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Held every two years, the Arthur Guy Memorial Painting Prize attracts some of Australia’s most accomplished artists, awarding a generous acquisitive cash prize of $50,000. The Prize provides Bendigo Art Gallery with the opportunity to survey contemporary painting by established and emerging artists from across Australia.

Bundit Puangthong is a finalist in the 2021 prize with his work 'The Living Room' 2021.

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We're thrilled to announce Bronte Leighton-Dore is a finalist in the Paddington Art Prize and has won the UNSW Art and Design Print Prize. The prize will offer Bronte the opportunity to create a limited edition print with Master Printer, Michael Kempson.

The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. Established in 2004 by Arts Patron, Marlene Antico OAM, this National prize takes its place among the country’s most lucrative and highly coveted painting prizes.

Image: 'By The Murray River, Corowa' oil on board 110 x 170cm

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Congratulations to Myles Young who is a finalist in the 2021 Paddington Art Prize with his work 'Water Secrets'.

The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. Established in 2004 by Arts Patron, Marlene Antico OAM, this National prize takes its place among the country’s most lucrative and highly coveted painting prizes.

The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.

Marlene Antico OAM, created the Prize in order to assist with the monetary difficulties that often impede artists from showcasing their works. As an art student, gallery owner and volunteer guide at the AGNSW for over 10 years, she has underscored her commitment to supporting contemporary Australian artists, aware, of the

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Arts Hub
Exhibition Review: Vipoo Srivilasa: Wellness Deity, Linden New Art by Celina Lei
22 May 2021- 22 August 2021

Wellness Deity
The Wellness Deity Project, which Srivilasa undertook in response to the COVID-19 pandemic. This collaborative, community-driven project encouraged people to reflect on their experience of the pandemic. The artist invited people to submit a drawing of their Wellness Deity, a being that has a special empowering or protective power. Srivilasa selected 19 of these drawings to provide inspiration for a series of ceramic sculptures. Each deity has its own unique characteristics based on the personal stories submitted. Each work is also accompanied by a piece of commissioned creative writing.

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Flash Forward is creating a connected network of laneways across Melbourne with their own stories, visuals and acoustic designs.

Showcasing Melbourne’s creative culture and unlocking the potential of some of the city’s lesser-known laneways, more than 80 creatives have been commissioned to create over 40 art installations, 40 albums and stage 40 gigs across the city.

As part of the project Bundit was commissioned to make a large-scale work in Rose Lane.

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The Kilgour Prize has encouraged innovation within portrait and figurative painting. In 2021, the prize is now in its eleventh year. One of Australia’s major art prizes, the KILGOUR PRIZE 2021 will award $50,000 for the most outstanding work of art, and a People’s Choice of $5,000 to the painting voted most popular by the general public.

The Kilgour Prize 2021 was judged by ​Lauretta Morton, Director Newcastle Art Gallery, Adam Porter, Head of Curatorial, Campbelltown Arts Centre and David Trout, Visual Artist, Head Teacher Fine Art, Newcastle Art School.

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Artwork details:
Tulle Blue 2020
oil on linen

The 2021 Geelong contemporary art prize is a signature event that assists with the development of the Geelong Gallery’s collection while fostering Australian artists and contemporary painting practice in general.

Bundit Puangthong’s work ‘Skull splitter’ takes inspiration from a famous Buddhist story where a prince’s ship sinks, and he has to swim all the way back to shore. The story represents the challenges we all face, despite our social status, and the lessons we learn from them. ⁠
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Image: Bundit Puangthong ‘Skull splitter’, 2020, synthetic polymer paint and spray paint.

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ANTOINETTE O'BRIEN

'KIDS THAT ARE BANNED FROM THE SQUARE'

Antoinette O’Brien’s subjects are tender tough. Just learning to smoke and fight and get dressed without being told how. They are the innovators, influencers and magicians on the streets. But there is something else that brings these sculptures together. Most of these kids sit, squat, lean on a support. Some quotidian piece of street junk like a milk crate. Except look at the glaze, the colour, it has been made significant. As has the folding stool, the wall, the rock…. These are the things that help tether us to our environment. These supports bring structural balance to each sculpture while putting forth a good question: if you are going to ban me from belonging, what will hold me now? - Jaimee Edwards

LISMORE REGIONAL GALLERY - GALLERY 5

7 AUG - 26 SEPT 2021

Image: Louie 2021 ceramic, costume jewellery, fox fur, 48 x 41 x 38 cm

Spanning over a career of 20 years, Thai-Australian artist Vipoo Srivilasa has harnessed art’s ability to connect creatives, organisations and the broader community.

Wellness Deity captured this collaborative energy in the light-filled room of Linden’s ground floor gallery. The 19 drawing submissions and accompanying writing surround the walls while Srivilasa’s ceramic iterations sit across two tables at the centre of the space. The hand-selected drawings from a total of 63 submissions from Australia and overseas showcase stories rooted in reflections, experiences, and hopes emerging out of the pandemic. Words Celina Lei

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