News

Carbiene McDonald Tjangala has been named among the finalists for the 2019 Vincent Lingiari Art Award. Presented jointly by Desart and the Central Land Council (CLC), the award opened on 4 September at Tangentyere Artists Gallery.

This year’s theme, “True Story – My Country,” echoes the Uluru Statement from the Heart and its call for national truth-telling. This year’s award builds on the legacy of the inaugural 2016 Vincent Lingiari Art Award, ‘Our Land Our Life Our Future’, which marked two major milestones: the 50th anniversary of the Wave Hill Walk Off led by Vincent Lingiari and the 40th anniversary of the Land Rights (NT) Act.

Carbiene’s work joins 22 other entries exploring personal and political stories of Country, resilience and history. There is a range of mediums represented in the exhibition - from sculpture and ceramics to video and painting, reflecting themes of reconciliation. The entries are judged by Nhanda and Nyoongar curator Glenn Isegar Pilkington.

The exhibition is current at Tangentyere Artists Gallery until 18 October, 2019.

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IMAGE:

Carbiene McDonald Tjangala work 'Four Dreamings', a finalist in the Vincent Lingiari Art Award 2019

My paintings talk of relationship, context and metaphor. They are loaded with autobiographical content, draw on past and present experiences and often arrive in pairs. Recent paintings use abstraction, still life and borrowed landscapes to reference everyday intimate experience held in object and place. They explore the self and use abstraction, landscape and still life as devices to do so.

- Sally Anderson, The Design Files, 2019.

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As an acquisitive art award for painting, the winning artworks in the Mosman Art prize form a splendid collection of modern and contemporary Australian art, reflecting all the developments in Australian art practice since 1947. Artists who have won the Mosman Art Prize include Margaret Olley, Guy Warren, Grace Cossington Smith, Weaver Hawkins, Nancy Borlase, Lloyd Rees, Elisabeth Cummings, Adam Cullen, Michael Zavros and Natasha Walsh.

In 2019 Jane Guthleben is a finalist with her work 'North Shore arrangement with superb fruit doves'. She says of the painting:

This work is based on the 17 century Dutch still life floral works by Rachel Ruysch, which have inspired my large floral compositions. For this work I have researched indigenous flora and birds from the Mosman Municipal area that are under pressure from urban encroachment and weeds.

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Dan Kyle's work 'Caught in a Haze' has been selected as a finalist in the Mosman Art Prize

Established in 1947, the Mosman Art Prize is Australia's oldest and most prestigious local government art award. As an acquisitive art award for painting, the winning artworks collected form a splendid collection of modern and contemporary Australian art, reflecting developments in Australian art practice since 1947. Artists who have won the Mosman Art Prize include Margaret Olley, Guy Warren, Grace Cossington Smith, Weaver Hawkins, Nancy Borlase, Lloyd Rees, Elisabeth Cummings, Adam Cullen, Michael Zavros and Natasha Walsh.

Until 27 October 2019, Mosman Art Gallery

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Sally Anderson's work 'Side of the Road River with Rousseau's Bluebells' has been selected as a finalist in the Mosman Art Prize

Mosman Art Prize was established in 1947, and is Australia's oldest and most prestigious local government art award. The winning artworks join a collection of modern and contemporary Australian art, reflecting developments in Australian art practice since 1947. Artists who have won the Mosman Art Prize include Margaret Olley, Guy Warren, Grace Cossington Smith, Weaver Hawkins, Nancy Borlase, Lloyd Rees, Elisabeth Cummings, Adam Cullen, Michael Zavros and Natasha Walsh.

The exhibition is open until 27 October 2019 at Mosman Art Gallery.

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IMAGE:
SALLY ANDERSON
Side of the Road River with Rousseau's Bluebells 2019
acrylic on linen

Still is a biennial, acquisitive award for artworks in the genre of still life, in all mediums. The award is open to artists at all stages of their careers. Still: National Still Life Award seeks to highlight the diversity and vitality of still life in Australian contemporary art practice, broadening the interpretation and meaning of this enduring genre.

The Still exhibition opens at Coffs Harbour Regional Gallery on Friday 20th September 2019, with the official opening on Saturday 21st September, and runs until Saturday 30th November 2019.

Christopher Zanko is a finalist in the 2019 award.

Image: CHRISTOPHER ZANKO 'Sundial' 2019

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Since 2001 The Hazelhurst Art on Paper Award has been a significant national biennial exhibition that aims to elevate the status of works on paper while supporting and promoting artists working with this medium.

With prize money totalling $26,000, the Award showcases outstanding art created with, on or about paper. Artists compete for the $15,000 major award; the Young & Early Career Artist and the Friends of Hazelhurst Local Artist Awards ($5,000 each); and the People’s Choice Award ($1,000), plus the Hazelhurst Preparator’s choice Residency Award.

Image below: BELEM LETT 'Mountains of Madness' 2019, mixed media on paper, 148 x 110 cm

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Administered by Bendigo Art Gallery and held every two years, the Arthur Guy Memorial Painting Prize is designed to attract some of Australia’s finest contemporary artists, awarding a generous acquisitive cash prize of $50,000.

Belem Lett is a finalist in the 2019 award.

Image below: BELEM LETT 'Dip Me in the Water' 2019, oil on aluminium composite panel 163 x 122cm

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Through the Margaret Olley Art Centre, the Tweed Regional Gallery offers a unique experience of Margaret Olley’s home studio, provide insight into Australian art history and practice, and honor the artist’s legacy of mentorship and patronage. The Nancy Fairfax Artist-In-Residence (AIR) studio program encourages arts practice and creative engagement between artist, community and place.

The AIR studio will extend and complete the re-creation of Margaret Olley’s home studio at Tweed Regional Gallery. Throughout her professional life, Margaret Olley supported many artists through mentorship and financial assistance. To Margaret, the most productive ways of supporting artists were to encourage the public exhibition of an artist’s practice and to encourage sales. It is widely known that Olley mentored a number of younger artists and encouraged their representation in public and private collections. She actively supported artists and advanced their careers through purchasing works for collections or offering artists the opportunity to further their development through fellowship programs.

The AIR studio program will offer artists an opportunity to stimulate their practice in a creative environment. The Gallery will administer and promote a program which will see at least two invited artists participate in funded residency programs at TRG annually. The artwork resulting from these residences will be included in the Gallery’s exhibition program and displayed in the Friends of the Gallery.

Marisa Purcell will take up the Residency in 2020.

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Marisa Purcell has been awarded a Kedewatan Residency in Ubud which she will take up later in 2019.

The Kedewatan Residency Program was established by artists as a space for professional contemporary artists, writers, curators, dancers to make work, while providing the opportunity to immerse themselves in the vibrant community of Ubud. The studio residency offers a private residence for both the research and creation of new work.

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