September 19, 2023
BELEM LETT is featured in the latest edition of Art Edit.
Issue 36 draws on Belem Lett's exploration of preconceptions and how his manipulation of colour creates pieces of harmony.
Text by editor Rose of Sharon Leake and images from past exhibitions with Edwina Corlette Gallery, edition out now.
oil, gesso, marble dust on aluminium composite panel
56 x 48 cm
September 16, 2023
We are delighted to announce that JUDITH SINNAMON is a finalist in the 2023 Brisbane Portrait Prize for her portrait of Nathan Appo.
Judith sought to capture Nathan's incredible warmth and generosity and a wisdom that comes from 65,000 years of continuous sustainable culture and land management with a deep love for country and humanity at its core.
The Brisbane Portrait Prize is all about celebrating Brisbane portrait artists and their sitters, while encouraging public engagement with the arts.
Judith is having a solo exhibition with us October 25.
'Nathan Appo' 2023
Oil on linen
134 x 104 cm
September 16, 2023
It is with great pleasure that we announce Belem Lett has been selected as a finalist in the 2023 Paddington Art Prize for his work 'This Land Is Slippery'
The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape.
'This Land Is Slippery' 2022
Oil, gesso, marble dust on aluminium composite panel
150 x 180 cm
September 16, 2023
We are thrilled to announce that BRIDIE GILLMAN is a finalist in the 2023 Girra: Fraser Coast National Art Prize for her piece 'Quiet, after the storm'
‘Quiet, after the storm' translates the experience of a storm in the late afternoon as it forms and rolls in, revealing a crisp clear sky as it moves on and ushers in the night. This is painted as a journey through a period of time, rather than one specific moment. Ceramic forms echo the dark silhouettes of a falling night, and viewers are invited to navigate their way around them. A soundscape created in collaboration with Reuben Schafer journeys through various instrumentation and field recordings. It immerses viewers in the feeling; a sensation felt in the last hour of daylight that we have come to know as the ‘quiet of day’. With deep gratitude I acknowledge this work has been made in response to experiences on Turrbal, Yuggera, Bundjalung and Gumbaynggirr Countries.
'Quiet, after the storm' 2022
Oil on linen, glazed ceramics and soundscape
September 12, 2023
VIPOO SRIVILASA has been selected as one of the four finalists in the $60,000 Melbourne Prize for Urban Sculpture 2023.
July 29, 2023
Congratulations to Belem Lett who is a finalist in this year's Hazelhurst Art on Paper Award for his work 'You Are The Centre Of The Universe'.
The biennial Hazelhurst Art on Paper Award is a significant national exhibition that aims to elevate the status of work on paper while supporting and promoting artists working with this medium.
Finalists will be exhibited in the Main Gallery at Hazelhurst Arts Centre in Sydney from 16 September to 12 November 2023.
Belem's next solo exhibition at the gallery is from 2 – 16 December 2023
You Are The Centre Of The Universe
Oil, gesso on Stonehenge paper 245gsm
228 x 168 cm
July 25, 2023
VIPOO SRIVILASA IS A FINALIST IN THE PRESTIGIOUS DEAKIN UNIVERSITY CONTEMPORARY SMALL SCULPTURE AWARD
Congratulations VIPOO SRIVILASA who has been shortlisted for the prestigious Deakin University Contemporary Small Sculpture Award for his work The Kiln God Altar. Vipoo has been selected as one of the 40 finalists out of 422 entries.
The selection process was led by a panel of judges, including the renowned Australian artist Lisa Roet, the esteemed Curator Antony Fitzpatrick from TarraWarra Museum of Art, and the representative from Deakin University, Leanne Willis.
The finalist’s exhibition will open to the public on Wednesday 23 August at the Deakin University Art Gallery and the launch and announcement of winners will take place on Thursday 31 August.
'Kiln God Altar' 2023
A collection of Kiln Gods, created with various clay types, techniques, firing range and artistic style, symbolises the diversity within the clay community.
Displayed together on one stand, they represent unity, interconnection and shared spiritual traditions among clay workers worldwide.
July 11, 2023
Congratulations to Belem Lett who is a finalist in this year's Waverley Art Prize for his work 'Smile'.
Belem is one of the 38 finalists chosen from over 700 entries. Recognising his striking choice of colour and form, Waverley Woollahra Art School credits his signature technique of forcing the eye to follow the shifting stark palettes.
The Waverley Art Prize celebrates excellence across the local arts community and greater Australian contemporary Visual Arts sector, ultimately showcasing the brilliance of early to mid-career Australian artists.
The Finalist Exhibition for this Waverley Art Prize is held in Sydney at the Bondi Pavilion until August 13, 2023.
oil, gesso and marble dust on aluminium composite panel
150 x 122 cm
June 21, 2023
Early recognised as an exceptional talent, James Drinkwater has never toned-down the intensity and bravura of his approach to painting. His work has mined a vast legacy of modern art – Australian, British, American, French – as if all of it remains relevant, fresh and available to him. Now, on the brink of turning 40, this is the first survey of his prodigious past. While his paintings evoke figures, landscapes and interiors, they are also meticulously composed abstractions, distinctive for their complex and opulent fusion of texture, colour and spatial intrigue. This exhibition will be accompanied by a major publication.
AT MID-CAREER: James Drinkwater is curated by Terence Maloon.
The exhibition opens on Friday 23 June, 6pm, and will be officially lanched by Terence Maloon. No reservations are required to attend.
Image: James Drinkwater, We are clumsy now on this southern beach, 2016, mixed media on board, 140 x 120 cm. Private collection.
June 16, 2023
"Flowers in gold lustre and cobalt, small portraits of mythical creatures with feathers and polka dots, and various geometric motifs embellish Vipoo Srivilasa’s porcelain figures, which celebrate abundance and joy through opulent details. On view now at Edwina Corlette in the artist’s solo show Solitude and Connection, the sculptures are otherworldly in form as they meld human anatomy with flora and fauna, exploring 'the diverse ways in which love takes shape.'"
May 6, 2023
Judith Sinnamon is a finalist in the 2023 Archibald Prize.
Watching the ABC’s political program Insiders, Queensland artist Judith Sinnamon was struck by Katharine Murphy’s ‘paintability’.
‘Katharine often appears on the Insiders panel, where she brings a refreshing, cut-through perspective to the fug of Australian politics,’ says Sinnamon. ‘I feel tremendous gratitude towards Katharine and all journalists of strong conviction and integrity, who speak truth to power at a time of rampant misinformation and media mogul influence.’
Murphy has worked in the parliamentary press gallery in Kamberri/Canberra since 1996. She is currently political editor of Guardian Australia and the host of a weekly podcast, Australian politics. She is the author of On disruption, an analysis of the impact of the internet on journalism.
Sinnamon captures the award-winning journalist, with her colourful clothing and animated face, listening to the podcast Pod save America in her light-filled home.
‘During our sitting, I drew loose charcoal sketches and took numerous photos,’ says Sinnamon. ‘I then returned to my [Sunshine Coast] Hinterland studio and began the month-long process of rendering Katharine’s portrait – my first in the Archibald Prize.’
Read more here.
oil on linen
104.2 x 134 cm
May 6, 2023
Belem Lett is a finalist in the 2023 Omnia Art Prize with his works 'These Peaks Watch Over You' and 'Eclipse'. The Omnia Art Prize is one of Australia’s premier art awards and exhibitions for contemporary art. Read more here.
These Peaks Watch Over You
oil, clear primer on brushed aluminium composite panel
150 x 120 cm
clear coat, acrylic, gesso, wood putty, screws, wood glue, pine
82 x 42 x 28 cm
May 6, 2023
Ari Athans has been featured in QANTAS Travel Insider Magazine.
March 28, 2023
Congratulations to Belem Lett who is a finalist in this year's Bayside Acquisitive Art Prize with his work 'Vertical Horizon'.
Established in 2015, the Bayside Acquisitive Art Prize is a celebration of contemporary Australian painting. The finalist exhibition brings together a broad range of artists, both established and lesser-known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today.
Vertical Horizon 2023
Oil, gesso, marble dust on aluminium composite panel
122 x 94 cm
March 28, 2023
Congratulations to Vipoo Srivilasa who has been awarded the Visual Arts and Crafts Strategy (VACS) Major Commissioning Projects grant. Vipoo is a recipient of $100,000 to realise a major project 'Re/JOY' in collaboration with the Australian Design Centre. 'Re/JOY' is a collaborative, community-driven project designed to engage with overseas-born Australians.
'Re/JOY' will examine the emotional connection we form with objects by retelling migration stories and experiences. The project aims to provoke the complex feelings associated with overseas relocation and the difficult process of gaining Australian permanent residency.
Image: Vipoo Srivilasa and the Happy Australian Sculptures at the National Portrait Gallery. Photo by Liv Cameron 2023.
March 21, 2023
Ari Athans was featured recently in the Qantas In-Flight magazine in an article written by Noelle Faulkner.
March 9, 2023
Vipoo Srivilasa's work 'Happy Australian' will form part of the National Portrait Gallery's exhibition 'Portrait23: Identity'.
'Portrait23: Identity' is a major exhibition of new work from multi-award-winning contemporary Australian artists and collectives working across every state and territory. Street art, textiles, performance, photography, ceramics, painting, drawing, soft sculpture and bronze challenge the boundaries of portraiture. Many of the works move eloquently between installation, video, and animation, inviting you, the viewer, inside the portrait.
Twenty-three artists and collectives present dramatic, ambitious and thrilling work about who they are and what it means to represent themselves, their communities, their histories and contemporary society. They break open the genre with deeply personal evocations of themes that resonate collectively, such as cultural knowledge, feminism, visibility/invisibility, activism and journeys of migration.
10 March – 18 June 2023.
March 4, 2023
Ari Athan's work 'Strata Sample One' is featured in the current issue of Belle Magazine inside Anna Spiro's home.
Strata Sample One 2022
Ceramic, wood and acrylic paint
57 x 20 x 20 cm
March 4, 2023
Noelle Faulkner from QANTAS Travel Insider Magazine spoke with Vipoo Srivilasa about his art practice. "With a playful approach that marries European-Australian and Thai motifs, this Bangkok-born artist’s figurines are full of charm."
Pieces from Vipoo Srivilasa’s Always Better Together series (2022)
February 28, 2023
Belem Lett's bold artwork 'Move Me' (2022) is featured on the recent cover of Belle Magazine. Belem's piece celebrates the power of colour and is shown in an exclusive look inside interiors star Anna Spiro's home.
Move Me 2022
Oil, gesso, marble dust on aluminium composite panel
122 x 94cm
May 27, 2022
Congratulations to Belem Lett who has won the 2022 Omnia Art Prize for the most outstanding work in any medium.
The prize was judged by Charlotte Day, Director of Monash University Museum of Art. The exhibition is open until 30th May at St. Kevins College, Toorak.
This Sun Burns For Us 2022
oil, gesso, marble dust on aluminum composite panel
152 x 150cm
May 6, 2022
Congratulations to Belem Lett who is a finalist in the 2022 Sulman Art Prize.
The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist. Established within the terms of Sir John Sulman’s bequest, the prize was first awarded in 1936. Each year the trustees of the Art Gallery of NSW invite a guest artist to judge this open competition. Finalists are displayed in an exhibition at the Gallery opening on the 14th of May.
Bending Over Backwards 2022
oil, gesso, marble dust on aluminium composite panel
150 x 125 cm
May 4, 2022
Lottie Consalvo and James Drinkwater have created a big-hearted, art-filled home in their terrace house by the sea.
James’ art practice incorporates painting, sculpture, drawings and wearable textiles. “Since I was a child, making art was the clearest way I could express myself,” he says. His creativity is nourished by “generosity of any kind, whether it be the human spirit or nature itself”.
Story Elizabeth Wilson | Styling Sophie Wilson | Photography Alana Landsberry
March 11, 2022
The disparate textural layers of Aggregates in Construct blend the myriad forms and patterns of nature marked by the boundaries of human action. Ari Athans’ stacked, sculptural arrangements flow between the handmade, organic and industrial, marking the liminal points where the landscape rests upon and collides with the built world.
Sculpture in the latest issue of Art Almanac.
Ultra Surface, 2022
ceramic, wood, vesicular basalt, acrylic paint
36 x 22 x 20 cm
March 4, 2022
For more than twenty years ceramic artist Vipoo Srivilasa has created intricate and elaborate artworks that reflect his bicultural experience living between Australia and Thailand. He celebrates the intersections and overlaps between cultural, social, philosophical and environmental contemplations on life in a pandemic. VAULT asked Srivilasa to share some of his most beloved artefacts.
February 26, 2022
The main idea of this show is to speculate if Sydney, Australia, a sprawling conurbation of coastal and landlocked suburbs, has anything artistically in common with the metropolis of Los Angeles. I am also speculating that there is such a thing as Australian cool, which might reflect or correspond with a perception held that LA art is definitely cool. LA’s emergence as an important art city has been an ongoing matter for debate but has recently become cemented by the by appearance in LA of some major new art museums and international galleries.
Artists: Ron Adams, Polly Borland, Chris Dolman, Belem Lett, Adam Norton, Philjames, Genevieve Felix Reynolds
Durden & Ray, Los Angeles
19 March - 9 April 2022
Title: The River, 2022
Medium: oil, gesso, marble dust on aluminium composite panel
Size: 81 x 61 cm
February 25, 2022
The Blake Prize is one of Australia's longest standing and most prestigious prizes which encourages conversation about religion and spirituality through art and poetry.
Belem Lett has been named as a finalist for the 67th Blake Prize, 2022.
Title: Electric Dreams, 2021
Medium: oil on aluminium composite panel
Size: 152 x 150 cm
February 8, 2022
The Grace Cossington Smith Art Prize is inspired by the work of Abbotsleigh Old Girl and artist Grace Cossington Smith who made connections with her changing world through her drawing and painting.
Congratulations to Belem Lett for being finalist in three Grace Cossington Smith Art Prize awards for 2022.
Title: Wave Racer, 2021
Medium: oil on aluminium composite panel
Size: 110 x 80 cm
February 8, 2022
The Hazelhurst Art on Paper Award is a significant national biennial exhibition that promotes excellence and innovation in the field of art on paper. This year, Hazelhurst received over 700 entries from artists throughout Australia.
Belem Lett has been selected to exhibit for the Art on Paper award 2022.
Title: Sunflower, 2021
Medium: oil, gesso on 12 sheets stonehenge paper
Size: 228 x 228cm
November 20, 2021
Vipoo Srivilasa’s immersive, participatory installation Shrine of Life/ Benjapakee Shrine 2021, featuring five hand-crafted ceramic deities representing attributes important to the artist: identity, love equality, creativity, security and spirituality. Finished with gold lustre and floral embellishments, the work reflects Srivilasa’s holistic approach to life, and encourages audiences to appreciate the things that unite us.
His artwork for APT10 expands his practice, building on its audience-oriented qualities. The artist has created a reflective, shrine-like space that houses five secular deities representing attributes important to him — love equality, spirituality, security, identity, and creativity — and asks visitors to join him in celebrating them. Through the work, Srivilasa venerates memories of his Thai homeland, acknowledges what his relocation to Australia has meant to him, and encourages viewers to appreciate both our differences and our commonalities.
QUEENSLAND ART GALLERY 'ASIA PACIFIC TRIENNIAL'
4 December 2021 - 25 April 2022
November 20, 2021
November 20, 2021
The Art Gallery of Ballarat has acquired two Vipoo Srivilasa works for their permanent collection. The works are 'Aqium' and 'Lori the Healthcare Hero' from the COVID SUPERHERO EXHIBITION 2020.
What does a COVID-19 superhero look like? Ceramicist Vipoo Srivilasa has created a collection of superheroes inspired by the dreams of people in the Ballarat community. Each superhero has a special power to fight off COVID-19.
This project is a collaboration between the Art Gallery of Ballarat and the City of Ballarat’s Creative City team.'I created ‘COVID Superheroes’ last year, inspired by dreams of people in the Ballarat community. They were part of a project to reflect some of the mood and experiences of 2020'. Vipoo Srivilasa 2021
September 7, 2021
August 20, 2021
Exhibition Review: Vipoo Srivilasa: Wellness Deity, Linden New Art by Celina Lei
22 May 2021- 22 August 2021
The Wellness Deity Project, which Srivilasa undertook in response to the COVID-19 pandemic. This collaborative, community-driven project encouraged people to reflect on their experience of the pandemic. The artist invited people to submit a drawing of their Wellness Deity, a being that has a special empowering or protective power. Srivilasa selected 19 of these drawings to provide inspiration for a series of ceramic sculptures. Each deity has its own unique characteristics based on the personal stories submitted. Each work is also accompanied by a piece of commissioned creative writing.
READ MORE HERE
July 30, 2021
Spanning over a career of 20 years, Thai-Australian artist Vipoo Srivilasa has harnessed art’s ability to connect creatives, organisations and the broader community.
Wellness Deity captured this collaborative energy in the light-filled room of Linden’s ground floor gallery. The 19 drawing submissions and accompanying writing surround the walls while Srivilasa’s ceramic iterations sit across two tables at the centre of the space. The hand-selected drawings from a total of 63 submissions from Australia and overseas showcase stories rooted in reflections, experiences, and hopes emerging out of the pandemic. Words Celina Lei
June 15, 2021
Wellness Deity 22 May 2021 > 22 August 2021
This exhibition will present the Wellness Deity Project, which Vipoo Srivilasa undertook in response to the COVID-19 pandemic. This collaborative, community-driven project encouraged people to reflect on their experience of the pandemic. The artist invited people to submit a drawing of their Wellness Deity, a being that has a special empowering or protective power. Srivilasa selected 19 of these drawings to provide inspiration for a series of ceramic sculptures. Each deity has its own unique characteristics based on the personal stories submitted. Each work is also accompanied by a piece of commissioned creative writing.
June 9, 2021
Established in 2015, the Bayside Acquisitive Art Prize is a celebration of contemporary Australian painting. The finalist exhibition brings together a broad range of artists, both established and lesser known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today.
The annual prize is an important opportunity for Bayside City Council to add exceptional works of art to its collection and to promote art and artists as a valuable part of the Bayside community.
Belem Lett's work 'Pineapples' 2019 is a finalist in this year's prize.
June 3, 2021
Written by Louise Martin-Chew
May 28, 2021
How Vipoo Srivilasa is repairing happiness
19 May 2021
Ceramicist Vipoo Srivilasa has a penchant for intricate and layered decoration that, he explains, is influenced by the ornate Buddhist temples he encountered growing up in Thailand. With an aesthetic he cheerfully describes as “more is more,” Srivilasa’s distinctive work also draws on European historical figurines and “a healthy dose of contemporary culture”. We chatted over cups of sencha tea in Srivilasa’s clean, bright warehouse studio in the suburb of Cheltenham, in Melbourne’s south-east.
I’ve made this space really comfortable because I spend most of my time here, almost seven days a week. I come here about 7:30 in the morning and leave at 3:30 in the afternoon, go home, and do some shopping. Then I work on the computer, like writing or administration, in the evenings. Most of the time I’m just here; I live 10 minutes from here, so it’s really easy. Sometimes I go home for lunch—but I’ve found it kind of distracting, like you go home and it’s hard to come back again. So I bring my own lunch, or I’ll walk around the corner for a Vietnamese lunch.
November 10, 2020
In his pod cast (links below) Alan Kohler tells the world that his three best Non-share investments (that he actually owns) are:
He goes on the say that Stefan Dunlop is “taking off” as a painter.
- A house in Richmond, Melbourne
- A painting by Stefan Dunlop
- A longines watch
Stefan is mentioned at about 31.30 min
LISTEN TO THE PODCAST HERE AT THE FOLLOWING LINKS:
or apple podcasts: https://podcasts.apple.com/au/podcast/gold-regains-lustre-as-inflation-hedge-who-wants-crown/id1201031401?i=1000495618174
October 22, 2020
Vipoo Srivilasa has been awarded The 2021 Ceramic Artist of the Year by the editorial staff of Ceramics Monthly and Pottery Making Illustrated (USA).
The annual Ceramic Artist of the Year award is presented to an artist whose work reflects current aesthetics and sets an example for ceramic artists by embracing current trends, technology, studio, marketing, and/or community-focused practices.
“Over the course of your career, you’ve been very active with exhibitions, winning numerous awards, public art projects, teaching, mentoring, and community outreach. In addition, you have helped to support and advance the global clay community through innovative social media fundraising campaigns, among other projects.
You have also been very active in engaging with the field of ceramics and expanding creative connections with other creative fields and the wider community.
The fact that you can consistently create work as a self-employed artist in addition to having a busy international workshop, lecture, and exhibition schedule is impressive. In short due to all of your personal creative achievements, as well as your dedication to the field, we feel that you are more than deserving of the Ceramic Artist of the Year award.”
Editor, Ceramics Monthly Magazine, Associate Editor, Pottery Making Illustrated, at The American Ceramic Society
In addition to the monetary award, The Artist of the Year feature will be in the 2021 Ceramic Arts Yearbook.
September 10, 2020
Emmanuel College within the University of Queensland commissioned a portrait of immediate past principal Dr Jane Thomson by artist Judith Sinnamon.
May 12, 2020
Vipoo Srivilasa’s interactive 'Love Lab' performance offers participants the chance to reflect on the ingredients that make up their love language and in turn, to finally find out how good or bad love tastes.
Love Lab will be performed on the opening night of Objects of Love Exhibition, 12 March - 13 May 2020. The show presents artworks which symbolise and reflect love of all kinds across cultures. Working from different cultural perspectives, the artists each explore themes of contemporary and traditional exchanges of love, connection to loved ones, and the strength and fragility of bonds of love.
Artists include Vipoo Srivilasa, Cyrus Tang, Kate Just, Zaiba Khan and Varuni Kanagasundaram.
Image: Love Lab performance 2019
March 12, 2020
Vipoo Srivilasa’s 'The Course of True Love' wins the Korea-Australia Arts Foundation Prize Highly Commended Award
The Korea-Australia Arts Foundation Prize is run annually in cooperation with the Korean Cultural Centre.
Srivilasa's work 'The Course of True Love' is about the same-sex marriage journey. The series is realised in five bronze vignettes representing moments in world history that have contributed directly or indirectly to the acceptance of same-sex partnerships, and led Australia to pass the same sex marriage law in 2018. The moments including the Stoneware riots, Thailand decriminalising homosexuality, the establishment of Society Five, the first homosexual rights organisation in Melbourne, the Simpsons dedicating an entire episode to the same-sex marriage topic and the Yes campaign.
“I work predominantly with ceramics but for this series I chose to work with bronze. I use bronze, a robust and permanent medium to symbolise the strong concept of marriage and a solid commitment a couple makes to each other. Bronze is also a medium for religion statues. It would represent the sacred concept of marriage in my work.” …Vipoo Srivilasa
The Course of True Love will be part of Objects of Loves exhibition at Craft Victoria, Melbourne. 12 March - 13 May 2020
Image: The Course of True Love 2019
February 14, 2020
Roopanakar Museum of Fine Arts, Bhopal, India
13 February - 30 March 2020
Inaugurated by the then Prime Minister of India, Mrs. Indira Gandhi on 13th February 1982, Bharat Bhavan is a multi art centre, set up to create an interactive proximity between the verbal, visual and performing arts. Bharat Bhavan provides space for contemporary expression, thought, quest and innovation. Bharat Bhavan seeks to provide a creative and thought provoking milieu to those who wish to contribute something new and meaningful, in contemporary scene in the fine arts, literature, theatre, cinema, dance and music.
Bharat Bhavan International Ceramic Exhibition is a feature part of the 38th anniversary celebrations. It is the first time an international exhibition of ceramic art has been organized in the state. Eminent ceramic artists from India, US, Australia, Israel, Japan, South Korea, Germany, Ireland, Italy, China and France are attending the exhibition.
Vipoo Srivilasa is representing Australia.
Image: vipoo at the opening
February 7, 2020
The Glover Prize has announced its 42 finalists for 2020. These finalists represent the Judges’ selection of the best artworks of the Tasmanian landscape, chosen from the entrants coming from every Australian state and territory. These 42 artworks will be on display at the Glover Prize Exhibition at Falls Park Pavilion in Evandale, Tasmania during March this year.
The judges for the Glover Prize 2020 are Queensland Art Gallery | Museum of Modern Art (QAGOMA) director, Chris Saines; Sydney artist, Fiona Lowry; Museum of Old and New Art (Mona) Senior Curator and Dark Mofo Associate Artistic Director, Jarrod Rawlins. The judges next task is to carefully narrow down the 42 finalists to choose the winner of the $50,000 cash prize. After its display at the exhibition, the John Glover Society Inc. will acquire the winning artwork for its collection.
Belem Lett's work Burn Baby Burn 2020 has been selected as one of the finalists. The exhibition commences on 6 March, running from Saturday the 7th of March, 2020 and continuing until the end of the following weekend on Sunday the 15th of March, 2020, at the historic Falls Park Pavilion in Evandale.
October 18, 2019
The Museum of Brisbane has acquired Judith Sinnamon's portrait of Pamela Easton, one half of renowned fashion label duo Easton Pearson. The Museum's Easton Pearson Archive is the largest textile collection from a single Australian fashion house held by a museum.
The Archive features the complete collection of internationally acclaimed fashion house Easton Pearson and comprises more than 3,300 signature garments, as well as accessories, original sketches, look books, ephemera and runway footage.
Easton Pearson, created by Pamela Easton and Lydia Pearson, was one of Australia’s most successful fashion houses. From the launch of the label in 1998 to its close in 2016, Easton Pearson’s eclectic, boldly patterned and embellished fashions graced catwalks and showrooms across Europe, the Middle East, Asia, America and Australia.
September 27, 2019
Bridie Gillman has been been selected as one of six finalists in the prestigious Brett Whiteley Travelling Art Scholarship, administered by the Art Gallery of New South Wales.
The annual Brett Whiteley Travelling Art Scholarship is now in its 21st year and is open to Australian painters aged between 20 and 30 years. It was created from an endowment by Mrs Beryl Whiteley in 1999. The inspiration was the profound effect international travel and study had on her son, the artist Brett Whiteley, as a result of winning the Italian Government Travelling Art Scholarship in 1959 at the age of 20.
August 19, 2019
Since 2001 The Hazelhurst Art on Paper Award has been a significant national biennial exhibition that aims to elevate the status of works on paper while supporting and promoting artists working with this medium.
With prize money totalling $26,000, the Award showcases outstanding art created with, on or about paper. Artists compete for the $15,000 major award; the Young & Early Career Artist and the Friends of Hazelhurst Local Artist Awards ($5,000 each); and the People’s Choice Award ($1,000), plus the Hazelhurst Preparator’s choice Residency Award.
Image below: BELEM LETT 'Mountains of Madness' 2019, mixed media on paper, 148 x 110 cm
August 19, 2019
Administered by Bendigo Art Gallery and held every two years, the Arthur Guy Memorial Painting Prize is designed to attract some of Australia’s finest contemporary artists, awarding a generous acquisitive cash prize of $50,000.
Belem Lett is a finalist in the 2019 award.
Image below: BELEM LETT 'Dip Me in the Water' 2019, oil on aluminium composite panel 163 x 122cm
July 4, 2019
A new exhibition showcases the work of five Thai-born artists now living and working in Australia, the first of its kind in Melbourne.
Curated by Vipoo Srivilasa, the show was designed to provide a platform, "for [the artists] to have a voice in Australia".
An artist who moved to Australia 22 years ago, Srivilasa says when you emigrate, your cultural identity changes.
"All of them have a very strong sense of Thai culture in their work, yet it’s not traditional. It blends with Australian culture and becomes something new, something exciting."
The exhibition features the work of Gallery artist Bundit Puangthong
Un/Thaid runs until July 27 at Grau Projekt, Level 1, 2-12 Alexandra Pde, Clifton Hill. The gallery is open Wed-Sat, from 1pm-6pm. grauprojekt.com
June 22, 2019
UN/THAID Curated by Vipoo Srivilasa
This exhibition brings together the work of five contemporary artists from Thailand who now live and work in Australia. Arriving in Australia independently of one another across the 1990s and 2000s, these five artists are based in the urban centres of Melbourne and Sydney and have continued their distinct individual practices since arriving in this country. The work on display in this exhibition is a diverse offering, including performance, painting, ceramics, sculpture, video and installation. Articulating multi-dimensional and layered histories, all of these artists are emboldened in their shared cultural experience of growing up in Thailand and then relocating to Australia while continuing to develop and refine their artistic practices. This exhibition features the work of Phaptawan Suwannakudt, Nakarin Aaron Jaikla, Bundit Puangthong, Pimpisa Tinpalit and Somchai Charoen. A Thai born Melbourne based artist, Vipoo Srivilasa has initiated and organised this exhibition because of his desire to provide visibility and voice for Thai Contemporary artists who have been working and living in Australia.
Thu 13th June, 2019 – Sat 27th July, 2019
Grau Projekt, Melbourne
June 17, 2019
May 30, 2019
BRISBANE ART DESIGN FESTIVAL 2019 is where art, design and the city of Brisbane collide over a 17-day festival of dynamic exhibitions, performances, talks, art tours, workshops and open studios. BAD showcases more than 150 Brisbane artists, from emerging talents who are carving their mark locally, to trailblazers who are redefining creativity on the international stage.
Bridie Gillman collaborated with Brisbane designer Alexander Loterztain to make the work Breath as part of the festival held at Museum of Brisbane. Image: Jono Searle courtesy Museum of Brisbane.
May 18, 2019
The Moreton Bay Regional Art Award is an annual acquisitive exhibition proudly sponsored by the Moreton Bay Council. This year the Art Award offered an acquisitive prize of $8000, four category prizes of $2000 each, and two supplementary $1000 prizes for a Local Artist and a People's Choice Award.
Judged by Megan Williams, Manager of the University of the Sunshine Coast Art Gallery, Bridie Gillman was awarded the overall winner with her work 'Some sort of growth' 2018.
Megan Williams commented: 'The artist's sense of the materiality of paint, the play of colour, darkness and light make it a very strong and visually arresting painting. The colours reference the natural environment and you get a sense of the artists awe and love of nature, however, its abstract quality resists clear and direct communication. It is a work to become immersed in, to sit with, and to contemplate.'
May 14, 2019
4 May 2019 - 30 Jun 2019
RocoColonial is a major artist-initiated project by Gary Carsley and presented by Hazelhurst Arts Centre in partnership with Bathurst Regional Art Gallery.
ARTISTS: Brook Andrew | Tony Clark | Peter Cooley | Deborah Kelly | Belem Lett | Jennifer Leahy | Danie Mellor | Marc Newson | Técha Noble & Romance Was Born | Joan Ross | Justin Shoulder | Esme Timbery | Jenny Watson | Louise Zhang
CARTOUCHES: Renjie Teoh
Rococo and Colonial are often considered to be disparate, undisputable categories that neatly divide periods of time. This separation offers little opportunity to consider parallel histories - how similar or different things might be happening elsewhere or at the same time. RocoColonial is an exhibition that examines the overlap between Rococo and Colonial and begins by acknowledging that both can be intrinsically related and link Australia to a wider, speculative world of multiple, concurrent histories.
May 8, 2019
Deakin University Contemporary Small Sculpture Award 2019
When: 29 May–12 July 2019
Tuesday to Friday 10am–4pm, Open only during exhibitions
Where: Deakin University Art Gallery, Melbourne Burwood Campus
Building FA, 221 Burwood Hwy, Burwood, VIC 3125
In its tenth anniversary year this annual acquisitive award and exhibition is organised by the Art Collection and Galleries Unit displaying the work of the 2019 finalists.
Image: VIPOO SRIVILASA Protection 2018, 66 x 37 x 23 cm, ceramic, acrylic paint, glaze ceramic flowers and mix media.
March 20, 2019
AMBER WALLIS, BELEM LETT, LUCY O'DOHERTY AND SALLY ANDERSON IN 'The Whiteley at 20: Twenty Years of the Brett Whiteley Travelling Art Scholarship' AT S.H. ERVIN GALLERY
22 March – 5 May 2019
An exhibition of artworks by 20 young Australian artists celebrating the 20th anniversary of the Brett Whiteley Travelling Art Scholarship, will be on view at the S.H. Ervin Gallery in Sydney from 22 March to 5 May 2019.
The Brett Whiteley Travelling Art Scholarship was established by Ms Beryl Whiteley (1917-2010) who generously allocated funds for the scholarship in memory of her son, Brett Whiteley, to provide young painters the opportunity to travel to Paris and explore Europe in order to develop their artistic practice. Since its inception in 1999, 20 young painters have followed in the footsteps if Brett Whiteley who won the Italian Government Travelling Scholarship in 1959.
The exhibition features works by Sally Anderson, Alice Byrne, Mitch Cairns, James Drinkwater, Petrea Fellow, Becky Gibson, Nathan Hawkes, Alan Jones, Nicole Kelly, Belem Lett, Lucy O’Doherty, Wayde Owen, Timothy Phillips, Tom Polo, Ben Quilty, Karlee Rawkins, Samuel Wade, Amber Wallis, Natasha Walsh, and Marcus Wills, alongside the four paintings by Brett Whiteley that secured him the Italian Government Travelling Scholarship, displayed together for the first time since 1959.
The exhibition presents the works by each artist that were entered and/ or won the scholarship, works resulting from their residency at the Cite Internationale des Art, Paris and recent work. The cohort of scholarship awardees features three artists who have gone on to win the Archibald Prize and many have now established themselves on the art scene and exhibit regularly.
February 28, 2019
After receiving a record-breaking 482 entries this year and careful deliberation from the judges, the Glover Prize has announced its 42 finalists for 2019. These finalists represent the Judges’ selection of the best artworks of the Tasmanian landscape, chosen from the 482 entrants coming from every Australian state and territory, as well as a number of submissions from New Zealand, Italy, and the United Kingdom. These 42 artworks will be on display at the Glover Prize Exhibition at Falls Park Pavilion in Evandale, Tasmania during March this year.
The judges for the Glover Prize 2019 are Art Fairs Australia CEO and director, Barry Keldoulis; Sydney artist Joan Ross; and Tasmanian Museum and Art Gallery (TMAG) director, Janet Carding. The judges next task is to carefully narrow down the 42 finalists to choose the winner of the $50,000 cash prize. After its display at the exhibition, the John Glover Society Inc. will acquire the winning artwork for its collection.
Belem Lett's work The River Runs/The People Come has been selected as one of the finalists. The exhibition commences on the March long-weekend, running from Saturday the 9th of March, 2019 and continuing until the end of the following weekend on Sunday the 17th of March, 2019, at the historic Falls Park Pavilion in Evandale.
February 27, 2019
February 5, 2019
Bridie Gillman's work as featured in Casula Powerhouse's 'Looking Here, Looking North'Exhibition has been reviewed in Art Asia Pacific Magazine.
SOO-MIN SHIM writes:
'At the Casula Powerhouse Arts Centre in Sydney, a video portrays the interior of a restaurant, its walls decorated with Australian-flag bunting, and kitsch Australiana tea towels and posters, positioning us inside an ostensibly Australian establishment. It is revealed in subsequent shots of the staff, clientele, and the beach outside, however, that this is in fact a tourist spot in Bali. Bridie Gillman’s video work Bali State of Mind (2017–18) ruminates on the unequal power dynamic between Australia and Indonesia, the latter being economically reliant on tourism and subject to the objectifying tourist gaze that comes with over one million Australians visiting annually.
Gillman is one of seven artists included in the exhibition “Looking Here Looking North” by members of Woven, a collective with “continuing personal connections to Indonesia.” While Gillman’s work is subtly political, the exhibition holistically was striking in its ability to reach beyond essentialist identity politics, reconfiguring what it means to be part of the Indonesian diaspora by speaking to universal themes of memory, place and belonging.
“Looking Here Looking North” is on view at the Casula Powerhouse Arts Centre, Sydney, until March 17, 2019
January 16, 2019
looking here looking north is an exhibition by Woven, a collective of artists who each have continuing personal connections to Indonesia. Themes of identity, memory and cross-cultural experience are explored through performance, painting, installation, photography, video and sculpture.
Featuring work by: Kartika Suharto-Martin, Ida Lawrence, Mashara Wachjudy, Bridie Gillman, Sofiyah Ruqayah, Alfira O’Sullivan and Leyla Stevens.
looking here looking north is presented alongside an exhibition by artist Frances Larder and an exhibition of video works by Jumaadi as part of a suite of exhibitions showcasing perspectives on Indonesia.
CASULA POWERHOUSE ARTS CENTRE 12 JANUARY - 17 MARCH 2019
December 4, 2018
Obsession: Devil in the detail examines our fascination with the meticulous and micro, the real and the hyperreal and brings together a range of historical and contemporary works under three broad themes of still life, portraiture and landscape. Featuring artworks that seduce us with the power of their realism and intricate detail, the devil in the detail becomes the ideas and concepts that exist beneath the surface.
Featuring work by local and international artists including Natasha Bieniek, Chris Bond, Erin Coates, Audrey Flack, Juan Ford, James Gleeson, Sam Jinks, Jess Johnson, Anna Kristensen, eX de Medici, Tully Moore, Callum Morton, Jan Nelson, Sandra Selig, Vipoo Srivilasa, Ricky Swallow, teamLab, Eugene von Guerard and more.
30 November 2018 - 17 February 2019
November 20, 2018
Vipoo Srivilasa has been commissioned to design seven large sculptures for ICONSIAM, a mixed-use development on the banks of the Chao Phraya River in Bangkok Thailand, opening on 9 November 2018.
ICONSIAM is the ultimate shopping destination. The all-in-one complex, located on 750,000 square metres of the land on the banks of Chao Phraya River is a wonder to behold for those passionate about retail and development. It is divided into three main sections: the main ICONSIAM, the glamorous riverside ICONLUXE, and street facing side Siam Takashimaya.
October 27, 2018
Stefan Dunlop's work was featured on the highly regarded Design Files blog. Elle Murrell writes of Stefan's work:
'The 45-year-old came to his practice ‘in a round about way’. He tried out a range of jobs and a degrees not associated with art, before landing in New York for six months, where he enrolled in the New York Studio School. ‘This is what really kick started my painting career,’ he recalls. ‘Now I work in splendid isolation on the Sunshine Coast in Queensland.’
October 4, 2018
The Fisher’s Ghost Art Award coincides with Campbelltown’s annual Festival of Fisher’s Ghost. Held over 10 days, the Festival dates back to 1956 and celebrates Australia’s most famous ghost – Frederick Fisher.
The Open section of the Art Award is acquisitive to the Campbelltown Art Centre permanent collection and is awarded prize-money of $20,000. In the past it has been awarded to some of Australia’s most respected Contemporary artists including Elisabeth Cummings, Khaled Sabsabi, Justene Williams, Marion Borgelt, Raquel Ormella and Philip Wolfhagen.
September 30, 2018
Belem Lett has won the UNSW Print Prize as part of the 2018 Paddington Art Prize with his work River Reflection (After Boyd) (pictured).
The Paddington Art Prize is a $30,000 national acquisitive prize for a painting inspired by the Australian landscape, now in it’s 15th year. In addition, UNSW Art & Design offers a selected artist the opportunity to create a limited edition print and a $3,000 prize.
May 30, 2018
Vipoo Srivilasa's work forms part of a touring exhibition through the Australian Design Centre titled 'Obsessed: Compelled to Make' which is on now at Cairns Regional Gallery.
Obsessed: Compelled to make presents the work of 14 artists from across Australia, delving beyond the finished object, beyond the personality of the maker, into the fundamental conceptual framework of their creations. We look at the complexities of their materials and processes, the realities of their day-to-day studio routine and unravel what compels each maker to create over the course of their personal career – Why this technique or material? Why that concept? How does the mind of a maker work?
This exhibition explores the act of making through the framework of obsession – how it consumes us, carrying us along in its wake, colouring every aspect of our lives. With these professional artists, it is their obsessions, and all the associated angst, failures, breakthroughs and milestones, that feeds their productivity and to deliver exceptional outcomes.
Artists: Gabriella Bisetto | Lorraine Connelly-Northey | Honor Freeman, | Jon Goulder | Kath Inglis | Laura McCusker | Elliat Rich and James B Young (Elbowrkshp) | Kate Rohde | Oliver Smith | Vipoo Srivilasa | Tjunkaya Tapaya | Louise Weaver | Liz Williamson.
Obsessed: Compelled to makeis an Australian Design Centre of ADC on Tour exhibition touring to 12 venues across Australia, accompanied by a series of films and a full-length catalogue.
May 30, 2018
Vipoo Srivilasa's work #happy_together VI 2017, acquired by Wollongong Art Gallery, is currently being exhibited in 'East Meets West' until 11 November 2018.
The Mann-Tatlow collection of Asian Art, gifted in 2003 and the Nancye Dryden Collection of South East Asian Textiles bequeathed to the Gallery in 2012, have formed the Gallery’s newest collecting area. This exhibition relates collection works by contemporary Asian artists and Australian artists who have responded to Asian culture within their practice and to the Mann-Tatlow Collection of Asian Art including works by Julie Bartholomew, Lionel Bawden, Kirsten Coelho, Tom Dion, Dongwang Fan, Sarah Goffman, Tie Hua Huang, Shotei Ibata, Lindy Lee, Joanne Saad, Shigeo Shiga, Vipoo Srivilasa, Laurens Tan, Andy Warhol and Gerry Wedd.
April 4, 2018
Barnaby Smith has reviewed Vipoo Srivilasa's exhibition Everyday Shrines at Gippsland Art Gallery:
'The experience of belonging to two or more countries is an increasingly universal one, especially for Australians. An affiliation with multiple cultures and an identity formed by multiple traditions is, after all, the migrant experience. It is a theme that has been widely explored across the arts spectrum, yet rarely with as much playfulness as in the work of Thai-Australian ceramicist Vipoo Srivilasa. His new exhibition Everyday Shrines, shown at Gippsland Art Gallery as part of Craft Victoria’s Craft Forward series, takes an impish yet thoughtful approach to fusing the imagery and iconography of Australian and Thai societies.'
The exhibition is current until 17 June 2018 at Gippsland Art Gallery.
Read full article HERE
March 7, 2018
Jo Hoban from the Design Files recently caught up with Bridie Gillman in her Brisbane studio, to discover the inspiration behind her work: cross-cultural experiences – from a childhood growing up in Indonesia, to residencies abroad and trips across Australia. Her bold, striking compositions convey moody landscapes, exploring both emotional and physical terrain.
March 6, 2018
Vipoo Srivilasa's solo exhibition 'Everyday Shrines' will open at the newly refurbished Gippsland Art Gallery on 31 March 2018 and run until 17 June. The exhibition which has been developed jointly with Craft Victoria, looks at similarities between Srivilasa's Thai heritage and his adopted home in Australia.
March 6, 2018
March 6, 2018
Vipoo Srivilasa's work 'Sang Thong' has been acquired by the Whitehorse City Council in Victoria.
The City of Whitehorse is located just 15 kilometres east of Melbourne and covers an area of 64 square kilometres.
Srivilasa's work 'Sang Thong' is based on a well-known Thai folk tale, centred on a marriage between a man and a woman of different social status.
December 14, 2017
October 27, 2017
Belem Lett has been selected as one of five finalists in the Glenfiddich Artists in Residence Prize for 2017.
The Glenfiddich Artist in Residence Prize is now celebrating its fifteenth year. This program invites Australian artists to work and live for three months at the Glenfiddich Distillery in Dufftown, Scotland. The program offers the artist a residency prize valued at $21,000 as well as the opportunity to collaborate with other international artists in the historic and scenic Scottish highlands.
The finalists exhibition was held at the Sydney Contemporary Art Fair 2017.
Image: 'Jenny I'll Meet You At The Grocery Store' 2017, oil on aluminium composite panel, 165 x 244 cm
October 13, 2017
Congratulations to Belem Lett who has been names as a finalist in the Salon des Refusés 2017.
The Salon des Refusés was initiated by the S.H.Ervin Gallery in 1992 in response to the large number of works entered into the Archibald Prize which were not selected for the final exhibition.
The 2017 selection panel comprised James Dorahy art advisor, Michael Reid Galleries; Elisabeth Hastings curator & author, ‘Kevin Connor’ monograph; and Jane Watters, Director, S.H. Ervin Gallery.
The exhibition is at the S.H. Ervin Gallery, housed in the historic National Trust Centre on Observatory Hill, The Rocks in Sydney.
September 29, 2017
The acquisitive Award offers a major award of $20,000 as well as a People’s Choice Award of $5,000. This years' judge is Lisa Slade, Assistant Director of Artistic Programs at Art Gallery of South Australia.
Finalist works exhibited Friday 24th November 2017 to Saturday 20th of January 2018 at Coffs Harbour Regional Gallery.
September 23, 2017
In conjunction with National Clay Week, Artaxis presents 12 hours of live-streaming conversations with 24 Artaxis members from 16 countries.
Vipoo’s work explores similarities between the cultures of his native home, Thailand and his adoptive home, Australia. His work is a playful blend of historical, figurative and decorative art practices whilst engaging with contemporary culture.
Using blue and white colour, he creates complex narratives through highly decorated images on ceramic forms. His work requires an intimacy in which the key elements of the drama are often found in unusual places within the forms themselves.
Collaboration has been an important part of Vipoo's creative practice. He has been using clay to engage communities into his creating process in the past 10 years. In addition to exhibiting his work, Vipoo actively initiates and organises cultural exchange projects between national and internationally artists.
Get your questions ready and join Vipoo and others for a Q&A. To watch click here.
September 22, 2017
Vipoo Srivilasa is the recipient of the general skills and arts development grant from the Australian Council for the Arts to work with Sakarin Krue-On, a multi-disciplinary Thai artist, and Marije Vogelzang, the world's first eating designer from the Netherland, in order to develop and create new interactive ceramic work for an exhibition at Edwina Corlette Gallery in 2019 and the S.A.C. Subhashok The Arts Centre in Bangkok.
Keep up to date here.
July 8, 2017
Ari Athans' work has been selected for Redcliffe Gallery's 15 Artists Exhibition 2017.
This annual award plays a pivotal role in the growth of the Moreton Bay Regional Council Art Collection. The $8000 acquisitive prize exhibits 15 Artists that reflect the collection’s focus of culture, identity, spirit and sense of place.
Artists selected for 2017 are Ari Athans, Glenn Barkley, Sue Beyer, Megan Cope, Hannah Cutts, Jeremy Eden, Martin Edge, Ian Friend, Stephen Hart, Barbara Heath, Abbey McCulloch, Kate McKay, Stephen Nothling, Graeme Peebles and Nan Dingle.
The exhibition runs from 01 September to 28 October 2017. Read more here.
May 8, 2017
Ari Athans work 'Felsic Plume' has been selected as a finalist in the 2017 Moreton Bay Art Award. This annual acquisitive award exhibition is supported by the Moreton Bay Regional Council. The Art Award offers two acquisitive prizes of $7,500 and two supplementary $1,000 prizes for a Local Artists and a People’s Choice Award.
The Moreton Bay Region Art Awards is an important feature in the cultural landscape of the region and has featured prominent and emerging artists in its 24 year history.
Dr Campbell Gray, Director of the University of Queensland Art Museum is the 2017 judge.
May 8, 2017
The Deakin University Contemporary Small Sculpture Award has shortlisted Vipoo Srivilasa's work, amongst others for its annual prize.
"This is the ninth year of the award and we were pleased to receive 232 entries, from which 40 finalists were selected.
The external judges are Mr Ewen Coates (Sculptor) and Associate Professor Ken Wach, Former Principal Research Fellow and Head of the School of Creative Arts, The University of Melbourne.
The Small Sculpture exhibition launch is on Tuesday 6 June, 2017.
March 14, 2017
To coincide with Queensland Art Gallery | Gallery of Modern Art's exhibition O’KEEFFE, PRESTON, COSSINGTON SMITH 'Making Modernism', Judith Sinnamon has been invited to conduct a series of still-life workshops throughout May and June 2017.
O'Keeffe, Preston and Cossington Smith were renowned for their modern adaptation of traditional approaches to still life. In this special hands-on workshop working with oil paints, participants will be invited to join Judith Sinnamon for an exploration of the still life genre and experiment with light, colour and form to depict Australian native flora.
Judith Sinnamon is an artist based in the Sunshine Coast Hinterland. Judith studied painting at the Queensland College of Art in the early 1980's. The surrounding coastal flora informs Judith's art practice in both her still life and landscape works. She exhibits regularly with the Edwina Corlette Gallery.
March 14, 2017
Vipoo Srivilasa has won the 44th Muswellbrook Art Prize in the Ceramics section. The $10,000 acquisitive prize was awarded to Vipoo's porcelain work 'The Good, The Bad and the Cuddly (self portrait)'.
The biennial Muswellbrook Art Prize began in 1958 and has helped form a significant collection of modern and contemporary Australian painting, works on paper and ceramics for the Muswellbrook Regional Arts Centre.
The exhibition is current until 7 May 2017.
December 18, 2016
Headlining the celebrations for Queensland's Gallery of Modern Art is 'SUGAR SPIN — YOU ME ART AND EVERYHTING' featuring over 250 contemporary artworks exploring light, space, architecture and the senses. From brand-new immersive works to large-scale visitor favourites, the exhibition reflects our complex connections to the natural world with an explosion of colour, sensation and spinning delights.
Major new artworks include Nervescape, a multi-coloured landscape of synthetic hair by Icelandic-born artist Hrafnhildur Arnardóttir a.k.a. Shoplifter, and the electrifying Heard by American sculptor and performance artist Nick Cave, a group of vibrant sculptural horses brought to life by dancers.
December 17, 2016
Established in 2001, the Gyeonggi International Ceramic Biennale in Korea is one of the largest ceramic events in the world, representing contemporary artists from over 70 countries.
Artists are invited to take part in the competition which calls for works that mirror modern trends and point to the future of contemporary ceramics and redefine its essence by exploring spirit, values, forms and technique.
The winner will receive a cash prize of KRW 50,000,000 (approx $43,000 US) and will be invited to have a solo exhibition during the 2019 Biennale.
November 28, 2016
Belem Lett is a finalist in the inaugural Birmingham Prize. The overall winner will receive a $20,000 cash prize generously donated by Elaine Bermingham.
The Elaine Bermingham National Watercolour Prize in Landscape Painting is a unique triennial art prize which aims to celebrate excellence and innovation in the watercolour medium. This non-acquisitive prize is open to all Australian artists and selected finalists will be exhibited in the Webb Gallery, located within Griffith University’s Queensland College of Art at South Bank, Brisbane. All finalist artworks will be available for sale to the public.
November 28, 2016
The first Central China International Ceramics Biennale will be held at the Henan Museum. Curated by art historian Wendy Gers the biennale will exhibit work by 50 Chinese and international artists.
Vipoo Srivilasa is one of six artists to be commissioned to create a site-specific work for the Biennale. In November he will take a residency at the Ceramic Art Institute of Henan University to create six large figurines for the exhibition.
November 9, 2016
One of the biggest celebrations of cultural diversity in New South Wales, Parramasala will be held from 10-12 March 2017, thanks to a multi-year funding arrangement between the State Government and City of Parramatta Council.
Parramasala’s new mascot, an illuminated six metre tall inflatable creature will be revealed prior to the festival. Created by Vipoo Srivilasa, the mascot represents the coming together of many cultures in a harmonious and friendly way. Vipoo incorporated the V symbol denoting peace to reflect the multicultural event.
“It was an amazing experience as I’d never seen my work this size before,” the Thai-born artist said.
November 7, 2016
Vipoo Srivilasa's work has been curated into Gippsland Art Gallery's 'Weird Ceramic' exhibition.
Weird Ceramic is a survey of the strange and peculiar in contemporary Australian ceramics featuring twenty-seven works by eleven artists: Glenn Barkley, Stephen Bird, Chris Dolman, Lynda Draper, Donna Green, Emily Hunt, Philjames, Jenny Orchard, Stephen Ralph, Sarah Smuts-Kennedy, and Vipoo Srivilasa.
With its basis in the 1970s arts/craft movement, contemporary ceramics has one eye on the past while looking forward to new forms, techniques and processes.
Saturday 26 November 2016 to Sunday 12 February 2017, open during Gallery hours. Read more here.
July 13, 2016
Congratulations to Vipoo Srivilasa who is a finalist in the 2016 Basil Sellers Art Prize.
The prize defines sport in the broadest possible sense. An acquisitive prize of $100,000 will be awarded to a single, outstanding artwork, displayed in an exhibition of shortlisted finalists at the Ian Potter Museum of Art, the University of Melbourne in July 2016.
This prize is supported by Basil Sellers in order to encourage contemporary artists to develop their practice, to engage with the many themes within sport past and present, and to contribute to critical reflection on all forms of sport and sporting culture in Australia.
May 28, 2016
Congratulations to Stefan Dunlop who is a finalist in the Caloundra Regional Gallery's Sunshine Coast Art Prize. The prize is a national contemporary two-dimensional award with an acquisitive prize of $25,000 plus a studio residency at Montville Country Cabins. The winner will be announced on 1 September 2016. View Stefan’s available works here.
May 28, 2016
Belem Lett has been selected as a finalist in two awards – the Sunshine Coast Art Prize, which offers a major acquisitive prize of $25,000, plus an artist studio residency, and the Chippendale New World Art Prize, where the winner will receive a $10,000 residency grant at the Arte Studio Ginestrelle Retreat at Mount Subasio, Italy. The Chippendale New World Art Prize winner will be announced 2 June, and the Sunshine Coast Art Prize winner will be announced 1 September, 2016.
April 5, 2016
Vipoo Srivilasa’s solo exhibition ‘Red-Eared Slider’ is currently underway at the Subhashok The Art Centre in Bangkok, Thailand.
The ‘Red-Eared Slider’ is a turtle native to the United State and feral across the globe. Originally introduced by a Japanese trader in Thailand, these red-eared turtles disrupt the natural ecology of Thai waters, threatening the native freshwater turtles. For Vipoo, who divides his time between Bangkok and Melbourne, the red-eared turtle represents the disregard humans have for their environment.
The exhibition is current to 30 April, 2016.
Click here for more information.
March 14, 2016
"Srivilasa’s work also explores the commonalities between Thai and Australian culture and Eastern and Western culture, where he uses blue and white as a reference to the export of blue and white porcelain from China to Europe. While being fully aware of his heritage, Srivilasa has been mixing up echoes from the past with traces of the present in a carefully arranged juxtaposition of old and new ways of thinking.”
Read the full article here.
March 12, 2016
Vipoo Srivilasa’s has been chosen by Rebecca Hill, Exhibitions and Collections Co-ordinator at Gallery Oldham, as her favourite piece in the Crafts Council Collection, London.
"I really love the fact that this piece is technically excellent, yet doesn’t seem to take itself too seriously.” Rebecca Hill, January 2016.
Read the full article here.
February 17, 2016
Vipoo Srivilasa's sculpture 'Collective Reef' has been shortlisted for the $65,000 Fleurieu Art Prize for Landscape, hosted at the Anne & Gordon Samstag Museum of Art in Adelaide. The Fleurieu Art Prize focuses on landscape as a means of expressing the power of connection to place. This years judging panel includes Nigel Hurst, Director of Saatchi Gallery London; Suhanya Raffel, Deputy Director and Director of Collections AGNSW; and Erica Green, Director of Samstag Museum of Art.
The winner is announced at opening night, Thursday 3 June 5 - 7pm at the Anne & Gordon Samstag Museum of Art in Adelaide, University of South Australia, 55 North Terrace, Adelaide. The Exhibition is current 3 June - 29 July, 2016.
Vipoo will present a new body of work at Edwina Corlette Gallery 16 November - 3 December, 2016. To view Vipoo's available works, click here.
December 15, 2015
Vipoo Srivilasa has collaborated with local indigenous artists for Collisions: Cross-Cultural Collaborations, a community cultural development partnership between Shepparton Art Museum and Gallery Kaiela. The project involves local Indigenous artists partnering with established Melbourne-based contemporary artists.
Through the sharing of ideas, narratives and techniques, the artists have engaged in an exploration of cultural difference and similarity, conflict and connection, forging relationships in a dialogic exchange that departs from the art-making process.
Collisions: Cross-Cultural Collaborations is on show at SAM and runs current to 14 February 2016.
December 2, 2015
Judith's paintings reflect her experience living in Myanmar. Margie writes about Judith's journey painting in a foreign place, far from the familiar Queensland coastal landscape.
“Yangon is an extreme environment, intense. The sounds and smells are so full on. People, people, people. Going from trees to people was probably a most logical thing for me. One of the first things that struck me were the melodic calls of the women hawking in the streets, sounds floating up to us on the 7th floor of our new home on 37th Street.”
Read Margie's article here.
October 17, 2015
Vipoo Srivilasa exhibited in 'More Love Hours' at The Ian Potter Museum of Art, Melbourne. 'More Love Hours' brought together the works of contemporary Australian artists who use traditional techniques and processes in their practice. The works demonstrated the use of 'traditional' forms of creativity as a means to express contemporary values and complex ideologies.
'More Love Hours' installation at The Ian Potter Museum of Art, photographed by Viki Petherbridge
Carol Shwarzman writes, "at first glance, their balanced poise beckons for our approval, to satisfy desire for perfection, decoration, or to escape into the soft murmurs of collectible comfort and status quo. Inevitably, closer inspection reveals Srivilasa's take on cross-cultural social tensions, the commodification of artistic integrity, the role of the self within popular culture, and the history of ceramics worldwide."
To see more of Vipoo's work, click here.
October 17, 2015
Belem Lett is a finalist in the Fisher's Ghost Art Award this year with his work 'Monster.' The Fisher's Ghost Award was established in 1956 and runs as part of the Fisher's Ghost Festival at the Campbelltown Arts Centre, New South Wales. The opening ceremony is the evening of Friday, 6th of November, and the exhibition runs from 31st of October to 12th of December.
To see more of Belem's work, click here.
April 8, 2015
Congratulations to Vipoo whose work New Family I (2014) was recently acquired by the Parliament House Collection, Canberra.
April 8, 2015
Congratulations to Vipoo whose work Soup Bowl With Turtle (2012) was recently acquired by the Lady Cilento Children's Hospital, Brisbane.
April 8, 2015
Congratulations Vipoo Srivilasa who recently visited the U.S. to be a part of the Roundtable Discussion for the National Council on Education for the Ceramic Arts (NCECA) on March 26, 2015.
‘”Pass the Peas: Food, Objects and the Making of Community”, will expand on themes explored in our 2015 keynote lecture. Namita Gupta Wiggers will moderate this lively discussion with Aruna D’Souza, Julia Galloway, Frederick Opie and Vipoo Srivilasa. As writers, artists, curators and historians these individuals all deal with the complex ways that we understand place and memory through objects, food and community engagement.’
April 8, 2015
Belem Lett joins Genevieve Felix Reynolds for an exhibition titled “Bang Bang” at Chasm Gallery in New York: a boutique gallery in Brooklyn NY, focusing on Australian fine art. The show runs from 10 – 20 April, 2015.
Image: Belem Lett, Bang (2015) oil on aluminum composite panel, pigment, resin 62 x 45 x 6 cm.
February 13, 2015
December 19, 2014
Congratulations to Vipoo Srivilasa whose work Bleach IV (2012) was acquired by the Queensland Art Gallery and Gallery of Modern Art.
Image: Bleach IV (2012), pocelain and cobalt pigment
September 27, 2014
Congratulations to Vipoo Srivilasa who was announced the winner of the 2014 Gold Coast International Ceramics Award. Vipoo’s thoughtful porcelain work Battle of Old and New Power was selected from 48 entries from several countries including Japan, Argentina and Isreal. Judge Dr Patsy Hely from the Australian National University School of Art described Vipoo’s work as having ‘resonance not just with one country’s internal battles but with the pulls and pushes of global relations and power struggles more broadly. In this way, it is a work in which the contemporary world is writ large.’ Srivilasa’s work was described as ‘at once beautiful and unsettling’ and reflects the contemporary world by ‘speak[ing] loudly of this moment in time.’
Image: Battle of New and Old Power (2012), porcelain
25 October 2023 – 14 November 2023
Judith Sinnamon ‘Foliage II’
25 October 2023 – 14 November 2023
Candy Nelson Nakamarra ‘Kalipinypa’
4 – 24 October 2023
Bridie Gillman ‘Watching Walls’
14 June 2023 – 4 July 2023
Vipoo Srivilasa ‘Solitude and Connection’
22 March 2023 – 11 April 2023
Ari Athans ‘Ingrained’
29 November 2022 – 28 February 2023
THE SUMMER SHOW
27 September 2022 – 15 October 2022
Bridie Gillman ‘Wash Over Me’
8 – 11 September 2022
30 August 2022 – 17 September 2022
Wayne Magrin ‘New Surfer and Boat Paintings’
25 August 2022 – 4 September 2022
JAMES DRINKWATER ‘A N D I A M O’
28 June 2022 – 16 July 2022
Candy Nelson Nakamarra, Dan Kyle, Miranda Skoczek ‘Common Ground’
7 – 25 June 2022
Belem Lett ‘Limbo’
5 – 23 April 2022
Stefan Dunlop ‘Endless’
3 – 19 February 2022
Ari Athans ‘Aggregates in Construct’
3 January 2022 – 1 February 2022
THE SUMMER SALON
30 November 2021 – 18 December 2021
Vipoo Srivilasa ‘My Sunshine Doesn't Come from the Sky’
23 November 2021 – 15 December 2021
THE ART OF CHRISTMAS | ONLINE ONLY
14 September 2021 – 2 October 2021
Judith Sinnamon ‘Foliage’
8 – 15 June 2021
Ari Athans ‘End of Days’
11 – 29 May 2021
Bridie Gillman ‘Amongst’
27 August 2020 – 16 September 2020
Ari Athans ‘Arrival’
23 – 30 July 2020
Vipoo Srivilasa ‘Fresh from the Studio (Online Only)’
26 May 2020 – 18 June 2020
Judith Sinnamon ‘Illuminations’
16 April 2020 – 2 May 2020
Belem Lett ‘Smoke Screen’
29 January 2020 – 19 February 2020
Bridie Gillman ‘With the Sun in My Eyes’
8 – 28 August 2019
VIPOO SRIVILASA 'The Marriage of Sang Thong'
26 June 2019 – 17 July 2019
THE NEW GALLERY SHOW — A Group Exhibition
19 February 2019 – 9 March 2019
BRIDIE GILLMAN 'Wide Eyed'
1 – 21 November 2018
STEFAN DUNLOP 'Requiem for the Static King'
29 August 2018 – 15 September 2018
THE 10TH ANNIVERSARY EXHIBITION
9 – 28 August 2018
ARI ATHANS 'Remains'
19 July 2018 – 8 August 2018
JUDITH SINNAMON 'Bimblebox'
7 – 10 September 2017
SYDNEY CONTEMPORARY ART FAIR - BELEM LETT
7 – 10 September 2017
SYDNEY CONTEMPORARY ART FAIR - VIPOO SRIVILASA
24 August 2017 – 30 September 2017
COAST — LAURA JONES, PAUL RYAN, TIM McMONAGLE, JULIAN MEAGHER, JUDITH SINNAMON, FRANK NOWLAN + THE ARTISTS FROM MANINGRIDA
26 May 2017 – 17 June 2017
Vipoo Srivilasa ‘Happy Together’
7 April 2017 – 4 May 2017
Judith Sinnamon ‘1770’
3 – 23 February 2017
Bridie Gillman ‘Overnight’
3 – 12 November 2016
BRIDIE GILLMAN Online Only
3 – 23 August 2016
Ari Athans ‘Volcanic Bloom’
1 – 24 March 2016
Belem Lett ‘Paradise Lost’
27 November 2015 – 18 December 2015
Judith Sinnamon ‘Yangon Downtown’
1 – 31 October 2015
Stefan Dunlop ‘Super Elastic Bubble Plastic’
9 – 13 September 2015
Sydney Contemporary Art Fair
2 – 27 June 2015
Ari Athans ‘Andromeda’
2 – 19 December 2014
Belem Lett ‘There Be Monsters’
21 October 2014 – 8 November 2014
Judith Sinnamon ‘Wallum’
30 September 2014 – 18 October 2014
Ari Athans ‘Geophyllia’ (Gallery 2)
9 – 27 September 2014
Vipoo Srivilasa ‘Equilibrium’ (Gallery 1)
14 – 17 August 2014
Melbourne Art Fair
3 – 20 December 2013
Belem Lett ‘Fault Lines’ (Gallery 1)
20 – 22 September 2013
Sydney Contemporary Art Fair
30 July 2013 – 17 August 2013
Ari Athans ‘Rockheads’ (Gallery 2)
30 July 2013 – 17 August 2013
Judith Sinnamon ‘Melaleuca’ (Gallery 1)
9 – 27 July 2013
Vipoo Srivilasa ‘How To Make A Million Before Dinner’ (Gallery 2)
10 – 28 July 2012
Judith Sinnamon ‘Flora from a Fragile Land’
17 October 2011 – 5 November 2011
Vipoo Srivilasa ‘Symbols’ (Gallery 2)
25 July 2011 – 13 August 2011
Stefan Dunlop ‘Recent Paintings’
2 – 21 May 2011
Ari Athans ‘Field Trip’ (Gallery 2)
27 September 2010 – 16 October 2010
3 – 22 May 2010
Ari Athans ‘Facet’
14 July 2009 – 1 August 2009
Stefan Dunlop ‘Select Paintings’