Andiamo 3 James Drinkwater James Drinkwater - Andiamo 3
Andiamo 3 2022
Andiamo 3James DrinkwaterAndiamo 3
Andiamo 32022
oil, enamel and charcoal on linen
82 x 92 cm
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Andiamo 5James DrinkwaterAndiamo 5
Andiamo 52022
oil, enamel and charcoal on linen
82 x 92 cm
$8,000  ENQUIRE
Andiamo 1 James Drinkwater James Drinkwater - Andiamo 1
Andiamo 1 2022
Andiamo 1James DrinkwaterAndiamo 1
Andiamo 12022
oil, enamel and charcoal on linen
82 x 92 cm
SOLD 
Andiamo 2 James Drinkwater James Drinkwater - Andiamo 2
Andiamo 2 2022
Andiamo 2James DrinkwaterAndiamo 2
Andiamo 22022
oil, enamel and charcoal on linen
82 x 92 cm
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Andiamo 4 James Drinkwater James Drinkwater - Andiamo 4
Andiamo 4 2022
Andiamo 4James DrinkwaterAndiamo 4
Andiamo 42022
oil, enamel and charcoal on linen
82 x 92 cm
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Andiamo 6 James Drinkwater James Drinkwater - Andiamo 6
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Andiamo 6James DrinkwaterAndiamo 6
Andiamo 62022
oil, enamel and charcoal on linen
82 x 92 cm
$8,000  ENQUIRE
Andiamo 7 James Drinkwater James Drinkwater - Andiamo 7
Andiamo 7 2022
Andiamo 7James DrinkwaterAndiamo 7
Andiamo 72022
oil, enamel and charcoal on linen
82 x 92 cm
SOLD 
Andiamo 8 James Drinkwater James Drinkwater - Andiamo 8
Andiamo 8 2022
Andiamo 8James DrinkwaterAndiamo 8
Andiamo 82022
oil, enamel and charcoal on linen
82 x 92 cm
SOLD 
James Drinkwater 'A N D I A M O'

The intimacy and theatre of family life and everyday events are at the core of James Drinkwater’s art practice. Inspiration might be found in the coastal life he shares with his partner and children in his hometown of Newcastle, or in something as obscure as the architecture of his son’s vintage Japanese cameras - Drinkwater is drawn to the beauty right in front of him, the magic under his nose.

Throughout his career which began aged five with classes at the Ron Hartree Art School, Newcastle, Drinkwater explored both abstraction and figuration before developing his distinctive aesthetic. He shifts between painting, sculpture, assemblage, collage and drawing in the studio but it is primarily painting where his ideas are most fully explored. His canvases are viscous, sensual, and physical with the oil applied in thick swathes of colour by palette knife, rags and his bare hands. His contemplations on themes and concepts drive both materiality and composition.

James Drinkwater graduated from the National Art School, Sydney (2001) before moving to Melbourne, then Italy and Germany to further his art practice. A finalist in major art prizes such as the Mosman Prize (2020), Paddington Art Prize (2020, 2017, 2016, 2014), Wynne Prize (2018, 2017, 2015, 2014), Kilgour Prize (2018), and the Sulman Prize (2016), he won the Brett Whiteley Travelling Scholarship in 2014 and the Marten Bequest Travelling Scholarship in 2011. He has exhibited in solo and group exhibitions throughout Australia, and internationally in Germany and Singapore, and his work is held in private, corporate and public collections such as the Art Gallery of New South Wales, Gold Coast City Art Collection, Newcastle Art Gallery, Monash University, Macquarie University, University of Newcastle and Artbank.

James Drinkwater

Born 1983, lives and works in Newcastle, Australia

EDUCATION

2003

  • Fine Arts, National Art School in Darlinghurst, Sydney

1992

  • Ron Hartee Art School, Newcastle

SOLO EXHIBITIONS

2024

  • 'Somewhere Between The Sea and The Table', Vigo Gallery, United Kingdom
  • 'Fronte Oceano', Nanda\Hobbs, Aotearo Art Fair, New Zealand
  • 'Child at the Met and Other Journals', Nicholas Thompson Gallery, Melbourne Art Fair

2023

  • 'You Could Just Make a Painting and Write It All In There - New Paintings from the Slip Room', EDWINA CORLETTE, Brisbane
  • 'At Mid Career', Survey Exhibition, The Drill Hall Gallery, Australian National University, Canberra
  • 'Dobell's Storm, An Exhibition of Sets, Costumes and Media from the Ballet', MAC Museum, Lake Macquarie
  • 'Passage', Survey Exhibition, NCCA Northern Centre for Contemporary Art, Darwin
  • 'AMERICAN SALT - Montauk to the Bowery', Nanda\Hobbs, Sydney

2022

  • 'Tesoro Mio', Nanda/Hobbs, Sydney
  • 'The Boxer, round 2/ Old photos make me cry', Newcastle University Gallery
  • 'Sand Drawings and Other Tropes', Nicholas Thompson Gallery, Melbourne

2021

  • 'I love you so much I can't stop saying goodbye', Nicholas Thompson Gallery, Melbourne
  • 'The Boxer/When I Was Younger I Said My Prayers', Nanda/Hobbs, Sydney

2020

  • 'I love you more than paintings', Nicholas Thompson Gallery, Melbourne
  • 'A Day By the Sea, Informality', Henley on Thames, Oxfordshire, United Kingdom

2019

  • 'The Sea Calls Me by Name', 10 year survey, Newcastle Art Gallery
  • 'I love you to pieces then back together again', Nanda/Hobbs, Sydney
  • Sydney Contemporary, Nanda/Hobbs, Sydney

2018

  • 'Looking for Urchins and Louis Ferrari', Nanda/Hobbs, Sydney

2017

  • 'In the Halls of my Youth', The LockUp, Newcastle
  • 'Rungli Rungliot', Australian High Commission, Singapore

2016

  • 'An entire life, from the interior', NKN Gallery, Melbourne
  • ‘We are clumsy now on this Southern Beach, New works from the South of France’, Nanda/Hobbs, Sydney

2015

  • 'Every Pigeon in Paris Became a Dove, New work from Paris', Peta O'Brian Contemporary Art, London
  • 'In the Arms of Moreton Figs', Gallery 9, Sydney

2014

  • 'The boy cried STORM!!!', NKN Gallery, Melbourne
  • 'The boy and the ballet', Damien Minton Gallery, Sydney

2012

  • 'The Ocean Parade', Damien Minton Gallery, Sydney
  • 'Home Stretch', Cooks Hill Galleries, Newcastle

2011

  • 'Nostalgia for Nothing', Damien Minton Gallery, Sydney

2010

  • 'Brooding Town', Lain Dawson Gallery, Sydney
  • 'Postage Paid Australia, Berlin', Cooks Hill Galleries, Newcastle

2009

  • 'Poor Boy', Fortyfive Downstairs, Melbourne

2004

  • 'New Paintings', Maunsell Wickes, Sydney
  • 'Vintage', Manien Minton Gallery, Newcastle

GROUP EXHIBITIONS

2024

  • ‘How To Swim’, curated by Sally Anderson, EDWINA CORLETTE, Brisbane
  • 'Mastering Disorder', Cadet Capela, Paris
  • 'New Abstractions', Cromwell Place, London
  • 'Rue Des Fleurus, Athènes', Allouche Benias, Greece
  • 'A dream about a horse', Vigo Gallery, United Kingdom

2023

  • 'Untitled', Art Fair Miami, Vigo Gallery, United Kingdom
  • 'Salon Des Refuse', S.H. Ervin Gallery, Sydney

2022

  • 'Singing in Unison', Curated by Phong H. Bui and Cal McKeever, Brooklyn Rail, New York

2019

  • 'Postcards from Twin Peaks with Paul Ryan and James Drinkwater', Nanda/Hobbs, Sydney

2018

  • 'Kilgour Proze', Newcastle Art Gallery
  • 'Black Diamond Money', Byron School of Arts
  • 'Couplings', Dominik Mersch Gallery, Sydney
  • 'Sweetness of the New', The Yellow House Gallery

2017

  • 'Works on Paper', Beers Gallery, London
  • Sydney Contemporary Art Fair, Nanda/Hobbs, Sydney
  • Spring Art Fair 1883, NKN Gallery
  • 'Into Abstraction II', Macquarie University Gallery

2014

  • 'Paperweight', Newcastle Art Gallery

2013

  • Sydney Contemporary Art Fair, Damien Minton Gallery
  • Working Newcastle, University of Newcastle
  • 'Marked', Cessnock Regional Art Gallery

2012

  • 'Young Collectors', John Buckley Gallery Melbourne
  • 'Traces', Leipzig Art Fair, Germany
  • 'The Great Australian Landscape, Tim Olsen Gallery

2010

  • 'A Perfect Day to Chase Tornados (White)', Berlin

AWARDS AND PRIZES

2020

  • Finalist, The Vincent Prize, Marrickville, New South Wales
  • Finalist, Mosman Prize, New South Wales
  • Finalist, Paddington Art Prize, Sydney

2018

  • Finalist, Kilgour Art Prize, Newcastle
  • Finalist, John Glover Art Prize, Tasmania
  • Finalist, Wynne Art Prize, Art Gallery of New South Wales, Sydney

2017

  • Finalist, John Glover Art Prize, Tasmania
  • Finalist, Wynne Art Prize, Art Gallery of New South Wales, Sydney
  • Finalist, Paddington Art Prize, Sydney

2016

  • Finalist, Paddington Art Prize, Sydney
  • Finalist, Sulman Art Prize, Art Gallery of New South Wales, Sydney

2015

  • Finalist, Wynne Art Prize, Art Gallery of New South Wales, Sydney

2014

  • Finalist, Paddington Art Prize, Sydney
  • Winner, Brett Whiteley Travelling Scholarship, Art Gallery of New South Wales, Sydney
  • Finalist, Wynne Art Prize, Art Gallery of New South Wales, Sydney
  • Finalist, King School Prize, Sydney
  • Finalist, Newcastle University Prize, Newcastle

2013

  • Semi-Finalist, Doug Moran Portrait Prize, Sydney
  • Highly Commended, Brett Whiteley Travelling Scholarship, Art Gallery of New South Wales, Sydney

2012

  • Finalist, King School Prize, Sydney
  • Finalist, Brett Whiteley Travelling Scholarship, Art Gallery of New South Wales, Sydney

2011

  • Finalist, Dobell Drawing Prize, National Art School, Sydney
  • Highly Commended, Brett Whiteley Travelling Scholarship, Art Gallery of New South Wales, Sydney
  • Winner, Marten Bequest Travelling Scholarship
  • Finalist, Salon Des Refuses, S.H. Ervin Gallery, Sydney

2002

  • Winner, John Olsen National Art School Life Drawing Prize, Sydney

Collections

  • Artbank
  • University of Newcastle
  • Art Gallery of New South Wales
  • Gold Coast City Art Collection
  • Macquarie University
  • Monash University
  • Newcastle Art Gallery
  • Warner Music Australia
  • St Francis Xavier College, Newcastle
  • Bendigo Art Gallery
  • Maitland Regional Art Gallery
  • Macquarie Bank
  • Schnabel Collection, New York
  • Home Of The Arts, Gold Coast
  • Allens Law Firm
  • Private collections, New York, UK, Singapore, Australia, Germany

July 23, 2024

JAMES DRINKWATER FEATURES IN ISSUE 2 OF ART-CLE FOR 2024

Known for his raucous yet meticulously composed paintings, James Drinkwater is one of Australia’s most celebrated contemporary artists. Yet, the words ‘contemporary’ and ‘artist’ are not necessarily ones Drinkwater would use to describe himself. He prefers the term ‘painter’, and he is a gestural one at that, drawing on influences from the vast legacy of Australian, British, American and French modern art he became obsessed with as a child growing up in Newcastle, New South Wales. Drinkwater says he started drawing and painting incessantly from the age of five, after becoming taken with the small landscape paintings his aunt would work on at her kitchen table.

Drinkwater’s talent was recognised and nurtured early on, not just by his parents and those around him but also by the art world itself. During our conversation, he fields a call from his dad, who wants to come around and see his recent paintings. “It’s never ideal, the time he wants to come,” Drinkwater says after hanging up. “But I’m never going to say no to that, it’s fuel. You talk about fathers not approving of their kids doing art… artists like Clarice Beckett, you know. My dad was there in the garage with me, standing with a ciggy and a chardonnay just going, ‘Oh, bloody brilliant James. Brilliant. Michelle, come look!’

Between the ages of eight and eighteen, he attended Ron Hartree’s now-closed art school in Newcastle and visited exhibitions whenever his parents could take him. He later attended the National Art School in Sydney—only for one year, before getting restless—and then moved to Melbourne, where he met his now-wife, the painter and performance artist Lottie Consalvo. The pair soon moved to Berlin, where they lived for three years before relocating back to Newcastle in search of cheaper studio space and a quieter life.

In 2014, aged thirty, he won the Brett Whiteley Travelling Art Scholarship, which took his family— then-newly expanded to three with the arrival of his first child, Vincenzo—to the Cité des Arts in Paris for three months and a further three travelling. Fast forward to June 2023, almost a decade on, and a survey exhibition at Canberra’s Drill Hall Gallery—James Drinkwater: at mid-career, curated by Terence Maloon—announced without hesitation Drinkwater’s arrival at that often tenuous artistic milestone.

Drinkwater’s paintings are defined by their expressive use of colour. They are rich in matter, working texture and colour into abstract yet familiar figures, landscapes and interiors that speak of his experiences both real and imagined. In subject, his work draws heavily on the intimacy of his family life, the oceanic environment in which he lives, the broader Australian landscape and the people and places with which he interacts in his movements and travels. As was the case for the 20th century painters Drinkwater has so admired, his own exploration of this personal iconography at once allows insight into his subjective experience and offers something of our shared world to dive into.

READ THE INTERVIEW HERE

Interviewed by Emma Pegrum
Images courtesy Nic Gossage

June 21, 2023

JAMES DRINKWATER: AT MID-CAREER SURVEY AT DRILL HALL GALLERY

Early recognised as an exceptional talent, James Drinkwater has never toned-down the intensity and bravura of his approach to painting. His work has mined a vast legacy of modern art – Australian, British, American, French – as if all of it remains relevant, fresh and available to him. Now, on the brink of turning 40, this is the first survey of his prodigious past. While his paintings evoke figures, landscapes and interiors, they are also meticulously composed abstractions, distinctive for their complex and opulent fusion of texture, colour and spatial intrigue. This exhibition will be accompanied by a major publication.

AT MID-CAREER: James Drinkwater is curated by Terence Maloon.

The exhibition opens on Friday 23 June, 6pm, and will be officially lanched by Terence Maloon. No reservations are required to attend.

Image: James Drinkwater, We are clumsy now on this southern beach, 2016, mixed media on board, 140 x 120 cm. Private collection.

READ MORE HERE

May 4, 2022

James Drinkwater FEATURED IN HOUSE AND GARDEN MAGAZINE

Lottie Consalvo and James Drinkwater have created a big-hearted, art-filled home in their terrace house by the sea.

James’ art practice incorporates painting, sculpture, drawings and wearable textiles. “Since I was a child, making art was the clearest way I could express myself,” he says. His creativity is nourished by “generosity of any kind, whether it be the human spirit or nature itself”.

Story Elizabeth Wilson | Styling Sophie Wilson | Photography Alana Landsberry

READ MORE HERE

June 3, 2021

James Drinkwater FEATURED IN VAULT ART MAGAZINE - ISSUE 34

Written by Louise Martin-Chew