'Pretty Woman' From The Series 'Coming Attractions' Tara Marynowsky Tara Marynowsky - 'Pretty Woman' From The Series 'Coming Attractions'
'Pretty Woman' From The Series 'Coming Attractions' 2017
'Pretty Woman' From The Series 'Coming Attractions'Tara Marynowsky'Pretty Woman' From The Series 'Coming Attractions'
'Pretty Woman' From The Series 'Coming Attractions'2017
video still
829 x 600 cm
Shakespeare In Love Tara Marynowsky Tara Marynowsky - Shakespeare In Love
Shakespeare In Love 2016
Shakespeare In LoveTara MarynowskyShakespeare In Love
Shakespeare In Love2016
video still
Indecent Proposal (Demi) Tara Marynowsky Tara Marynowsky - Indecent Proposal (Demi)
Indecent Proposal (Demi) 2017
Indecent Proposal (Demi)Tara MarynowskyIndecent Proposal (Demi)
Indecent Proposal (Demi)2017
video still
1,020 x 740 cm
Venice Tara Marynowsky Tara Marynowsky - Venice
Venice 2022
VeniceTara MarynowskyVenice
watercolour on paper
21 x 15 cm
Timelapse Disco Tara Marynowsky Tara Marynowsky - Timelapse Disco
Timelapse Disco 2022
Timelapse DiscoTara MarynowskyTimelapse Disco
Timelapse Disco2022
watercolour on paper
50 x 42 cm
66 x 48 cm framed 
$2,000  ENQUIRE
True Love Tara Marynowsky Tara Marynowsky - True Love
True Love 2022
True LoveTara MarynowskyTrue Love
True Love2022
watercolour on paper
21 x 15 cm
Pink Grass and Corsage Tara Marynowsky Tara Marynowsky - Pink Grass and Corsage
Pink Grass and Corsage 2022
Pink Grass and CorsageTara MarynowskyPink Grass and Corsage
Pink Grass and Corsage2022
watercolour on paper
50 x 42 cm
$2,000  ENQUIRE
Star Burner 2 Tara Marynowsky Tara Marynowsky - Star Burner 2
Star Burner 2 2022
Star Burner 2Tara MarynowskyStar Burner 2
Star Burner 22022
watercolour on paper
21 x 15 cm
Marais Tara Marynowsky Tara Marynowsky - Marais
Marais 2022
MaraisTara MarynowskyMarais
watercolour on paper
21 x 15 cm
Miami Tara Marynowsky Tara Marynowsky - Miami
Miami 2022
MiamiTara MarynowskyMiami
watercolour on paper
21 x 15 cm
Red Grass Tara Marynowsky Tara Marynowsky - Red Grass
Red Grass 2022
Red GrassTara MarynowskyRed Grass
Red Grass2022
watercolour on paper
50 x 42 cm
66 x 48 cm framed 
$2,000  ENQUIRE
Green Grass Tara Marynowsky Tara Marynowsky - Green Grass
Green Grass 2022
Green GrassTara MarynowskyGreen Grass
Green Grass2022
watercolour on paper
50 x 42 cm
$2,000  ENQUIRE
Electric Shadows Tara Marynowsky Tara Marynowsky - Electric Shadows
Electric Shadows 2022
Electric ShadowsTara MarynowskyElectric Shadows
Electric Shadows2022
watercolour on paper
50 x 42 cm
$2,000  ENQUIRE
King Queen Tara Marynowsky Tara Marynowsky - King Queen
King Queen 2022
King QueenTara MarynowskyKing Queen
King Queen2022
watercolour on paper
21 x 15 cm
Wish You Were Here 1 Tara Marynowsky Tara Marynowsky - Wish You Were Here 1
Wish You Were Here 1 2022
Wish You Were Here 1Tara MarynowskyWish You Were Here 1
Wish You Were Here 12022
watercolour on paper
21 x 15 cm
Tara Marynowsky

Tara Marynowsky’s painterly interventions on vintage postcards and subtly rendered watercolours explore the raw power of the feminine. She knows that nostalgia for a perfectly contained female energy exists alongside the historical transformation of women’s self-identity, and she looks to bring poetic truth to light. Her process-oriented sensibility balances emotive intensity with delicate line, form and colour, and imbues the fragile figures of men and women, animals, ghostly apparitions and masked players inhabiting her work with an otherworldly honesty – connecting a strangely familiar past with an unsettling present.

Provocative and direct, confronting and comforting, Marynowsky’s ability to enter the viewer into an intimate relationship with the fragility and beauty of curiosity, play and subverted politesse forces dialogue with the tropes we use to define ourselves. In her work, cultural stereotypes, mythical archetypes and unspoken longings meet up with the subconscious currents that influence our daily lives.

Tara Marynowsky holds a Bachelor of Fine Arts with Honours from UNSW, College of Fine Arts, Sydney and has exhibited widely throughout Australia as well as internationally. She has been the recipient of numerous grants, awards and residencies, most recently a Marten Bequest Scholarship and including the Linden Postcard Prize, the Fraser Studio Arts Residency at Queen Street Studios in Sydney, a finalist for the Helen Lemprière Travelling Arts Scholarship and an Australia Council Inter-Arts Grant. Carol Schwarzman

Born 1979

Lives and works in Sydney



  • Bachelor of Fine Arts (Honours), College of Fine Arts, University of New South Wales



  • Finalist, Ravenswood Women’s Art Prize


  • Marten Bequest Scholarship, Painting


  • Artist in Residence, Wis(c)h, Supported by City of Sydney


  • Second Place, Linden Postcard Prize, Linden New Art, Melbourne


  • Best Sydney Artist Award, FBI Radio, Sydney


  • Fraser Studios Artist Residency, Queen Street Studios, Sydney
  • Rising Star Award, Cosmopolitan Fun Fearless Female'


  • Finalist, Helen Lempriere Travelling Arts Scholarship, Artspace, Sydney


  • Australia Council Inter-Arts grant, RUN_WAY



  • 'Light, Blue, Disco', EDWINA CORLETTE, Brisbane


  • 'Movies', Chalk Horse Gallery, Sydney


  • 'Balancing Act', EDWINA CORLETTE, Brisbane
  • 'Volta', Chalkhorse Gallery, Sydney


  • 'Brain Rain', Chalkhorse Gallery, Sydney
  • 'Tide is High', EDWINA CORLETTE, Brisbane


  • 'Venus of Venus', Chalk Horse Gallery, Sydney
  • 'Open Studio', Art Month Sydney


  • 'Wallflower', Helen Gory Galerie, Melbourne


  • 'Gods and Monsters', Chalk Horse, Sydney


  • 'I Really Like What You’ve Done To Me', Kings Ari, Melbourne



  • Tara Marynowsky, Kate Mitchell, Madeleine Pfull, Jason Phu, Chalk Horse Gallery, Sydney


  • 'Shaping Wit', Willoughby Art Centre


  • 'UN-TV', The Unconformity, Tasmania


  • Sydney Contemporary Art Fair, EDWINA CORLETTE, Sydney
  • The National 2019: New Australian Art, Carriageworks, Sydney
  • 'The New Gallery Show', EDWINA CORLETTE, Brisbane


  • Art Fair, Art Central Hong Kong, Chalkhorse Gallery, Stand E11
  • 'Sauced Material', Goulburn Regional Art Gallery
  • 'Flame Seed', Incinerator Art Space, Sydney


  • '1717 Painting/not painting', Galerie pompom, Sydney
  • Group Show, Chalk Horse Gallery, Sydney


  • 'Rawhide with Abbey McCulloch', EDWINA CORLETTE, Brisbane


  • Alaska Studios Group Show, Alaska Projects, Sydney
  • 'Mug Shot', Gallery Ecosse, Exeter, New South Wales
  • 'Octopus15', Gertrude Contemporary, Melbourne
  • Art Central Hong Kong (Art Fair), Chalk Horse Gallery, Hong Kong
  • 'Lost and Profound', curated by Daniel Mudie Cunningham, Gertrude Contemporary, Melbourne


  • 'Sealed Section', curated by Miriam Kelly, Artbank, Sydney
  • 'Beastly', Delmar Gallery, Sydney
  • 'Sense of Surround', EDWINA CORLETTE, Brisbane
  • Melbourne Art Fair, Chalkhorse Gallery, Melbourne


  • 'Still Life', Delmar Gallery, Sydney
  • 'Rue de Belleville', Galerie Pom Pom, Sydney
  • 'Rumble', Wellington St Projects, Sydney
  • Linden Postcard Prize, Linden Centre for Contemporary Arts, Melbourne


  • 'Invitation on Paper', Chi Chi Potter Gallery, Copenhagen
  • 'Still Life', Delmar Gallery, Sydney


  • 'Still Life', Delmar Gallery, Sydney
  • 'Ten Degrees of Separation', Poimena Art Gallery, Tasmania
  • 'Transcendental Freakout', Remote (online)


  • 'The Shilo Project', S.H Ervin Gallery, Sydney
  • 'Chalk Reindeer', Chalk Horse Gallery, Sydney


  • 'Chalk Reindeer', Chalk Horse Gallery, Sydney
  • 'Post-flux', Maison des Auteurs asbl, Bussels
  • T'ara Marynowsky, Danny Morse & Tim Moore', Chalk Horse Gallery, Sydney
  • 'Hors Pistes', Pompidou Centre, Paris
  • 'Hard Party', Sydney Harbour Art Cruise, Sydney


  • 'Chalk Reindeer', Chalk Horse Gallery, Sydney
  • Helen Lempriere Travelling Arts Scholarship, Artspace, Sydney
  • 'Great Whites & Tan Lines & Tales', Chalk Horse Gallery, Sydney
  • 'Videoformes 2008', Clermont Ferrand


  • 'Ecoutez les Zimages', Reunion, Pacific Ocean
  • 'Panoramic Perturbations', 'a little blah blah’, Ho Chi Minh City
  • International Festival of Video art of Casablanca, Casablanca
  • 'Videoformes: Prix De La Creation Video', Clermont-Ferrand
  • 'Sin City Pompidou film program', ACMI, Melbourne



Freshwater Place

Private Collections in Australia and Internationally


Coming Attractions for The National 2019: New Australian Art, Carriageworks, Sydney curated by Daniel Mudie Cunningham, commissioned by Carriageworks.



  • Naomi Riddle, Artist text for ‘Coming Attractions’, The National 2019: New Australian Art, catalogue, 2019
  • Andrew Frost, The National 2019 Review: Contemporary Art from the Uncanny to the Inviting, The Guardian, March 29, 2019
  • Anna Dunhill, Monstrous Feminine, Art Guide, April 2, 2019
  • Will Cox, The National: Five Artists to Watch, Broadsheet, 01 March, 2019


  • Preview, Tracey Clement, Art Guide Australia, 26 November
  • Editor’s Pick 6til8, Art Collector Magazine, Tide is High: Tara Marynowsky, January
  • Daniel Mudi Cunningham, Art Collector Magazine, Collector’s Love: Tara Marynowsky, January


  • Andrew Frost, Sydney Morning Herald: Top 5 Critics’ Picks, 26 May
  • Andrew Frost, The Art Life: Venus of Venus, 16 May


  • Juxtapoz Magazine Online: Tara Marynowsky, April
  • Interview, The Interview Zine: Women Artists, New York, February


  • Commissioned Artwork, Please! Magazine: Birthday Issue, curated by Leslie David, France, June


  • Interview, FBI Radio, Canvas, Mon, 10 January


  • Andrew Frost, Sydney Morning Herald: Ten Rising Visionaries Make Their Mark: Next Big Things, October
  • Adam Fulton, Sydney Morning Herald: Neil Diamond Tribute not such a dotty idea, July 2
  • Commissioned Artwork, ‘Helter Skelter’, Runway Magazine, Issue 17
  • Millie Stein, The Blackmail: Gods and Monsters, July


  • Andrew Frost, Australian Art Collector: Smart Art, Issue 45
  • Josephine Tovey, The Sydney Morning Herald: Open Gallery, April
  • Adam Jasper, Time Out Sydney: MOP vs. Chalk Horse, April


  • Andrew Frost, The Sydney Morning Herald: Screen Tests, 24 November

7 – 21 December 2023
SMALL WORKS - Click and Collection

26 June 2019 – 17 July 2019
THE NEW GALLERY SHOW — A Group Exhibition

29 August 2018 – 15 September 2018

21 April 2015 – 9 May 2015
Tara Marynowsky ‘Tide Is High’

9 – 27 September 2014
Sense of Surround (Gallery 2)

March 4, 2022

TARA MARYNOWSKY: Australians and Hollywood

National Film and Sound Archive of Australia first major original exhibition in two decades opened to the public on Friday, bringing with it an insight into Australian films and film talent - both behind and in front of the camera.

"Australians & Hollywood is both a celebration and a provocation to rethink Australian cinema today, at home, in Hollywood and beyond. Visitors will be taken on a journey through the pivotal moments in recent and contemporary Australian cinema, starting from the ‘70s." - Tara Marynowsky

Curator Tara Marynowsky shares how this treasure trove of beloved cinema moments came to life.


March 22, 2019


In 2017, three of Sydney’s major galleries – Carriageworks, Art Gallery of NSW and the Museum of Contemporary Art – presented the first instalment of the The National, an ambitious look at contemporary art in Australia.

Far from a quick snapshot of the art world, The National is a six-year project encompassing three shows at three galleries every two years. It features more than 100 emerging, mid-career and established artists. Each iteration speaks to the present, charting a brief arc in the story of Australian contemporary art.

Daniel Mudie-Cunningham, senior curator at Carriageworks, has worked on his section of the show for two years. He travelled around the country to meet artists and find new voices to add to a list of already-established names.

“There are connections between what we’re doing,” Mudie-Cunningham says of the three galleries and their curators. “Often there’s a particular zeitgeist, or political themes that recur.”

There are 65 artists involved in The National 2019. Tara Marynowsky is one to seek out:

Tara Marynowsky: the interventionist

'At a glance: A Sydney-based artist who doesn’t start with a blank canvas but builds on existing images, interacting with and subverting the past. She has appeared in exhibitions here and overseas.

What she’s known for: Her watercolour and gouache “interventions” on vintage postcards, which merge colour and surrealism with sepia-tinted images of young women. Her 2018 exhibition at Brisbane’s Edwina Corlette Gallery, Balancing Actress, featured vintage images of nude dancing “girls” with their faces obscured, bathed in pastel textures.

For The National: Her work starts with a more recent jumping-off point, and an angrier, more overtly political tone. For her piece, Coming Attractions, Marynowsky found 35-millimetre reels of ’90s Hollywood film trailers, including Pretty Woman, Shakespeare in Love, Species and Indecent Proposal, and took to the negatives with a knife, scratching each frame. It’s a labour-intensive and imprecise process. When the film is scanned and played back the result is a series of frenzied animations. Julia Roberts’s face is removed, making her almost monstrous. Gwyneth Paltrow is given a Medusa-like head of snakes. The dodgy gender politics of each film is subverted by force.' BROADSHEET March 2019


March 20, 2019


Anna Dunnill reviews Tara Marynowsky's work in The National for Art Guide. She writes:

'Artist Tara Marynowsky has long been fascinated with the monstrous feminine – the twin forms of female beauty and ugliness. She collects old photographic portraits from the first half of the 20th century, often sent as postcards, and applies delicate layers of watercolour and gouache – giving the women bulging brains, greenish skin and purple rouge; eyes blank or goggling.

In addition to her well-known drawing practice, Marynowsky has long worked with film and video; in fact, video came first, having majored in time-based art at Sydney’s College of Fine Arts (now University of New South Wales, Art & Design). However, after focusing on video for some time, her drawing practice came out of a yearning for the tactile: “I just really wanted to get back to using my hands,” she says.

In her forthcoming installation for The National, she has managed to do both. To be exhibited at Carriageworks, Marynowsky’s work Coming Attractions consists of four videos, each taking as its raw material a film trailer from the 1990s: Pretty Woman (1990), Indecent Proposal (1993), Species (1995), and Shakespeare in Love (1998). While at one level these films may spark nostalgia, in each of them the female character is an object of men’s pursuit and desire: variously bought, sold, rescued, hunted and bargained over. Their release dates mark out Marynowsky’s adolescence and highlight some of the female role models available for mass consumption at that time.'


March 12, 2019


Andrew Frost writes:

Key works at Carriageworks include Sean Rafferty’s Cartonography (FNQ), a wall of cardboard fruit boxes, everyday objects given a monumental treatment that highlights the surreal oddity of their design, and in Coming Attractions (2017-19) there’s another use of found objects. Tara Marynowsky takes 35mm feature film trailers sourced from eBay and scratches out key figures from the image, such as Julia Roberts from Pretty Woman. The result is amusing but pointed – the pretty woman is erased.


September 30, 2018


The Art Gallery of New South Wales (AGNSW), Carriageworks and the Museum of Contemporary Art Australia (MCA) today announced that The National 2019: New Australian Art will present the work of 65 emerging, mid-career and established Australian contemporary artists living across the country and abroad.

A major collaborative venture, The National 2019 is the second edition of a six-year initiative presented in 2017, 2019 and 2021, exploring the latest ideas and forms in contemporary Australian art.

Connecting three of Sydney’s key cultural precincts – The Domain, Redfern and Circular Quay – The National 2019 follows a successful first edition of the exhibition held in autumn of 2017 that attracted 286,631 visitors.

Tara Marynowsky will present new work for the National 2019 at Carriageworks.

Exhibition Dates

Art Gallery of New South Wales: 29 March – 21 July 2019

Carriageworks: 29 March – 23 June 2019

Museum of Contemporary Art Australia: 29 March – 23 June 2019

Read more HERE.

March 6, 2018


Chris Bond, Ricky Emmerton, Tara Marynowsky, Daniel Mudie Cunningham, Nicola Smith

Sauced Material brings together a group of artists who extend the narrative or form of existing media. Their works have been shaped, moulded and crafted from film, music, personal histories and literature but with flavour anew and enhanced. This adaptive approach orients audiences to and from a new point of orbit in reference to the work. Memory is at play - but so is the politics of origin and ownership.

Within the breadth of time that has passed between the first and the now, a clear history has been created. These artists reveal that distance in their own remaking. Their approaches differ but the commentaries and techniques are crystallised and ready for service.

From 2 March - 14 April 2018


March 10, 2015

Tara Marynowsky Wins Marten Bequest Travelling Scholarship

Congratulations Tara Marynowsky for receiving a Marten Bequest Travelling Scholarship worth $20,000. The scholarship is paid over a two year period to support the scholars in furthering their artistic careers.

Tara Marynowsky will travel widely with her scholarship funds, including to New York, where she will engage with contemporary art practices, and the UK, where she will collect Edwardian and Victorian documents and artefacts. These experiences will inform her new work, which she will commence during a four month residency at La Cité Internationale des Arts (Paris). Her overarching aim is to investigate symbolism in art and cultural belonging through African American art, French symbolism and English culture.

March 3, 2015

Tara Marynowsky Features in Art Collector

Congratulations Tara Marynowsky for featuring in the latest issue of Art Collector magazine. Tara was listed as one of Art Collector’s ’50 Things Collectors Need to Know About’ and is considered to be one of the artists who will be shaping the Australian and New Zealand art worlds in 2015.

December 19, 2014

Tara Marynowsky features in Artbank’s ‘Sealed Section’ Exhibition

Tara Marynowsky features in Artbank’s exhibition ‘Sealed Section’ curated by Miriam Kelly, showing from 28 November, 2014 until 7 February, 2015.

“Tearing open the ‘perforated pages’ of the Artbank collection, Sealed Section reveals works that canvas the topics of impolite dinner conversation: sex, politics and religion. Underpinning these often controversial topics is a consideration of the complexities of human relations and the human condition. As a result, Sealed Sectionincludes a rich and diverse group of works that highlight the strength and pertinence of contemporary art as a response to the key issues of our time.”


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