May 8, 2017
JULIAN MEAGHER FINALIST IN THE SUNSHINE COAST ART PRIZE

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.
Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.
Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.
Image: Julian Meagher | The Ashes Fall - The Wine Spills | 2016 | oil on linen | 152 x 122 cm
May 8, 2017
PAUL RYAN FINALIST IN THE SUNSHINE COAST ART PRIZE 2017

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.
Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.
Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.
Image: Paul Ryan The Sea Was Angry That Day My Fiends 2017 oil on linen 123 x 123cm
April 30, 2017
Belynda Henry - Paddington Art Prize Finalist

Congratulations to Belynda Henry who is a finalist in the 2017 Paddington Art Prize with her work 'The River Came To Me And It Took It All Away II'.
The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. Established in 2004 by Arts Patron, Marlene Antico OAM, this National prize takes its place among the country’s most lucrative and highly coveted painting prizes.
The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.
The River Came To Me And It Took It All Away II 2017
Gouache, water colour and pastel on Aqua Lana 640 gsm paper
152 x 105cm
March 21, 2017
MIRANDA SKOCZEK 'DESHILADO'

Miranda Skoczek presents her first collection of jewellery works at Pieces of Eight Gallery in Melbourne as part of the Virgin Australia Melbourne Fashion Festival 2017.
In DESHILADO, Miranda pays homage to the samplers created by stitchers in the early 16th Century. The collection is a three dimensional gathering of a myriad of interests and influences remixing materials and techniques, blurring the boundaries between objects, jewellery and art.
With a desire to connect ancient traditions with fashion, while acknowledging the archaeological importance of jewellery as artefact, Skoczek takes the opportunity to bring permanency to ornaments that have up to this point existed as abstract fragments in her paintings.
The exhibition is current until 25 March 2017.
March 14, 2017
JUDITH SINNAMON WORKSHOPS AT QAGOMA

To coincide with Queensland Art Gallery | Gallery of Modern Art's exhibition O’KEEFFE, PRESTON, COSSINGTON SMITH 'Making Modernism', Judith Sinnamon has been invited to conduct a series of still-life workshops throughout May and June 2017.
O'Keeffe, Preston and Cossington Smith were renowned for their modern adaptation of traditional approaches to still life. In this special hands-on workshop working with oil paints, participants will be invited to join Judith Sinnamon for an exploration of the still life genre and experiment with light, colour and form to depict Australian native flora.
Judith Sinnamon is an artist based in the Sunshine Coast Hinterland. Judith studied painting at the Queensland College of Art in the early 1980's. The surrounding coastal flora informs Judith's art practice in both her still life and landscape works. She exhibits regularly with the Edwina Corlette Gallery.
March 14, 2017
VIPOO SRIVILASA WINS MUSWELLBROOK ART PRIZE

Vipoo Srivilasa has won the 44th Muswellbrook Art Prize in the Ceramics section. The $10,000 acquisitive prize was awarded to Vipoo's porcelain work 'The Good, The Bad and the Cuddly (self portrait)'.
The biennial Muswellbrook Art Prize began in 1958 and has helped form a significant collection of modern and contemporary Australian painting, works on paper and ceramics for the Muswellbrook Regional Arts Centre.
The exhibition is current until 7 May 2017.
February 6, 2017
MIRANDA SKOCZEK ON THE DESIGN FILES

Miranda Skoczek is featured on The Design Files blog with a look at her move from an inner city two bedroom apartment, to a bucolic retreat set amongst the verdant landscape of the Dandenong Ranges. Miranda and her seven year old son Harper speak about the influence of nature on their lives and the impact a move to the country will have on her painting practice.
IMAGE:
Miranda Skoczek and her son, courtesy Caitlin Mills
February 6, 2017
SALLY ANDERSON ON THE DESIGN FILES

Iconic Australian blog The Design Files visited Sally Anderson in her studio recently, to see how things were progressing in the lead up to her first solo exhibition.
Working predominantly with a muted colour palette, the artist will often add an unexpected contrast, like a brush of bright magenta. ‘For me, working with colour is very intuitive; I might spend weeks working with dusky colours, only to come in one day needing to mix a cyan blue,
The paintings are an ongoing process of adding layers and marks. Sometimes Sally will paint over a work in her studio that she’d thought she was long done with. ‘My partner once said that my pieces are a bit like découpage… with individual snippets and cut-outs layered heavily onto a surface,’ she says. ‘My mum has always loved crafts and used to actually découpage the furniture in our house… maybe that’s unknowingly made an impression on me!’
- Sally Tabart, The Design Files, 2021
February 6, 2017
LUCY O'DOHERTY IN INDULGE MAGAZINE

Lucy O'Doherty's recent Brett Whiteley Scholarship award is featured in the current edition of Indulge Magazine.
“It’s been life changing, and I think it’s so important that scholarships like Brett Whiteley’s exist so that young artists can be nurtured and pushed in a new direction within their practice.”
Read the full article HERE