May 22, 2019
By Ellinor Pelz
Tim McMonagle intimately confronts both the fragile and robust nature of life. With an obsession for mark-making and the act of painting, he depicts humanised landscapes with whimsical contradictions of impasto and swathing washes. His paintings require a closer inspection, as dangling branches and wailing trees act like entwined torsos to question humanity’s relationship to the environment. Artist Profile spoke to McMonagle in his Melbourne studio for Issue 46.
May 14, 2018
Tim McMonagle is a finalist in the 2018 Wynne Prize for landscape painting at the Art Gallery of New South Wales. He says:
'In my painting Shadow captain I was interested in capturing an imagined anthropomorphic nature. In the changing low light of dawn or dusk the large eucalyptus seems to twist and contort, fastened to the ground where it is anchored.' Tim McMonagle, 2018
May 8, 2017
The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.
Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.
Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.
Image: Tim McMonagle | In The Middle | 2016 | oil on linen | 122 x 122 cm
December 21, 2016
Carrie McCarthy has written a thoughtful piece about Tim McMonagle's recent exhibition at Edwina Corlette Gallery for her brilliant blog Cultural Flanerie. The article coincided with Tim's first exhibition at the Gallery which continued his exploration of our majestic native gum trees.
October 28, 2016
Tim McMonagle's work 'Ken Pearler' recently featured in the Australian Centre for Contemporary Art's exhibition 'Painting. More Painting'.
Presented in two chapters across ACCA’s four exhibition galleries, Painting. More Painting was a big-picture focus on contemporary Australian painting, featuring the work of over 70 living Australian artists.
Conceived by ACCA Curator Annika Kristensen and Associate Curator Hannah Mathews, and developed in collaboration with ACCA’s new Artistic Director/CEO Max Delany, Painting. More Painting brought together a range of painting practices that reflected the medium’s enduring importance and its recent return to the centre of much public debate.
Read more here.