Study For Those Tweed Trees On Our Patch Of Marrickville Lawn Sally Anderson Sally Anderson - Study For Those Tweed Trees On Our Patch Of Marrickville Lawn
Sally Anderson
Study For Those Tweed Trees On Our Patch Of Marrickville Lawn 2018
Study For Those Tweed Trees On Our Patch Of Marrickville LawnSally AndersonStudy For Those Tweed Trees On Our Patch Of Marrickville Lawn
Sally Anderson
Study For Those Tweed Trees On Our Patch Of Marrickville Lawn2018
Acrylic On Board
120 x 80 cm
SOLD 
Lady Caught A Perentie Trudy Inkamala Trudy Inkamala - Lady Caught A Perentie
Trudy Inkamala
Lady Caught A Perentie 2018
Lady Caught A PerentieTrudy InkamalaLady Caught A Perentie
Trudy Inkamala
Lady Caught A Perentie2018
woollen blanket, knitting wool, cotton, metal stand
45 x 35 x 10 cm
SOLD 
Head Study Stefan Dunlop Stefan Dunlop - Head Study
Stefan Dunlop
Head Study 2018
Head StudyStefan DunlopHead Study
Stefan Dunlop
Head Study2018
oil on linen
60 x 46 cm
$3,300  ENQUIRE
More Wine? John Bokor John Bokor - More Wine?
John Bokor
More Wine? 2018
More Wine?John BokorMore Wine?
John Bokor
More Wine?2018
oil on board
60 x 50 cm
SOLD 
Untitled Fleshy And Spare Miranda Skoczek Miranda Skoczek - Untitled Fleshy And Spare
Miranda Skoczek
Untitled Fleshy And Spare 2018
Untitled Fleshy And SpareMiranda SkoczekUntitled Fleshy And Spare
Miranda Skoczek
Untitled Fleshy And Spare2018
Oil Crayon And Acrylic On Linen
62 x 52 cm
SOLD 
Food Bundit Puangthong Bundit Puangthong - Food
Bundit Puangthong, Vipoo Srivilasa
Food 2018
FoodBundit PuangthongFood
Bundit Puangthong, Vipoo Srivilasa
Food2018
Ceramic Acrylic Paint Gold Lustre And Mix Media
48 x 17 x 15 cm
SOLD 
Fame Vipoo Srivilasa Vipoo Srivilasa - Fame
Vipoo Srivilasa, Bundit Puangthong
Fame 2018
FameVipoo SrivilasaFame
Vipoo Srivilasa, Bundit Puangthong
Fame2018
Ceramic Acrylic Paint Gold Lustre And Mix Media
58 x 30 x 26 cm
SOLD 
Flesh Bundit Puangthong Bundit Puangthong - Flesh
Bundit Puangthong, Vipoo Srivilasa
Flesh 2018
FleshBundit PuangthongFlesh
Bundit Puangthong, Vipoo Srivilasa
Flesh2018
Ceramic Acrylic Paint Gold Lustre And Mix Media
43 x 22 x 20 cm
SOLD 
Intersection Marisa Purcell Marisa Purcell - Intersection
Marisa Purcell
Intersection 2018
IntersectionMarisa PurcellIntersection
Marisa Purcell
Intersection2018
mixed media on linen
66 x 60 cm
SOLD 
Arrival III Ari Athans Ari Athans - Arrival III
Ari Athans
Arrival III 2018
Arrival IIIAri AthansArrival III
Ari Athans
Arrival III2018
Acrylic, Glaze And Copper Leaf Ceramic With Stainless Steel
74 x 19 x 13 cm
SOLD 
Goat Tim McMonagle Tim McMonagle - Goat
Tim McMonagle
Goat 2018
GoatTim McMonagleGoat
Tim McMonagle
Goat2018
oil on linen
120 x 120 cm
$13,500  ENQUIRE
Self Portraits As The Ladies In Dresses Prior To Being The Ladies In Black Tim McMonagle - Self Portraits As The Ladies In Dresses Prior To Being The Ladies In Black
Self Portraits As The Ladies In Dresses Prior To Being The Ladies In Black 2018
Self Portraits As The Ladies In Dresses Prior To Being The Ladies In BlackSelf Portraits As The Ladies In Dresses Prior To Being The Ladies In Black
Self Portraits As The Ladies In Dresses Prior To Being The Ladies In Black2018
acrylic On Birchwood
30 x 45 cm
SOLD 
Squeeze Mark Whalen Mark Whalen - Squeeze
Mark Whalen
Squeeze 2018
SqueezeMark WhalenSqueeze
Mark Whalen
Squeeze2018
Highload Pigment On Canvas, Mirror Chrome aluminium Segments
76 x 50 cm
SOLD 
Trading Places Jasper Knight Jasper Knight - Trading Places
Jasper Knight
Trading Places 2018
Trading PlacesJasper KnightTrading Places
Jasper Knight
Trading Places2018
Enamel Acrylic Spray Paint And Aluminium On Board
120 x 90 cm
$12,000  ENQUIRE
Study For Tideline #6 Julian Meagher Julian Meagher - Study For Tideline #6
Julian Meagher
Study For Tideline #6 2018
Study For Tideline #6Julian MeagherStudy For Tideline #6
Julian Meagher
Study For Tideline #62018
oil on linen
121 x 91 cm
SOLD 
The Coledale House Paul Ryan Paul Ryan - The Coledale House
Paul Ryan
The Coledale House 2018
The Coledale HousePaul RyanThe Coledale House
Paul Ryan
The Coledale House2018
oil on linen
102 x 102 cm
$11,000  ENQUIRE
Coledale Vanitas Paul Ryan Paul Ryan - Coledale Vanitas
Paul Ryan
Coledale Vanitas 2018
Coledale VanitasPaul RyanColedale Vanitas
Paul Ryan
Coledale Vanitas2018
oil on linen
102 x 102 cm
$11,000  ENQUIRE
Two Swimmers Clara Adolphs Clara Adolphs - Two Swimmers
Clara Adolphs
Two Swimmers 2018
Two SwimmersClara AdolphsTwo Swimmers
Clara Adolphs
Two Swimmers2018
oil on poly cotton
111 x 153 cm
SOLD 
Anzali Lyndal Hargrave Lyndal Hargrave - Anzali
Lyndal Hargrave
Anzali 2018
AnzaliLyndal HargraveAnzali
Lyndal Hargrave
Anzali2018
oil on canvas
120 x 120 cm
SOLD 
Overcast In The Valley Dan Kyle Dan Kyle - Overcast In The Valley
Dan Kyle
Overcast In The Valley 2018
Overcast In The ValleyDan KyleOvercast In The Valley
Dan Kyle
Overcast In The Valley2018
oil and collage on board
60 x 120 cm
SOLD 
Cecilia Belem Lett Belem Lett - Cecilia
Belem Lett
Cecilia 2018
CeciliaBelem LettCecilia
Belem Lett
Cecilia2018
Oil On Aluminium Composite Panel
122 x 81 cm
$6,000  ENQUIRE
Self Portrait As The Hostess From ‘Ladies In Black’ Belem Lett - Self Portrait As The Hostess From ‘Ladies In Black’
Self Portrait As The Hostess From ‘Ladies In Black’ 2018
Self Portrait As The Hostess From ‘Ladies In Black’Self Portrait As The Hostess From ‘Ladies In Black’
Self Portrait As The Hostess From ‘Ladies In Black’2018
Acrylic On Birch Panel
30 x 30 cm
SOLD 
Banksia Integrifolia Judith Sinnamon Judith Sinnamon - Banksia Integrifolia
Judith Sinnamon
Banksia Integrifolia 2018
Banksia IntegrifoliaJudith SinnamonBanksia Integrifolia
Judith Sinnamon
Banksia Integrifolia2018
oil on linen
120 x 101 cm
SOLD 
Flowering, It Catches The Afternoon Sun Bridie Gillman Bridie Gillman - Flowering, It Catches The Afternoon Sun
Bridie Gillman
Flowering, It Catches The Afternoon Sun 2018
Flowering, It Catches The Afternoon SunBridie GillmanFlowering, It Catches The Afternoon Sun
Bridie Gillman
Flowering, It Catches The Afternoon Sun2018
Oil On Polyester
125 x 100 cm
$3,500  ENQUIRE
The Odyssey Abbey McCulloch Abbey McCulloch - The Odyssey
Abbey McCulloch
The Odyssey 2018
The OdysseyAbbey McCullochThe Odyssey
Abbey McCulloch
The Odyssey2018
oil on canvas
86 x 112 cm
$6,000  ENQUIRE
The Echo Abbey McCulloch Abbey McCulloch - The Echo
Abbey McCulloch
The Echo 2018
The EchoAbbey McCullochThe Echo
Abbey McCulloch
The Echo2018
White Raku And Glaze
22 x 19 x 10 cm
$3,000  ENQUIRE
Four Drawings II Abbey McCulloch - Four Drawings II
Four Drawings II 2018
Four Drawings IIFour Drawings II
Four Drawings II2018
Gouache On Paper
86 x 67 cm
SOLD 
Sonic Fragment No. 52 Abbey McCulloch - Sonic Fragment No. 52
Sonic Fragment No. 52 2017
Sonic Fragment No. 52Sonic Fragment No. 52
Sonic Fragment No. 522017
oil and acrylic on canvas
62 x 76 cm
$3,500  ENQUIRE
Baby Deco On Lygon Christopher Zanko Christopher Zanko - Baby Deco On Lygon
Christopher Zanko
Baby Deco On Lygon 2017
Baby Deco On LygonChristopher ZankoBaby Deco On Lygon
Christopher Zanko
Baby Deco On Lygon2017
Acrylic On Wood Relief Carving
120 x 90 cm
SOLD 
Autumn In The Country Carla Hananiah Carla Hananiah - Autumn In The Country
Carla Hananiah
Autumn In The Country 2018
Autumn In The CountryCarla HananiahAutumn In The Country
Carla Hananiah
Autumn In The Country2018
acrylic on board
30 x 30 cm
$750  ENQUIRE
Cold Sun Reflection Lucy O'Doherty Lucy O'Doherty - Cold Sun Reflection
Lucy O'Doherty
Cold Sun Reflection 2018
Cold Sun ReflectionLucy O'DohertyCold Sun Reflection
Lucy O'Doherty
Cold Sun Reflection2018
pastel on paper
45 x 69 cm
SOLD 
Secret Journey Charmaine Pike Charmaine Pike - Secret Journey
Charmaine Pike
Secret Journey 2018
Secret JourneyCharmaine PikeSecret Journey
Charmaine Pike
Secret Journey2018
acrylic on canvas
61 x 61 cm
$1,900  ENQUIRE
Swoon For Best Actress Tara Marynowsky Tara Marynowsky - Swoon For Best Actress
Tara Marynowsky
Swoon For Best Actress 2018
Swoon For Best ActressTara MarynowskySwoon For Best Actress
Tara Marynowsky
Swoon For Best Actress2018
Watercolour And Gouache On Paper
60 x 42 cm
$1,200  ENQUIRE

Edwina Corlette Gallery is delighted to present an exhibition of works, one by each of its represented artists, to mark the tenth anniversary of the gallery. Opened in 2008 at the beginning of the Global Financial Crisis, the gallery set about offering Brisbane a fresh space to view the work of up and coming artists from across Australia.

In the past decade several of the gallery's represented artists have gone on to win prestigious awards including the Brett Whiteley Travelling Art Scholarship (Amber Wallis, Belem Lett, Lucy O'Doherty, Sally Anderson), been acquired by the National Gallery of Australia (Mark Whalen), Queensland Art Gallery and the Gallery of Modern Art (Vipoo Srivilasa), the Parliament House Collection in Canberra, the University of Queensland Art Museum and Artbank, as well as significant state and regional museums and corporate and private collections throughout Australia, Asia and the Middle East.

Several of the gallery's artists have won or been finalists in the Archibald and Wynne Prizes administered by the Art Gallery of New South Wales, the Paddington Art Prize and the Gold Award amongst many, many other others and their work has been exhibited in international, national, state and regional museums.

March 1, 2024

BELEM LETT IS A FINALIST IN THE 2024 MUSWELLBROOK ART PRIZE

It is with great joy that we announce the selection of Belem Lett as a finalist in the 2024 Muswellbrook Art Prize for his work 'The Mountains Await Your Return'

Since 1958, the Muswellbrook Art Prize has grown and evolved and is today one of the richest prizes for painting in regional Australia. Astute adjudication of the Prize over the years has yielded an excellent collection of modern and contemporary Australian paintings, works on paper and ceramics from the Post War period of the 20th Century and into the 21st Century, with the winning acquisitive works forming the nucleus of what is now known as the Muswellbrook Shire Art Collection.

READ MORE HERE

Finalists will be exhibited at the Muswellbrook Art Gallery from 2 April - 25 May 2024

Belem's next solo exhibition at the gallery is from 1 - 21 May 2024

Artwork:

'The Mountains Await Your Return' 2022

Oil, gesso, marble dust on aluminum composite panel

150 x 122 cm

November 16, 2023

VIPOO SRIVILASA IS THE WINNER OF THE 2023 CIVIC CHOICE AWARD FOR THE MELBOURNE PRIZE FOR URBAN SCULPTURE

Vipoo Srivilasa has won the Civic Choice Award as part of the 2023 Melbourne Prize for Urban Sculpture.

The annual Melbourne Prize, now in its 19th year, continues its objective to provide opportunities to Victorian writers, musicians and for 2023, sculptors, demonstrating the importance of recognising and rewarding creative talent.

Artists practicing in expanded fields of sculpture, including public installation, new media, performance, sound-based and socially engaged practice were encouraged to apply, plus entries from artists at all stages of their practice, including First Nations people and artists from all genders and cultural, linguistic and diverse backgrounds.

READ MORE HERE

September 19, 2023

BELEM LETT FEATURED IN THE SPRING EDITION OF ART/EDIT MAGAZINE

BELEM LETT is featured in the latest edition of Art Edit.

Issue 36 draws on Belem Lett's exploration of preconceptions and how his manipulation of colour creates pieces of harmony.

Text by editor Rose of Sharon Leake and images from past exhibitions with Edwina Corlette Gallery, edition out now.

READ MORE HERE

Image detail;

'Limbo' 2022
oil, gesso, marble dust on aluminium composite panel
56 x 48 cm

September 16, 2023

JUDITH SINNAMON IS A FINALIST IN THE 2023 BRISBANE PORTRAIT PRIZE

We are delighted to announce that JUDITH SINNAMON is a finalist in the 2023 Brisbane Portrait Prize for her portrait of Nathan Appo.

Judith sought to capture Nathan's incredible warmth and generosity and a wisdom that comes from 65,000 years of continuous sustainable culture and land management with a deep love for country and humanity at its core.

The Brisbane Portrait Prize is all about celebrating Brisbane portrait artists and their sitters, while encouraging public engagement with the arts.

Judith is having a solo exhibition with us October 25.

Image:

'Nathan Appo' 2023
Oil on linen
134 x 104 cm

READ MORE HERE

September 16, 2023

BELEM LETT IS A FINALIST IN THE 2023 PADDINGTON ART PRIZE

It is with great pleasure that we announce Belem Lett has been selected as a finalist in the 2023 Paddington Art Prize for his work 'This Land Is Slippery'

The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape.

Image:

'This Land Is Slippery' 2022
Oil, gesso, marble dust on aluminium composite panel
150 x 180 cm

READ MORE HERE

September 16, 2023

BRIDIE GILLMAN FINALIST IN THE 2023 GIRRA: FRASER COAST NATIONAL ART PRIZE

Bridie Gillman is a finalist in the 2023 Girra: Fraser Coast National Art Prize for her work 'Quiet, after the storm' (2023).

The inaugural Girra: Fraser Coast National Art Prize is a major acquisitive prize of $25,000, that seeks to explore our reciprocal and inextricable relationship with the environment through contemporary art.

Selected artworks provide unique perspectives on industrialised landscapes, the forces of extreme weather events, our relationship to domestic gardens, ecological concerns and speculative solutions, ruminations on the beauty and power of nature, and much more.

Image details;

'Quiet, after the storm' 2022
Oil on linen, glazed ceramics and soundscape
various dimensions

The finalists’ exhibition, is held at the Hervey Bay Regional Gallery 23 September to 12 November 2023

READ MORE HERE

September 12, 2023

VIPOO SRIVILASA FINALIST IN MELBOURNE PRIZE FOR URBAN SCULPTURE 2023

VIPOO SRIVILASA has been selected as one of the four finalists in the $60,000 Melbourne Prize for Urban Sculpture 2023.

READ MORE HERE

September 2, 2023

PAUL RYAN FINALIST IN THE 2023 MOSMAN ART PRIZE

Congratulations to our artist Paul Ryan who is a finalists in this year's Mosman Art Prize for his work 'The King'. Exhibition open 23 September in Mosman, Sydney.

READ MORE HERE

Image:

PAUL RYAN
'The King' 2023
oil on linen
138 x 122 cm

September 2, 2023

JOHN BOKOR FINALIST IN THE 2023 MOSMAN ART PRIZE

Congratulations to our artist John Bokor who is a finalists in this year's Mosman Art Prize for his work 'The Flowering Plant'. Exhibition open 23 September in Mosman, Sydney.

READ MORE HERE

Image:

JOHN BOKOR
'The Flowering Plant' 2023
oil on board
140 x 120 cm

August 15, 2023

BRIDIE GILLMAN RESIDENCY IN ARRIAOLOS, PORTUGAL

Bridie Gillman completed a residency at Córtex Frontal, for a 6 week placement in an 18th century building located in Arraiolos, Alentejo, Southern Portugal, in April 2023.

Córtex Frontal is a multidisciplinary cultural project created in 2016 by the Cultural Association Córtexcult, in Arraiolos, Évora, Alentejo. The artists in residence program aims to provide the time and space to develop a project, fostering the sharing of experiences between artists and the community.

Bridie's new body of work directly inspired by her time spent at Córtex Frontal will be exhibited in her upcoming show, Watching Walls at Edwina Corlette Gallery 4 October - 24 October 2023.

Córtex Frontal is part of the Portuguese Contemporary Art Networks RPAC.

READ MORE HERE

August 1, 2023

PAUL RYAN FEATURED IN THE ABC ART WORKS

On Sunday the 30th of July, PAUL RYAN featured in the ABC Art Works episode focusing on album cover art. Hosted by Namila Benson, this episode of ABC Art Works allows Paul to tell us his story as an Australian painter and about his collaborations with American musician Bill Callahan.

Even though they've never met, Paul Ryan and Bill Callahan share a mutually beneficial friendship. Paul has painted several of Bill's album covers and Bill's music has inspired Paul's paintings.

Paul shows us his process and eclectic studio, personifying his practice and shining light on his emotive connection to the landscape so often seen in his pieces.

You can watch Paul Ryan's feature on the ABC iView website HERE

July 29, 2023

BELEM LETT: FINALIST IN THE 2023 HAZELHURST ART ON PAPER AWARD

Congratulations to Belem Lett who is a finalist in this year's Hazelhurst Art on Paper Award for his work 'You Are The Centre Of The Universe'.

The biennial Hazelhurst Art on Paper Award is a significant national exhibition that aims to elevate the status of work on paper while supporting and promoting artists working with this medium.

Finalists will be exhibited in the Main Gallery at Hazelhurst Arts Centre in Sydney from 16 September to 12 November 2023.

Belem's next solo exhibition at the gallery is from 2 – 16 December 2023

Artwork:

You Are The Centre Of The Universe

Oil, gesso on Stonehenge paper 245gsm

228 x 168 cm

2023

July 25, 2023

VIPOO SRIVILASA IS A FINALIST IN THE PRESTIGIOUS DEAKIN UNIVERSITY CONTEMPORARY SMALL SCULPTURE AWARD

Congratulations VIPOO SRIVILASA who has been shortlisted for the prestigious Deakin University Contemporary Small Sculpture Award for his work The Kiln God Altar. Vipoo has been selected as one of the 40 finalists out of 422 entries.

The selection process was led by a panel of judges, including the renowned Australian artist Lisa Roet, the esteemed Curator Antony Fitzpatrick from TarraWarra Museum of Art, and the representative from Deakin University, Leanne Willis.

The finalist’s exhibition will open to the public on Wednesday 23 August at the Deakin University Art Gallery and the launch and announcement of winners will take place on Thursday 31 August.

Vipoo Srivilasa

'Kiln God Altar' 2023

A collection of Kiln Gods, created with various clay types, techniques, firing range and artistic style, symbolises the diversity within the clay community.

Displayed together on one stand, they represent unity, interconnection and shared spiritual traditions among clay workers worldwide.

READ MORE HERE

July 25, 2023

TIM MCMONAGLE'S PAINTING 'PLAZA' (2005) IS CURRENTLY ON VIEW AT AGNSW

Tim McMonagle's painting ‘Plaza’ 2005 is currently on view at the Art Gallery of New South Wales in the "brick vase clay cup jug" exhibition.

Guest curator Glenn Barkley selected the artworks in 'brick vase clay cup jug' by typing the words of the exhibition title into the Art Gallery of New South Wales’ online collection database, retrieving objects linked only by a word or medium. Unlike the typical approach to making an exhibition, where works are grouped conceptually according to meanings or historical associations, this selection process is non-hierarchical and echoes the random groupings seen in gallery storage. Usually guided by pragmatic considerations – maximising space and access or caring for the collection – these incidental groupings can create inspiring and surprising links between disparate objects, art-handling equipment and exhibition furniture.

Barkley has then taken cues from these search results, either aesthetic or conceptual, to cast a wider net through the collection, creating new connections – many of which are personal, visual, intuitive and emotional – between artworks.

In addition to the 270-plus collection objects, the exhibition also includes a new iteration of The Wonder Room, a house decorated with terracotta tiles made by communities of the Shoalhaven, NSW in a project with Shoalhaven Regional Gallery, Nowra. A video work by Dean Cross, Untitled (self-portrait as water and clay) 2015, on loan to the Art Gallery, is projected inside this space.

Until January 2024

'Plaza' 2005
oil on linen
180 x 180 cm

July 19, 2023

SALLY ANDERSON FEATURED IN THE JULY/AUGUST EDITION OF ART GUIDE AUSTRALIA

SALLY ANDERSON is featured in the July/August edition of Art Guide Australia.

Drawing on motherhood, domesticity, landscape and memory, the article explores Anderson's practice and consistency with the colour blue.

READ HERE

Text by Briony Downes and images by Jessica Maurer, edition out now.

July 11, 2023

BELEM LETT: FINALIST IN THE 2023 WAVERLY ART PRIZE

Congratulations to Belem Lett who is a finalist in this year's Waverley Art Prize for his work 'Smile'.

Belem is one of the 38 finalists chosen from over 700 entries. Recognising his striking choice of colour and form, Waverley Woollahra Art School credits his signature technique of forcing the eye to follow the shifting stark palettes.

The Waverley Art Prize celebrates excellence across the local arts community and greater Australian contemporary Visual Arts sector, ultimately showcasing the brilliance of early to mid-career Australian artists.

The Finalist Exhibition for this Waverley Art Prize is held in Sydney at the Bondi Pavilion until August 13, 2023.

Artwork:

Smile

oil, gesso and marble dust on aluminium composite panel

150 x 122 cm

2023

June 16, 2023

VIPOO SRIVILASA FEATURED IN COLOSSAL

Grace Ebert featured Vipoo Srivilasa's exhibition 'Solitude and Connection' in the article 'Exquisite Porcelain Figures by Vipoo Srivilasa Express the Ineffable Nature of Beauty and Connection'.

"Flowers in gold lustre and cobalt, small portraits of mythical creatures with feathers and polka dots, and various geometric motifs embellish Vipoo Srivilasa’s porcelain figures, which celebrate abundance and joy through opulent details. On view now at Edwina Corlette in the artist’s solo show Solitude and Connection, the sculptures are otherworldly in form as they meld human anatomy with flora and fauna, exploring 'the diverse ways in which love takes shape.'"

READ MORE HERE

May 24, 2023

SALLY ANDERSON FINALIST IN THE 2023 RAVENSWOOD AUSTRALIAN WOMEN'S ART PRIZE

Congratulations to Sally Anderson who is a finalist in this year's Ravenswood Australian Women's Art Prize with her work ‘Sea Town Lawn Roof Song with NO’s Vessel.’

READ MORE HERE

Image details;
SALLY ANDERSON
‘Sea Town Lawn Roof Song with NO’s Vessel’ 2023
acrylic on canvas
115 x 97 cm

May 6, 2023

JUDITH SINNAMON FINALIST IN THE ARCHIBALD PRIZE

Judith Sinnamon is a finalist in the 2023 Archibald Prize.

Watching the ABC’s political program Insiders, Queensland artist Judith Sinnamon was struck by Katharine Murphy’s ‘paintability’.

‘Katharine often appears on the Insiders panel, where she brings a refreshing, cut-through perspective to the fug of Australian politics,’ says Sinnamon. ‘I feel tremendous gratitude towards Katharine and all journalists of strong conviction and integrity, who speak truth to power at a time of rampant misinformation and media mogul influence.’

Murphy has worked in the parliamentary press gallery in Kamberri/Canberra since 1996. She is currently political editor of Guardian Australia and the host of a weekly podcast, Australian politics. She is the author of On disruption, an analysis of the impact of the internet on journalism.

Sinnamon captures the award-winning journalist, with her colourful clothing and animated face, listening to the podcast Pod save America in her light-filled home.

‘During our sitting, I drew loose charcoal sketches and took numerous photos,’ says Sinnamon. ‘I then returned to my [Sunshine Coast] Hinterland studio and began the month-long process of rendering Katharine’s portrait – my first in the Archibald Prize.’

Read more here.

Artwork:

Judith Sinnamon

'Katharine Murphy'

oil on linen

104.2 x 134 cm

May 6, 2023

BELEM LETT FINALIST IN THE OMNIA ART PRIZE

Belem Lett is a finalist in the 2023 Omnia Art Prize with his works 'These Peaks Watch Over You' and 'Eclipse'. The Omnia Art Prize is one of Australia’s premier art awards and exhibitions for contemporary art. Read more here.

Artworks:

These Peaks Watch Over You

oil, clear primer on brushed aluminium composite panel

150 x 120 cm

2022


Eclipse

clear coat, acrylic, gesso, wood putty, screws, wood glue, pine

82 x 42 x 28 cm

2023

May 6, 2023

ARI ATHANS FEATURED IN QANTAS TRAVEL INSIDER MAGAZINE

Ari Athans has been featured in QANTAS Travel Insider Magazine.

March 28, 2023

BELEM LETT FINALIST IN BAYSIDE ACQUISITIVE ART PRIZE

Congratulations to Belem Lett who is a finalist in this year's Bayside Acquisitive Art Prize with his work 'Vertical Horizon'.

Established in 2015, the Bayside Acquisitive Art Prize is a celebration of contemporary Australian painting. The finalist exhibition brings together a broad range of artists, both established and lesser-known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today.

READ MORE HERE

Image:
BELEM LETT
Vertical Horizon 2023
Oil, gesso, marble dust on aluminium composite panel
122 x 94 cm

March 28, 2023

VIPOO SRIVILASA AWARDED MAJOR COMISSIONING PROJECTS GRANT

Congratulations to Vipoo Srivilasa who has been awarded the Visual Arts and Crafts Strategy (VACS) Major Commissioning Projects grant. Vipoo is a recipient of $100,000 to realise a major project 'Re/JOY' in collaboration with the Australian Design Centre. 'Re/JOY' is a collaborative, community-driven project designed to engage with overseas-born Australians.

'Re/JOY' will examine the emotional connection we form with objects by retelling migration stories and experiences. The project aims to provoke the complex feelings associated with overseas relocation and the difficult process of gaining Australian permanent residency.

READ MORE HERE

Image: Vipoo Srivilasa and the Happy Australian Sculptures at the National Portrait Gallery. Photo by Liv Cameron 2023.

March 21, 2023

ARI ATHANS IN QANTAS IN-FLIGHT MAGAZINE

Ari Athans was featured recently in the Qantas In-Flight magazine in an article written by Noelle Faulkner.

March 9, 2023

VIPOO SRIVILASA FEATURED IN NATIONAL PORTRAIT GALLERY'S 'PORTRAIT23: IDENTITY'

Vipoo Srivilasa's work 'Happy Australian' will form part of the National Portrait Gallery's exhibition 'Portrait23: Identity'.

'Portrait23: Identity' is a major exhibition of new work from multi-award-winning contemporary Australian artists and collectives working across every state and territory. Street art, textiles, performance, photography, ceramics, painting, drawing, soft sculpture and bronze challenge the boundaries of portraiture. Many of the works move eloquently between installation, video, and animation, inviting you, the viewer, inside the portrait.

Twenty-three artists and collectives present dramatic, ambitious and thrilling work about who they are and what it means to represent themselves, their communities, their histories and contemporary society. They break open the genre with deeply personal evocations of themes that resonate collectively, such as cultural knowledge, feminism, visibility/invisibility, activism and journeys of migration.

10 March – 18 June 2023.

READ MORE HERE.

Image details;

Four works from Happy Australian, 2022 Vipoo Srivilasa. © Vipoo Srivilasa. Photograph by Simon Strong

March 4, 2023

SALLY ANDERSON FINALIST IN THE 2023 MUSWELLBROOK ART PRIZE

Congratulations to Sally Anderson who is a finalist in this year's Muswellbrook Art Prize with her work ‘Lismore Island Roof Song with a Screenshot of Nat Silk’s Seatown’.

READ MORE HERE

Image details;
SALLY ANDERSON
‘Lismore Island Roof Song with a Screenshot of Nat Silk’s Seatown’ 2022
acrylic on polycotton

March 4, 2023

ARI ATHAN'S WORK FEATURED IN BELLE MAGAZINE

Ari Athan's work 'Strata Sample One' is featured in the current issue of Belle Magazine inside Anna Spiro's home.

Image details;

ARI ATHANS
Strata Sample One 2022
Ceramic, wood and acrylic paint
57 x 20 x 20 cm

March 4, 2023

VIPOO SRIVILASA FEATURED IN QANTAS TRAVEL INSIDER MAGAZINE

Noelle Faulkner from QANTAS Travel Insider Magazine spoke with Vipoo Srivilasa about his art practice. "With a playful approach that marries European-Australian and Thai motifs, this Bangkok-born artist’s figurines are full of charm."

READ MORE HERE.

Image details;

Pieces from Vipoo Srivilasa’s Always Better Together series (2022)

February 28, 2023

Belem Lett Featured on the Cover of Belle Magazine

Belem Lett's bold artwork 'Move Me' (2022) is featured on the recent cover of Belle Magazine. Belem's piece celebrates the power of colour and is shown in an exclusive look inside interiors star Anna Spiro's home.

BELEM LETT
Move Me 2022
Oil, gesso, marble dust on aluminium composite panel
122 x 94cm

October 18, 2022

MARISA PURCELL IN FISHER'S GHOST ART PRIZE

Marisa Purcell is a finalist in the 2022 Fisher's Ghost Art Award with her work 'Yesterday's Song' (image below).

The Award is an annual art prize inviting artists to submit works in a variety of artistic categories and mediums. Now in its 60th year, there is $72,000 in prize money to be won. The Open Award is acquisitive to the Campbelltown City Council collection and in 2022, in celebration of the 60th Anniversary; the award is valued at $60,000.

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October 18, 2022

MARISA PURCELL IN MOSMAN ART PRIZE

Marisa Purcell is a finalist in the 2022 Mosman Art prize with her work 'Hovering Overhead' (image below).

Established in 1947, the Mosman Art Prize is Australia's oldest and most prestigious local government art award. It was founded by the artist, architect and arts advocate, Alderman Allan Gamble, at a time when only a small handful of art prizes were in existence in Australia and the community had very little support and few opportunities to exhibit their work.

As an acquisitive art award for painting, the winning artworks collected form a splendid collection of modern and contemporary Australian art, reflecting all the developments in Australian art practice since 1947. Artists who have won the Mosman Art Prize include Margaret Olley, Guy Warren, Grace Cossington Smith, Weaver Hawkins, Nancy Borlase, Lloyd Rees, Elisabeth Cummings, Adam Cullen, Michael Zavros, Natasha Walsh and Salote Tawale.

The 2022 judge of the Mosman Art Prize is Rhana Devenport ONZM.

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September 30, 2022

JOHN McDONALD REVIEWS SALLY ANDERSON IN THE SYDNEY MORNING HERALD FOR THE PORTIA GEACH AWARD

Sally Anderson’s Guido Holding Folding Moulding is another stand-out. Ostensibly a portrait of her artist husband holding their child, there’s a metaphysical dimension to the work, with a sculpture on a pedestal, a jug with flowers and a red, flag-like curtain taking up significant space in the composition. The play of curves and fractured planes adds to the mystery of the picture, as we feel we are looking through multiple doorways or windows, projecting a dream-like atmosphere.

John McDonald SMH

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September 24, 2022

SALLY ANDERSON FINALIST IN THE 2022 PORTIA GEACH PRIZE

16 September – 6 November 2022

Congratulations to Sally Anderson who is a finalist in the Portia Geach Award at SH Ervin Gallery in Sydney.

First awarded in 1965, the Portia Geach Memorial Award was established by Florence Kate Geach in memory of her sister, artist Portia Geach. As per the direction of the will, the Award is annually presented to an Australian female artist for the best portrait painted from life of a man or woman distinguished in art, letters or the sciences. Geach was widely acclaimed as a leading artist and was a frequent commentator in the national media – making her an iconic figure in the Australian arts community. The $30,000 non-acquisitive Portia Geach Memorial Award is given by Perpetual as trustee, to the entry with the highest artistic merit.

Image —

Guido holding, folding, moulding 2022, acrylic on polycotton, 198 x 153 cm

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July 20, 2022

'BLUE ISLAND' AT BYRON SCHOOL OF ART, CURATED BY SALLY ANDERSON

Blue Island investigates the interplay of colour and memory in relation to individual experience. Paintings draw on hydrangea related respective experience to demonstrate the capacity for colour and object to hold and trigger memory and association. The exhibition seeks to question the reliability of memory and offers a way to authenticate experience through colour. In attempting to realise something perhaps visually impossible to verify within their paintings; mixing colour truthfully and straightforwardly from memory, the artists are challenged to settle on feeling and intuitive correctness rather than absolute truth and certainty.

Using a uniform size canvas, the 14 invited artists were instructed to translate, from their ‘mind’s eye’, the colour they most strongly associate with their experience of hydrangeas. The result is a collection of essentially monochrome surfaces steeped with hidden and concealed recollections of mothers and mother’s mothers, former neighbours and neighbourhoods, marriage, childbirth city front-yards, suburban backyards, households and broken family homes. More visually evident (than the personal histories imbued in the paintings) is the materiality and individually distinctive application of paint to surface. These largely monochrome works give a condensed, and detail like insight into each artist’s painterly signature, almost all of which are instantly recognisable.

Sally Anderson, 2022

Please head here to view an online catelogue and contact [email protected] for any further information.

May 27, 2022

Belem Lett WINS OMNIA ART PRIZE

Congratulations to Belem Lett who has won the 2022 Omnia Art Prize for the most outstanding work in any medium.

The prize was judged by Charlotte Day, Director of Monash University Museum of Art. The exhibition is open until 30th May at St. Kevins College, Toorak.

READ MORE HERE

This Sun Burns For Us 2022
oil, gesso, marble dust on aluminum composite panel
152 x 150cm

May 25, 2022

CHRIS ZANKO FEATURED ON ABC ARTWORKS

Hosted by Namila Benson, Art Works is the ABC's weekly half-hour arts show sharing the most inspiring, surprising, and formative ways that Australian creatives are telling our stories today.

Namila talks to artist Christopher Zanko who shares how he combines woodcarving and painting.

Episode 10 Venice Biennale, Deborah Kelly

Duration: 27 minutes 10 seconds27m


May 6, 2022

Christopher Zanko and Paul Ryan - Sulman Art Prize Finalists

Congratulations to Christopher Zanko and Paul Ryan who are finalists with a collaborative work in the 2022 Sulman Art Prize at the Art Gallery of New South Wales. The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist.

Christopher Zanko and Paul Ryan's work is set against the backdrop of Wollongong in NSW. This painting is concerned with the vulnerability of the changing demographics of an area once defined by coal mining, steelmaking and allied industries.

READ MORE HERE

PAUL RYAN + CHRISTOPHER ZANKO
Bulli, Rock Steady 2022
oil and acrylic on wood relief carving
120 x 100 cm

May 6, 2022

Belem Lett - SULMAN ART PRIZE FINALIST

Congratulations to Belem Lett who is a finalist in the 2022 Sulman Art Prize.

The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist. Established within the terms of Sir John Sulman’s bequest, the prize was first awarded in 1936. Each year the trustees of the Art Gallery of NSW invite a guest artist to judge this open competition. Finalists are displayed in an exhibition at the Gallery opening on the 14th of May.

READ MORE HERE

Bending Over Backwards 2022
oil, gesso, marble dust on aluminium composite panel
150 x 125 cm

March 26, 2022

BUNDIT PUANGTHONG Mural painting performance at Hawthorn Arts Centre

‘Expanded Canvas’ is a major exhibition at Town Hall Gallery exploring the dynamic and innovative nature of contemporary painting. The traditional grid and 2D picture plane are replaced by modern surfaces, including drop sheets, sign vinyl, virtual space, and the gallery wall itself.

Bundit’s mural painting will be exhibited in the major exhibition ‘Expanded Canvas’, showing at Hawthorn Arts Centre, Victoria - 23 April to Saturday 2 July 2022.

READ MORE HERE

March 11, 2022

ARI ATHANS FEATURED IN ART ALMANAC

The disparate textural layers of Aggregates in Construct blend the myriad forms and patterns of nature marked by the boundaries of human action. Ari Athans’ stacked, sculptural arrangements flow between the handmade, organic and industrial, marking the liminal points where the landscape rests upon and collides with the built world.

Sculpture in the latest issue of Art Almanac.

Ultra Surface, 2022
ceramic, wood, vesicular basalt, acrylic paint
36 x 22 x 20 cm

READ MORE HERE

March 4, 2022

VIPOO SRIVILASA - Vault Magazine

For more than twenty years ceramic artist Vipoo Srivilasa has created intricate and elaborate artworks that reflect his bicultural experience living between Australia and Thailand. He celebrates the intersections and overlaps between cultural, social, philosophical and environmental contemplations on life in a pandemic. VAULT asked Srivilasa to share some of his most beloved artefacts.

March 4, 2022

TARA MARYNOWSKY: Australians and Hollywood

National Film and Sound Archive of Australia first major original exhibition in two decades opened to the public on Friday, bringing with it an insight into Australian films and film talent - both behind and in front of the camera.

"Australians & Hollywood is both a celebration and a provocation to rethink Australian cinema today, at home, in Hollywood and beyond. Visitors will be taken on a journey through the pivotal moments in recent and contemporary Australian cinema, starting from the ‘70s." - Tara Marynowsky

Curator Tara Marynowsky shares how this treasure trove of beloved cinema moments came to life.

READ MORE HERE

February 26, 2022

MIRANDA SKOCZEK - Interview for Vault Magazine

There is more to Miranda Skoczek’s paintings than immediately meets the eye. They are built intuitively and in layers, from colours, patterns and objects that she absorbs in her immediate home environment – and all over the world. They are often abstract, sometimes with figurative elements; they focus on paint and colour, process and time, to create a space that takes us somewhere other, outside the material world. Inspiration comes from art and antiquities, folk art and contemporary design – and through obsessive consumption of images. Skoczek describes herself as “a sponge,” confessing to VAULT: “I have 95,000 photographs on my phone.”

The mystical is evident in Skoczek’s hope that her paintings work like amulets for those who acquire them. Protective elements aside, in their sensual textures and influences, so powerfully evoked, these paintings emerge as poignant and poetic visual essays written to the past and the present.

Front Cover: Miranda Skoczek, Vault Magazine

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February 26, 2022

BELEM LETT - CHROME CITY: GROUP EXHIBITION, LOS ANGELES

The main idea of this show is to speculate if Sydney, Australia, a sprawling conurbation of coastal and landlocked suburbs, has anything artistically in common with the metropolis of Los Angeles. I am also speculating that there is such a thing as Australian cool, which might reflect or correspond with a perception held that LA art is definitely cool. LA’s emergence as an important art city has been an ongoing matter for debate but has recently become cemented by the by appearance in LA of some major new art museums and international galleries.

Artists: Ron Adams, Polly Borland, Chris Dolman, Belem Lett, Adam Norton, Philjames, Genevieve Felix Reynolds

Durden & Ray, Los Angeles
19 March - 9 April 2022

Title: The River, 2022
Medium: oil, gesso, marble dust on aluminium composite panel
Size: 81 x 61 cm

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February 25, 2022

THE BLAKE PRIZE - CASULA POWERHOUSE

The Blake Prize is one of Australia's longest standing and most prestigious prizes which encourages conversation about religion and spirituality through art and poetry.

Belem Lett has been named as a finalist for the 67th Blake Prize, 2022.

Title: Electric Dreams, 2021
Medium: oil on aluminium composite panel
Size: 152 x 150 cm

READ MORE HERE

February 18, 2022

PAUL RYAN: Q&A WITH THE ILLAWARRA FLAME

David Roach, co-curator of the Clifton Contemporary Art Fair, talked to one of the high-profile participating artists, Paul Ryan.

Paul Ryan’s striking, often provocative paintings are sort by collectors both in Australia and internationally. Many feature the Northern Illawarra coast and escarpment as seen from the ocean.

READ MORE HERE

February 18, 2022

PAUL RYAN FINALIST IN THE KILGOUR PRIZE

Paul Ryan is a finalist in Newcastle Art Gallery's Kilgour Art Prize 2021.

The Kilgour Prize is Newcastle's annual art prize for figurative and portrait painting. It awards $50,000 for the most outstanding work of art and a People’s Choice of $5000 to the painting voted most popular by the general public. Each year the Gallery receives hundreds of applications from across Australia.

'Three Imaginary Boys' 2021
oil on linen
138 x 153 cm

February 8, 2022

BELEM LETT - GRACE COSSINGTON SMITH ART PRIZE

The Grace Cossington Smith Art Prize is inspired by the work of Abbotsleigh Old Girl and artist Grace Cossington Smith who made connections with her changing world through her drawing and painting.

Congratulations to Belem Lett for being finalist in three Grace Cossington Smith Art Prize awards for 2022.

Title: Wave Racer, 2021
Medium: oil on aluminium composite panel
Size: 110 x 80 cm

READ MORE HERE

February 8, 2022

BELEM LETT FINALIST IN THE HAZELHURST WORKS ON PAPER PRIZE

The Hazelhurst Art on Paper Award is a significant national biennial exhibition that promotes excellence and innovation in the field of art on paper. This year, Hazelhurst received over 700 entries from artists throughout Australia.

Belem Lett has been selected to exhibit for the Art on Paper award 2022.

Title: Sunflower, 2021
Medium: oil, gesso on 12 sheets stonehenge paper
Size: 228 x 228cm

READ MORE HERE

November 20, 2021

VIPOO SRIVILASA FEATURED IN THE ASIA PACIFIC TRIENNIAL AT QUEENSLAND ART GALLERY

Vipoo Srivilasa’s immersive, participatory installation Shrine of Life/ Benjapakee Shrine 2021, featuring five hand-crafted ceramic deities representing attributes important to the artist: identity, love equality, creativity, security and spirituality. Finished with gold lustre and floral embellishments, the work reflects Srivilasa’s holistic approach to life, and encourages audiences to appreciate the things that unite us.

His artwork for APT10 expands his practice, building on its audience-oriented qualities. The artist has created a reflective, shrine-like space that houses five secular deities representing attributes important to him — love equality, spirituality, security, identity, and creativity — and asks visitors to join him in celebrating them. Through the work, Srivilasa venerates memories of his Thai homeland, acknowledges what his relocation to Australia has meant to him, and encourages viewers to appreciate both our differences and our commonalities.

QUEENSLAND ART GALLERY 'ASIA PACIFIC TRIENNIAL'

4 December 2021 - 25 April 2022

READ MORE HERE

November 20, 2021

VIPOO SRIVILASA FEATURED IN GARLAND MAGAZINE

Garland Magazine
WILL MY HEART REMEMBER?
By Aaron Bradbrook

Aaron Bradbrook presents, re/JOY, a project by Vipoo Srivilasa to reincarnate objects relinquished by residents of Warrnambool.

READ MORE HERE

November 20, 2021

THE ART GALLERY OF BALLARAT ACQUIRES VIPOO SRIVILASA WORKS

The Art Gallery of Ballarat has acquired two Vipoo Srivilasa works for their permanent collection. The works are 'Aqium' and 'Lori the Healthcare Hero' from the COVID SUPERHERO EXHIBITION 2020.

What does a COVID-19 superhero look like? Ceramicist Vipoo Srivilasa has created a collection of superheroes inspired by the dreams of people in the Ballarat community. Each superhero has a special power to fight off COVID-19.

This project is a collaboration between the Art Gallery of Ballarat and the City of Ballarat’s Creative City team.

'I created ‘COVID Superheroes’ last year, inspired by dreams of people in the Ballarat community. They were part of a project to reflect some of the mood and experiences of 2020'. Vipoo Srivilasa 2021

READ MORE HERE

November 19, 2021

BUNDIT PUANGTHONG AT THE NATIONAL GALLERY OF VICTORIA

NGV is committed to providing creative experiences for young people and their families and sharing new ways to be creative. The gallery invited Bundit Puangthong to conduct a series of online workshops for their NGV Kids programme, during the 2021 Melbourne lockdown.

With a background in puppeteering, Bundit created a range of workshops with an introduction to making paper puppets.

READ MORE HERE

November 19, 2021

BUNDIT PUANGTHONG, FINALIST IN THE SUNSHINE COAST ART PRIZE

The Sunshine Coast Art Prize is a dynamic visual arts award reflecting outstanding contemporary 2D arts practice in Australia. Now in its 16th year, this significant art award is the flagship event for the Sunshine Coast’s Regional Gallery in Caloundra, attracting entries from emerging and established artists across the nation.

This year Bundit Puangthong was a finalist with his work 'Riding Stars' 2021

READ MORE HERE

November 19, 2021

BUNDIT PUANGTHONG, FINALIST IN THE ARTHUR GUY PAINTING PRIZE

Held every two years, the Arthur Guy Memorial Painting Prize attracts some of Australia’s most accomplished artists, awarding a generous acquisitive cash prize of $50,000. The Prize provides Bendigo Art Gallery with the opportunity to survey contemporary painting by established and emerging artists from across Australia.

Bundit Puangthong is a finalist in the 2021 prize with his work 'The Living Room' 2021.

READ MORE HERE

September 7, 2021

VIPOO SRIVILASA ON ABC TV ARTWORKS

SDFSDF

August 20, 2021

VIPOO SRIVILASA 'WELLNESS DEITY PROJECT' LINDEN NEW ARTS

Arts Hub
Exhibition Review: Vipoo Srivilasa: Wellness Deity, Linden New Art by Celina Lei
22 May 2021- 22 August 2021

Wellness Deity
The Wellness Deity Project, which Srivilasa undertook in response to the COVID-19 pandemic. This collaborative, community-driven project encouraged people to reflect on their experience of the pandemic. The artist invited people to submit a drawing of their Wellness Deity, a being that has a special empowering or protective power. Srivilasa selected 19 of these drawings to provide inspiration for a series of ceramic sculptures. Each deity has its own unique characteristics based on the personal stories submitted. Each work is also accompanied by a piece of commissioned creative writing.

READ MORE HERE

August 20, 2021

BUNDIT PUANGTHONG IN FLASH FORWARD LANEWAYS IN MELBOURNE

Flash Forward is creating a connected network of laneways across Melbourne with their own stories, visuals and acoustic designs.

Showcasing Melbourne’s creative culture and unlocking the potential of some of the city’s lesser-known laneways, more than 80 creatives have been commissioned to create over 40 art installations, 40 albums and stage 40 gigs across the city.

As part of the project Bundit was commissioned to make a large-scale work in Rose Lane.

READ MORE HERE

August 10, 2021

BUNDIT PUANGTHONG, FINALIST IN THE GEELONG ART PRIZE

The 2021 Geelong contemporary art prize is a signature event that assists with the development of the Geelong Gallery’s collection while fostering Australian artists and contemporary painting practice in general.

Bundit Puangthong’s work ‘Skull splitter’ takes inspiration from a famous Buddhist story where a prince’s ship sinks, and he has to swim all the way back to shore. The story represents the challenges we all face, despite our social status, and the lessons we learn from them. ⁠

Image: Bundit Puangthong ‘Skull splitter’, 2020, synthetic polymer paint and spray paint.

READ MORE HERE

July 30, 2021

ARTS HUB REVIEW OF VIPOO SRIVILASA AT LINDEN NEW ARTS

Spanning over a career of 20 years, Thai-Australian artist Vipoo Srivilasa has harnessed art’s ability to connect creatives, organisations and the broader community.

Wellness Deity captured this collaborative energy in the light-filled room of Linden’s ground floor gallery. The 19 drawing submissions and accompanying writing surround the walls while Srivilasa’s ceramic iterations sit across two tables at the centre of the space. The hand-selected drawings from a total of 63 submissions from Australia and overseas showcase stories rooted in reflections, experiences, and hopes emerging out of the pandemic. Words Celina Lei

READ MORE HERE

July 8, 2021

JULIAN MEAGHER FEATURED ON THE DESIGN FILES WITH CRAIG 'FOZZY' FOSTER

Art, Activism And The Archibald

CREATIVE PEOPLE

Art has always been a vehicle for social dialogue, and a window into current political issues. When Sydney artist Julian Meagher met former professional soccer player, commentator and human rights advocate Craig ‘Fozzy’ Foster AM, he was inspired.

READ MORE ON THE DESIGN FILES HERE

June 29, 2021

MARISA PURCELL FINALIST IN THE 2021 SULMAN PRIZE

Marisa Purcell is a finalist in the 2021 Sulman Prize with her work 'That Time of Day'. Administered by the Art Gallery of New South Wales, the prize was first awarded in 1936. Each year the trustees invite a guest artist to judge the competition.

Marisa's work 'That time of day' considers those moments between day and night, where the last burst of blue lets itself dissipate into the darkness. These transitory spaces are intrinsic to human experience everywhere.

The painting contemplates layers of light and colour and the affect it can have when you are surrounded by it. Supported by a warm ground of raw linen and pink, veils of transparent colour shift in and out of perceptibility, activating an awareness of looking. This is a human-scaled painting, intended as an opportunity to feel and connect with this shared human experience.

June 15, 2021

VIPOO SRIVILASA AT LINDEN NEW ART

VIPOO SRIVILASA

Wellness Deity 22 May 2021 > 22 August 2021

This exhibition will present the Wellness Deity Project, which Vipoo Srivilasa undertook in response to the COVID-19 pandemic. This collaborative, community-driven project encouraged people to reflect on their experience of the pandemic. The artist invited people to submit a drawing of their Wellness Deity, a being that has a special empowering or protective power. Srivilasa selected 19 of these drawings to provide inspiration for a series of ceramic sculptures. Each deity has its own unique characteristics based on the personal stories submitted. Each work is also accompanied by a piece of commissioned creative writing.

READ MORE HERE

E-CATALOGUE

June 9, 2021

TIM McMONAGLE FINALIST IN THE BAYSIDE ART PRIZE

Established in 2015, the Bayside Acquisitive Art Prize is a celebration of contemporary Australian painting. The finalist exhibition brings together a broad range of artists, both established and lesser known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today.

The annual prize is an important opportunity for Bayside City Council to add exceptional works of art to its collection and to promote art and artists as a valuable part of the Bayside community.

Tim McMonagle's work 'Put Upon' 2020 is a finalist in this year's prize.

READ MORE HERE

June 9, 2021

BELEM LETT FINALIST IN THE BAYSIDE ART PRIZE

Established in 2015, the Bayside Acquisitive Art Prize is a celebration of contemporary Australian painting. The finalist exhibition brings together a broad range of artists, both established and lesser known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today.

The annual prize is an important opportunity for Bayside City Council to add exceptional works of art to its collection and to promote art and artists as a valuable part of the Bayside community.

Belem Lett's work 'Pineapples' 2019 is a finalist in this year's prize.

READ MORE HERE

June 8, 2021

JULIAN MEAGHER FEATURED IN ARTIST PROFILE MAGAZINE

WORDS EMMA-KATE WILSON

A few years ago, Sydney-based artist Julian Meagher welcomed the birth of his son and found himself working more instinctively. ‘I think I’m making better works because I am taking a lot more risks, I make so many more bad paintings that end up in the bin now than I used to,’ he comments.

When his daughter was born eight months ago, he went through a whole new level of sleep deprivation and heartbreak, with their little girl suffering reflux for six months. ‘Sleepwalking’ channels this energy, exploring the space between altered states, the subconscious and dreaming.

Alongside ultra-romantic pink and blue landscapes, complete with rainbows, built through active painting, raw brushstrokes and delicate fades, Meagher presents his sleeping family. The small and intimate portraits connect with the large glitchy, idyllic landscapes. ‘I’m trying to make sense of the complex human existence through the power and beauty of nature,’ he adds, ‘I feel like a rainbow next to a little sleeping baby is what we need right now … A hope that things will get better on both a personal and collective level.’

Meagher’s palette is deliberately muted, soft, subtle. He says, ‘I think painting is only good if you’re true to yourself. Painting is a kind of meditation for me in a way; I want the end result to slow down my breath rate.’

To construct his portraits and colour fields – which can be read as landscapes, abstracted, or the sky out of his studio window – Meagher applies thin layers and begins to remove the colour as it starts to dry. Working against the drying time of the paint stops the artist from ‘overcooking’ them. By revealing the linen below, the canvases hold luminosity, adding a watercolour effect evocative of the ocean-inspired landscapes. ‘We’ve all seen those storms out to sea; it’s in our collective consciousness,’ he explains, ‘most can associate strong memories and rites of passage with these coastline images.’

READ FULL ARTICLE HERE

May 28, 2021

VIPOO SRIVILASA FEATURED IN ART GUIDE

How Vipoo Srivilasa is repairing happiness

STUDIO

19 May 2021

Ceramicist Vipoo Srivilasa has a penchant for intricate and layered decoration that, he explains, is influenced by the ornate Buddhist temples he encountered growing up in Thailand. With an aesthetic he cheerfully describes as “more is more,” Srivilasa’s distinctive work also draws on European historical figurines and “a healthy dose of contemporary culture”. We chatted over cups of sencha tea in Srivilasa’s clean, bright warehouse studio in the suburb of Cheltenham, in Melbourne’s south-east.

Place
I’ve made this space really comfortable because I spend most of my time here, almost seven days a week. I come here about 7:30 in the morning and leave at 3:30 in the afternoon, go home, and do some shopping. Then I work on the computer, like writing or administration, in the evenings. Most of the time I’m just here; I live 10 minutes from here, so it’s really easy. Sometimes I go home for lunch—but I’ve found it kind of distracting, like you go home and it’s hard to come back again. So I bring my own lunch, or I’ll walk around the corner for a Vietnamese lunch.

READ MORE HERE

April 13, 2021

DAN KYLE AT WANGARATTA ART GALLERY

Dan Kyle's work is part of Wangaratta Art Gallery's exhibition 'Contemporary Landscape Perspectives: A Group Show' from 13 March – 30 May 2021.

This dynamic exhibition of five contemporary landscape Australian painters, Max Berry, Holly Greenwood, Dan Kyle, Bronte Leighton-Dore and Andrew Pye explores individual perspectives of elements of the Australian bush, the terrain, landscape and key symbolism of trees and flora in their immediate environment.

All five artists are emerging as contemporary painters in the Australian art scene. Berry, Greenwood, Kyle and Leighton-Dore are New South Wales based (Sydney and Blue Mountains), the four have partnered with local artist Andy Pye, the group have connections both through friendship but also their oeuvre, their painting practice and style. Each artists surrounding environments are re-interpreted in large scale paintings and works on paper.

This collection of artists and their work presents a diversity of expression and contemporary representation of the Australian Bush.

READ MORE HERE

March 22, 2021

SALLY ANDERSON FEATURED IN THE AUSTRALIAN

Exciting Australian art to buy for your home

50 works by 50 artists — all for sale. Presenting The Australian’s inaugural summer exhibition, a showcase of the most exciting young Australian artists working today. By

It’s this moment of evolution that has inspired The Australian’s Summer Exhibition — a showcase of sculptures, paintings, photographs and works on paper. Beautiful to look at, it’s a celebration of some of the best and brightest artists working today. All 50 pieces have been selected because they signify what’s happening in Australian art and culture right now.

So, what is happening right now? The primary art market in Australia is experiencing a small boom. For obvious reasons, flying to international art fairs is off the cards, and this has led Australian collectors to rediscover a local market packed full of prodigious works by tomorrow’s household names.

It means there’s a renewed focus on Australian stories and more opportunities for emerging artists to have their work seen, as gallerists and buyers look toward home. It’s this time of risk-taking and yes, even optimism that our summer exhibition represents.

Read more HERE

March 22, 2021

MIRANDA SKOCZEK FOR DAVID JONES MAGAZINE

Copywriter and content specialist Elle McClure was asked by the team at Medium Rare Content agency to help produce content for the autumn 2021 issue of the David Jones magazine, JONES HOME. As well as compiling trend pages and writing copy across the issue, Elle interviewed Otis Hope Carey, Louise Olsen and Miranda Skoczek as part of profiles on the artists.

You can read more HERE

March 2, 2021

JOHN BOKOR FINALIST IN THE DOBELL PRIZE FOR DRAWING

John Bokor is a finalist in the Dobell Drawing Prize with this work titled Lounge Room in Spring 2020, charcoal, wash and collage, 84 x 100 cm.

The Dobell Drawing Prize is the leading drawing exhibition in Australia and an unparalleled celebration of drawing innovation. Presented in partnership with the Sir William Dobell Art Foundation (SWDAF), the biennial prize explores the enduring importance of drawing within contemporary art practice.

William Dobell’s love of drawing was recognised in 1993 when the Art Gallery of New South Wales established an annual drawing prize in his name, initiated by the trustees of the SWDAF. For twenty years, the annual Dobell Prize for Drawing encouraged excellence in drawing and draughtsmanship among Australian artists.

February 10, 2021

TIM McMONAGLE IN LOVELOCK AT GREENWOOD STREET PROJECT

Lovelock is the presentation of a new suite of paintings by Tim McMonagle that have been directly informed by a new suite of sound works, produced for this project by Paul Knight, who is resident in Berlin.

Transference. The change of elemental states. The search for a place not here nor there.

These were our early concepts for the exhibition. Be careful what you wish for. Despite an unpredictable year in all corners of the globe, the original framework for the project is in place: to commission work from one artist to inform the work of the other. The idea & process is elliptical and is revealed over a period of time in three sections.

The fulcrum is a set of paintings by Tim McMonagle. They will be made using source imagery around the idea of “A Place Between / Not here nor there”. We approached Paul Knight in Berlin to create source images generated by this diaristic photographic practice. Then the pandemic happened, and nothing was the same.

In isolation in Berlin, Paul had immersed himself in his music practice, making soundscapes without traditional song structures, using sources completely derived from synthetic sounds: purely electronic space. The fit with the original concept was perfect. We devised a limit of the 12” LP to set the duration of the material. The square of the LP cover echoes Tim’s exclusive canvas ratio, the square.

The six tracks are to be issued as source material to McMonagle for his body of paintings. Tim has always hankered to work with a non-visual source for a group of paintings & this serendipitous outcome has both artists exhilarated by the possibility of extending their practice.

The final part of this work is the unification of the germinal sound work by Paul Knight,

Tim McMonagle’s paintings, and documentation of the exhibition to be presented at Greenwood Street Project in early 2021 in an LP/catalogue.

https://soundcloud.com/user-470862214/sets/lovelock-1

December 8, 2020

BUNDIT PUANGTHONG'S WORK FEATURES IN SHOWCASE ART SEGMENT WITH ART CRITIC DIETER BUCHART

SHOWCASE

One in three American museums have not re-opened after lockdowns in March. But art continues to be bought, lent, and displayed by private banks. Dieter Buchhart, Art Critic

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November 12, 2020

PAUL RYAN ARCHIBALD AND SULMAN FINALIST 2020

N\H artist Paul Ryan is a finalist in Australia's most anticipated art prize, the 2020 Archibald, Wynne and Sulman. The exhibition is on show at the Art Gallery of New South Wales until January 10th 2021.

Paul Ryan's painting "Three Imaginary Boys" is the artist's sixth finalist selection in the Sulman Prize. He is a 13-time Archibald finalist and five-time Wynne Prize finalist. Paul has won the Paddington Art Prize (2007 & 2010), Geelong Contemporary Art Prize (2012) and has been a finalist numerous times in the Mosman Prize, Moran Prize, Fishers Ghost, Kilgour, Tattersals and other major awards.

'Three Imaginary Boys' 2020
oil on linen
138 x 153 cm

November 10, 2020

STEFAN DUNLOP FEATURED ON ALAN KOHLER'S PODCAST

In his pod cast (links below) Alan Kohler tells the world that his three best Non-share investments (that he actually owns) are:


  1. A house in Richmond, Melbourne
  2. A painting by Stefan Dunlop
  3. A longines watch
He goes on the say that Stefan Dunlop is “taking off” as a painter.

Stefan is mentioned at about 31.30 min

LISTEN TO THE PODCAST HERE AT THE FOLLOWING LINKS:

Spotify: https://open.spotify.com/episode/674VsBpdIzo9Itk3R3XOW9

or apple podcasts: https://podcasts.apple.com/au/podcast/gold-regains-lustre-as-inflation-hedge-who-wants-crown/id1201031401?i=1000495618174

October 22, 2020

VIPOO SRIVILASA AWARDED THE 2021 CERAMIC ARTIST OF THE YEAR AWARD

Vipoo Srivilasa has been awarded The 2021 Ceramic Artist of the Year by the editorial staff of Ceramics Monthly and Pottery Making Illustrated (USA).

The annual Ceramic Artist of the Year award is presented to an artist whose work reflects current aesthetics and sets an example for ceramic artists by embracing current trends, technology, studio, marketing, and/or community-focused practices.

“Over the course of your career, you’ve been very active with exhibitions, winning numerous awards, public art projects, teaching, mentoring, and community outreach. In addition, you have helped to support and advance the global clay community through innovative social media fundraising campaigns, among other projects.

You have also been very active in engaging with the field of ceramics and expanding creative connections with other creative fields and the wider community.

The fact that you can consistently create work as a self-employed artist in addition to having a busy international workshop, lecture, and exhibition schedule is impressive. In short due to all of your personal creative achievements, as well as your dedication to the field, we feel that you are more than deserving of the Ceramic Artist of the Year award.”

Jessica Knapp

Editor, Ceramics Monthly Magazine, Associate Editor, Pottery Making Illustrated, at The American Ceramic Society

In addition to the monetary award, The Artist of the Year feature will be in the 2021 Ceramic Arts Yearbook.

October 14, 2020

DAN KYLE, A RECIPIENT IN THE 2020 BRETT WHITELEY SCHOLARSHIP

For the first time in its 22 year history, the Brett Whiteley Travelling Art Scholarship has been awarded to five artists, one of whom is Dan Kyle.

Congratulations Charlie Ingemar Harding (Victoria), Emily Grace Imeson (NSW), Dan Kyle (NSW), Lily Platts (NSW) and Georgia Spain (Tasmania).

Art Gallery of New South Wales Director, Michael Brand, said that in one of the most challenging years the arts community has ever experienced he’s delighted that the Scholarship could be awarded, albeit in a different format.

‘That the Scholarship this year is shared between five artists instead of a single artist speaks to the moment we’re in, where we all need to work together and find new ways of thinking for the benefit of our community.

‘The Scholarship remains a prestigious, national painting award and I welcome all five recipients to the Brett Whiteley Travelling Art Scholarship alumni who have, like Brett Whiteley before them, had their worlds open up as a result of being offered this opportunity to spend time creating work in a new location,’ Brand said.

September 10, 2020

JUDITH SINNAMON COMMISSION FOR EMMANUEL COLLEGE

Emmanuel College within the University of Queensland commissioned a portrait of immediate past principal Dr Jane Thomson by artist Judith Sinnamon.

August 28, 2020

SALLY ANDERSON FEATURED IN BNEART MAG

To coincide with her exhibition at Tweed Regional Gallery, Edwina Corlette Gallery is delighted to present a series of new paintings by Sally Anderson. Sally is a past winner of the prestigious Brett Whiteley Travelling Art Scholarship and a finalist in this year’s Portia Geach Award for female portraiture, with her painting of Claudia Karvan (below).

Born in Lismore, Anderson began her undergraduate studies in Visual Art at Southern Cross University before transferring to the College of Fine Art in Sydney. A past finalist in the Sunshine Coast Art Prize and the Paddington Art Prize, Anderson was invited to participate in the Association of Icelandic Visual Artists Residency in Reykjavik in 2014. Her work has been acquired by Artbank, the Australian Catholic University and corporate and private clients in Australia and Europe.

August 6, 2020

SALLY ANDERSON FEATURED ON THE DESIGN FILES

The concept of home has changed in 2020. For a lot of people, home has never been just one static place, and yet in the last few months that stasis has been forced upon us. In the midst of shelter-in-place orders, we’ve been directed to decide on a single location that represents our place in the world and stay there, hoping it keeps us safe.

Reframing the domestic space as a new landscape intrigues artist and new mother Sally Anderson. Her new body of work is entitled Bridal Veil Falls, the Window and the Piano Lesson, and was created almost entirely in lockdown. The pieces will be on display at Edwina Corlette gallery in Brisbane from tomorrow, in an exhibition that explores the fusion between Sally’s subjective experience of parenthood, and the collective endurance of pandemic paralysis.

READ FULL STORY HERE

July 27, 2020

SALLY ANDERSON AT TWEED REGIONAL GALLERY

Sally Anderson — Arm of the Sea and the Fertile Tree

3 July 2020 — 29 November 2020

TWEED REGIONAL GALLERY - The Anthony Gallery

“To help my son sleep we put on white noise of a small river in Scotland and Llyn Gwynant waves in Wales. The toponomy of Lismore indicates it was named after Isle of Lismore which lies in Loch Linnhe, an arm of the sea, on the West Coast of Scotland. I was born in Lismore early 1990, an experience I hadn’t intimately considered until the birth of my son a couple of years ago. My son was conceived in the Nancy Fairfax Artist in Residence Studio at Tweed Regional Gallery. There’s a pair of hoop pines (aka Richmond River Pines) that dominate the side view from the residency verandah. I often use these trees, along with banksias, within my work to represent the Northern Rivers region, my transition to motherhood and European exploration/invasion of Australia.

The works in 'Arm of the Sea and the Fertile Tree' use landscape metaphor rather than subject. Intimate personal experience and collective experience are translated into paintings, bedspreads, windows, still lifes and stages.”

Sally Anderson

July 27, 2020

SALLY ANDERSON FINALIST IN THE 2020 PORTIA GEACH PRIZE

Sally Anderson's work 'Claude Swimming' has been selected as a finalist in the Portia Geach Prize for 2020. The painting of Claudia Karvan, actress, producer and writer will be exhibited at the National Trust's S.H. Ervin Gallery from 14 August – 20 September 2020.

The Portia Geach Memorial Award is Australia’s most prestigious art prize for portraiture by women artists. The Award was established by the will of the late Florence Kate Geach in memory of her sister, Portia Geach. The non-acquisitive award of $30,000 is awarded by the Trustee for the entry which is of the highest artistic merit, ‘…for the best portrait painted from life of some man or woman distinguished in Art, Letters, or the Sciences by after any female resident who was born in Australia or was British born or has become a naturalised Australian and whose place of domicile is Australia’

READ MORE HERE

July 16, 2020

PAUL RYAN FINALIST IN THE MOSMAN ART PRIZE 2020


Paul Ryan is a finalist in the Mosman Art Prize.

Established in 1947, the Mosman Art Prize is Australia's oldest and most prestigious local government art award. It was founded by the artist, architect and arts advocate, Alderman Allan Gamble. In it's seventieth year, the Mosman Art Prize has developed in stature to become Australia’s most prestigious municipally funded art prize with a national profile. It regularly attracts over 900 entries annually and currently offers over $60,000 in prizes.

The 2020 Mosman Art Prize was judged by Alexie Glass-Kantor, Executive Director of Artspace, Sydney.

May 12, 2020

Vipoo Srivilasa in Love Lab - Craft Victoria

Vipoo Srivilasa’s interactive 'Love Lab' performance offers participants the chance to reflect on the ingredients that make up their love language and in turn, to finally find out how good or bad love tastes.

Love Lab will be performed on the opening night of Objects of Love Exhibition, 12 March - 13 May 2020. The show presents artworks which symbolise and reflect love of all kinds across cultures. Working from different cultural perspectives, the artists each explore themes of contemporary and traditional exchanges of love, connection to loved ones, and the strength and fragility of bonds of love.

Artists include Vipoo Srivilasa, Cyrus Tang, Kate Just, Zaiba Khan and Varuni Kanagasundaram.

https://www.craft.org.au/craft-whats-on-events/lovelabperformance

Image: Love Lab performance 2019

March 12, 2020

Vipoo Srivilasa’s 'The Course of True Love' wins the Korea-Australia Arts Foundation Prize Highly Commended Award

The Korea-Australia Arts Foundation Prize is run annually in cooperation with the Korean Cultural Centre.

Srivilasa's work 'The Course of True Love' is about the same-sex marriage journey. The series is realised in five bronze vignettes representing moments in world history that have contributed directly or indirectly to the acceptance of same-sex partnerships, and led Australia to pass the same sex marriage law in 2018. The moments including the Stoneware riots, Thailand decriminalising homosexuality, the establishment of Society Five, the first homosexual rights organisation in Melbourne, the Simpsons dedicating an entire episode to the same-sex marriage topic and the Yes campaign.

“I work predominantly with ceramics but for this series I chose to work with bronze. I use bronze, a robust and permanent medium to symbolise the strong concept of marriage and a solid commitment a couple makes to each other. Bronze is also a medium for religion statues. It would represent the sacred concept of marriage in my work.” …Vipoo Srivilasa

The Course of True Love will be part of Objects of Loves exhibition at Craft Victoria, Melbourne. 12 March - 13 May 2020

Image: The Course of True Love 2019

March 5, 2020

LUCY O'DOHERTY IN 'RISE' AT CARRIAGEWORKS

The detritus of bushfires – black, dusty charcoal – is being gathered up from fire fields across New South Wales and given to more than 100 artists so they can produce works for a fundraising exhibition at Carriageworks in March.

A dream-team of Australian artists, including Mambo legend Reg Mombassa and his daughter Lucy O’Doherty, are joining forces with international names including Shepard Fairey (designer of the iconic Barack Obama ‘Hope’ image) for the so-called RISE exhibition.

READ MORE HERE

March 5, 2020

LUCY O'DOHERTY AT SHOALHAVEN REGIONAL GALLERY

Suburbia

Rob Howe, Kevin McKay, Lucy O’Doherty, Zuza Zochowski

In this exhibition four artists come together to explore what the Great Australian Dream looks like through different eyes. From urban scapes with industrial and commercial buildings, to idiosyncratic depictions of post war architecture and suburban streetscapes that could be anywhere. As they reflect on their own experience of home, community and place, the artists create their own nostalgia, formed through popular culture and personal experience.

15 February — 7 March 2020

READ MORE HERE

February 14, 2020

Bharat Bhavan International Ceramic Exhibition - India

Roopanakar Museum of Fine Arts, Bhopal, India

13 February - 30 March 2020

Inaugurated by the then Prime Minister of India, Mrs. Indira Gandhi on 13th February 1982, Bharat Bhavan is a multi art centre, set up to create an interactive proximity between the verbal, visual and performing arts. Bharat Bhavan provides space for contemporary expression, thought, quest and innovation. Bharat Bhavan seeks to provide a creative and thought provoking milieu to those who wish to contribute something new and meaningful, in contemporary scene in the fine arts, literature, theatre, cinema, dance and music.

Bharat Bhavan International Ceramic Exhibition is a feature part of the 38th anniversary celebrations. It is the first time an international exhibition of ceramic art has been organized in the state. Eminent ceramic artists from India, US, Australia, Israel, Japan, South Korea, Germany, Ireland, Italy, China and France are attending the exhibition.

Vipoo Srivilasa is representing Australia.

Image: vipoo at the opening

February 7, 2020

BELEM LETT FINALIST IN THE GLOVER PRIZE 2020

The Glover Prize has announced its 42 finalists for 2020. These finalists represent the Judges’ selection of the best artworks of the Tasmanian landscape, chosen from the entrants coming from every Australian state and territory. These 42 artworks will be on display at the Glover Prize Exhibition at Falls Park Pavilion in Evandale, Tasmania during March this year.

The judges for the Glover Prize 2020 are Queensland Art Gallery | Museum of Modern Art (QAGOMA) director, Chris Saines; Sydney artist, Fiona Lowry; Museum of Old and New Art (Mona) Senior Curator and Dark Mofo Associate Artistic Director, Jarrod Rawlins. The judges next task is to carefully narrow down the 42 finalists to choose the winner of the $50,000 cash prize. After its display at the exhibition, the John Glover Society Inc. will acquire the winning artwork for its collection.

Belem Lett's work Burn Baby Burn 2020 has been selected as one of the finalists. The exhibition commences on 6 March, running from Saturday the 7th of March, 2020 and continuing until the end of the following weekend on Sunday the 15th of March, 2020, at the historic Falls Park Pavilion in Evandale.

READ MORE HERE

November 30, 2019

MIRANDA SKOCZEK, VAULT MAGAZINE

'Artefacts', Alison Kubler, Vault Magazine, Issue 23, 104-105pp.

October 18, 2019

MUSEUM OF BRISBANE ACQUIRES JUDITH SINNAMON'S PORTRAIT OF PAMELA EASTON

The Museum of Brisbane has acquired Judith Sinnamon's portrait of Pamela Easton, one half of renowned fashion label duo Easton Pearson. The Museum's Easton Pearson Archive is the largest textile collection from a single Australian fashion house held by a museum.

The Archive features the complete collection of internationally acclaimed fashion house Easton Pearson and comprises more than 3,300 signature garments, as well as accessories, original sketches, look books, ephemera and runway footage.

Easton Pearson, created by Pamela Easton and Lydia Pearson, was one of Australia’s most successful fashion houses. From the launch of the label in 1998 to its close in 2016, Easton Pearson’s eclectic, boldly patterned and embellished fashions graced catwalks and showrooms across Europe, the Middle East, Asia, America and Australia.

September 27, 2019

BRIDIE GILLMAN: FINALIST IN THE BRETT WHITELEY TRAVELLING ART SCHOLARSHIP

Bridie Gillman has been been selected as one of six finalists in the prestigious Brett Whiteley Travelling Art Scholarship, administered by the Art Gallery of New South Wales.

The annual Brett Whiteley Travelling Art Scholarship is now in its 21st year and is open to Australian painters aged between 20 and 30 years. It was created from an endowment by Mrs Beryl Whiteley in 1999. The inspiration was the profound effect international travel and study had on her son, the artist Brett Whiteley, as a result of winning the Italian Government Travelling Art Scholarship in 1959 at the age of 20.

September 21, 2019

CHRIS ZANKO FINALIST IN THE GOSFORD ART PRIZE

The Gosford Art Prize is the premier art prize of the Central Coast region, with local and national artists engaged in friendly competition for over $25,000 in total prizes.

September 6, 2019

SALLY ANDERSON FEATURED IN ARTIST PROFILE MAGAZINE

In Issue 44, 2018, Sally Anderson spoke to Artist Profile Magazine about how the deeply autobiographical, the metaphorical and the observed intertwine in her painting practice.

'My paintings talk of relationship, context and metaphor. They are loaded with autobiographical content, draw on past and present experiences and often arrive in pairs. Recent paintings use abstraction, still life and borrowed landscapes to reference everyday intimate experience held in object and place. They explore the self and use abstraction, landscape and still life as devices to do so.' Sally Anderson

READ MORE HERE

August 30, 2019

DAN KYLE : FINALIST IN THE MOSMAN ART PRIZE 2019

Dan Kyle's work 'Caught in a Haze' has been selected as a finalist in the Mosman Art Prize

Established in 1947, the Mosman Art Prize is Australia's oldest and most prestigious local government art award. As an acquisitive art award for painting, the winning artworks collected form a splendid collection of modern and contemporary Australian art, reflecting developments in Australian art practice since 1947. Artists who have won the Mosman Art Prize include Margaret Olley, Guy Warren, Grace Cossington Smith, Weaver Hawkins, Nancy Borlase, Lloyd Rees, Elisabeth Cummings, Adam Cullen, Michael Zavros and Natasha Walsh.

Until 27 October 2019, Mosman Art Gallery

READ MORE HERE

August 30, 2019

SALLY ANDERSON : FINALIST IN THE MOSMAN ART PRIZE 2019

Sally Anderson's work 'Side of the Road River with Rousseau's Bluebells' has been selected as a finalist in the Mosman Art Prize

Established in 1947, the Mosman Art Prize is Australia's oldest and most prestigious local government art award. As an acquisitive art award for painting, the winning artworks collected form a splendid collection of modern and contemporary Australian art, reflecting developments in Australian art practice since 1947. Artists who have won the Mosman Art Prize include Margaret Olley, Guy Warren, Grace Cossington Smith, Weaver Hawkins, Nancy Borlase, Lloyd Rees, Elisabeth Cummings, Adam Cullen, Michael Zavros and Natasha Walsh.

Until 27 October 2019, Mosman Art Gallery

READ MORE HERE

August 19, 2019

CHRIS ZANKO FINALIST IN THE NATIONAL STILL LIFE AWARD AT COFFS HARBOUR REGIONAL GALLERY

Still is a biennial, acquisitive award for artworks in the genre of still life, in all mediums. The award is open to artists at all stages of their careers. Still: National Still Life Award seeks to highlight the diversity and vitality of still life in Australian contemporary art practice, broadening the interpretation and meaning of this enduring genre.

The Still exhibition opens at Coffs Harbour Regional Gallery on Friday 20th September 2019, with the official opening on Saturday 21st September, and runs until Saturday 30th November 2019.

Christopher Zanko is a finalist in the 2019 award.

Image: CHRISTOPHER ZANKO 'Sundial' 2019

READ MORE HERE

August 19, 2019

BELEM LETT FINALIST IN THE HAZELHURST WORK ON PAPER AWARD

Since 2001 The Hazelhurst Art on Paper Award has been a significant national biennial exhibition that aims to elevate the status of works on paper while supporting and promoting artists working with this medium.

AOPF-2019-745x310.jpg

With prize money totalling $26,000, the Award showcases outstanding art created with, on or about paper. Artists compete for the $15,000 major award; the Young & Early Career Artist and the Friends of Hazelhurst Local Artist Awards ($5,000 each); and the People’s Choice Award ($1,000), plus the Hazelhurst Preparator’s choice Residency Award.

Image below: BELEM LETT 'Mountains of Madness' 2019, mixed media on paper, 148 x 110 cm

READ MORE HERE

August 19, 2019

BELEM LETT FINALIST IN THE ARTHUR GUY PAINTING PRIZE

Administered by Bendigo Art Gallery and held every two years, the Arthur Guy Memorial Painting Prize is designed to attract some of Australia’s finest contemporary artists, awarding a generous acquisitive cash prize of $50,000.

Belem Lett is a finalist in the 2019 award.

Image below: BELEM LETT 'Dip Me in the Water' 2019, oil on aluminium composite panel 163 x 122cm

READ MORE HERE

August 17, 2019

MARISA PURCELL AWARDED THE NANCY FAIRFAX ARTIST IN RESIDENCE STUDIO

Through the Margaret Olley Art Centre, the Tweed Regional Gallery offers a unique experience of Margaret Olley’s home studio, provide insight into Australian art history and practice, and honor the artist’s legacy of mentorship and patronage. The Nancy Fairfax Artist-In-Residence (AIR) studio program encourages arts practice and creative engagement between artist, community and place.

The AIR studio will extend and complete the re-creation of Margaret Olley’s home studio at Tweed Regional Gallery. Throughout her professional life, Margaret Olley supported many artists through mentorship and financial assistance. To Margaret, the most productive ways of supporting artists were to encourage the public exhibition of an artist’s practice and to encourage sales. It is widely known that Olley mentored a number of younger artists and encouraged their representation in public and private collections. She actively supported artists and advanced their careers through purchasing works for collections or offering artists the opportunity to further their development through fellowship programs.

The AIR studio program will offer artists an opportunity to stimulate their practice in a creative environment. The Gallery will administer and promote a program which will see at least two invited artists participate in funded residency programs at TRG annually. The artwork resulting from these residences will be included in the Gallery’s exhibition program and displayed in the Friends of the Gallery.

Marisa Purcell will take up the Residency in 2020.

READ MORE HERE

August 9, 2019

MARISA PURCELL AWARDED KEDEWATAN RESIDENCY IN UBUD

Marisa Purcell has been awarded a Kedewatan Residency in Ubud which she will take up later in 2019.

The Kedewatan Residency Program was established by artists as a space for professional contemporary artists, writers, curators, dancers to make work, while providing the opportunity to immerse themselves in the vibrant community of Ubud. The studio residency offers a private residence for both the research and creation of new work.

READ MORE HERE

July 13, 2019

JOHN BOKOR FINALIST IN THE NATIONAL STILL LIFE AWARD AT COFFS HARBOUR REGIONAL GALLERY

John Bokor's work 'Spring' has been selected as a finalist in the National Still Life Award at Coffs Harbour Regional Gallery.

Still is a biennial, acquisitive award for artworks in the genre of still life, in all mediums. The award is open to artists at all stages of their careers.

Still: National Still Life Award seeks to highlight the diversity and vitality of still life in Australian contemporary art practice, broadening the interpretation and meaning of this enduring genre.

The Still exhibition opens on Friday 20th September 2019, with the official opening on Saturday 21st September, and runs until Saturday 16th November 2019. The judge is Rebecca Coates, Director of the Shepparton Art Museum.

READ MORE HERE

July 4, 2019

THAI ARTISTS REVIEWED IN THE SYDNEY MORNING HERALD

A new exhibition showcases the work of five Thai-born artists now living and working in Australia, the first of its kind in Melbourne.

Curated by Vipoo Srivilasa, the show was designed to provide a platform, "for [the artists] to have a voice in Australia".

An artist who moved to Australia 22 years ago, Srivilasa says when you emigrate, your cultural identity changes.

"All of them have a very strong sense of Thai culture in their work, yet it’s not traditional. It blends with Australian culture and becomes something new, something exciting."

The exhibition features the work of Gallery artist Bundit Puangthong

Un/Thaid runs until July 27 at Grau Projekt, Level 1, 2-12 Alexandra Pde, Clifton Hill. The gallery is open Wed-Sat, from 1pm-6pm. grauprojekt.com

READ MORE HERE

June 22, 2019

BUNDIT PUANGTHONG AT GRAU PROJEKT CURATED BY VIPOO SRIVILASA

UN/THAID Curated by Vipoo Srivilasa

This exhibition brings together the work of five contemporary artists from Thailand who now live and work in Australia. Arriving in Australia independently of one another across the 1990s and 2000s, these five artists are based in the urban centres of Melbourne and Sydney and have continued their distinct individual practices since arriving in this country. The work on display in this exhibition is a diverse offering, including performance, painting, ceramics, sculpture, video and installation. Articulating multi-dimensional and layered histories, all of these artists are emboldened in their shared cultural experience of growing up in Thailand and then relocating to Australia while continuing to develop and refine their artistic practices. This exhibition features the work of Phaptawan Suwannakudt, Nakarin Aaron Jaikla, Bundit Puangthong, Pimpisa Tinpalit and Somchai Charoen. A Thai born Melbourne based artist, Vipoo Srivilasa has initiated and organised this exhibition because of his desire to provide visibility and voice for Thai Contemporary artists who have been working and living in Australia.

Thu 13th June, 2019 – Sat 27th July, 2019

Grau Projekt, Melbourne

READ MORE HERE

June 17, 2019

STEFAN DUNLOP FEATURED IN ARTIST PROFILE MAGAZINE

Sarah Cox previews Stefan Dunlop's painting practice in the latest issue of Artist Profile magazine.

READ MORE HERE

June 17, 2019

JOHN BOKOR FINALIST IN THE MUSWELLBROOK ART PRIZE 2019

The Muswellbrook Art Prize began in 1958 as the Festival of the Valley Art Prize with the winning painting Death of Voss by Tom Gleghorn becoming the inaugural work in what has grown to become an excellent collection of modern and contemporary Australian painting, works on paper and ceramics from the Post War period of the 20th Century and now the first two decades of the 21st Century. The Muswellbrook Shire Art Collection was created as a direct result of this ongoing acquisitive art competition.

John Bokor is a finalist in the 2019 prize.

Image: The Red Velvet Lounge 2018 oil on linen 68 x 91cm

READ MORE HERE

June 15, 2019

CHRIS ZANKO, WYNNE PRIZE FINALIST, ART GALLERY OF NEW SOUTH WALES

Christopher Zanko is a finalist in the 2019 Wynne Prize at the Art Gallery of New South Wales with his work 'Bulli: bricks and black diamonds' 2019.

The Wynne Prize is awarded annually for 'the best landscape painting of Australian scenery in oils or watercolours or for the best example of figure sculpture by Australian artists’.

This open competition is judged by the trustees of the Art Gallery of NSW. Finalists are displayed in an exhibition at the Gallery (although in the early years all entrants were hung). Many winning paintings have become icons in Australian landscape art, entering the collections of public galleries, including our own.

The prize was established following a bequest by Richard Wynne, who died in 1895, and first awarded in 1897, in honour of the official opening of the Gallery at its present site.

READ MORE HERE

June 1, 2019

ABBEY MCCULLOCH 'SKIN' LIFE DRAWING CLASS AT GRIFFITH UNIVERSITY

WHEN: Wednesday 5 June 2019, 6pm - 8.30pm

WHERE: Griffith University Art Museum

COST: $20.00 including refreshments

Join us for a lively life drawing workshop facilitated by contemporary artist and Queensland College of Art alumna Abbey McCulloch!

Suitable for all ages and abilities, the class will foster different ways of seeing, drawing and thinking, using observational and intuitive methods to learn and investigate ways to express their own mark making.

Drawing materials will be supplied, however participants are also encouraged to bring their own journals and media.

READ MORE HERE

May 30, 2019

BRIDIE GILLMAN AT MUSEUM OF BRISBANE

BRISBANE ART DESIGN FESTIVAL 2019 is where art, design and the city of Brisbane collide over a 17-day festival of dynamic exhibitions, performances, talks, art tours, workshops and open studios. BAD showcases more than 150 Brisbane artists, from emerging talents who are carving their mark locally, to trailblazers who are redefining creativity on the international stage.

Bridie Gillman collaborated with Brisbane designer Alexander Loterztain to make the work Breath as part of the festival held at Museum of Brisbane. Image: Jono Searle courtesy Museum of Brisbane.

May 22, 2019

TIM McMONAGLE FEATURED IN ARTIST PROFILE MAGAZINE

Tim McMonagle

By Ellinor Pelz

Tim McMonagle intimately confronts both the fragile and robust nature of life. With an obsession for mark-making and the act of painting, he depicts humanised landscapes with whimsical contradictions of impasto and swathing washes. His paintings require a closer inspection, as dangling branches and wailing trees act like entwined torsos to question humanity’s relationship to the environment. Artist Profile spoke to McMonagle in his Melbourne studio for Issue 46.

READ MORE HERE

May 18, 2019

BRIDIE GILLMAN WINS MORETON BAY ART AWARD

The Moreton Bay Regional Art Award is an annual acquisitive exhibition proudly sponsored by the Moreton Bay Council. This year the Art Award offered an acquisitive prize of $8000, four category prizes of $2000 each, and two supplementary $1000 prizes for a Local Artist and a People's Choice Award.

Judged by Megan Williams, Manager of the University of the Sunshine Coast Art Gallery, Bridie Gillman was awarded the overall winner with her work 'Some sort of growth' 2018.

Megan Williams commented: 'The artist's sense of the materiality of paint, the play of colour, darkness and light make it a very strong and visually arresting painting. The colours reference the natural environment and you get a sense of the artists awe and love of nature, however, its abstract quality resists clear and direct communication. It is a work to become immersed in, to sit with, and to contemplate.'

READ MORE HERE

May 14, 2019

JOHN BOKOR FINALIST IN THE SULMAN PRIZE AT THE ART GALLERY OF NEW SOUTH WALES

John Bokor is a finalist in the 2019 Sulman Prize, administered by the Art Gallery of New South Wales.

The Sulman Prize is awarded in the terms of the gift of the family of the late Sir John Sulman, to the best genre painting and/or mural project done by an artist resident in Australia during the five years preceding the date fixed by the Trustees for sending in entries.

'Four thirty pm is from a group of works I started making in 2017 depicting interior spaces. They are hybrid paintings of real and imagined scenes made using an airbrush and traditional painting tools. This painting took a very long time to resolve. I thought at one point in 2018 that it was finished and had it framed, only to realise early this year that it needed more work. I treated it as badly as it had me and sanded the surface down and reworked the whole painting, destroying most of what was underneath. When it was finally finished the light in the studio resembled the light in the painting. I checked my clock and it was 4.30pm' John Bokor, 2019

Image: JOHN BOKOR ' Four thirty pm' oil on board 125 x 147 cm

READ MORE HERE

May 14, 2019

BELEM LETT AT HAZELHURST ART CENTRE

RocoColonial

4 May 2019 - 30 Jun 2019

RocoColonial is a major artist-initiated project by Gary Carsley and presented by Hazelhurst Arts Centre in partnership with Bathurst Regional Art Gallery.

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ARTISTS: Brook Andrew | Tony Clark | Peter Cooley | Deborah Kelly | Belem Lett | Jennifer Leahy | Danie Mellor | Marc Newson | Técha Noble & Romance Was Born | Joan Ross | Justin Shoulder | Esme Timbery | Jenny Watson | Louise Zhang

CARTOUCHES: Renjie Teoh

Rococo and Colonial are often considered to be disparate, undisputable categories that neatly divide periods of time. This separation offers little opportunity to consider parallel histories - how similar or different things might be happening elsewhere or at the same time. RocoColonial is an exhibition that examines the overlap between Rococo and Colonial and begins by acknowledging that both can be intrinsically related and link Australia to a wider, speculative world of multiple, concurrent histories.

READ MORE HERE

May 13, 2019

ABBEY McCULLOCH FINALIST IN THE SUNSHINE COAST ART PRIZE

Abbey McCulloch's work 'The Forcefield' 2019 has been selected as a finalist in the 2019 Sunshine Coast Art Prize, administered by Caloundra Regional Gallery.

The Sunshine Coast Art Prize 2019 is a national contemporary acquisitive award presented by Sunshine Coast Council. The award is open to any artist who is an Australian resident, working in a 2D medium. Forty finalists have been selected for exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

The Sunshine Coast Art Prize 2019 offers a prize pool of more than $30,000 in cash and prizes.

Image: The Forcefield 2019, oil on canvas, 66 x 100cm

READ MORE HERE

May 13, 2019

ABBEY McCULLOCH 'HIGHLY COMMENDED' IN THE RAVENSWOOD AUSTRALIAN WOMEN'S ART PRIZE

Abbey McCulloch was awarded 'Highly Commended' in the Ravenswood Australian Women's Art Prize with her work 'Mammoth' 2019.

The annual prize was launched in 2017 to advance art and opportunity for emerging and established female artists in Australia. There are two prize categories, including a $35,000 prize — the richest professional art prize for women in Australia. Artwork judging will be overseen by Ravenswood Australian Women's Art Prize Patron and acclaimed artist, Jennifer Turpin, and announced at the exhibition opening on 31 May, 2019.

Image: 'Mammoth' 2019, oil on canvas 101 x 101cm

READ MORE HERE

May 8, 2019

VIPOO SRIVILASA FINALIST IN THE DEAKIN UNIVERSITY SMALL SCULPTURE AWARD

Deakin University Contemporary Small Sculpture Award 2019

When: 29 May–12 July 2019
Tuesday to Friday 10am–4pm, Open only during exhibitions
Where: Deakin University Art Gallery, Melbourne Burwood Campus
Building FA, 221 Burwood Hwy, Burwood, VIC 3125

In its tenth anniversary year this annual acquisitive award and exhibition is organised by the Art Collection and Galleries Unit displaying the work of the 2019 finalists.

Image: VIPOO SRIVILASA Protection 2018, 66
 x 37
 x 23 cm, ceramic, acrylic paint, glaze ceramic flowers and mix media.

READ MORE HERE

May 6, 2019

DAN KYLE FEATURED IN ARTIST PROFILE MAGAZINE

In 2015 Owen Craven wrote about Dan Kyle, his studio and life in the bush near the Blue Mountains —

Soon after graduating from the National Art School, Dan Kyle set up home deep within the Australian bush at the foot of the Blue Mountains, west of Sydney. His paintings are translations of what he sees – the beauty, the unique forms, the colours – but also his way of reducing the density of the bush to a more approachable landscape for him to keep exploring. Back in Issue 32, 2015, Artist Profile chatted to Dan about the formal and conceptual nuances of his landscapes.

READ THE FULL ARTICLE HERE

March 28, 2019

CHRIS ZANKO REVIEWED IN COAL COAST MAGAZINE

Christopher Zanko’s depictions of classic Australian suburbia and architecture – created through carving and painting – feel happy and nostalgic, as though cementing a time in local history, while also celebrating the beauty of an everyday normal.

“These days a lot of homes and buildings are being knocked down, so the area is not going to look like this for much longer,” Chris says. “It's great to be able to capture these beautiful buildings while they’re still here.”

READ MORE HERE

March 22, 2019

TARA MARYNOWSKY: FIVE AUSTRALIAN ARTISTS TO WATCH

In 2017, three of Sydney’s major galleries – Carriageworks, Art Gallery of NSW and the Museum of Contemporary Art – presented the first instalment of the The National, an ambitious look at contemporary art in Australia.

Far from a quick snapshot of the art world, The National is a six-year project encompassing three shows at three galleries every two years. It features more than 100 emerging, mid-career and established artists. Each iteration speaks to the present, charting a brief arc in the story of Australian contemporary art.

Daniel Mudie-Cunningham, senior curator at Carriageworks, has worked on his section of the show for two years. He travelled around the country to meet artists and find new voices to add to a list of already-established names.

“There are connections between what we’re doing,” Mudie-Cunningham says of the three galleries and their curators. “Often there’s a particular zeitgeist, or political themes that recur.”

There are 65 artists involved in The National 2019. Tara Marynowsky is one to seek out:

Tara Marynowsky: the interventionist

'At a glance: A Sydney-based artist who doesn’t start with a blank canvas but builds on existing images, interacting with and subverting the past. She has appeared in exhibitions here and overseas.

What she’s known for: Her watercolour and gouache “interventions” on vintage postcards, which merge colour and surrealism with sepia-tinted images of young women. Her 2018 exhibition at Brisbane’s Edwina Corlette Gallery, Balancing Actress, featured vintage images of nude dancing “girls” with their faces obscured, bathed in pastel textures.

For The National: Her work starts with a more recent jumping-off point, and an angrier, more overtly political tone. For her piece, Coming Attractions, Marynowsky found 35-millimetre reels of ’90s Hollywood film trailers, including Pretty Woman, Shakespeare in Love, Species and Indecent Proposal, and took to the negatives with a knife, scratching each frame. It’s a labour-intensive and imprecise process. When the film is scanned and played back the result is a series of frenzied animations. Julia Roberts’s face is removed, making her almost monstrous. Gwyneth Paltrow is given a Medusa-like head of snakes. The dodgy gender politics of each film is subverted by force.' BROADSHEET March 2019

READ MORE HERE

March 20, 2019

TARA MARYNOWSKY IN ART GUIDE REVIEW OF 'THE NATIONAL'

Anna Dunnill reviews Tara Marynowsky's work in The National for Art Guide. She writes:

'Artist Tara Marynowsky has long been fascinated with the monstrous feminine – the twin forms of female beauty and ugliness. She collects old photographic portraits from the first half of the 20th century, often sent as postcards, and applies delicate layers of watercolour and gouache – giving the women bulging brains, greenish skin and purple rouge; eyes blank or goggling.

In addition to her well-known drawing practice, Marynowsky has long worked with film and video; in fact, video came first, having majored in time-based art at Sydney’s College of Fine Arts (now University of New South Wales, Art & Design). However, after focusing on video for some time, her drawing practice came out of a yearning for the tactile: “I just really wanted to get back to using my hands,” she says.

In her forthcoming installation for The National, she has managed to do both. To be exhibited at Carriageworks, Marynowsky’s work Coming Attractions consists of four videos, each taking as its raw material a film trailer from the 1990s: Pretty Woman (1990), Indecent Proposal (1993), Species (1995), and Shakespeare in Love (1998). While at one level these films may spark nostalgia, in each of them the female character is an object of men’s pursuit and desire: variously bought, sold, rescued, hunted and bargained over. Their release dates mark out Marynowsky’s adolescence and highlight some of the female role models available for mass consumption at that time.'

READ MORE HERE

March 20, 2019

AMBER WALLIS, BELEM LETT, LUCY O'DOHERTY AND SALLY ANDERSON IN 'The Whiteley at 20: Twenty Years of the Brett Whiteley Travelling Art Scholarship' AT S.H. ERVIN GALLERY

22 March – 5 May 2019

An exhibition of artworks by 20 young Australian artists celebrating the 20th anniversary of the Brett Whiteley Travelling Art Scholarship, will be on view at the S.H. Ervin Gallery in Sydney from 22 March to 5 May 2019.

The Brett Whiteley Travelling Art Scholarship was established by Ms Beryl Whiteley (1917-2010) who generously allocated funds for the scholarship in memory of her son, Brett Whiteley, to provide young painters the opportunity to travel to Paris and explore Europe in order to develop their artistic practice. Since its inception in 1999, 20 young painters have followed in the footsteps if Brett Whiteley who won the Italian Government Travelling Scholarship in 1959.

The exhibition features works by Sally Anderson, Alice Byrne, Mitch Cairns, James Drinkwater, Petrea Fellow, Becky Gibson, Nathan Hawkes, Alan Jones, Nicole Kelly, Belem Lett, Lucy O’Doherty, Wayde Owen, Timothy Phillips, Tom Polo, Ben Quilty, Karlee Rawkins, Samuel Wade, Amber Wallis, Natasha Walsh, and Marcus Wills, alongside the four paintings by Brett Whiteley that secured him the Italian Government Travelling Scholarship, displayed together for the first time since 1959.

The exhibition presents the works by each artist that were entered and/ or won the scholarship, works resulting from their residency at the Cite Internationale des Art, Paris and recent work. The cohort of scholarship awardees features three artists who have gone on to win the Archibald Prize and many have now established themselves on the art scene and exhibit regularly.

READ MORE HERE

March 15, 2019

PAUL RYAN FINALIST IN THE DOUG MORAN PORTRAIT PRIZE

Founded by Doug & Greta Moran and family in 1988, the Doug Moran National Portrait Prize is an annual Australian portrait prize supporting Australian artists. The prize has encouraged both excellence and creativity in contemporary Australian portraiture by asking artists to interpret the look and personality of a chosen sitter, either unknown or well known. With a first prize of one hundred and fifty thousand dollars ($150,000) it is Australia’s richest art prize.

March 12, 2019

TARA MARYNOWSKY'S WORK FEATURED IN THE GUARDIAN REVIEW OF 'THE NATIONAL'

Andrew Frost writes:

Key works at Carriageworks include Sean Rafferty’s Cartonography (FNQ), a wall of cardboard fruit boxes, everyday objects given a monumental treatment that highlights the surreal oddity of their design, and in Coming Attractions (2017-19) there’s another use of found objects. Tara Marynowsky takes 35mm feature film trailers sourced from eBay and scratches out key figures from the image, such as Julia Roberts from Pretty Woman. The result is amusing but pointed – the pretty woman is erased.

READ MORE HERE

March 6, 2019

10 YEARS OF GORMAN | HEIDE MUSEUM OF MODERN ART

In celebration of Gorman’s decade-long collaboration with visual artists, Heide is presenting a two-week pop-up exhibition in the iconic modernist building, Heide II.

The exhibition will feature garments from a new range by Gorman created in conjunction with ten artists who have worked with the Australian clothing label since 2009: Rachel Castle, Megan Grant, Claire Johnson, Dana Kinter, Studio Elke, Rhys Lee, Ellie Malin, Mirka Mora, Liz Payne and Miranda Skoczek. The garments will be displayed alongside the artworks which inspired them.

Rad More HERE

March 1, 2019

ABBEY MCCULLOCH AT THE GALLERY DONWTOWN FOR TWEED REGIONAL GALLERY

An initiative of Tweed Shire Council, and housed within the creative hub of Murwillumbah’s vibrant M-Arts Precinct, Gallery DownTown aims to act as a driver of creative and economic development in the heart of Murwillumbah’s CBD.

Many artists within the geographical footprint of the Tweed Regional Gallery have mounted their first solo exhibitions through the Community Access Exhibition Program (CAEP) which offers a valuable exercise in professional development, and raises artists’ profiles in the regional community and beyond.

Ensemble: artists from our region at Gallery DownTown showcases the visual arts practice of 10 of the artists who have recently held exhibitions at the Tweed Regional Gallery through the CAEP.

These artworks highlight the talent of artists living on our doorstep. Many of these artists held their first solo exhibition through the CAEP and have gone on to have further successful shows.

Artists featured in Ensemble are Phil Barron, Andew Hmelnitsky, Helle Jorgensen, Gatya Kelly, Abbey McCulloch, Deb Mostert, Lae Oldmeadow, Dale Rhodes, Craig Tuffin and Oksana Waterfall.

February 28, 2019

BELEM LETT FINALIST IN THE GLOVER PRIZE 2019

After receiving a record-breaking 482 entries this year and careful deliberation from the judges, the Glover Prize has announced its 42 finalists for 2019. These finalists represent the Judges’ selection of the best artworks of the Tasmanian landscape, chosen from the 482 entrants coming from every Australian state and territory, as well as a number of submissions from New Zealand, Italy, and the United Kingdom. These 42 artworks will be on display at the Glover Prize Exhibition at Falls Park Pavilion in Evandale, Tasmania during March this year.

The judges for the Glover Prize 2019 are Art Fairs Australia CEO and director, Barry Keldoulis; Sydney artist Joan Ross; and Tasmanian Museum and Art Gallery (TMAG) director, Janet Carding. The judges next task is to carefully narrow down the 42 finalists to choose the winner of the $50,000 cash prize. After its display at the exhibition, the John Glover Society Inc. will acquire the winning artwork for its collection.

Belem Lett's work The River Runs/The People Come has been selected as one of the finalists. The exhibition commences on the March long-weekend, running from Saturday the 9th of March, 2019 and continuing until the end of the following weekend on Sunday the 17th of March, 2019, at the historic Falls Park Pavilion in Evandale.

READ MORE HERE

February 28, 2019

JULIAN MEAGHER FINALIST IN THE GLOVER PRIZE 2019

After receiving a record-breaking 482 entries this year and careful deliberation from the judges, the Glover Prize has announced its 42 finalists for 2019. These finalists represent the Judges’ selection of the best artworks of the Tasmanian landscape, chosen from the 482 entrants coming from every Australian state and territory, as well as a number of submissions from New Zealand, Italy, and the United Kingdom. These 42 artworks will be on display at the Glover Prize Exhibition at Falls Park Pavilion in Evandale, Tasmania during March this year.

The judges for the Glover Prize 2019 are Art Fairs Australia CEO and director, Barry Keldoulis; Sydney artist Joan Ross; and Tasmanian Museum and Art Gallery (TMAG) director, Janet Carding. The judges next task is to carefully narrow down the 42 finalists to choose the winner of the $50,000 cash prize. After its display at the exhibition, the John Glover Society Inc. will acquire the winning artwork for its collection.

Julian Meagher's work Democratic Mountain has been selected as one of the finalists. The exhibition commences on the March long-weekend, running from Saturday the 9th of March, 2019 and continuing until the end of the following weekend on Sunday the 17th of March, 2019, at the historic Falls Park Pavilion in Evandale.

READ MORE HERE

February 27, 2019

ARI ATHANS IN VAULT MAGAZINE

Alison Kubler interviews Ari Athans a jeweller whose creative practice extends into painting and sculpture in the latest issue of Vault magazine.

READ MORE HERE

February 27, 2019

CHRIS ZANKO IN COUNTRY STYLE MAGAZINE

Thirroul artists Chris Zanko and Paul Ryan are featured in the current issue of Country Style Magazine. The article looks at the richness of creative talent on the Coal Coast in the Illawarra region of New South Wales and their deep connection to the area.

February 27, 2019

CHRIS ZANKO IN HAPPY MAGAZINE

Sydney based Art and Music publication Happy Mag recently caught up with artist and musician Chris Zanko to discuss his life down south, what inspires his works and the creative process from the start of a piece to its final product.

READ THE ARTICLE HERE

February 5, 2019

BRIDIE GILLMAN FEATURES IN ART ASIA PACIFIC MAGAZINE

Bridie Gillman's work as featured in Casula Powerhouse's 'Looking Here, Looking North'Exhibition has been reviewed in Art Asia Pacific Magazine.

SOO-MIN SHIM writes:

'At the Casula Powerhouse Arts Centre in Sydney, a video portrays the interior of a restaurant, its walls decorated with Australian-flag bunting, and kitsch Australiana tea towels and posters, positioning us inside an ostensibly Australian establishment. It is revealed in subsequent shots of the staff, clientele, and the beach outside, however, that this is in fact a tourist spot in Bali. Bridie Gillman’s video work Bali State of Mind (2017–18) ruminates on the unequal power dynamic between Australia and Indonesia, the latter being economically reliant on tourism and subject to the objectifying tourist gaze that comes with over one million Australians visiting annually.

Still image from BRIDIE GILLMAN’s Bali State of Mind, 2017–18, two-channel video installation: 17 min 40 sec. Courtesy the artist and Edwina Corlette Gallery, Brisbane. Artwork produced in collaboration with Asha Madge.

Still image from BRIDIE GILLMAN’s Bali State of Mind, 2017–18, two-channel video installation: 17 min 40 sec. PreviousNext

Gillman is one of seven artists included in the exhibition “Looking Here Looking North” by members of Woven, a collective with “continuing personal connections to Indonesia.” While Gillman’s work is subtly political, the exhibition holistically was striking in its ability to reach beyond essentialist identity politics, reconfiguring what it means to be part of the Indonesian diaspora by speaking to universal themes of memory, place and belonging.

“Looking Here Looking North” is on view at the Casula Powerhouse Arts Centre, Sydney, until March 17, 2019

READ MORE HERE

January 20, 2019

JOHN MCDONALD REVIEWS CLARA ADOLPHS FOR THE SYDNEY MORNING HERALD

John McDonald highlights Clara Adolphs practice in the Good Weekend Magazine:

'Clara Adolphs is not the first artist to be fascinated by the old photographs one finds in flea markets and junk shops. These faded snapshots, intended to immortalise loved ones and special events, have become mysteries, as we cannot identify people and places. Nevertheless it's easy to recall similar holidays and family outings, and enjoy a sense of familiarity.

It's in the nature of snapshots to concentrate on moments of leisure, and this is reflected in paintings such as Sunbather, where a woman relaxes in a deck chair, or Daylight Hours (pictured), in which three figures lie stretched out on the grass.'

READ MORE HERE

January 16, 2019

BRIDIE GILLMAN AT CASULA POWERHOUSE

looking here looking north is an exhibition by Woven, a collective of artists who each have continuing personal connections to Indonesia. Themes of identity, memory and cross-cultural experience are explored through performance, painting, installation, photography, video and sculpture.

Featuring work by: Kartika Suharto-Martin, Ida Lawrence, Mashara Wachjudy, Bridie Gillman, Sofiyah Ruqayah, Alfira O’Sullivan and Leyla Stevens.

looking here looking north is presented alongside an exhibition by artist Frances Larder and an exhibition of video works by Jumaadi as part of a suite of exhibitions showcasing perspectives on Indonesia.

CASULA POWERHOUSE ARTS CENTRE 12 JANUARY - 17 MARCH 2019

READ MORE HERE

December 4, 2018

VIPOO SRIVILASA AT MORNINGTON PENINSULA REGIONAL GALLERY

Obsession: Devil in the detail examines our fascination with the meticulous and micro, the real and the hyperreal and brings together a range of historical and contemporary works under three broad themes of still life, portraiture and landscape. Featuring artworks that seduce us with the power of their realism and intricate detail, the devil in the detail becomes the ideas and concepts that exist beneath the surface.

Featuring work by local and international artists including Natasha Bieniek, Chris Bond, Erin Coates, Audrey Flack, Juan Ford, James Gleeson, Sam Jinks, Jess Johnson, Anna Kristensen, eX de Medici, Tully Moore, Callum Morton, Jan Nelson, Sandra Selig, Vipoo Srivilasa, Ricky Swallow, teamLab, Eugene von Guerard and more.

30 November 2018 - 17 February 2019

READ MORE HERE

November 20, 2018

VIPOO SRIVILASA COMMISSIONED FOR ICONSIAM IN BANGKOK

Vipoo Srivilasa has been commissioned to design seven large sculptures for ICONSIAM, a mixed-use development on the banks of the Chao Phraya River in Bangkok Thailand, opening on 9 November 2018.

ICONSIAM is the ultimate shopping destination. The all-in-one complex, located on 750,000 square metres of the land on the banks of Chao Phraya River is a wonder to behold for those passionate about retail and development. It is divided into three main sections: the main ICONSIAM, the glamorous riverside ICONLUXE, and street facing side Siam Takashimaya.

READ MORE HERE

November 14, 2018

SALLY ANDERSON ACQUIRED BY TWEED REGIONAL GALLERY

Sally Anderson's work ‘Guy’s Painting of Wollumbin on my Wollumbin’ 2018, acrylic on linen, 140 x 122cm has been acquired by Tweed Regional Gallery. In 2017 Sally was an artist in residence at the Nancy Fairfax Artist Residency through the Tweed Regional Gallery and throughout her life, has had strong connections to the region.

TWEED REGIONAL GALLERY

November 12, 2018

JOHN BOKOR HIGHLY COMMENDED IN THE EMSLA ART AWARD

John Bokor has been awarded a highly commended in the 2018 EMSLA prize.

Now in its twelfth year, the Eutick Memorial Still Life Award comes to Wollongong to coincide with the city’s signature festival, Viva La Gong. Judged annually by critic and art historian John McDonald, the EMSLA has added prestige to the festival and increased still life’s importance as a genre in art.

9 November - 1 December 2018

READ MORE HERE

November 7, 2018

CHRIS ZANKO AT HAZELHURST REGIONAL GALLERY

Chris Zanko's work is included in Hazelhurst's Regional Gallery's exhibition Life in Working Art, an exhibition presenting a diverse selection of works from the Gallery's installation team.

3 November - 13 November 2018

October 27, 2018

STEFAN DUNLOP FEATURED IN THE DESIGN FILES

Stefan Dunlop's work was featured on the highly regarded Design Files blog. Elle Murrell writes of Stefan's work:

'The 45-year-old came to his practice ‘in a round about way’. He tried out a range of jobs and a degrees not associated with art, before landing in New York for six months, where he enrolled in the New York Studio School. ‘This is what really kick started my painting career,’ he recalls. ‘Now I work in splendid isolation on the Sunshine Coast in Queensland.’

READ MORE HERE

October 23, 2018

PAUL RYAN FINALIST IN THE MOSMAN ART PRIZE 2018

Paul Ryan is a finalist in this year's Mosman Art Prize with her work 'Yeah The Boys' 2018.

Established in 1947, the Mosman Art Prize is Australia's oldest and most prestigious local government art award. It was founded by the artist, architect and arts advocate, Alderman Allan Gamble, at a time when only a small handful of art prizes were in existence in Australia and the community had very little support and few opportunities to exhibit their work.

As an acquisitive art award for painting, the winning artworks collected since 1947 form a splendid collection of modern and contemporary Australian art, reflecting all the developments in Australian art practice since 1947.

READ MORE HERE

October 9, 2018

JOHN BOKOR FINALIST IN THE KEDUMBA DRAWING AWARD

John Bokor is a finalist in the Kedumba Drawing Award at Orange Regional Gallery. Now in its 29th year, the Award plays a vital role in fostering the production and appreciation of drawing in Australia. Initiated by Jeffrey and Marlene Plummer in 1989, the Kedumba Drawing Award has grown steadily. Each year, the Judge is an established artist whose only guideline is “to enrich and enhance the Collection”

The Kedumba Collection of Australian Drawings, with over 230 works, is currently on long term loan to Orange Regional Gallery. It is an Orange Regional Gallery and Kedumba Trust partnership exhibition.

20 October to 2 December 2018.

October 5, 2018

STATE LIBRARY OF NEW SOUTH WALES PERMANENT COLLECTION

John Bokor's artwork, 'Collection Day' 2011 is now on permanent display at the State Library of New South Wales’ new galleries. The new space opens 6th October 2018.

'Collection Day' shows Organs Road, Bulli, looking east, the morning after garbage collection day. The bins, with lids flung open, capture the everyday aspect of suburban recycling practice. This loose and lively suburban street scene celebrates the commonplace.

'Collection Day', 2011, oil on board, 90 x 120cm

October 4, 2018

THE KINGS SCHOOL ART PRIZE

Miranda Skoczek, Julian Meagher and John Aslanidis are finalists in The Kings School Art Prize 2018.

The King’s Art Prize is a $20,000 acquisitive award presented to the best contemporary artwork created by an artist resident in Australia and represented by a commercial gallery, supporting both the artists and the fine arts industry. Entry is by invitation only and the finalists are selected by an appointed Art Prize panel.

READ MORE HERE

October 4, 2018

FISHER'S GHOST ART AWARD 2018

John Aslanidis, Belem Lett and Bridie Gillman are finalists in the 2018 Fisher's Ghost Award through Campbelltown Arts Centre.

The Fisher’s Ghost Art Award coincides with Campbelltown’s annual Festival of Fisher’s Ghost. Held over 10 days, the Festival dates back to 1956 and celebrates Australia’s most famous ghost – Frederick Fisher.

The Open section of the Art Award is acquisitive to the Campbelltown Art Centre permanent collection and is awarded prize-money of $20,000. In the past it has been awarded to some of Australia’s most respected Contemporary artists including Elisabeth Cummings, Khaled Sabsabi, Justene Williams, Marion Borgelt, Raquel Ormella and Philip Wolfhagen.

READ MORE HERE

September 30, 2018

JOHN BOKOR, FINALIST IN THE TATTERSALL'S ART PRIZE

John Bokor is a finalist in the 2018 Tattersall's Art Prize with his work A Walk in the Park 2018, oil on canvas, 108x122cm.

A total of 93 artists across Australia accepted the invitation to articipate in the 2018 Tattersall's Club and Mercedes-Benz Toowong Landscape Art Prize Award. The prize is acquistive and the winning painting is added to the Club's art collection. The judging panel for 2018 includes Dr David Middlebrook, former Tattersall's Art Prize winner and senior painting lecturer, Mrs Bettina MacAuley, Gallery and Museum Consultant Antiques and Fine Art Valuer , Ms Angela Goddard, Director of Griffith University Art Gallery and Mr Stuart Waddington, Committee Member of Tattersall's Club.

September 30, 2018

BELEM LETT IN THE PADDINGTON ART PRIZE

Belem Lett has won the UNSW Print Prize as part of the 2018 Paddington Art Prize with his work River Reflection (After Boyd) (pictured).

The Paddington Art Prize is a $30,000 national acquisitive prize for a painting inspired by the Australian landscape, now in it’s 15th year. In addition, UNSW Art & Design offers a selected artist the opportunity to create a limited edition print and a $3,000 prize.

September 30, 2018

JULIAN MEAGHER IN THE PADDINGTON ART PRIZE

Congratulations to Julian Meagher who is a finalist in the Paddington Art Prize 2018.

The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.

Of his entry 'Wapengo Lake Tideline', Julian says

I wanted this work to chase the spontaneity and freedom of a watercolour. It was painted at a time of great change just before my son was born. A time of giving in to forces far greater than me, of tides, cycles and connection to country.

READ MORE HERE

September 30, 2018

SALLY ANDERSON IN THE PADDINGTON ART PRIZE

Congratulations to Sally Anderson who is a finalist in the Paddington Art Prize 2018.

The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.

Of her entry 'Sharing Thirroul (Paul Ryan’s Post Of Thirroul With Curtain) And Guy’s Wollumbin', Sally says

This work uses ‘borrowed landscapes’ to look at ways we experience the Australian landscape from the comfort of our homes. It uses landscape as a device to demonstrate a shift in the way we experience landscape.

READ MORE HERE

September 30, 2018

TARA MARYNOWSKY IN THE NATIONAL 2019

The Art Gallery of New South Wales (AGNSW), Carriageworks and the Museum of Contemporary Art Australia (MCA) today announced that The National 2019: New Australian Art will present the work of 65 emerging, mid-career and established Australian contemporary artists living across the country and abroad.

A major collaborative venture, The National 2019 is the second edition of a six-year initiative presented in 2017, 2019 and 2021, exploring the latest ideas and forms in contemporary Australian art.

Connecting three of Sydney’s key cultural precincts – The Domain, Redfern and Circular Quay – The National 2019 follows a successful first edition of the exhibition held in autumn of 2017 that attracted 286,631 visitors.

Tara Marynowsky will present new work for the National 2019 at Carriageworks.

Exhibition Dates

Art Gallery of New South Wales: 29 March – 21 July 2019

Carriageworks: 29 March – 23 June 2019

Museum of Contemporary Art Australia: 29 March – 23 June 2019

Read more HERE.

September 12, 2018

CHRIS ZANKO AT WOLLONGONG ART GALLERY

Christopher Zanko's wood relief carved work 'Redman Ave Reflections' is included in Wollongong Art Gallery's exhibition Here + Now.

Co-curated by Wollongong Art Gallery and Aaron Fell-Fracasso, Here + Now celebrates the diverse and unique creative energy of the Wollongong region and includes works by Jessica Cochrane, Tex Crick, Ebony Eden, Misha Harrison, India Mark, Paige Northwood, Nick Santoro and Chris Zanko.

1 September - 25 November 2018

READ MORE HERE

August 22, 2018

CHARMAINE PIKE FINALIST IN THE PADDINGTON ART PRIZE

Now in its 15th year, the annual Paddington Art Prize is a national acquisitive award for a painting inspired by the Australian landscape – a significant contemporary genre with a long tradition in Australian painting and a key contributor to our national ethos.

The Paddington Art Prize offers $30,000 to the overall winner. Louisa Antico from Sofala Cottage will offer a selected artist a one week retreat at her historic miner’s cottage in Sofala in the Turon Valley, 40km north of Bathurst on the road to Hill End; and Defiance Gallery Directors, Campbell Robertson-Swann and Lauren Harvey will select two artists to have an exhibition with Defiance Gallery at Mary Place Gallery in Sydney. Winners of the Defiance Gallery Prize will also receive an invitation to the Nock Art Foundation Residency, Queenstown, New Zealand during 2019 including three weeks accommodation at ‘Giverny’ with studio facilities.

Charmaine Pike is a finalist in 2018.

Image: Charmaine Pike The Soft Pink Truth 2018, 120 x 150cm, acrylic on canvas

READ MORE HERE

August 21, 2018

BUNDIT PUANGTHONG FINALIST IN THE PADDINGTON ART PRIZE

Now in its 15th year, the annual Paddington Art Prize is a national acquisitive award for a painting inspired by the Australian landscape – a significant contemporary genre with a long tradition in Australian painting and a key contributor to our national ethos.

The Paddington Art Prize offers $30,000 to the overall winner. Louisa Antico from Sofala Cottage will offer a selected artist a one week retreat at her historic miner’s cottage in Sofala in the beautiful Turon Valley, 40km north of Bathurst on the road to Hill End; and Defiance Gallery Directors, Campbell Robertson-Swann and Lauren Harvey will select two artists to have an exhibition with Defiance Gallery at Mary Place Gallery in Sydney. Winners of the Defiance Gallery Prize will also receive an invitation to the Nock Art Foundation Residency, Queenstown, New Zealand during 2019 including three weeks accommodation at ‘Giverny’ with studio facilities.

Bundit Puangthong is a 2018 Finalist.

Image: Bundit Puangthong Green Fields 2018, 150 x 135cm, acrylic & pastel on paper

READ MORE HERE

August 3, 2018

MARISA PURCELL, FINALIST IN THE REDLAND ART AWARDS

Marisa Purcell's work Tesselate has been selected as a finalist in the Redland Art Awards.

This is a biennial contemporary painting competition open to all Australian artists. Redland Art Awards 2018 features four prizes, totalling over $20,000.

Now celebrating its 31st year, the competition is presented at the Redland Art Gallery in Brisbane. Opened in 2003, Redland Art Gallery is a vibrant cultural destination with a varied exhibition program of innovative and traditional works.

Sunday 2 September - Sunday 14 October 2018. Read more HERE.

June 29, 2018

BUNDIT PUANGTHONG SHORTLISTED FOR THE GOLD AWARD AT ROCKHAMPTON ART GALLERY

Designed as an invitational award, The Gold Award aims to acquire contemporary Australian painting to Rockhampton Art Gallery’s collection by means of the most outstanding work or works by an artist awarded a cash prize of $50,000 and acquired by Rockhampton Art Gallery. The Award was conceived in 2010 when the then Rockhampton Art Gallery Trust received a substantial bequest from the Estate of Moya Gold for the acquisition of Australian paintings. With industry review and guidance, the Trustees advised to expend the interest accumulated by the Gold Trust to fund a new painting award. Now in its fourth iteration The Gold Award has become a premier biennial event of national significance. Presented by Rockhampton Art Gallery, The Gold Award is a joint initiative of Rockhampton Art Gallery Philanthropy Board and Rockhampton Regional Council.

The Gold Award 2018 has been judged by Simon Elliott, Deputy Director, Collection and Exhibitions, Queensland Art Gallery | Gallery of Modern Art.

Bundit Puangthong was selected for the Gold Award in 2018.

READ MORE HERE

June 28, 2018

LUCY O'DOHERTY FEATURED IN DOINGBIRD MAGAZINE

doingbird is an independently published fashion/art publication celebrating creative freedom. It recently featured Lucy O'Doherty who talked about growing up in an artistic family.

READ MORE HERE

May 30, 2018

ABBEY McCULLOCH AT HOTA

Abbey McCulloch's work 'Beyond' 2016 is part of an exhibition at the new Home of the Arts (HOTA) on the Gold Coast until 15 July 2018.

WE ARE GOLD COAST: WORKS FROM THE GALLERY AT HOTA COLLECTION

The Gold Coast is often misjudged and scorned by out-dated beliefs that it’s just surf, schoolies and theme parks.

But we know ‘The Goldie’ is driven by youthful and infectious energy; incredible natural wonders and a talented, thriving artistic community.

Featuring works from the collection, this vibrant exhibition is a visual exploration of our identity and sense of place. It provides the opportunity to contrast the ‘old’ and ‘new’ Gold Coast and documents the vibrant cultural evolution of the area.

READ MORE HERE

May 30, 2018

VIPOO SRIVILASA 'OBSESSED: COMPELLED TO MAKE', ON TOUR

Vipoo Srivilasa's work forms part of a touring exhibition through the Australian Design Centre titled 'Obsessed: Compelled to Make' which is on now at Cairns Regional Gallery.

Obsessed: Compelled to make presents the work of 14 artists from across Australia, delving beyond the finished object, beyond the personality of the maker, into the fundamental conceptual framework of their creations. We look at the complexities of their materials and processes, the realities of their day-to-day studio routine and unravel what compels each maker to create over the course of their personal career – Why this technique or material? Why that concept? How does the mind of a maker work?

This exhibition explores the act of making through the framework of obsession – how it consumes us, carrying
 us along in its wake, colouring every aspect of our lives.
 With these professional artists, it is their obsessions, and all the associated angst, failures, breakthroughs and milestones, that feeds their productivity and to deliver exceptional outcomes. 

Artists: Gabriella Bisetto | Lorraine Connelly-Northey |  Honor Freeman, | Jon Goulder | 
Kath Inglis |
 Laura McCusker |
 Elliat Rich and James B Young (Elbowrkshp) | 
Kate Rohde |
 Oliver Smith | Vipoo Srivilasa | Tjunkaya Tapaya | Louise Weaver | Liz Williamson. 

Obsessed: Compelled to makeis an Australian Design Centre of ADC on Tour exhibition touring to 12 venues across Australia, accompanied by a series of films and a full-length catalogue.

READ MORE HERE

May 30, 2018

VIPOO SRIVILASA AT WOLLONGONG ART GALLERY

Vipoo Srivilasa's work #happy_together VI 2017, acquired by Wollongong Art Gallery, is currently being exhibited in 'East Meets West' until 11 November 2018.

The Mann-Tatlow collection of Asian Art, gifted in 2003 and the Nancye Dryden Collection of South East Asian Textiles bequeathed to the Gallery in 2012, have formed the Gallery’s newest collecting area. This exhibition relates collection works by contemporary Asian artists and Australian artists who have responded to Asian culture within their practice and to the Mann-Tatlow Collection of Asian Art including works by Julie Bartholomew, Lionel Bawden, Kirsten Coelho, Tom Dion, Dongwang Fan, Sarah Goffman, Tie Hua Huang, Shotei Ibata, Lindy Lee, Joanne Saad, Shigeo Shiga, Vipoo Srivilasa, Laurens Tan, Andy Warhol and Gerry Wedd.

READ MORE HERE

May 14, 2018

JULIAN MEAGHER IN THE SALON DES REFUSES AT SH ERVIN GALLERY

The Salon des Refusés was initiated by the S.H.Ervin Gallery in 1992 in response to the large number of works entered into the Archibald Prize which were not selected for display in the official exhibition. The Archibald Prize is one of Australia’s most high profile and respected awards which attracts hundreds of entries each year and the S.H. Ervin Gallery’s ‘alternative’ selection has become a much anticipated feature of the Sydney art scene.

Julian Meagher's work 'Wapengo #1' was selected in 2018.  Wapengo #1 is from a series painted after a recent residency on the Sapphire Coast where Meagher spent a month with his pregnant wife Beejal in Mimosa Rocks National Park. He says:

‘I wanted these oil paintings to chase the spontaneity and freedom of a watercolour. They are unashamedly romantic, painted at a time of great change just before my son was born. A time of giving in to forces far greater than me, of tides, cycles and connection to country.’

READ MORE HERE

May 14, 2018

JULIAN MEAGHER FINALIST IN THE ARCHIBALD PRIZE 2018

Julian Meagher is a finalist in the Art Gallery of New South Wales' Archibald prize, the most prestigious portrait prize in Australia. His work is of Man Booker prize recipient Richard Flanagan.  Meagher says:

'Richard Flanagan’s novels are published in 42 countries and have received numerous honours and awards, including the 2002 Commonwealth Writers’ Prize, the 2014 Man Booker Prize and the 2016 Athens Prize for Literature.

‘He is one of my favourite novelists but it is his writing and interviews on literature, the environment, art and politics that particularly make him one of Australia’s most important voices,’ says Julian Meagher. ‘Herb, Richard’s writing partner, was pretty insistent that he be included in the painting.’

Born in 1978 in Sydney, Meagher still lives and works there. This is his third time in the Archibald Prize. He has also been a Wynne finalist.

READ MORE HERE

May 14, 2018

PAUL RYAN HIGHLY COMMENDED IN THE WYNNE PRIZE 2018

Paul Ryan was awarded Highly Commended in the Winner Prize at the Art Gallery of New South Wales with his work 'Kembla, Mount Kembla".  Ryan says:

In 1922, DH Lawrence and his wife Frieda came to Thirroul, about an hour south of Sydney, by train. It was here that he wrote the novel Kangaroo, in which he described ‘the town that slid down at the bush-covered foot of the dark tor’. I have lived beneath this dark tor for most of my life. It is omnipresent, it shields us and acts as a gilded cage. In summer, spring and early morning, it captures the sun and glows. But in winter, it stands against the western sky as a dark fortress, blocking our escape and most of the afternoon sun. This a painting of a deep love of place. Paul Ryan, 2018

READ MORE HERE

May 14, 2018

TIM McMONAGLE, FINALIST IN THE 2018 WYNNE PRIZE

Tim McMonagle is a finalist in the 2018 Wynne Prize for landscape painting at the Art Gallery of New South Wales. He says:

'In my painting Shadow captain I was interested in capturing an imagined anthropomorphic nature. In the changing low light of dawn or dusk the large eucalyptus seems to twist and contort, fastened to the ground where it is anchored.' Tim McMonagle, 2018

READ MORE HERE

May 14, 2018

MARISA PURCELL, FINALIST IN THE RAVENSWOOD ART PRIZE

Marisa Purcell is a finalist in the 2018 Ravenswood Art Prize with her work 'Cage'. More than just an art prize, The Ravenswood is a visual art movement championed by women. 

Approximately 70% of art school graduates nationally are female. However, female artists are significantly underrepresented in gallery exhibitions and prize recipients. ‘The numbers just don’t add up for women in the visual arts world,’ said Edwina Palmer, Head of Visual Arts at Ravenswood School for Girls. 

The prize is designed to promote and connect Australia’s female artists. It consists of two categories; the Professional Artists’ prize valued at $35,000, and an Emerging Artist prize valued at $5,000, making the Ravenswood Australian Women’s Art Prize the richest professional art prize for women in Australia.

‘I see it very much as a space for women, and we hope we can do a lot for them. The Art Prize gives women another opportunity to build their careers, and to put the spotlight on women in art,’ said Palmer.  

Established in 2017, the inaugural Art Prize was an extraordinary success with over 780 entrants. Palmer was stunned with the reception the Prize received. 

May 3, 2018

JULIAN MEAGHER IN VOGUE LIVING MAY/JUN 2018

Julian Meagher is featured in the May/June edition of Vogue Living magazine.

April 23, 2018

NOW REPRESENTING CHARMAINE PIKE

The Gallery is delighted to announce we now represent Charmaine Pike.

The paintings of Charmaine Pike allude to the remote landscape, its geographical features and natural formations, embedded or rather personified with human emotion. Her use of bold lines, form and colour probe deep into the human condition, dealing with psychological tensions within the self and the environment we inhabit.

Melissa Pesa, Artist Profile November 2017

Charmaine was selected as a finalist in The Adelaide Perry Prize for Drawing in 2010, The Mosman Art Prize 2013, The Paddington Art Prize 2015 and 2016. In 2012, her solo exhibition at Tamworth Regional Gallery was met with great acclaim. In 2014 she was selected by Angus Nivison for ‘Place and Practice’ the Regional Arts Australia National Visual Arts Showcase in Parliament House, Canberra. 

Read More HERE

April 16, 2018

YARRENYTY ARLTERE ARTISTS AT THE MCA

Yarrenyty Arltere Artists In Our Hands are soft sculptures made with bush dyed woollen blankets, embellished with wool and feathers for the 21st Biennale of Sydney. 

SUPERPOSITION: Equilibrium & Engagement, Museum of Contemporary Art Australia, Sydney, 2018. Commissioned by the Biennale of Sydney with generous assistance from Georgie and Alastair Taylor. 

Yarrenyty Arltere Artists Founded 2000 in Alice Springs, Australia Live and work in Alice Springs. Participating artists:

Cornelius Ebatarinja (Western Arrernte/Arrernte), Trudy Inkamala (Western Arrernte/Luritja), Roxanne Petrick (Alyawarre), Sonya Petrick (Eastern Arrernte/Alyawarre), Dulcie Raggett (Luritja), Marlene Rubuntja (Arrernte), Katherine Ryder (Eastern Arrernte), Rosabella Ryder (Arrernte), Dulcie Sharpe (Luritja/Arrernte), Rhonda Sharpe (Luritja)

Yarrenyty Arltere Artists is a not-for-profit Aboriginal owned and run art centre located in the Larapinta Valley Town Camp, Alice Springs, one of the oldest Town Camp communities on Arrernte country.

Yarrenyty Arltere Artists present a series of the whimsical soft sculptures that demonstrate the unique style for which they are renowned. Representing the past, present and future, the pieces reflect memory and traditional stories as well as exploring contemporary issues and challenges faced by the community. Embodying local flora and fauna, stories of family and country, or scenes from everyday life in the Town Camp, the sculptures are made from recycled woollen blankets which are dyed using local plants, tea and corroded metal. Embroidered with brightly coloured wool thread and embellished with feathers, the soft sculptures are filled with character and humour. They are emblematic of the vitality of the Town Camp and its people, and the ingenuity of the Yarrenyty Arltere Artists who, through creativity and perseverance, have reignited the confidence and spirit of their community.

READ MORE HERE

April 16, 2018

YARRENYTY ARLTERE ARTISTS AT THE NGV TRIENNIAL

ESTUDIO CAMPANA | YARRENYTY ARLTERE ARTISTS | ELLIAT RICH

NGV TRIENNIAL

Victoria Amazonica 2017, was created by Brazilian designers Fernando and Humberto Campana in collaboration with Yarrenyty Arltere Artists, designers Elliat Rich and James Young and the Centre for Appropriate Technology – all based in Alice Springs in the Northern Territory.

Based initially on a sketch Humberto Campana made in Alice Springs of a giant South American lily, this exuberant, large-scale soft domed structure features intricate embroidery by the Yarrenyty Arltere Artists that tells stories of rain, rivers and water.

April 4, 2018

VIPOO SRIVILASA IN ART GUIDE

Barnaby Smith has reviewed Vipoo Srivilasa's exhibition Everyday Shrines at Gippsland Art Gallery:

'The experience of belonging to two or more countries is an increasingly universal one, especially for Australians. An affiliation with multiple cultures and an identity formed by multiple traditions is, after all, the migrant experience. It is a theme that has been widely explored across the arts spectrum, yet rarely with as much playfulness as in the work of Thai-Australian ceramicist Vipoo Srivilasa. His new exhibition Everyday Shrines, shown at Gippsland Art Gallery as part of Craft Victoria’s Craft Forward series, takes an impish yet thoughtful approach to fusing the imagery and iconography of Australian and Thai societies.'

The exhibition is current until 17 June 2018 at Gippsland Art Gallery.

Read full article HERE

March 30, 2018

JULIAN MEAGHER AT PENRITH REGIONAL GALLERY

5 x 5 – the Artist and the Patron

24 March 2018 – 20 May 2018

The artist-collector relationship has existed for millennia, manifesting in multiple forms with varying outcomes. During the Renaissance, the patronage of the Medici family enabled Raphael and Leonardo DaVinci to focus solely on art. Just outside Melbourne, during the mid twentieth century, at their home Heidi, John and Sunday Reed invited a young Sidney Nolan inside their world, creating a consummate creative union. In Sydney, Judith Nielsen has helped usher contemporary Chinese artists from emerging to legendary status. Each partnership has yielded significant outputs reverberating throughout different cultures.

5X5 recognizes the cultural significance of these types of pairings by exploring the trajectories of five artists and their parallel collector relationships:

  • Amanda Love / Tracey Emin
  • Dr. Dick Quan / Uji ‘Hahan’ Handoko Eko Saputro
  • Lisa Paulsen / Patrick Hartigan
  • James Emmett / Julian Meagher
  • The Private Collector / Nigel Milsom

Marking a twenty-five-year relationship, artist Julian Meagher and collector James Emmett have the longest standing association of all the collector-artist pairings showcased in 5X5. Their journey begins when they went to high school together. The pair would become closer friends when Emmett’s partner, Peter Wilson commissioned Meagher to paint Emmett’s portrait during their university years (included in this exhibition).

The works included in this exhibition span the entire period of the Emmett and Meagher’s art collecting/ art making histories. Interestingly, Meagher admits that some of these earlier works are no longer representative of his current practice, revealing the temporal nature of collecting. Often new acquisitions redefine the collection or an artist’s output as a whole by casting new light on past works or acquisitions and suggesting possible directions for the future. Nevertheless, this relationship timestamps their shared experiences as they developed into their adult selves.

Click here to view the Catalogue

March 7, 2018

BRIDIE GILLMAN / THE DESIGN FILES

Jo Hoban from the Design Files recently caught up with Bridie Gillman in her Brisbane studio, to discover the inspiration behind her work: cross-cultural experiences – from a childhood growing up in Indonesia, to residencies abroad and trips across Australia. Her bold, striking compositions convey moody landscapes, exploring both emotional and physical terrain.

READ THE DESIGN FILES HERE

March 6, 2018

JULIAN MEAGHER FEATURE / SEMI PERMANENT

Tides and cycles

By Christopher Barker, Tuesday February 13, 2018

For Sydney artist Julian Meagher, 'Inlet/Outlet' is a new type of beast.

Not so much in its challenge to Australia’s contemporary cultural identity (something he is largely known and regarded for), but for translating those ideals to landscape works inspired by the far South Coast of New South Wales Australia. The result, a 21-piece exhibition at the Bega Valley Regional Gallery, chases freedom, the tide and slow looking. The effect on him, profound as it may be, is outlined in our interview below. 

READ THE ARTICLE HERE

March 6, 2018

DAN KYLE / THE PLANTHUNTER

Dan Kyle has been featured on the Planthunter, who visited Dan at his spectacular home and studio in the Blue Mountains west of Sydney.

The Planthunter is an online magazine devoted to celebrating plants and the varied ways humans interact with them. Plants have been inspiring, feeding, sustaining and soothing humans for aeons. The Planthunter documents and celebrates these connections. 

'The rusted metal entrance gate rolls open revealing a four-meter-tall man with a gas mask staring at us from amongst the trees. A collection of huge sculptures lay scattered around him – the scene creates quite an entry statement, heightening my curiosity about the man we’ve headed up to the mountains to meet, artist Dan Kyle.'

READ THE ARTICLE HERE

March 6, 2018

JULIAN MEAGHER / ARTIST PROFILE MAGAZINE

Julian Meagher's three week residency at the Myer House at Blithry Inlet on the south coast of New South Wales and the resultant solo exhibition at Bega Regional Gallery is profiled on the Artist Profile blog.

'Sydney artist Julian Meagher's latest exhibition 'Inlet Outlet' is the fruit of a 2017 residency with Bega Valley Regional Gallery (BVRG). A pilot project for a long-term partnership between the National Parks and Wildlife Service (NPWS) and BVRG, the inaugural residency signals 'another key step in the development of the arts in the region and provides the opportunity for visual artists to draw from the unique natural environment of the local region, connect with regional communities and expand their practice outside of metropolitan studios', says BVRG Director Iain Dawson.'

VIEW THE ARTICLE HERE

March 6, 2018

NOW REPRESENTING CHRIS ZANKO

The Gallery is delighted to announce we now represent Illawarra based artist Chris Zanko.

The streets of Australian suburbia with their red brick houses, electricity pole-lined streets and rusty Hills Hoist-filled backyards provide endless inspiration for Chris Zanko's work.  His carved wooden surfaces depicting iconic mid-century architecture capture a nostalgic view of the vernacular architecture of our suburbs. 

Zanko graduated with a Bachelor of Creative Arts at Wollongong University with Distinction in Painting. He was a winner of the 2016 Gosford and Gongcrete Art Prizes and a finalist in the 2015 Lloyd Rees Memorial Youth Art Award. He has exhibited in group exhibitions including at Hazelhurst Regional Gallery and Project Contemporary Art Space in Wollongong. 

March 6, 2018

TARA MARYNOWSKY AT GOULBURN REGIONAL ART GALLERY

Chris Bond, Ricky Emmerton, Tara Marynowsky, Daniel Mudie Cunningham, Nicola Smith

Sauced Material brings together a group of artists who extend the narrative or form of existing media. Their works have been shaped, moulded and crafted from film, music, personal histories and literature but with flavour anew and enhanced. This adaptive approach orients audiences to and from a new point of orbit in reference to the work. Memory is at play - but so is the politics of origin and ownership.

Within the breadth of time that has passed between the first and the now, a clear history has been created. These artists reveal that distance in their own remaking. Their approaches differ but the commentaries and techniques are crystallised and ready for service.

From 2 March - 14 April 2018

READ MORE HERE

March 6, 2018

JULIAN MEAGHER AT BEGA REGIONAL GALLERY

In April 2017 Bega Valley Regional Gallery welcomed prominent Sydney artist Julian Meagher as inaugural artist in residence. A pilot project for a long term partnership between the National Parks and Wildlife Service and the BVRG, the residency offered the opportunity for visual artists to draw from the unique natural environment of the local region, whilst connecting with regional communities and expanding their practice outside of metropolitan studios.

Meagher spent time at the beautiful Sir Roy Grounds-designed Myer House set on Bithry Inlet in the pristine Mimosa Rocks National Park and Inlet Outlet showcases the artistic fruits of that stay.

Exhibition on until 10 march 2018

READ MORE HERE

March 6, 2018

VIPOO SRIVILASA AT GIPPSLAND ART GALLERY

Vipoo Srivilasa's solo exhibition 'Everyday Shrines' will open at the newly refurbished Gippsland Art Gallery on 31 March 2018 and run until 17 June.  The exhibition which has been developed jointly with Craft Victoria, looks at similarities between Srivilasa's Thai heritage and his adopted home in Australia.

READ MORE HERE

March 6, 2018

LYNDAL HARGRAVE AT GIPPSLAND ART GALLERY

Lyndal Hargrave's works 'Emerald Alchemy' 2015 and 'Cloud Poetry' 2015 has been included in the inaugural exhibition of the new Gippsland Art Gallery title 'imagine' which celebrates the imagination in all its wild and wonderful forms.

Curated by Simon Gregg, 'imagine' is about beginnings — the beginning of the world, the birth of consciousness, an awakening to the possibilities before us.

READ MORE HERE

March 6, 2018

DAN KYLE IN ARTIST PROFILE MAGAZINE

The Gallery is delighted to now represent Dan Kyle.  

Owen Craven profiled Dan and his practice in a recent online article for Artist Profile magazine.

'Soon after graduating from the National Art School, Dan Kyle set up home deep in the Australian bush at the foot of the Blue Mountains, west of Sydney.  His paintings are translations of what he sees - the beauty, the unique forms, the colours - but also his way of reducing the density of the bush to a more approachable landscape for him to keep exploring.'

READ THE ARTICLE HERE

March 6, 2018

VIPOO SRIVILASA, FINALIST IN THE TOM BASS PRIZE

Vipoo Srivilasa's work 'Deity of Immortal' has been selected as a finalist in the Tom Bass Prize for Figurative Sculpture Exhibition at Juniper hall in Sydney from 2 - 25 March.

READ MORE HERE

March 6, 2018

MARISA PURCELL AT GIPPSLAND ART GALLERY

Marisa Purcell's work 'Conceal' 2016 has been included in the inaugural exhibition of the new Gippsland Art Gallery title 'imagine' which celebrates the imagination in all its wild and wonderful forms.

Curated by Simon Gregg, 'imagine' is about beginnings — the beginning of the world, the birth of consciousness, an awakening to the possibilities before us.

READ MORE HERE

March 6, 2018

VIPOO SRIVILASA'S WORK ACQUIRED BY WHITEHORSE CITY COUNCIL

Vipoo Srivilasa's work 'Sang Thong' has been acquired by the Whitehorse City Council in Victoria.  

The City of Whitehorse is located just 15 kilometres east of Melbourne and covers an area of 64 square kilometres.

Srivilasa's work 'Sang Thong' is based on a well-known Thai folk tale, centred on a marriage between a man and a woman of different social status.

READ MORE HERE

February 28, 2018

SALLY ANDERSON IN ART ALMANAC

Sally Anderson's recent exhibition 'Self Storage and the Really Real' is featured in the January edition of the Art Almanac.  

'“Self Storage and the Really Real’ looks at ways we authenticate experience and store memory in object and place’, says artist Sally Anderson whose abstract compositions brim with clear references to past experiences; from the hydrangeas at her childhood home to shells from the Muséum national d’Histoire naturelle, and Norfolk Pines from recent Instagram posts to landscapes from past and present relationships. These works are a visual archive giving permanence to intangible memories and making them, as the title implies, ‘really real’.'

READ THE ARTICLE HERE

February 28, 2018

JULIAN MEAGHER AT BYRON AT BYRON

Byron Bay's Byron at Byron Hotel recently completed a renovation which included a suite of works by Julian Meagher.

Designed by well known interior designer Luchetti Krelle, art takes pride of place within the newly renovated walls, with finalist of the 2015 Archibald Prize, Julian Meagher commissioned to paint a series of still life paintings featuring Australian natives for the hotel. 

READ MORE HERE

December 14, 2017

PAUL RYAN ON ABC 'BOOKS AND ARTS' PODCAST

Paul Ryan features in an ABC podcast on Books and Arts. 

In her introduction Sarah Kanowski says:

'Paul Ryan lives and surfs on the south coast of New South Wales, and the beautiful landscape of the Illawarra features in many of his paintings.

He's also an accomplished portraitist (and many time Archibald Prize finalist) and has an abiding interest in depicting figures from colonial Australia.

Paul Ryan listens to music while he paints and has collaborated with American musician Bill Callahan.'

Paul discusses the methodologies of his practice and the prominent themes in his work surrounding colonial Australia. 

Download and listen to the full podcast here.

December 14, 2017

JUDITH SINNAMON IN FRANK VEDELAGO DESIGNED HOUSE

Work from Judith Sinnamon's Coastal Banksia series has been recently featured in a Frank Vedelago designed Queensland renovation in Paddington.

VIEW IMAGES HERE

November 21, 2017

CHARMAINE PIKE FEATURED IN ARTIST PROFILE MAGAZINE

Melissa Pesa interviews Charmaine Pike in the November edition of Artist profile magazine. She writes:

The paintings of Charmaine Pike allude to the remote landscape, its geographical features and natural formations, embedded or rather personified with human emotion. Her use of bold lines, form and colour probe deep into the human condition, dealing with psychological tensions within the self and the environment we inhabit.

READ MORE HERE

November 10, 2017

MIRANDA SKOCZEK IN ART GUIDE MAGAZINE

Miranda Skoczek's exhibition 'Rag Rugs and Lion Heads' is featured on the Art Guide website. Miranda spoke with Louise Martin-Chew about her latest exhibition 'Rag Rugs and Lion Heads', her inspiration and the shift in her practice to looser, more expressive works:

Miranda Skoczek’s abstract paintings evoke old walls with layers of forms and shapes that emerge over time. In her studio, she might work simultaneously on nine canvases. Transferring from one to the other, she allows each oil layer to dry before repeatedly painting over it until jewel-like colours resonate and a spatial sensibility has been established within which the viewer may dwell. Skoczek told Art Guide Australia, “I don’t paint about social concerns. I create wholly immersive, beautiful pictures. They are places for escape and restoration: harmonious, calming pictures.”

Miranda's exhibition is at the gallery from 14 November until 5 December 2017.

Read the full article here

October 29, 2017

LUCY O'DPHERTY FEATURED IN LEE MATHEWS LM WOMAN CAMPAIGN

Australian fashion label Lee Mathews featured Lucy O'Doherty in Paris for their LM Woman fashion shoot....

We met Australian artist Lucy O’Doherty on her last evening in Paris. After winning the Brett Whiteley Travelling Art Scholarship, Lucy has just spent her summer working and living from a small studio in the Cité Internationale des Arts, an artist residency along the Seine that feels like a United Nations for young artists. The building is impressive; a maze of over 300 studios allowing musicians, performers and artists from over 50 countries to develop their practice.

For Lucy, her work mostly revolves around the home; she paints places that are always empty and suburban, with a soft fuzziness that makes each work glow with a mysterious sadness. They may be sad but they are far from bleak, the 1950's colour schemes Lucy uses of seafoam green, flesh pink and butter are oddly cheery -reminiscent of the wacky homes of Peg Boggs and her neighbours in Edward Scissorhands.

We talked to Lucy about her paintings, where she finds inspiration, her personal style (she has great taste!) and the female artists she admires (get ready to right click and google).'

READ MORE HERE

October 27, 2017

RESIDENCY RECIPIENT: ABBEY McCULLOCH

Abbey McCulloch has been awarded the Sunshine Coast Art Prize Residency for 2017. The residency is administered by Caloundra Regional Gallery and sponsored by Montville Country Cabins.

The award was judged by Angela Goddard, Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery in Brisbane.

Image: Abbey McCullochExile | 2017 | acrylic on canvas | 150 x 100 cm

Read more here

October 27, 2017

BELEM LETT: FINALIST GLENFIDDICH ARTISTS IN RESIDENCE PRIZE

Belem Lett has been selected as one of five finalists in the Glenfiddich Artists in Residence Prize for 2017.

The Glenfiddich Artist in Residence Prize is now celebrating its fifteenth year. This program invites Australian artists to work and live for three months at the Glenfiddich Distillery in Dufftown, Scotland. The program offers the artist a residency prize valued at $21,000 as well as the opportunity to collaborate with other international artists in the historic and scenic Scottish highlands. 

The finalists exhibition was held at the Sydney Contemporary Art Fair 2017.

Image: 'Jenny I'll Meet You At The Grocery Store'  2017, oil on aluminium composite panel, 165 x 244 cm

Read more here

October 13, 2017

MIRANDA SKOCZEK AT CARLSBERG BYENS GALLERI & KUNSTSALON, DENMARK

Miranda Skoczek was a featured artist in the international group exhibition, The human experience, we are the ones doing works on canvas/Paintings XXXX at the Carlsberg Byens Galleri & Kunstsalon in Denmark. The exhibition was curated by Galina Munroe (Great Britain), Simon Ganshorn (Denmark) and Jordan Kerwick (Australia). The show featured 116 artists each working with abstraction through painting in their own distinct manner to promote diversity and highlight the possibility of medium and painting theory.

Read more on this exhibition here.

October 13, 2017

ABBEY MCCULLOCH FEATURED IN ART ENQUIRER

Art Enquirer is a new publication and joint initiative of the Flying Arts Artiz and IMA Art Club programs. It hosts a collection of essays written by senior students of visual arts from Queensland state and non-state high schools.

Student Charlee Dornauf (Launceston Church Grammar School) wrote an essay, 'Behind a Person' which featured works from McCulloch's solo exhibition Zero. Dornauf's focus was a visual analysis drawing attention to remerging themes in McCulloch's practice of femininity and sexuality.

The publication is available at the Institute of Modern Art in Brisbane.

October 13, 2017

BELEM LETT FINALIST IN THE 2017 SALON DES REFUSÉS

Congratulations to Belem Lett who has been names as a finalist in the Salon des Refusés 2017.

The Salon des Refusés was initiated by the S.H.Ervin Gallery in 1992 in response to the large number of works entered into the Archibald Prize which were not selected for the final exhibition.   

The 2017 selection panel comprised James Dorahy art advisor, Michael Reid Galleries; Elisabeth Hastings curator & author, ‘Kevin Connor’ monograph; and Jane Watters, Director, S.H. Ervin Gallery.

The exhibition is at the S.H. Ervin Gallery, housed in the historic National Trust Centre on Observatory Hill, The Rocks in Sydney.

Read more here

October 12, 2017

SALLY ANDERSON WINNER 2017 BRETT WHITELEY TRAVELLING ARTS SCHOLARSHIP

Sally Anderson has been awarded the Brett Whiteley Travelling Arts Scholarship for 2017. 

The prize is $40,000 and a three month residency at the Cité Internationale des Arts in Paris, administered by the Art Gallery of New South Wales. 

The annual Brett Whiteley Travelling Art Scholarship is open to Australian artists aged between 20 and 30. It was created from an endowment left by Beryl Whiteley, who witnessed the profound effect that international travel had on her son Brett Whiteley, as a result of him winning the Italian Government Travelling Art Scholarship at the age of 20.

The exhibition will open 13 October – 19 November 2017 at Brett Whiteley Studio, 2 Raper Street, Surry Hills NSW 2010.

Read more here

September 29, 2017

MOSMAN ART PRIZE EMERGING ARTIST AWARD: CLARA ADOLPHS

Clara Adolphs has won the Mosman Art Prize Emerging Artist Award for her portrait Sal, 2017 for her portrait of artist and friend Sally Anderson. This is the second time Clara has been awarded the prize.

Established in 1947, the Mosman Art Prize is Australia's oldest and most prestigious local government art award. It was founded by the artist, architect and arts advocate, Alderman Allan Gamble, at a time when only a small handful of art prizes were in existence in Australia and the community had very little support and few opportunities to exhibit their work.

Clara Adolphs Sal, 2017, oil on linen, 83 x 67cm

September 29, 2017

JULIAN MEAGHER & VIPOO SRIVILASA: 2017 NATIONAL STILL LIFE AWARD

Congratulations to Julian Meagher and Vipoo Srivilasa for being finalists of the 2017 National Still Life Award at Coffs Harbour Regional Gallery.

The acquisitive Award offers a major award of $20,000 as well as a People’s Choice Award of $5,000. This years' judge is Lisa Slade, Assistant Director of Artistic Programs at Art Gallery of South Australia. 

Finalist works exhibited Friday 24th November 2017 to Saturday 20th of January 2018 at Coffs Harbour Regional Gallery.

September 23, 2017

VIPOO SRIVILASA: Q&A

In conjunction with National Clay Week, Artaxis presents 12 hours of live-streaming conversations with 24 Artaxis members from 16 countries.

Vipoo Srivilasa is scheduled to talk between 12:00pm - 1:00pm, 11 October 2017. Questions may be submitted here

Vipoo’s work explores similarities between the cultures of his native home, Thailand and his adoptive home, Australia. His work is a playful blend of historical, figurative and decorative art practices whilst engaging with contemporary culture.

Using blue and white colour, he creates complex narratives through highly decorated images on ceramic forms. His work requires an intimacy in which the key elements of the drama are often found in unusual places within the forms themselves.

Collaboration has been an important part of Vipoo's creative practice. He has been using clay to engage communities into his creating process in the past 10 years. In addition to exhibiting his work, Vipoo actively initiates and organises cultural exchange projects between national and internationally artists.

Get your questions ready and join Vipoo and others for a Q&A. To watch click here.

September 22, 2017

VIPOO SRIVILASA: AUSTRALIAN COUNCIL FOR THE ARTS GRANT

Vipoo Srivilasa is the recipient of the general skills and arts development grant from the Australian Council for the Arts to work with Sakarin Krue-On, a multi-disciplinary Thai artist, and Marije Vogelzang, the world's first eating designer from the Netherland, in order to develop and create new interactive ceramic work for an exhibition at Edwina Corlette Gallery in 2019 and the S.A.C. Subhashok The Arts Centre in Bangkok. 

Keep up to date here.

September 21, 2017

PAUL RYAN: FINALIST IN THE MOSMAN ART PRIZE 2017

Paul Ryan is a finalist in this years Mosman Art Prize.

Established in 1947, the Mosman Art Prize is Australia's oldest and most prestigious local government art award.  It was founded by the artist, architect and arts advocate, Alderman Allan Gamble. In it's seventieth year, the Mosman Art Prize has developed in stature to become Australia’s most prestigious municipally funded art prize with a national profile. It regularly attracts over 900 entries annually and currently offers over $60,000 in prizes.

The prize will be judged by Kristen Paisley, Deputy Director of the National Gallery of Australia.

The Mosman Art Prize exhibition will be open to the public for viewing from Saturday 23 September until Sunday 29 October 2017. Details here.

IMAGE: Cook and Hounds, 2017, oil on canvas

September 19, 2017

MARISA PURCELL: FINALIST 2017 PADDINGTON ART PRIZE

Congratulations to artist Marisa Purcell for being a finalist in this years Paddington Art Prize 2017.

The Paddington Art Prize is a $25,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape. Established in 2004 by Arts Patron, Marlene Antico OAM, this National prize takes its place among the country’s most lucrative and highly coveted painting prizes.

The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.

This year welcomes the People's Choice award. Details here.

Exhibition current until Sunday 22nd October.

September 14, 2017

ABBEY MCCULLOCH: FINALIST 2017 JOSEPHINE ULRICK AND WIN SCHUBERT PHOTOGRAPHY AWARD

Artist Abbey McCulloch is a finalist in this years Josephine Ulrick and Win Schubert Photography Award (JUWSPA).

This year the award holds special significance as the Gold Coast honours the memory of Win Schubert and her extraordinary generosity, a lifelong custodian of Australian photography, art and creativity.

There is a diverse range of themes in this years exhibition from both established and emerging artists including portraiture, landscape, abstract and fashion, along with a strong representation of contemporary topics affecting twenty-first century Australians such as climate change, gender representation and shifting economic and technological landscapes.

Congratulations to Polly Borland for her winning photograph Two Heads A.

Artwork: Abbey McCulloch, The Nerve, 2017, inkjet print, 60 x 80 cm

September 14, 2017

LYNDAL HARGRAVE FINALIST IN THE CLAYTON UTZ ART AWARD.

Lyndal Hargarve was a finalist in the 2016 Clayton Utz Art Award which is now being exhibited at Lethbridge Gallery by appointment. The Award is open to Queensland-based artists offering a $10,000 winner’s prize. Congratulations Lyndal Hargrave.

 

August 7, 2017

JULIAN MEAGHER: LIFE DRAWING FOR NAVA

Hosted by the National Association for the Visual Arts (NAVA) in Sydney on 18 August, you now have the chance to learn life drawing from some of the best in the business, with a one-off class led by Archibald Prize finalists. 

Supporting NAVA, the 15-person only event will see past Archibald finalists Jasper Knight, Julian Meagher, Dean Brown and Oliver Watts give out tips via way of a life drawing class, discuss their work and also tour their Darlinghurst studio. 

“One of the things I like most about life drawing is the communal nature of it. Oliver, Jasper and I spent many of our teenage years together at life drawing classes. I'm looking forward to getting the band back together! Art can be a lonely pursuit so it is magical when you can bounce ideas and create work alongside your peers. NAVA plays a key role in our community and I think it is fitting to be able to support it in this way,” says Julian Meagher, who was selected as a 2015 Archibald finalist for his Daniel Johns portrait. 

Visit NAVA to book. 

July 10, 2017

LUCY O'DOHERTY: FEATURED ON THE DESIGN FILES

Lucy O'Doherty's exhibition 'Shelter' has been featured on The Design Files blog. Lucy spoke to Elle Murrell about her latest exhibition 'Shelter', her inspiration and winning the 2016 Brett Whiteley Scholarship:

Artist Lucy O’Doherty first found inspiration in cherished childhood doll houses built by her Grandpa. Later, it was vintage advertisements or postcards from the 1950s and 1960s. Her more recent suburban-focused scenes, however, are fictional composites, imagined in tribute. ‘I really can’t remember being interested in depicting anything other than domestic settings,’ reminisces the graduate of Sydney’s National Art School. ‘Except, maybe, when I went through a phase of drawing fairy villages at five! I guess they were still forms of habitations in a way.’

Lucy's exhibition is at the gallery from 20 June until 11 July 2017.

Read the full interview here

July 8, 2017

CARLA HANANIAH: MAD ABOUT MINI COLLABORATION

Carla Hananiah has collaborated with Australian children's wear label Mad About Mini for their 2017 Winter Collection.  Of the collection Mad About Mini says:

We had the privilege of collaborating with one of Australia’s up-and-coming artists, Carla Hananiah, whose painting “Mountains” is featured for the 2017 Winter Collection. Carla has been the recipient of several prestigious awards and has showcased her work in regular exhibitions since 2009. Carla has an incredible talent for capturing all that is breathtaking and majestic about nature. This particular watercolour is a scene from one of her favourite spots in the south island of New Zealand, a place she refers to as ‘paradise’. For Carla, this immense beauty takes her beyond her ‘everyday’ and awakens her imagination to new discoveries and new adventures! 

View more here.

July 8, 2017

ARI ATHANS: REDCLIFFE GALLERY 15 ARTISTS EXHIBITION

Ari Athans' work has been selected for Redcliffe Gallery's 15 Artists Exhibition 2017.

This annual award plays a pivotal role in the growth of the Moreton Bay Regional Council Art Collection. The $8000 acquisitive prize exhibits 15 Artists that reflect the collection’s focus of culture, identity, spirit and sense of place.

Artists selected for 2017 are Ari Athans, Glenn Barkley, Sue Beyer, Megan Cope, Hannah Cutts, Jeremy Eden, Martin Edge, Ian Friend, Stephen Hart, Barbara Heath, Abbey McCulloch, Kate McKay, Stephen Nothling, Graeme Peebles and Nan Dingle.

The exhibition runs from 01 September to 28 October 2017. Read more here.


July 8, 2017

PAUL RYAN: FINALIST IN THE KILGOUR ART PRIZE

Paul Ryan is a finalist in Newcastle Art Gallery's Kilgour Art Prize 2017. 

The Kilgour Prize is Newcastle's annual art prize for figurative and portrait painting. It awards $50,000 for the most outstanding work of art and a People’s Choice of $5000 to the painting voted most popular by the general public. Each year the Gallery receives hundreds of applications from across Australia.

The Kilgour Prize will be on display 5 August - 15 October 2017. For further information, please click here.

July 8, 2017

SALLY ANDERSON: FINALIST IN THE KILGOUR PRIZE

Sally Anderson has been selected as a finalist in Newcastle Art Gallery's Kilgour Prize.

In 1987 artist Jack Kilgour bequeathed funds for the creation of a figurative and portrait art competition to be run in perpetuity at Newcastle Art Gallery. Today the Kilgour Prize is one of Australia's major art prizes and awards $50,000 for the most outstanding work of art as determined by a panel of three judges, and $5,000 for the People's Choice Award, as determined by votes from the public.

The Kilgour Prize will be on display 5 August - 15 October 2017. For further information, please click here.

June 17, 2017

LUCY O'DOHERTY WRITES FOR ARTIST PROFILE ABOUT HER PARIS RESIDENCY

Lucy O’Doherty in Paris

By Lucy O’Doherty

In the year that’s passed in between winning the 2016 Brett Whiteley Travelling Art Scholarship and leaving for the three-month residency at the Cité Internationale Des Arts in Paris, I’ve had a lot of time to think about what I want to produce during my time here.

Having previously painted mostly detached urban and remote single-storey Australian architecture in depopulated landscapes, Paris is a challenging deviation of subject matter with its ornately trimmed and towering buildings and densely populated streets.

I didn’t want to go into the residency with a preconceived idea of what I wanted to make. I knew I wanted to wait until I arrived, explore my surroundings and make honest responses to moments or places or artworks that interest me. My main objective is to build up a decent amount of observational studies so that when I return to Australia in half a year’s time, I can extract different moments and combine them to make new compositions of merging memories and places from my overall journey.

READ MORE HERE

June 2, 2017

ABBEY McCULLOCH FEATURED IN ART ALMANAC

Abbey McCulloch's recent exhibition 'Zero' is featured in the current edition of Art Almanac:

'Abbey McCulloch’s portraits articulately render the complexities of human emotion. ‘Zero’ is a series of new paintings of opaque pigments and translucent washes, reflecting on the idea that stillness is an illusive and yet essential state of being. Through her portraiture, McCulloch explores the inherent battle in what she calls ‘silencing our self-chatter’.'

See more here.

May 31, 2017

BUNDIT PUANGTHONG AT SHEPPARTON ART MUSEUM

The Drawing Wall is an ongoing series of site-specific, commissioned, temporary wall-based drawings or installations enlivening the foyer-space of the Eastbank Centre, directly outside Shepparton Art Museum. This year Bundit Puangthong has been commissioned to complete a drawing across the 4 x 12 metre space as well as conducting a stencil workshop in July.

More details here.

May 23, 2017

BUNDIT PUANGTHONG, FINALIST IN THE ARTHUR GUY PAINTING PRIZE

Designed to attract some of Australia’s finest contemporary artists, the inaugural Arthur Guy Memorial Painting Prize and exhibition was first held in 2003 at Bendigo Art Gallery. Every two years the Gallery invites artists to submit entries for the Arthur Guy Memorial Painting Prize. The most outstanding work as judged by the selection panel is awarded an acquisitive cash prize of $50,000. 

Works from the shortlisted artists will be on display at Bendigo Art Gallery in the Arthur Guy Memorial Painting Prize exhibition from 17 June – 20 August 2017.  The 2017 winner will be announced at the exhibition’s opening on Friday 16 June 2017.

This prize provides Bendigo Art Gallery with the opportunity to survey contemporary painting by attracting many high calibre and emerging artists from around Australia. 

May 8, 2017

ARI ATHANS, FINALIST IN THE MORETON BAY ART AWARDS

Ari Athans work 'Felsic Plume' has been selected as a finalist in the 2017 Moreton Bay Art Award. This annual acquisitive award exhibition is supported by the Moreton Bay Regional Council. The Art Award offers two acquisitive prizes of $7,500 and two supplementary $1,000 prizes for a Local Artists and a People’s Choice Award.

The Moreton Bay Region Art Awards is an important feature in the cultural landscape of the region and has featured prominent and emerging artists in its 24 year history.

Dr Campbell Gray, Director of the University of Queensland Art Museum is the 2017 judge.

May 8, 2017

VIPOO SRIVILASA SHORTLISTED FOR THE DEAKIN UNIVERSITY SMALL SCULPTURE AWARD

The Deakin University Contemporary Small Sculpture Award has shortlisted Vipoo Srivilasa's work, amongst others for its annual prize.

"This is the ninth year of the award and we were pleased to receive 232 entries, from which 40 finalists were selected.   

The external judges are Mr Ewen Coates (Sculptor) and Associate Professor Ken Wach, Former Principal Research Fellow and Head of the School of Creative Arts, The University of Melbourne.
 
The Small Sculpture exhibition launch is on Tuesday 6 June, 2017. 

May 8, 2017

LUCY O'DOHERTY IN 'SHACK LIFE' AT HAZELHURST REGIONAL GALLERY

Lucy O'Doherty's work along with that of her father Reg Mombassa is part of Hazelhurst Regional Gallery's Shack Life exhibition.

SHACK LIFE is an exhibition of artworks by a mix of established artists and members of the shack communities of the New South Wales Royal National Park. Their works respond to the structure of the shacks, the spirit of the community and the power of the surrounding landscape.

The artworks seek to carry on the tradition of artists engaging with the Royal National Park shack communities as exemplified by artists such as Max Dupain, Hal Missingham and Margaret Olley.

READ MORE HERE

May 8, 2017

TIM McMONAGLE FINALIST IN THE SUNSHINE COAST ART PRIZE 2017

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.

Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.

Image: Tim McMonagle | In The Middle | 2016 | oil on linen | 122 x 122 cm

Read more Here.

May 8, 2017

BUNDIT PUANGTHONG FINALIST IN THE SUNSHINE COAST ART PRIZE

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.

Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.

Image: Bundit Puangthong Where Is the Buddha? 2017 acrylic on linen 122 x 122 cm

READ MORE HERE

May 8, 2017

LYNDAL HARGRAVE FINALIST IN THE SUNSHINE COAST ART PRIZE 2017

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.

Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.

Image: Lyndal Hargrave | Tectonic Tremblings | 2016 | oil on canvas | 100 x 100 cm

Read more Here.

May 8, 2017

ABBEY McCULLOCH FINALIST IN THE SUNSHINE COAST ART PRIZE 2017

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.

Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.

Image: Abbey McCulloch | Exile | 2017 | acrylic on canvas | 150 x 100 cm

Read more Here.

May 8, 2017

JULIAN MEAGHER FINALIST IN THE SUNSHINE COAST ART PRIZE

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.

Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.

Image: Julian Meagher | The Ashes Fall - The Wine Spills | 2016 | oil on linen | 152 x 122 cm

Read more Here.

May 8, 2017

PAUL RYAN FINALIST IN THE SUNSHINE COAST ART PRIZE 2017

The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.

Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.

Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.

Image: Paul Ryan The Sea Was Angry That Day My Fiends 2017 oil on linen 123 x 123cm

Read more Here.

March 22, 2017

PAUL RYAN FEATURED IN BRISBANE NEWS

Arts writer Phil Brown reviews Paul Ryan's exhibition 'Happy Days in the Colony' in the current issue of Brisbane News.  Read the review HERE

March 21, 2017

MIRANDA SKOCZEK 'DESHILADO'

Miranda Skoczek presents her first collection of jewelled works at Pieces of Eight Gallery in Melbourne as part of the Virgin Australia Melbourne Fashion Festival 2017.

In DESHILADO, Miranda pays homage to the samplers created by stitchers in the early 16th Century. The collection is a three dimensional gathering of a myriad of interests and influences remixing materials and techniques, blurring the boundaries between objects, jewellery and art.

With a desire to connect ancient traditions with fashion, while acknowledging the archaeological importance of jewellery as artefact, Skoczek takes the opportunity to bring permanency to ornaments that have up to this point existed as abstract fragments in her paintings.

The exhibition is current until 25 March 2017.  View more here

March 14, 2017

JUDITH SINNAMON WORKSHOPS AT QAGOMA

To coincide with Queensland Art Gallery | Gallery of Modern Art's exhibition O’KEEFFE, PRESTON, COSSINGTON SMITH 'Making Modernism', Judith Sinnamon has been invited to conduct a series of still-life workshops throughout May and June 2017.

O'Keeffe, Preston and Cossington Smith were renowned for their modern adaptation of traditional approaches to still life. In this special hands-on workshop working with oil paints, participants will be invited to join Judith Sinnamon for an exploration of the still life genre and experiment with light, colour and form to depict Australian native flora.

Judith Sinnamon is an artist based in the Sunshine Coast Hinterland. Judith studied painting at the Queensland College of Art in the early 1980's. The surrounding coastal flora informs Judith's art practice in both her still life and landscape works. She exhibits regularly with the Edwina Corlette Gallery.

VIEW MORE DETAILS HERE

March 14, 2017

VIPOO SRIVILASA WINS MUSWELLBROOK ART PRIZE

Vipoo Srivilasa has won the 44th Muswellbrook Art Prize in the Ceramics section.  The $10,000 acquisitive prize was awarded to Vipoo's porcelain work 'The Good, The Bad and the Cuddly (self portrait)'.

The biennial Muswellbrook Art Prize began in 1958 and has helped form a significant collection of modern and contemporary Australian painting, works on paper and ceramics for the Muswellbrook Regional Arts Centre.

The exhibition is current until 7 May 2017.

Muswellbrook Art Prize

February 6, 2017

MIRANDA SKOCZEK ON THE DESIGN FILES

Miranda Skoczek is featured on The Design Files blog with a look at her move from an inner city two bedroom apartment, to a bucolic retreat set amongst the verdant landscape of the Dandenong Ranges.  Miranda and her seven year old son Harper speak about the influence of nature on their lives and the impact a move to the country will have on her painting practice.

Read the article here.

February 6, 2017

SALLY ANDERSON ON THE DESIGN FILES

Iconic Australian blog The Design Files visited Sally Anderson in her studio recently, to see how things were progressing in the lead up to her first solo exhibition.  

'Working predominantly with a muted colour palette, the artist will often add an unexpected contrast, like a brush of bright magenta. ‘For me, working with colour is very intuitive; I might spend weeks working with dusky colours, only to come in one day needing to mix a cyan blue,’ she tells. 

The paintings are an ongoing process of adding layers and marks. Sometimes Sally will paint over a work in her studio that she’d thought she was long done with. ‘My partner once said that my pieces are a bit like découpage… with individual snippets and cut-outs layered heavily onto a surface,’ she says. ‘My mum has always loved crafts and used to actually découpage the furniture in our house… maybe that’s unknowingly made an impression on me!’

Read the full article here.

February 6, 2017

LUCY O'DOHERTY IN INDULGE MAGAZINE

Lucy O'Doherty's recent Brett Whiteley Scholarship award is featured in the current edition of Indulge Magazine.

“It’s been life changing, and I think it’s so important that scholarships like Brett Whiteley’s exist so that young artists can be nurtured and pushed in a new direction within their practice.”

Read the full article HERE

December 21, 2016

TIM McMONAGLE ON CULTURAL FLANERIE BLOG

Carrie McCarthy has written a thoughtful piece about Tim McMonagle's recent exhibition at Edwina Corlette Gallery for her brilliant blog Cultural Flanerie. The article coincided with Tim's first exhibition at the Gallery which continued his exploration of our majestic native gum trees.

Read the full article here.

December 18, 2016

VIPOO SRIVILASA IN 'SUGAR SPIN — YOU ME ART AND EVERYHTING' EXHIBITION AT GOMA

Headlining the celebrations for Queensland's Gallery of Modern Art is 'SUGAR SPIN — YOU ME ART AND EVERYHTING' featuring over 250 contemporary artworks exploring light, space, architecture and the senses. From brand-new immersive works to large-scale visitor favourites, the exhibition reflects our complex connections to the natural world with an explosion of colour, sensation and spinning delights.

Major new artworks include Nervescape, a multi-coloured landscape of synthetic hair by Icelandic-born artist Hrafnhildur Arnardóttir a.k.a. Shoplifter, and the electrifying Heard by American sculptor and performance artist Nick Cave, a group of vibrant sculptural horses brought to life by dancers.

Vipoo Srivilasa's work 'BLEACH IV' is part of the exhibition which runs until 17 April 2017. Read more here.

December 17, 2016

LUCY O'DOHERTY FEATURED IN BRISBANE NEWS

Phil Brown from Brisbane News spoke to Lucy O'Doherty about her recent Brett Whiteley Scholarship win and 'Suburban Rituals', her first solo exhibition in Brisbane at Edwina Corlette Gallery.  

Read the the full story here.

December 17, 2016

VIPOO SRIVILASA REPRESENTING AUSTRALIA AT THE GYEONGGI INTERNATIONAL CERAMICS BIENNALE 2017

Established in 2001, the Gyeonggi International Ceramic Biennale in Korea is one of the largest ceramic events in the world, representing contemporary artists from over 70 countries. 

Artists are invited to take part in the competition which calls for works that mirror modern trends and point to the future of contemporary ceramics and redefine its essence by exploring spirit, values, forms and technique. 

The winner will receive a cash prize of KRW 50,000,000 (approx $43,000 US) and will be invited to have a solo exhibition during the 2019 Biennale. 

In 2017 Vipoo Srivilasa will be representing Australia. READ MORE HERE.

December 16, 2016

PAUL RYAN ON FRENCH BLOG 'LA BLOGOTHEQUE'

Influential French blog site La Blogotheque recently featured a profile on Paul Ryan in his Thiroull studio. Paul has been painting American musician Bill Callahan’s album covers for the last five years. He talks about the role music plays in his art in the second episode of the blog's interview series “Music is my radar”:

Read and watch here.

December 14, 2016

PAUL RYAN IN ARTIST PROFILE MAGAZINE

Paul Ryan was recently interviewed by Steve Lopes for Artist Profile magazine:

'Paul Ryan’s gutsy paintings pack a punch that has won him many fans over the years. Ryan is not afraid to experiment with subject matter. A 13-time Archibald finalist, he regularly collaborates with other artists and also musicians, and often chooses to deal with confronting topics. He is happy with the choices he has made in his art career, and the apparent ease of life in his comfortable seaside studio belies the “collateral damage” that painting can bring to a life devoted to art.'

Read the full article HERE.

December 14, 2016

NOW REPRESENTING PAUL RYAN

Edwina Corlette Gallery is delighted to announce the representation of Paul Ryan.

Born in Auckland in 1964, Paul Ryan has had regular solo exhibitions since 1988. Based in Thirroul on the New South Wales coast, Ryan's work looks at the Australian landscape and history, in particular as it relates to the area near where he lives.  

A finalist in the Archibald Prize 13 times, he has also been a finalist in the Wynne Prize three times and the Sulman Prize four times. He won the 2010 Paddington Art Prize for landscape painting and the Geelong Contemporary Art Prize in 2012. 

Paul Ryan's first exhibition at Edwina Corlette Gallery will be in 2017.

December 7, 2016

JULIAN MEAGHER, BEGA VALLEY REGIONAL GALLERY RESIDENCY

Museums & Galleries of New South Wales is delighted to announce five residencies have been awarded through the Artist or Curator Residency Program for 2017. Generously supported by the Copyright Agency’s Cultural Fund, each residency of $11,250 will provide artists and curators the space and time to immerse themselves in a unique place, community or collection within a regional gallery, boosting their creative process.

Bega Valley Regional Gallery, New South Wales

In partnership with the National Parks and Wildlife Services, Bega Valley Regional Gallery will host contemporary painter Julian Meagher on a month long residency within the south east NSW region. Over the month long residency Julian will deliver three workshops and one masterclass.

Read more here

November 30, 2016

MIRANDA SKOCZEK FOR COUNTRY ROAD

Miranda Skoczek is renowned for her engaging, energetic works and her spectacular use of colour. A fixture on the Australian art scene, her work is instantly recognisable for its layers of intuitive colour, pattern and motifs. Iconic Australian label Country Road thought her work was perfect for a collaboration with charity RedKite. Miranda has designed two tote bags and a t-shirt, with all proceeds from each sale going towards providing essential support to children and their families who are facing cancer. 

Read the interview with Miranda here.

November 28, 2016

BELEM LETT, FINALIST IN THE BERMINGHAM PRIZE

Belem Lett is a finalist in the inaugural Birmingham Prize. The overall winner will receive a $20,000 cash prize generously donated by Elaine Bermingham. 

The Elaine Bermingham National Watercolour Prize in Landscape Painting is a unique triennial art prize which aims to celebrate excellence and innovation in the watercolour medium. This non-acquisitive prize is open to all Australian artists and selected finalists will be exhibited in the Webb Gallery, located within Griffith University’s Queensland College of Art at South Bank, Brisbane. All finalist artworks will be available for sale to the public.

November 28, 2016

VIPOO SRIVILASA AT HENAN MUSEUM, CHINA

The first Central China International Ceramics Biennale will be held at the Henan Museum. Curated by art historian Wendy Gers the biennale will exhibit work by 50 Chinese and international artists.

Vipoo Srivilasa is one of six artists to be commissioned to create a site-specific work for the Biennale. In November he will take a residency at the Ceramic Art Institute of Henan University to create six large figurines for the exhibition.

November 20, 2016

ABBEY McCULLOCH AT TWEED REGIONAL GALLERY

Like bursts from a camera shutter, Abbey McCulloch’s new series Performance at Tweed Regional Gallery captures not only the most consciously posed and poised bodies, but those moments in between that reveal the out-takes, where gestures belie the vivacious, confident woman caught only a millisecond before.

Somehow, we all know one of these fabulous creatures. She oozes with self-possession, acuity and style. She has a kind of élan, or je ne sais quoi that can be neither bought or photoshopped. With a prolonged and desiring gaze we realise that she is not one, but many women. She is composite and contemporary taste. She is a construction created by you and I, and them ‘out there’.

In this moment, McCulloch’s aim comes into sharp relief, problematising the very act of looking. She asks simply, “What do you want from her?” And in asking this question, McCulloch characterises the expectations we place on others and ourselves in the performance of everyday life.  Dr Laini Burton, 2016

Friday 9 December, 2016 to Sunday 26 February, 2017 at Tweed Regional Gallery. 

READ MORE HERE

November 12, 2016

ABBEY McCULLOCH FEATURED ON 'THE ART LIFE'

The Art Life's Sharne Wolff recently posed six and a half questions to Abbey McCulloch about being a finalist in the 2016 Portia Geach prize, and what it's like to paint portraits.  

Sharne Wolff: You’ve been an Archibald finalist twice and your portrait of curator and arts writer Alison Kubler Two 2016, is now showing in the Portia Geach Memorial Award. Tell us a bit about the process of making portraits.

Abbey McCulloch: Actually three times in the Archie but hey, who’s counting? They’ve all been great experiences getting to meet the subjects – even the ones that didn’t make the cut – so in some ways the motivation to have a specific encounter is behind my wanting produce a portrait at all. I think my idea of a person shapes the portrait, and playing around with that preconception is far more interesting to me than simply re-creating someone on canvas. I keep the sitting brief as there is usually something that happens in those initial moments of meeting someone that sticks with you and I don’t like to lose that feeling. There is this immediate wrestle with the person you expected in your mind and I like to play around with that. I also hope to capture some of the nerves as they’re there somewhere too – for both of us.

Read more here.

November 9, 2016

VIPOO SRIVILASA AT PARRAMASALA

One of the biggest celebrations of cultural diversity in New South Wales, Parramasala will be held from 10-12 March 2017, thanks to a multi-year funding arrangement between the State Government and City of Parramatta Council. 

Parramasala’s new mascot, an illuminated six metre tall inflatable creature will be revealed prior to the festival. Created by Vipoo Srivilasa, the mascot represents the coming together of many cultures in a harmonious and friendly way. Vipoo incorporated the V symbol denoting peace to reflect the multicultural event.

“It was an amazing experience as I’d never seen my work this size before,” the Thai-born artist said.

November 7, 2016

VIPOO SRIVILASA AT GIPPSLAND ART GALLERY

Vipoo Srivilasa's work has been curated into Gippsland Art Gallery's 'Weird Ceramic' exhibition.

Weird Ceramic is a survey of the strange and peculiar in contemporary Australian ceramics featuring twenty-seven works by eleven artists: Glenn Barkley, Stephen Bird, Chris Dolman, Lynda Draper, Donna Green, Emily Hunt, Philjames, Jenny Orchard, Stephen Ralph, Sarah Smuts-Kennedy, and Vipoo Srivilasa.

With its basis in the 1970s arts/craft movement, contemporary ceramics has one eye on the past while looking forward to new forms, techniques and processes.

Saturday 26 November 2016 to Sunday 12 February 2017, open during Gallery hours.  Read more here.

November 7, 2016

MARISA PURCELL, GRACE COSSONGTON SMITH ART PRIZE FINALIST

Marisa Purcell is a finalist in the 2016 Grace Cossington Smith Art Award.  

The award is sponsored by Abbotsleigh School and commemorates one of its alumni, Grace Cossington Smith, who is known as a pioneer of modernist painting in Australia.  Artists were invited to submit original two dimensional artworks reflecting the theme of Making Connections. The winning entry will form part of the permanent collection of Abbotsleigh’s Grace Cossington Smith Gallery. 

Read more about the award here.

November 6, 2016

JASPER KNIGHT, PADDINGTON ART PRIZE FINALIST 2016

Congratulations to Jasper Knight who is a finalist in the Paddington Art Prize with his work 'Red Ladder, Yellow Ladder' 2016, enamel, acrylic, masonite, plywood, perspex and copper on board.

The Paddington Art Prize is a $25,000 National acquisitive prize for a painting inspired by the Australian landscape and is now in it's 13th year. An exciting addition to the Australian Arts calendar, the Paddington Art Prize takes its place among the country's most lucrative and highly coveted painting prizes. The prize encourages the interpretation of the landscape as a significant contemporary genre, its long tradition in Australian painting as a key contributor to our national ethos, and is a positive initiative in private patronage of the arts in Australia.

October 30, 2016

ABBEY MCCULLOCH - PORTIA GEACH FINALIST 2016

Abbey McCulloch's work 'Two', a portrait of writer and curator Alison Kubler has been selected as a finalist in the Portia Geach Memorial Art Award for women artists for 2016.

The award, which was first given in 1965 in memory of the artist Portia Geach, displays selected entries from artists across the nation representing diversity in contemporary portraiture. The award is recognised as one of the most important celebrations of the talents and creativity of Australian female portrait painters and has played a major role in developing the profile of the nation’s women artists.

October 28, 2016

TIM McMONAGLE IN 'PAINTING, MORE PAINTING' AT AUSTRALIAN CENTRE FOR CONTEMPORARY ART

Tim McMonagle's work 'Ken Pearler' recently featured in the Australian Centre for Contemporary Art's exhibition 'Painting. More Painting'.  

Presented in two chapters across ACCA’s four exhibition galleries, Painting. More Painting was a big-picture focus on contemporary Australian painting, featuring the work of over 70 living Australian artists.

Conceived by ACCA Curator Annika Kristensen and Associate Curator Hannah Mathews, and developed in collaboration with ACCA’s new Artistic Director/CEO Max Delany, Painting. More Painting brought together a range of painting practices that reflected the medium’s enduring importance and its recent return to the centre of much public debate.

Read more here.

September 22, 2016

LUCY O'DOHERTY WINS BRETT WHITELEY SCHOLARSHIP

Gallery artist Lucy O'Doherty has been announced today as the recipient of the Brett Whitely Scholarship. Two paintings Shacks at Little Garie and Art deco bungalow from O’Doherty’s winning body of work are on display at the Brett Whiteley Studio alongside works by finalists Jason Phu (highly commended), Abdul Abdullah, Clara Adolphs, Tsering Hannaford, Andrew Hopkins and Zoe Tweedale.

Begun in 1999, this scholarship for young Australian painters is now in its 18th year. This year’s judges were artist Tom Carment and head curator of Australian art at the Art Gallery of NSW, Wayne Tunnicliffe. They selected this year’s winner from seven finalists, shortlisted from 91 entries.

O’Doherty has won $30,000 and a three-month residency at the Cité Internationale des Arts in Paris, which is administered by the Art Gallery of NSW.

About the scholarship

The annual Brett Whiteley Travelling Art Scholarship is open to Australian artists aged between 20 and 30 years. It was created from an endowment by Mrs Beryl Whiteley, who died in 2010. The inspiration was the profound effect international travel and study had on her son, the artist Brett Whiteley, as a result of winning the Italian Government Travelling Art Scholarship at the age of 20.

September 21, 2016

BUNDIT PUANGTHONG FEATURED IN ART ALMANAC

Melissa Pesa thoughtfully writes about Bundit Puangthong's latest exhibition in the current edition of Art Almanac. She writes:

Puangthong’s paintings explore, in depth, the cultural differences experienced since his arrival in Australia in 2000. Utilising a range of techniques from stencils to detailed, academic brushwork and an evocative colour palette, Puangthong creates texturally layered paintings that highlight his interest in American pop and Australian street art. Captivated by Melbourne’s creative ambience, its feast of colour, ideas and energy generated from public spaces, cross-cultural similarities became apparent. Puangthong reminisces, “When I came to Melbourne and saw all the street art everywhere it reminded me of the stencil work in the temples in Thailand.” Incorporating this approach with a modern medium, Puangthong brings a fresh art style onto the canvas.

View the complete article HERE.

July 13, 2016

Vipoo Srivilasa - Basil Sellers Art Prize Finalist

Congratulations to Vipoo Srivilasa who is a finalist in the 2016 Basil Sellers Art Prize.  

The prize defines sport in the broadest possible sense. An acquisitive prize of $100,000 will be awarded to a single, outstanding artwork, displayed in an exhibition of shortlisted finalists at the Ian Potter Museum of Art, the University of Melbourne in July 2016.

This prize is supported by Basil Sellers in order to encourage contemporary artists to develop their practice, to engage with the many themes within sport past and present, and to contribute to critical reflection on all forms of sport and sporting culture in Australia.

View available works by Vipoo Srivilasa HERE.

May 31, 2016

Julian Meagher Finalist, Shirley Hannan Bega Portrait Prize

Julian Meagher has been selected as a finalist for the Shirley Hannan Bega Portrait Prize at the Bega Valley Regional Gallery. The prize is a $50,000 non-acquisitive award for realistic portraiture. The winner will be announced by the judge Dr. Christopher Chapman, Senior Curator at the National Portrait Gallery, Friday 17 June.

View Julian’s available works here.

May 28, 2016

The IN/OUT design blog: Marisa Purcell

The IN/OUT design blog features an article on Marisa Purcell’s ‘Screen’, an exhibition of new paintings. Katrina Arent writes, ‘Abstract art is deeply engaged with science and the natural universe and yet not always in specific ways that are readily apparent. Discovering ways to articulate these often complex ideas provides the central motivation for artist Marisa Purcell…  Intangible concepts about the nature of reality, coupled with the open-ended process of making an artwork, gives rise to paintings that provoke thought and engage the senses.’ Read the full article here

The exhibition is current until 11 June, 2016. For a copy of the catalogue, please email [email protected] or view the exhibition online.

May 28, 2016

Stefan Dunlop Finalist, Sunshine Coast Art Prize

Congratulations to Stefan Dunlop who is a finalist in the Caloundra Regional Gallery's Sunshine Coast Art Prize. The prize is a national contemporary two-dimensional award with an acquisitive prize of $25,000 plus a studio residency at Montville Country Cabins. The winner will be announced on 1 September 2016. View Stefan’s available works here.

May 28, 2016

Belem Lett: Finalist, Sunshine Coast Prize & Chippendale New World Prize

Belem Lett has been selected as a finalist in two awards – the Sunshine Coast Art Prize, which offers a major acquisitive prize of $25,000, plus an artist studio residency, and the Chippendale New World Art Prize, where the winner will receive a $10,000 residency grant at the Arte Studio Ginestrelle Retreat at Mount Subasio, Italy. The Chippendale New World Art Prize winner will be announced 2 June, and the Sunshine Coast Art Prize winner will be announced 1 September, 2016.

April 6, 2016

Julian Meagher Gold Award Finalist, ROCKHAMPTON ART GALLERY

Congratulations to Julian Meagher who has been selected as a finalist in the 2016 Gold Award at Rockhampton Art Gallery. The Gold Award is a national invitation painting award with an acquisitive cash prize of $50,000 made possible through a generous bequest from the Estate of Moya Gold. The winning artist will be announced by Chris Saines, Director Queensland Art Gallery | Gallery of Modern Art. 

The exhibition is current from 23 July – 4 September 2016.

April 5, 2016

Vipoo Srivilasa at Subhashok The Arts Centre

Vipoo Srivilasa’s solo exhibition ‘Red-Eared Slider’ is currently underway at the Subhashok The Art Centre in Bangkok, Thailand.

The ‘Red-Eared Slider’ is a turtle native to the United State and feral across the globe. Originally introduced by a Japanese trader in Thailand, these red-eared turtles disrupt the natural ecology of Thai waters, threatening the native freshwater turtles. For Vipoo, who divides his time between Bangkok and Melbourne, the red-eared turtle represents the disregard humans have for their environment.

The exhibition is current to 30 April, 2016.

Click here for more information.

March 14, 2016

Vipoo Srivilasa Feature in Hi Fructose

Deianira Tolema explores the concepts behind Vipoo’s practice in ‘Vipoo Srivilasa’s Playful Kingdom of Ceramic Figurines’ for Hi Fructose: The New Contemporary Magazine. She writes,

"Srivilasa’s work also explores the commonalities between Thai and Australian culture and Eastern and Western culture, where he uses blue and white as a reference to the export of blue and white porcelain from China to Europe. While being fully aware of his heritage, Srivilasa has been mixing up echoes from the past with traces of the present in a carefully arranged juxtaposition of old and new ways of thinking.”

Read the full article here.

March 12, 2016

Vipoo Srivilasa ‘Patience Flower XXII’ in the Crafts Council Collection, London

Vipoo Srivilasa’s  has been chosen by Rebecca Hill, Exhibitions and Collections Co-ordinator at Gallery Oldham, as her favourite piece in the Crafts Council Collection, London.

"I really love the fact that this piece is technically excellent, yet doesn’t seem to take itself too seriously.” Rebecca Hill, January 2016.

Read the full article here.

February 24, 2016

Lyndal Hargrave DAILY IMPRINT Interview

Lyndal Hargrave is featured on the DAILY IMPRINT: Interviews on Creative Living. Interviewed by Natalie Walton, Lyndal talks about her inspirations and passions. Read the full article here. 

“I’m drawn to patterns that shape our universe – the hexagons of a beehive, the fractals of a fern, the prisms of minerals,” she says. “I’m moving away from hard edge geometry to a more organic, lighter approach.” Lyndal Hargrave, 2016.

Lyndal’s exhibition ‘New Geometricks’ is current to 27 February, 2016. View her available works here.

February 17, 2016

Vipoo Srivilasa 2016 Fleurieu Art Prize Finalist

Vipoo Srivilasa's sculpture 'Collective Reef' has been shortlisted for the $65,000 Fleurieu Art Prize for Landscape, hosted at the Anne & Gordon Samstag Museum of Art in Adelaide. The Fleurieu Art Prize focuses on landscape as a means of expressing the power of connection to place. This years judging panel includes Nigel Hurst, Director of Saatchi Gallery London; Suhanya Raffel, Deputy Director and Director of Collections AGNSW; and Erica Green, Director of Samstag Museum of Art. 

The winner is announced at opening night, Thursday 3 June 5 - 7pm at the Anne & Gordon Samstag Museum of Art in Adelaide, University of South Australia, 55 North Terrace, Adelaide. The Exhibition is current 3 June - 29 July, 2016.

Vipoo will present a new body of work at Edwina Corlette Gallery 16 November - 3 December, 2016. To view Vipoo's available works, click here.

February 13, 2016

Abbey McCulloch New Works

Abbey McCulloch’s current practice has been transforming over the summer, from small ink on paper studies to large oil on canvas works. 

“We seem to let more of our hidden selves bubble to the surface as we age but perhaps it is just the prickly self-consciousness of youth that dissolves away. I think that at times we all struggle with honest versions of ourselves. Perhaps that is the best part about getting older, the guard lowers, our Dobermans settle."

With this idea that we can be too careful for own good, the images explore the impossible and yet wonderful abandon in letting aspects of our hidden selves surface. Allowing the consequences to fall around us, even if for a moment.

Abbey McCulloch and Tara Marynowsky joint exhibition 'Rawhide' is on from 14 June – 9 July, 2016. To view Abbey’s available works, click here.

February 10, 2016

Lyndal Hargrave 'New Geometricks''

Please join us for the official opening drinks of Lyndal Hargrave's first exhibition with Edwina Corlette Gallery 'New Geometricks' this Saturday 13 February, 2 - 4pm. The exhibition is current 2 - 27 February.

Carrie McCarthy writes of Lyndal's practice,

'Geometry. From the ancient Greek Geo, meaning earth, and Metron, meaning measurement. In mathematics, it is the branch that deals with points, lines, angles, surfaces and solids. By measuring how each facet of the universe relates to another, it taps to the undercurrent, the guidelines that underpin natural evolution, and the chaos that manages to exist within those parameters. Used in art, geometry creates constraints into which artists can channel their contemplations and emotional energies, creating what the grandfather of geometric abstraction, Kazimir Malevich, once called “the primacy of pure feeling in creative art.” Where modernism taught us that subject was no longer as important as form, geometric abstraction has taught us to consider form as the embodiment of the deepest structures of the universe, challenging our perceptions of surface and space. For Lyndal Hargrave, geometry is the foundation from which she makes sense of her environment.

To see the universe as Lyndal Hargrave does is to see the world in macro. An artist whose practice is informed by the twin concepts of fractal geometry and cellular biology, her work magnifies organic life to the point that recognizable forms are lost in a kaleidoscope of patterns and grids, fragmented and prismatic. Intrigued by the vast mysteries of the natural world, Hargrave’s explorations use key elements of complexity and repetition to consider theories of connectivity, evolution and interdependence. Balancing her scientific and mathematical sensibilities is an instinctive use of colour, arrangement and tone to illustrate the belief that we are all part of the world, not separate from it. Incorporating both painting and wall-based sculpture, each work is an organic and intuitive rendering of well-defined principles, created by an artist attuned to both the earth’s vibrations and her own personal cadences.

In New Geometricks, Hargrave expands on her previous ruminations on interconnectedness by immersing herself wholly in the creative process rather than focusing on strict geometric considerations. Technically confident, Hargrave has trusted past experience to guide this show, ultimately letting her subconscious decide which direction the work would take. The overall effect is ethereal and otherworldly, with compositional studies that drift between cloudy dreamscapes and emerald green underwater worlds. Gem-like prisms tumble upon each other in perpetual motion, floating forward and back, rising and falling with each undulation, giving the works a softness and tactility more akin to quilting or thread art than the hard edges of geometric abstraction. Devoid of representational forms and fixed-point perspectives, emotion is instead conveyed via the subtle nuances of colour, tone and shape, acting not unlike music’s ability to evoke feeling and sentiment. There is a sense of progression and impermanence across these works too, mirroring the moments of personal transition Hargrave herself experienced while in the studio. The result of this working style is a practice that serves as a filter between her outer and inner worlds, ambiguous to the audience, but a visual diary of lived experiences for Hargrave herself.

Ultimately though, Hargrave’s works aren’t intended for such didactic consideration. Rather, these shimmering compositions should inspire contemplation and introspection in the viewer, allowing an opportunity to consider the theories put forward, and to volunteer another interpretation entirely.

It is the constant push-pull of life – how we impact, and are impacted by, our surroundings that is key.'

To view Lyndal's available works, click here.

February 9, 2016

Bundit in Conversation

This March at the Festival of Live Art in Melbourne, Bundit Puangthong will take part in Asian Artists in Conversation. Participating artists will provide a critical overview of the Asian art landscape, and discuss the shifting boundaries and concepts of contemporary Asian art.

When: Sunday 6 March, 1pm – 5pm

Venue: FCAC Roslyn Smorgon Gallery

Cost: Free, bookings required

The Festival of Live Art is hosted by Arts House, Theatre Works and Footscray Community Arts Centre, and is current 1 – 13 March 2016. For more information, click here.

Bundit's forthcoming exhibition is from 4 - 22 October 2016.

December 15, 2015

Vipoo Srivilasa at Shepparton Art Museum

Vipoo Srivilasa has collaborated with local indigenous artists for Collisions: Cross-Cultural Collaborations, a community cultural development partnership between Shepparton Art Museum and Gallery Kaiela. The project involves local Indigenous artists partnering with established Melbourne-based contemporary artists.

Through the sharing of ideas, narratives and techniques, the artists have engaged in an exploration of cultural difference and similarity, conflict and connection, forging relationships in a dialogic exchange that departs from the art-making process.

Collisions: Cross-Cultural Collaborations is on show at SAM and runs current to 14 February 2016.

Read more.

December 2, 2015

Mark Whalen at The Standard, Los Angeles

Mark Whalen recently painted the 6th St Mural at The Standard Hotel in Los Angeles. Each month, the Standard invites an artist to paint a mural, often to comment on urban development and contemporary culture. The mural is a twelve by twenty-four meter public art space, located on a major public thoroughfare adjacent to the Standard. Photographer Bobby Alderman captured Mark in action.

View more work by Mark Whalen here.

December 2, 2015

Jasper Knight for Ovolo Hotels

Jasper Knight recently collaborated with Ovolo 1888 Hotel Pyrmont to create vibrant spaces in each room of the hotel. Ovolo Hotels is an independent company headquartered in Hong Kong, operating a collection of individually designed lifestyle hotels.

Jasper is currently undergoing an artist residency at The Standard Hotel in Los Angeles. Just as Mark Whalen had in October this year, Jasper will paint the 6th St Mural, his first large-scale public project. The mural is a twelve by twenty-four meter public art space, located on a major public thoroughfare adjacent to the Standard.

December 2, 2015

Judith Sinnamon on 'More Margie' blog

Thank you Margie Fraser for featuring Judith Sinnamon's recent exhibition 'Downtown Yangon' on her More Margie blog.

Judith's paintings reflect her experience living in Myanmar. Margie writes about Judith's journey painting in a foreign place, far from the familiar Queensland coastal landscape.

“Yangon is an extreme environment, intense. The sounds and smells are so full on. People, people, people. Going from trees to people was probably a most logical thing for me. One of the first things that struck me were the melodic calls of the women hawking in the streets, sounds floating up to us on the 7th floor of our new home on 37th Street.”

Read Margie's article here.

November 11, 2015

Abbey McCulloch: Finalist in the Gold Coast Art Prize 2015

Congratulations to Abbey McCulloch who has been selected as a finalist in the Gold Coast Art Prize 2015 with her work 'Abundance'.  The winner will be announced at the Official Opening on the 5th December. Exhibition current until 31 January 2016.

Abbey's next exhibition at Edwina Corlette Gallery is in June 2016. To view available works click here.

November 7, 2015

Sarah Werkmeister on Julian Meagher for Art Guide

Featured in the November issue of Art Guide Australia, Sarah Werkmeister writes of Julian's current show,

"It’s fair to say that Australia has a rocky history. Julian Meagher’s new exhibition, Alone in the Sun, interrogates the scars left behind, in both the national consciousness and in the landscape itself, with a deft poeticism...

Meagher’s trademark bottles and flora feature in the show as well, making reference not only to the artefact – he worked with a scuba diver to source bottles from Sydney Harbour and scoured op shops too – but also to the need to drink to deal with hardship. Instead of imbuing the typical Australian masculinity onto notions of drinking, the delicacy and translucency of the paint allude to the passing of time through an object, speaking to an understanding of human nature and the way it influences our psychic environment.

Meagher seems to suggest that we’re all implicated in Australia’s scars and that the only way to move forward is to start by looking back."

Read the full article here.

October 17, 2015

Vipoo Srivilasa at The Ian Potter Museum of Art 'More Love Hours'


Vipoo Srivilasa exhibited in 'More Love Hours' at The Ian Potter Museum of Art, Melbourne. 'More Love Hours' brought together the works of contemporary Australian artists who use traditional techniques and processes in their practice. The works demonstrated the use of 'traditional' forms of creativity as a means to express contemporary values and complex ideologies.

'More Love Hours' installation at The Ian Potter Museum of Art, photographed by Viki Petherbridge

Carol Shwarzman writes, "at first glance, their balanced poise beckons for our approval, to satisfy desire for perfection, decoration, or to escape into the soft murmurs of collectible comfort and status quo. Inevitably, closer inspection reveals Srivilasa's take on cross-cultural social tensions, the commodification of artistic integrity, the role of the self within popular culture, and the history of ceramics worldwide."

To see more of Vipoo's work, click here.

October 17, 2015

Belem Lett - Fisher's Ghost Art Award Finalist 2015

Belem Lett is a finalist in the Fisher's Ghost Art Award this year with his work 'Monster.' The Fisher's Ghost Award was established in 1956 and runs as part of the Fisher's Ghost Festival at the Campbelltown Arts Centre, New South Wales.  The opening ceremony is the evening of Friday, 6th of November, and the exhibition runs from 31st of October to 12th of December.

To see more of Belem's work, click here.

October 10, 2015

Abbey McCulloch for Portia Geach Memorial Award 2015

We are very pleased to announce Abbey McCulloch was a finalist in the Portia Geach Memorial Award. The Award is recognised as one of the most important celebrations of the talents and creativity of contemporary Australian female portrait painters.

The Portia Geach Memorial Award was established by the will of the late Florence Kate Geach in memory of her sister, Portia Geach. The non-acquisitive award of $30,000 is awarded by the Trustee for the entry which is of the highest artistic merit, 'for the best portrait painted from life of some man or woman distinguished in Art, Letters, or the Sciences by any female artist resident in Australia.'

October 7, 2015

Julian Meagher's portrait of Johnathan Thurston

Julian Meagher's portrait of superstar National Rugby League player Johnathan Thurston is on the cover of the October issue for Rugby League Player Magazine.  Meagher was a finalist in the 2015 Archibald Prize with his portrait of Daniel Johns. The Thurston portrait is part of a suite of works from the 'Code' series which shines a light on the vulnerability of some of Australia's biggest football heroes, dramatising the precarious fragility in each man’s isolated facial expression.

Julian Meagher's solo exhibition 'Alone in the Sun' is on from 3 - 27 November 2015.

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October 6, 2015

Julian Meagher FINALIST in the Doug Moran Portrait Prize

We are pleased to announce that Julian is a semi-finalist with his portrait Paul Ryan for the Doug Moran National Portrait Prize. Julian was also a finalist with his work Floating In A Darkened Sky for the Eutick Memorial Still Life Award (EMSLA) at Coffs Harbour Regional Gallery.

Julian will be exhibiting new works for Alone in the Sun at Edwina Corlette Gallery, November 3 - 21, 2015. This series of new work further investigates how our past inhabits our present. 'As I have grown older I have become interested in the concept of both collective and personal notions of inherited history,' he says.

July 18, 2015

Julian Meagher, sensitive masculinity

Originally posted on CULTURAL FLANERIE:

In one of life’s more curious turns, I ended up owning a cocktail bar about six years ago. Me, the chick with no hospitality experience, who’d never waited tables, never pulled a beer and didn’t knowthe difference between an ale and a lager, was suddenly having to work out how to change a beer keg and what the hell people meant when they asked for a “CC and dry.” To say it was a steep learning curve is an understatement. It was a world away from my previous life in writing and interior design.But the patrons and Isurvived the rocky start and now its almost second nature to me. I’ve even won awards for my espresso martinis – go figure!

Howeverowning a bar, even now that I’m rarely actually the one serving drinks, is something that has never sat easily with me. On a daily basis I rely on the…

View original 635 more words

April 24, 2015

Artist Profile: Stefan Dunlop

Stefan Dunlop features in Issue #29 of Artist Profile.

April 8, 2015

Work Acquired by the Parliament House Collection, Canberra

Congratulations to Vipoo whose work New Family I (2014) was recently acquired by the Parliament House Collection, Canberra.

April 8, 2015

Work Acquired by the Lady Cilento Children's Hospital, Brisbane

Congratulations to Vipoo whose work Soup Bowl With Turtle (2012) was recently acquired by the Lady Cilento Children's Hospital, Brisbane.

April 8, 2015

Cultural Flanerie reviews 'The Shallows'

Carrie McCarthy writes, "There is a lot of water in The Shallows, which surprises me as it always does in artists’ work. Using such an obvious trope is a big risk. Art and literature are already so full of stories of rivers and beaches, and waves that overwhelm. Water as a metaphor – cleansing, baptism, renewal – the phases of human life depicted in the ebb and flow of the tide. We stay afloat, tread water, swim against the tide." 

McCarthy's deeply thoughtful review of Abbey McCulloch's 'The Shallows' can be found here.

April 8, 2015

Vipoo Srivilasa visits the U.S.

Congratulations Vipoo Srivilasa who recently visited the U.S. to be a part of the Roundtable Discussion for the National Council on Education for the Ceramic Arts (NCECA) on March 26, 2015.

‘”Pass the Peas: Food, Objects and the Making of Community”, will expand on themes explored in our 2015 keynote lecture. Namita Gupta Wiggers will moderate this lively discussion with Aruna D’Souza, Julia Galloway, Frederick Opie and Vipoo Srivilasa. As writers, artists, curators and historians these individuals all deal with the complex ways that we understand place and memory through objects, food and community engagement.’

April 8, 2015

Belem Lett shows at Chasm Gallery NY

Belem Lett joins Genevieve Felix Reynolds for an exhibition titled “Bang Bang” at Chasm Gallery in New York: a boutique gallery in Brooklyn NY, focusing on Australian fine art. The show runs from 10 – 20 April, 2015.

Image: Belem LettBang (2015) oil on aluminum composite panel, pigment, resin 62 x 45 x 6 cm.

April 8, 2015

DAILY IMPRINT interviews Abbey McCulloch

In an interview with DAILY IMPRINT, Abbey says: “I have just always loved communicating through images for as long as I can remember. Drawing was just something that I had to do, in a compulsive and almost therapeutic sense.”’ See here for the full interview.

April 8, 2015

Miranda Skoczek and Gorman

Miranda Skoczek has collaborated with Gorman Clothing for their 2015 winter collection. In sync with the label’s aesthetic, Miranda’s artwork blends seamlessly into signature Gorman textures and styles. Her work is featured across all 53 pieces in the collection, with every print originating from five of her artworks.

Read more about the collaboration here.

March 10, 2015

Tara Marynowsky Wins Marten Bequest Travelling Scholarship

Congratulations Tara Marynowsky for receiving a Marten Bequest Travelling Scholarship worth $20,000. The scholarship is paid over a two year period to support the scholars in furthering their artistic careers.

Tara Marynowsky will travel widely with her scholarship funds, including to New York, where she will engage with contemporary art practices, and the UK, where she will collect Edwardian and Victorian documents and artefacts. These experiences will inform her new work, which she will commence during a four month residency at La Cité Internationale des Arts (Paris). Her overarching aim is to investigate symbolism in art and cultural belonging through African American art, French symbolism and English culture.

March 3, 2015

Tara Marynowsky Features in Art Collector

Congratulations Tara Marynowsky for featuring in the latest issue of Art Collector magazine. Tara was listed as one of Art Collector’s ’50 Things Collectors Need to Know About’ and is considered to be one of the artists who will be shaping the Australian and New Zealand art worlds in 2015.

March 3, 2015

Mark Whalen Exhibiting at the Town Hall Gallery in Hawthorn

Mark Whalen features in the group exhibition ‘Data Flow: Digital Influence’ at the Town Hall Gallery in Hawthorn, Victoria. The exhibition will run from 3 March – 12 April, 2015 and features a wide range of artists and artworks investigating how data flows through the productions of art in an increasingly digital world.

February 28, 2015

Carla Hananiah features in Daily Life

In an article from Daily Life, Carla Hananiah was named one of seven young artists to invest in now. 

Carla’s technique has drawn great attention. Exuberant brush strokes and marbled skies uniquely capture light, shadow and shape across immense spaces. The purity of colour in her works also purveys a sense of mysticism bordering on the spiritual.

Read the full article here.

February 13, 2015

Vipoo Srivilasa: Clay, Culinary and Community

February 13, 2015

Abbey McCulloch in Harper’s Bazaar Magazine

Abbey McCulloch's work features in the March 2015 issue of Harper’s Bazaar Magazine.

February 6, 2015

Marisa Purcell: Artist Interview on Daily Imprint

Marisa Purcell speaks openly about her practice leading up to her solo exhibition at Edwina Corlette Gallery:

“Getting my first studio was a significant thing for me – and since then I have taken a path of showing my work very regularly – in both artist-run spaces and commercial spaces in Australia and overseas.  Moving overseas and undertaking residencies allowed me to explore European art and see painting from an international viewpoint.”

Read the full interview on Daily Imprint here.

February 6, 2015

Marisa Purcell in the Studio

We paid a visit to Marisa's studio prior to her solo exhibition of new paintings titled, 'Unbounded'. Hear what Marisa has to say about her practice:

February 6, 2015

Art Guide: Preview

Freelance arts writer, Louise Martin-Chew, covers Marisa Purcell's 2015 solo exhibition Unbounded in a preview article for Art Guide Australia. Louise writes:

"In Unbounded, Marisa Purcell explores the natural, the sacred and the spirit through a series of abstract paintings. At turns poignant, moving and arresting in their capture of space, time and memory, they direct the viewer to an ephemeral moment just below the conscious."

Read the full article here.

December 19, 2014

Vipoo Srivilasa's work acquired by QAGoMA

Congratulations to Vipoo Srivilasa whose work Bleach IV (2012) was acquired by the Queensland Art Gallery and Gallery of Modern Art.

Image: Bleach IV (2012), pocelain and cobalt pigment

December 19, 2014

Blake Prize Finalist Marisa Purcell

Congratulations to Marisa Purcell who is a finalist in the 2014 Blake Prize with her beautiful work Quiver. Judges of the Blake Prize, Anne Ferran (artist), Alexie Glass-Kantor (curator), and Alex Norman (religion academic), said submissions had ‘cast aside the leaden notion of religions as simply collections of statements about the nature of things. Here instead we see the religious and the spiritual as diverse, contradictory, uplifting, and mundane, all at once. Some of the works are playful and wry. Equally, we also see darkness, fear, and lamentation. Taken together, a distinctly optimistic and positive sentiment is palpable.’

December 19, 2014

Tara Marynowsky features in Artbank’s ‘Sealed Section’ Exhibition

Tara Marynowsky features in Artbank’s exhibition ‘Sealed Section’ curated by Miriam Kelly, showing from 28 November, 2014 until 7 February, 2015.

“Tearing open the ‘perforated pages’ of the Artbank collection, Sealed Section reveals works that canvas the topics of impolite dinner conversation: sex, politics and religion. Underpinning these often controversial topics is a consideration of the complexities of human relations and the human condition. As a result, Sealed Sectionincludes a rich and diverse group of works that highlight the strength and pertinence of contemporary art as a response to the key issues of our time.”

December 19, 2014

Julian Meagher + Belvoir St Theatre 2015 Catalogue

Julian Meagher has been commissioned by Belvoir St Theatre in Sydney to bring the Company’s actors to life with a suite of drawings for their 2015 catalogue. Belvoir’s position as one of Australia’s most innovative and acclaimed theatre companies has been determined by such landmark productions as The Wild Duck, The Diary of a Madman, The Blind Giant is Dancing, The Book of Everything, Cloudstreet, Measure for Measure, Keating!, Parramatta Girls, Exit the King, The Alchemist, Hamlet, Waiting for Godot, The Sapphires, Who’s Afraid of Virginia Woolf?, Stuff Happens and Medea.

December 19, 2014

Julian Meagher – 2014 Archibald Prize Finalist at the Art Gallery of New South Wales

When Julian Meagher first met John Waters ‘He was rehearsing Looking Through A Glass Onion with Stewart, my girlfriend’s father, in his lounge room. They were making a lot of noise, laughing and playing Norwegian Wood. It was great to meet the man I had watched on Play School, now far removed from Big Ted’.

John Waters is an English film, theatre and television actor best known in Australia, which he’s called home since 1968.  Meagher says ‘I wanted to paint John in a puffy shirt, both as a nod to his theatrical profession and to re-imagine him as a kind of colonial character. ‘He has such a strong face, which really suited my painting style. It was my hope to capture a complex expression. Rather than looking back at the viewer, he is engaged with something outside our understanding’.

Born in Sydney in 1978, Meagher left work as a medical doctor nine years ago to paint full time and has exhibited regularly since then both locally and internationally. He studied the Atelier method in Florence, Italy. He has been a finalist five times in the Salon Des Refuses. He was a finalist in the Doug Moran Portrait Prize in 2009 and 2012, as well as in the Metro Art Prize and Blake Prize for Religious Art.

September 27, 2014

Vipoo Srivilasa awarded the 2014 Gold Coast International Ceramics Prize

Congratulations to Vipoo Srivilasa who was announced the winner of the 2014 Gold Coast International Ceramics Award.  Vipoo’s thoughtful porcelain work Battle of Old and New Power was selected from 48 entries from several countries including Japan, Argentina and Isreal.  Judge Dr Patsy Hely from the Australian National University School of Art described Vipoo’s work as having ‘resonance not just with one country’s internal battles but with the pulls and pushes of global relations and power struggles more broadly. In this way, it is a work in which the contemporary world is writ large.’ Srivilasa’s work was described as ‘at once beautiful and unsettling’ and reflects the contemporary world by ‘speak[ing] loudly of this moment in time.’

Image: Battle of New and Old Power (2012), porcelain

27 November 2024 – 14 December 2024
JUDITH SINNAMON

16 October 2024 – 5 November 2024
STEFAN DUNLOP

25 September 2024 – 15 October 2024
PAUL RYAN

25 September 2024 – 15 October 2024
BRIDIE GILLMAN

24 July 2024 – 13 August 2024
SALLY ANDERSON

12 June 2024 – 2 July 2024
JOHN BOKOR

1 – 21 May 2024
Belem Lett ‘Fountain’

20 March 2024 – 9 April 2024
Lyndal Hargrave ‘Wanderlust’

19 December 2023 – 30 January 2024
THE SUMMER SHOW

7 – 21 December 2023
SMALL WORKS - Click and Collection

16 November 2023 – 2 December 2023
Miranda Skoczek ‘Flowers Look Back at Me’

25 October 2023 – 14 November 2023
Judith Sinnamon ‘Foliage II’

9 August 2023 – 5 September 2023
Tim McMonagle ‘Silver and Gold’

26 July 2023 – 16 August 2023
Sally Anderson ‘Carrying Flood Face Flowers’

22 March 2023 – 11 April 2023
Ari Athans ‘Ingrained’

29 November 2022 – 28 February 2023
THE SUMMER SHOW

18 October 2022 – 5 November 2022
‘Light Matter’ featuring Julian Meagher & Marisa Purcell

27 September 2022 – 15 October 2022
Bridie Gillman ‘Wash Over Me’

8 – 11 September 2022
SYDNEY CONTEMPORARY

7 – 25 June 2022
Belem Lett ‘Limbo’

26 April 2022 – 14 May 2022
John Bokor ‘Domestic Splendour’

5 – 23 April 2022
Stefan Dunlop ‘Endless’

23 February 2022 – 12 March 2022
Paul Ryan ‘Rococo Dreaming’

3 January 2022 – 1 February 2022
THE SUMMER SALON

30 November 2021 – 18 December 2021
Bundit Puangthong ‘Endless Yarn’

23 November 2021 – 15 December 2021
THE ART OF CHRISTMAS | ONLINE ONLY

9 – 27 November 2021
Dan Kyle ‘Garden on the Edge’

22 October 2021 – 6 November 2021
Sally Anderson ‘Seabed Bedspread’

5 – 21 October 2021
Marisa Purcell ‘Outside In’

14 September 2021 – 2 October 2021
Judith Sinnamon ‘Foliage’

13 – 31 July 2021
Tim McMonagle ‘Under Time’

8 – 15 June 2021
Ari Athans ‘End of Days’

1 – 19 June 2021
Lucy O'Doherty ‘Blue Hour’

11 – 29 May 2021
Bridie Gillman ‘Amongst’

20 April 2021 – 8 May 2021
Marisa Purcell ‘Endlessness’

18 February 2021 – 6 March 2021
Lyndal Hargrave ‘Grounded’

28 October 2020 – 18 November 2020
Julian Meagher ‘Sleepwalking’

8 – 27 October 2020
Paul Ryan ‘The Botanist’

27 August 2020 – 16 September 2020
Ari Athans ‘Arrival’

16 July 2020 – 5 August 2020
Christopher Zanko ‘Heretofore’

19 June 2020 – 15 July 2020
Bundit Puangthong ‘What Water Will Bring’

26 May 2020 – 18 June 2020
Judith Sinnamon ‘Illuminations’

16 April 2020 – 2 May 2020
Belem Lett ‘Smoke Screen’

29 January 2020 – 19 February 2020
Bridie Gillman ‘With the Sun in My Eyes’

26 November 2019 – 14 December 2019
MIRANDA SKOCZEK 'Better Get It In Your Soul'

8 – 23 November 2019
DAN KYLE 'Caught In A Haze'

29 August 2019 – 21 September 2019
SALLY ANDERSON 'Blue You Sea Sky'

8 – 28 August 2019
MARISA PURCELL 'Fieldwork'

18 July 2019 – 7 August 2019
JOHN BOKOR 'At My Table'

27 June 2019 – 17 July 2019
YARRENYTY ARLTERE ARTISTS

26 June 2019 – 17 July 2019
THE NEW GALLERY SHOW — A Group Exhibition

6 – 25 June 2019
LUCY O'DOHERTY 'After Hours'

17 May 2019 – 5 June 2019
TIM McMONAGLE 'Wonderful Things'

2 – 25 April 2019
PAUL RYAN 'Cyan Summer'

19 February 2019 – 9 March 2019
BRIDIE GILLMAN 'Wide Eyed'

18 September 2018 – 10 October 2018
Julian Meagher ‘Tidelines’

12 – 16 September 2018
SYDNEY CONTEMPORARY ART FAIR - DAN KYLE, MIRANDA SKOCZEK, MARK WHALEN, YARRENYTY ARLTERE ARTISTS

29 August 2018 – 15 September 2018
THE 10TH ANNIVERSARY EXHIBITION

10 August 2018 – 28 October 2018
CLARA ADOLPHS 'Familiar Distance' at ARTSPACE MACKAY

9 – 28 August 2018
ARI ATHANS 'Remains'

19 July 2018 – 8 August 2018
JUDITH SINNAMON 'Bimblebox'

18 – 30 June 2018
Mark Whalen ‘Squeeze’

22 May 2018 – 9 June 2018
Carla Hananiah ‘Fleeting Wonders’

10 – 28 April 2018
YARRENYTY ARLTERE ARTISTS

16 March 2018 – 7 April 2018
Marisa Purcell ‘Transmission’

22 February 2018 – 15 March 2018
Paul Ryan ‘The Colonies, South by Southeast’

14 November 2017 – 5 December 2017
MIRANDA SKOCZEK 'Rag Rugs and Lion Heads'

24 October 2017 – 14 November 2017
Tim McMonagle ‘New Paintings’

11 July 2017 – 3 August 2017
Lyndal Hargrave ‘Prismatics’

20 June 2017 – 11 July 2017
Lucy O'Doherty ‘Shelter’

26 May 2017 – 17 June 2017
Vipoo Srivilasa ‘Happy Together’

4 – 25 May 2017
Abbey McCulloch ‘Zero’

7 April 2017 – 4 May 2017
Judith Sinnamon ‘1770’

17 March 2017 – 6 April 2017
Paul Ryan ‘Happy Days in the Colony’

3 – 23 February 2017
Bridie Gillman ‘Overnight’

29 November 2016 – 17 December 2016
Jasper Knight ‘Little Wonder’

29 November 2016 – 17 December 2016
Lucy O'Doherty ‘Suburban Rituals’

3 – 12 November 2016
BRIDIE GILLMAN Online Only

18 October 2016 – 5 November 2016
Miranda Skoczek ‘Crazy Patchwork’

20 September 2016 – 15 October 2016
Bundit Puangthong ‘Reliving’

3 – 23 August 2016
Ari Athans ‘Volcanic Bloom’

12 July 2016 – 2 August 2016
Carla Hananiah ‘In The Wait’

14 May 2016 – 11 June 2016
Marisa Purcell ‘Screen’

1 – 24 March 2016
Belem Lett ‘Paradise Lost’

27 November 2015 – 18 December 2015
Judith Sinnamon ‘Yangon Downtown’

9 – 13 September 2015
Sydney Contemporary Art Fair

2 – 27 June 2015
Ari Athans ‘Andromeda’

21 April 2015 – 9 May 2015
Tara Marynowsky ‘Tide Is High’

24 March 2015 – 18 April 2015
Abbey McCulloch ‘The Shallows’

3 – 28 February 2015
Marisa Purcell ‘Unbounded’

2 – 19 December 2014
Belem Lett ‘There Be Monsters’

21 October 2014 – 8 November 2014
Judith Sinnamon ‘Wallum’

30 September 2014 – 18 October 2014
Ari Athans ‘Geophyllia’ (Gallery 2)

9 – 27 September 2014
Sense of Surround (Gallery 2)

14 – 17 August 2014
Melbourne Art Fair

20 May 2014 – 7 June 2014
Jasper Knight ‘Kurilpa Bridge’

11 October 2013 – 2 November 2013
Jasper Knight ‘Recent Work’

20 – 22 September 2013
Sydney Contemporary Art Fair

10 September 2013 – 12 October 2013
5th Anniversary Exhibition

30 July 2013 – 17 August 2013
Ari Athans ‘Rockheads’ (Gallery 2)

30 July 2013 – 17 August 2013
Judith Sinnamon ‘Melaleuca’ (Gallery 1)

18 June 2013 – 6 July 2013
Carla Hananiah ‘Ever Brighter’

26 March 2013 – 13 April 2013
Marisa Purcell ‘Communion’

6 – 24 November 2012
Bundit Puangthong ‘Buffalo After the Rain’

16 October 2012 – 3 November 2012
Miranda Skoczek ‘Spirit Garden’

25 September 2012 – 13 October 2012
Carla Hananiah ‘In the Cool of the Day’

27 March 2012 – 14 April 2012
Marisa Purcell ‘Murmuration’

6 – 24 March 2012
Collectors Show

26 November 2011 – 17 December 2011
Summer Show

17 October 2011 – 5 November 2011
Vipoo Srivilasa ‘Symbols’ (Gallery 2)

26 September 2011 – 15 October 2011
Miranda Skoczek ‘Animal Fantastical’ (Gallery 1)

25 July 2011 – 13 August 2011
Stefan Dunlop ‘Recent Paintings’

4 – 30 April 2011
The Super Heroes

14 March 2011 – 2 April 2011
Marisa Purcell ‘Immanence’ (Gallery 1)

2 January 2011 – 19 February 2011
Summer Show

27 September 2010 – 16 October 2010
Spring Exhibition

4 – 8 August 2010
Melbourne Art Fair

3 – 22 May 2010
Ari Athans ‘Facet’

12 April 2010 – 1 May 2010
Julian Meagher ‘Portable Shrines’

22 March 2010 – 10 April 2010
Mark Whalen ‘Observatory’

1 – 30 January 2010
The Summer Show

30 October 2009 – 21 November 2009
Miranda Skoczek ‘Patterns of Knowledge’

14 July 2009 – 1 August 2009
Stefan Dunlop ‘Select Paintings’

10 – 28 March 2009
Vexta, Kill Pixie & Ari Athans

3 – 19 December 2008
The Christmas Show

2 September 2008 – 4 October 2008
Bundit Puangthong ‘Recent Work’