paintings have become icons in Australian landscape art, entering the collections of public galleries, including our own.
The prize was established following a bequest by Richard Wynne, who died in 1895, and first awarded in 1897, in honour of the official opening of the Gallery at its present site.
Christopher Zanko’s depictions of classic Australian suburbia and architecture – created through carving and painting – feel happy and nostalgic, as though cementing a time in local history, while also celebrating the beauty of an everyday normal.
“These days a lot of homes and buildings are being knocked down, so the area is not going to look like this for much longer,” Chris says. “It's great to be able to capture these beautiful buildings while they’re still here.”
Thirroul artists Chris Zanko and Paul Ryan are featured in the current issue of Country Style Magazine. The article looks at the richness of creative talent on the Coal Coast in the Illawarra region of New South Wales and their deep connection to the area.
Sydney based Art and Music publication Happy Mag recently caught up with artist and musician Chris Zanko to discuss his life down south, what inspires his works and the creative process from the start of a piece to its final product.
Chris Zanko's work is included in Hazelhurst's Regional Gallery's exhibition Life in Working Art, an exhibition presenting a diverse selection of works from the Gallery's installation team.
Christopher Zanko's wood relief carved work 'Redman Ave Reflections' is included in Wollongong Art Gallery's exhibition Here + Now.
Co-curated by Wollongong Art Gallery and Aaron Fell-Fracasso, Here + Now celebrates the diverse and unique creative energy of the Wollongong region and includes works by Jessica Cochrane, Tex Crick, Ebony Eden, Misha Harrison, India Mark, Paige Northwood, Nick Santoro and Chris Zanko.
The Gallery is delighted to announce we now represent Illawarra based artist Chris Zanko.
The streets of Australian suburbia with their red brick houses, electricity pole-lined streets and rusty Hills Hoist-filled backyards provide endless inspiration for Chris Zanko's work. His carved wooden surfaces depicting iconic mid-century architecture capture a nostalgic view of the vernacular architecture of our suburbs.
Zanko graduated with a Bachelor of Creative Arts at Wollongong University with Distinction in Painting. He was a winner of the 2016 Gosford and Gongcrete Art Prizes and a finalist in the 2015 Lloyd Rees Memorial Youth Art Award. He has exhibited in group exhibitions including at Hazelhurst Regional Gallery and Project Contemporary Art Space in Wollongong.
Duration: 27 minutes 10 seconds27m 
