Morning News John Bokor John Bokor - Morning News
John Bokor
Morning News 2019
Morning NewsJohn BokorMorning News
John Bokor
Morning News2019
Oil On Canvas
60 x 50 cm
$4,900  ENQUIRE
Wine And Lemons John Bokor John Bokor - Wine And Lemons
John Bokor
Wine And Lemons 2019
Wine And LemonsJohn BokorWine And Lemons
John Bokor
Wine And Lemons2019
Oil On Canvas
60 x 76 cm
SOLD 
Vase Of Roses John Bokor John Bokor - Vase Of Roses
John Bokor
Vase Of Roses 2019
Vase Of RosesJohn BokorVase Of Roses
John Bokor
Vase Of Roses2019
Oil On Canvas
50 x 60 cm
$4,900  ENQUIRE
Tea And Brandy John Bokor John Bokor - Tea And Brandy
John Bokor
Tea And Brandy 2019
Tea And BrandyJohn BokorTea And Brandy
John Bokor
Tea And Brandy2019
Oil On Canvas
50 x 60 cm
In The Afternoon John Bokor John Bokor - In The Afternoon
John Bokor
In The Afternoon 2019
In The AfternoonJohn BokorIn The Afternoon
John Bokor
In The Afternoon2019
Oil On Board
70 x 60 cm
SOLD 
Pink Bear Yarrenyty Arltere Artists Yarrenyty Arltere Artists - Pink Bear
Yarrenyty Arltere Artists
Pink Bear 2019
Pink BearYarrenyty Arltere ArtistsPink Bear
Yarrenyty Arltere Artists
Pink Bear2019
woollen blanket, knitting wool, cotton, metal stand
41 x 30 x 18 cm
SOLD 
Head With Bird Trudy Inkamala Trudy Inkamala - Head With Bird
Trudy Inkamala
Head With Bird 2017
Head With BirdTrudy InkamalaHead With Bird
Trudy Inkamala
Head With Bird2017
woollen blanket, knitting wool, cotton, feathers, metal stand
44 x 46 x 20 cm
SOLD 
Rainbow Rooster Yarrenyty Arltere Artists Yarrenyty Arltere Artists - Rainbow Rooster
Yarrenyty Arltere Artists
Rainbow Rooster 2019
Rainbow RoosterYarrenyty Arltere ArtistsRainbow Rooster
Yarrenyty Arltere Artists
Rainbow Rooster2019
woollen blanket, knitting wool, cotton, metal stand
43 x 30 x 12 cm
SOLD 
Bird Rosanne Norman Rosanne Norman - Bird
Rosanne Norman
Bird 2019
BirdRosanne NormanBird
Rosanne Norman
Bird2019
woollen blanket, knitting wool, cotton, feathers, metal stand
34 x 25 x 8 cm
SOLD 
Ulgaman (Old Woman) Marlene Rubuntja Marlene Rubuntja - Ulgaman (Old Woman)
Marlene Rubuntja
Ulgaman (Old Woman) 2018
Ulgaman (Old Woman)Marlene RubuntjaUlgaman (Old Woman)
Marlene Rubuntja
Ulgaman (Old Woman)2018
woollen blanket, knitting wool, cotton, metal stand
63 x 19 x 13 cm
SOLD 
Bird In Flight Through Landscape Marlene Rubuntja Marlene Rubuntja - Bird In Flight Through Landscape
Marlene Rubuntja
Bird In Flight Through Landscape 2019
Bird In Flight Through LandscapeMarlene RubuntjaBird In Flight Through Landscape
Marlene Rubuntja
Bird In Flight Through Landscape2019
woollen blanket, knitting wool, cotton, metal stand
60 x 60 x 8 cm
$1,300  ENQUIRE
Man Beth Ebatarinja Beth Ebatarinja - Man
Beth Ebatarinja
Man 2019
ManBeth EbatarinjaMan
Beth Ebatarinja
Man2019
woollen blanket, knitting wool, cotton, metal stand
63 x 33 x 6 cm
$990  ENQUIRE
Bird Beth Ebatarinja Beth Ebatarinja - Bird
Beth Ebatarinja
Bird 2019
BirdBeth EbatarinjaBird
Beth Ebatarinja
Bird2019
woollen blanket, knitting wool, cotton, feathers, metal stand
43 x 34 x 9 cm
$990  ENQUIRE
Dog Coming For Water Sally M Nangala Mulda Sally M Nangala Mulda - Dog Coming For Water
Sally M Nangala Mulda
Dog Coming For Water 2018
Dog Coming For WaterSally M Nangala MuldaDog Coming For Water
Sally M Nangala Mulda
Dog Coming For Water2018
Acrylic On Linen
59 x 90 cm
#9702-18 
SOLD 
Two Woman Putting Roo Tail Outside To Get Cold Sally M Nangala Mulda Sally M Nangala Mulda - Two Woman Putting Roo Tail Outside To Get Cold
Sally M Nangala Mulda
Two Woman Putting Roo Tail Outside To Get Cold 2019
Two Woman Putting Roo Tail Outside To Get ColdSally M Nangala MuldaTwo Woman Putting Roo Tail Outside To Get Cold
Sally M Nangala Mulda
Two Woman Putting Roo Tail Outside To Get Cold2019
Acrylic On Linen
35.7 x 45.7 cm
#10126-19 
SOLD 
Two Policeman... Sally M Nangala Mulda Sally M Nangala Mulda - Two Policeman...
Sally M Nangala Mulda
Two Policeman... 2019
Two Policeman...Sally M Nangala MuldaTwo Policeman...
Sally M Nangala Mulda
Two Policeman...2019
acrylic on linen
30 x 40 cm
#10285-19 
SOLD 
Old Man Said, 'Let's go to next door'... Sally M Nangala Mulda Sally M Nangala Mulda - Old Man Said, 'Let's go to next door'...
Sally M Nangala Mulda
Old Man Said, 'Let's go to next door'... 2018
Old Man Said, 'Let's go to next door'...Sally M Nangala MuldaOld Man Said, 'Let's go to next door'...
Sally M Nangala Mulda
Old Man Said, 'Let's go to next door'...2018
acrylic on linen
30 x 40 cm
#9690-18 
SOLD 
Two Policeman Taking Man To Jail Sally M Nangala Mulda Sally M Nangala Mulda - Two Policeman Taking Man To Jail
Sally M Nangala Mulda
Two Policeman Taking Man To Jail 2018
Two Policeman Taking Man To JailSally M Nangala MuldaTwo Policeman Taking Man To Jail
Sally M Nangala Mulda
Two Policeman Taking Man To Jail2018
Acrylic On Linen
66 x 66 cm
#9598-18 
SOLD 
Two Policeman Dripping Beer... Sally M Nangala Mulda Sally M Nangala Mulda - Two Policeman Dripping Beer...
Sally M Nangala Mulda
Two Policeman Dripping Beer... 2019
Two Policeman Dripping Beer...Sally M Nangala MuldaTwo Policeman Dripping Beer...
Sally M Nangala Mulda
Two Policeman Dripping Beer...2019
Acrylic On Linen
76 x 91.5 cm
#10212-19 
SOLD 
We Sleep At Nighttime... Sally M Nangala Mulda Sally M Nangala Mulda - We Sleep At Nighttime...
Sally M Nangala Mulda
We Sleep At Nighttime... 2018
We Sleep At Nighttime...Sally M Nangala MuldaWe Sleep At Nighttime...
Sally M Nangala Mulda
We Sleep At Nighttime...2018
Acrylic On Linen
61.5 x 122.5 cm
#9500-18 
SOLD 
Outside Abbott's Camp Sally M Nangala Mulda Sally M Nangala Mulda - Outside Abbott's Camp
Sally M Nangala Mulda
Outside Abbott's Camp 2019
Outside Abbott's CampSally M Nangala MuldaOutside Abbott's Camp
Sally M Nangala Mulda
Outside Abbott's Camp2019
Acrylic On Linen
46 x 89.8 cm
#10254-19 
SOLD 
Town Camp Anywhere Sally M Nangala Mulda Sally M Nangala Mulda - Town Camp Anywhere
Sally M Nangala Mulda
Town Camp Anywhere 2018
Town Camp AnywhereSally M Nangala MuldaTown Camp Anywhere
Sally M Nangala Mulda
Town Camp Anywhere2018
Acrylic On Linen
39.8 x 120 cm
#9033-18 
$3,200  ENQUIRE
Three Town Camp Stories Sally M Nangala Mulda Sally M Nangala Mulda - Three Town Camp Stories
Sally M Nangala Mulda
Three Town Camp Stories 2019
Three Town Camp StoriesSally M Nangala MuldaThree Town Camp Stories
Sally M Nangala Mulda
Three Town Camp Stories2019
Acrylic On Linen
32 x 91.6 cm
#10253-19 
$3,000  ENQUIRE
Vilaine Tara Marynowsky Tara Marynowsky - Vilaine
Tara Marynowsky
Vilaine 2019
VilaineTara MarynowskyVilaine
Tara Marynowsky
Vilaine2019
Watercolour And Gouache On Vintage Postcard
8 x 10 cm
$990  ENQUIRE
Tomorrow Tara Marynowsky Tara Marynowsky - Tomorrow
Tara Marynowsky
Tomorrow 2019
TomorrowTara MarynowskyTomorrow
Tara Marynowsky
Tomorrow2019
Watercolour And Gouache On Vintage Postcard
10 x 8 cm
SOLD 
Forgotten Tara Marynowsky Tara Marynowsky - Forgotten
Tara Marynowsky
Forgotten 2019
ForgottenTara MarynowskyForgotten
Tara Marynowsky
Forgotten2019
Watercolour And Gouache On Vintage Postcard
10 x 8 cm
SOLD 
Yours Tara Marynowsky Tara Marynowsky - Yours
Tara Marynowsky
Yours 2019
YoursTara MarynowskyYours
Tara Marynowsky
Yours2019
Watercolour And Gouache On Vintage Postcard
10 x 8 cm
SOLD 
Olive Tara Marynowsky Tara Marynowsky - Olive
Tara Marynowsky
Olive 2019
OliveTara MarynowskyOlive
Tara Marynowsky
Olive2019
Watercolour And Gouache On Vintage Postcard
10 x 8 cm
$990  ENQUIRE
Yourself Tara Marynowsky Tara Marynowsky - Yourself
Tara Marynowsky
Yourself 2019
YourselfTara MarynowskyYourself
Tara Marynowsky
Yourself2019
Watercolour And Gouache On Vintage Postcard
10 x 8 cm
$990  ENQUIRE
Lubbenau Tara Marynowsky Tara Marynowsky - Lubbenau
Tara Marynowsky
Lubbenau 2019
LubbenauTara MarynowskyLubbenau
Tara Marynowsky
Lubbenau2019
Watercolour And Gouache On Vintage Postcard
10 x 8 cm
$990  ENQUIRE
Do You Think Of Me Tara Marynowsky Tara Marynowsky - Do You Think Of Me
Tara Marynowsky
Do You Think Of Me 2019
Do You Think Of MeTara MarynowskyDo You Think Of Me
Tara Marynowsky
Do You Think Of Me2019
Watercolour And Gouache On Vintage Postcard
10 x 8 cm
$990  ENQUIRE
Sang Thong Vipoo Srivilasa Vipoo Srivilasa - Sang Thong
Vipoo Srivilasa
Sang Thong 2019
Sang ThongVipoo SrivilasaSang Thong
Vipoo Srivilasa
Sang Thong2019
Porcelain
60 x 40 x 40 cm
SOLD 
Chloris II Vipoo Srivilasa Vipoo Srivilasa - Chloris II
Vipoo Srivilasa
Chloris II 2019
Chloris IIVipoo SrivilasaChloris II
Vipoo Srivilasa
Chloris II2019
Porcelain Mix Media And High Saturate Blue Paint
76 x 21 x 21 cm
SOLD 
Question Mark Vipoo Srivilasa Vipoo Srivilasa - Question Mark
Vipoo Srivilasa
Question Mark 2019
Question MarkVipoo SrivilasaQuestion Mark
Vipoo Srivilasa
Question Mark2019
Glaze, Ceramic, Porcelain And Mix Media
57 x 21 x 21 cm
SOLD 
Chloris I Vipoo Srivilasa Vipoo Srivilasa - Chloris I
Vipoo Srivilasa
Chloris I 2019
Chloris IVipoo SrivilasaChloris I
Vipoo Srivilasa
Chloris I2019
Porcelain Mix Media And High Saturate Blue Paint
55 x 21 x 21 cm
$6,500  ENQUIRE
TK Eliza Gosse Eliza Gosse - TK
Eliza Gosse
TK 2019
TKEliza GosseTK
Eliza Gosse
TK2019
Oil On Board
28 x 23 cm
SOLD 
Talz Eliza Gosse Eliza Gosse - Talz
Eliza Gosse
Talz 2019
TalzEliza GosseTalz
Eliza Gosse
Talz2019
Oil On Board
28 x 23 cm
SOLD 
Bella Eliza Gosse Eliza Gosse - Bella
Eliza Gosse
Bella 2019
BellaEliza GosseBella
Eliza Gosse
Bella2019
Oil On Board
28 x 23 cm
SOLD 
Miki Eliza Gosse Eliza Gosse - Miki
Eliza Gosse
Miki 2019
MikiEliza GosseMiki
Eliza Gosse
Miki2019
Oil On Board
28 x 23 cm
SOLD 
Harry Eliza Gosse Eliza Gosse - Harry
Eliza Gosse
Harry 2019
HarryEliza GosseHarry
Eliza Gosse
Harry2019
Oil On Board
28 x 23 cm
SOLD 
Geran Eliza Gosse Eliza Gosse - Geran
Eliza Gosse
Geran 2019
GeranEliza GosseGeran
Eliza Gosse
Geran2019
Oil On Board
28 x 23 cm
SOLD 
Daniel Eliza Gosse Eliza Gosse - Daniel
Eliza Gosse
Daniel 2019
DanielEliza GosseDaniel
Eliza Gosse
Daniel2019
Oil On Board
28 x 23 cm
SOLD 
Max Eliza Gosse Eliza Gosse - Max
Eliza Gosse
Max 2019
MaxEliza GosseMax
Eliza Gosse
Max2019
Oil On Board
28 x 23 cm
SOLD 
Seidler Lodge Eliza Gosse Eliza Gosse - Seidler Lodge
Eliza Gosse
Seidler Lodge 2019
Seidler LodgeEliza GosseSeidler Lodge
Eliza Gosse
Seidler Lodge2019
Oil On Canvas
125 x 111 cm
SOLD 
Les Eliza Gosse Eliza Gosse - Les
Eliza Gosse
Les 2019
LesEliza GosseLes
Eliza Gosse
Les2019
Oil On Board
28 x 23 cm
SOLD 
Kate & Hannah Eliza Gosse Eliza Gosse - Kate & Hannah
Eliza Gosse
Kate & Hannah 2019
Kate & HannahEliza GosseKate & Hannah
Eliza Gosse
Kate & Hannah2019
Oil On Board
28 x 23 cm
SOLD 
Joel Eliza Gosse Eliza Gosse - Joel
Eliza Gosse
Joel 2019
JoelEliza GosseJoel
Eliza Gosse
Joel2019
Oil On Board
28 x 23 cm
SOLD 
Gabs Eliza Gosse Eliza Gosse - Gabs
Eliza Gosse
Gabs 2019
GabsEliza GosseGabs
Eliza Gosse
Gabs2019
Oil On Board
28 x 23 cm
SOLD 
Brig Eliza Gosse Eliza Gosse - Brig
Eliza Gosse
Brig 2019
BrigEliza GosseBrig
Eliza Gosse
Brig2019
Oil On Board
28 x 23 cm
SOLD 
Berm Eliza Gosse Eliza Gosse - Berm
Eliza Gosse
Berm 2019
BermEliza GosseBerm
Eliza Gosse
Berm2019
Oil On Board
28 x 23 cm
SOLD 
Benj Eliza Gosse Eliza Gosse - Benj
Eliza Gosse
Benj 2019
BenjEliza GosseBenj
Eliza Gosse
Benj2019
Oil On Board
28 x 23 cm
SOLD 
Stevie Eliza Gosse Eliza Gosse - Stevie
Eliza Gosse
Stevie 2019
StevieEliza GosseStevie
Eliza Gosse
Stevie2019
Oil On Board
28 x 23 cm
SOLD 

September 16, 2023

ELIZA GOSSE IS A FINALIST IN THE 2023 PADDINGTON ART PRIZE

We are thrilled to announce that ELIZA GOSSE has been selected as a finalist in the 2023 Paddington Art Prize for her work 'Greenwell Point'

The Paddington Art Prize is a $30,000 National acquisitive prize, awarded annually for a painting inspired by the Australian landscape.

Image:

“Greenwell Point” 2023
Gouache on paper
28 x 28 cm

READ MORE HERE

September 2, 2023

JOHN BOKOR FINALIST IN THE 2023 MOSMAN ART PRIZE

Congratulations to our artist John Bokor who is a finalists in this year's Mosman Art Prize for his work 'The Flowering Plant'. Exhibition open 23 September in Mosman, Sydney.

READ MORE HERE

Image:

JOHN BOKOR
'The Flowering Plant' 2023
oil on board
140 x 120 cm

September 2, 2023

ELIZA GOSSE FINALIST IN THE 2023 MOSMAN ART PRIZE

Congratulations to our artist Eliza Gosse who is a finalists in this year's Mosman Art Prize for her work 'We Climbed the Fence and Swam in Their Pool'. Exhibition open 23 September in Mosman, Sydney.

READ MORE HERE

Image:

ELIZA GOSSE
'We Climbed the Fence and Swam in Their Pool' 2023
gouache on paper
39 x 39 cm

May 6, 2023

SALLY M NANGALA MULDA FINALIST IN THE SULMAN PRIZE

Sally M Nangala Mulda is a finalist in the 2023 Sulman Prize.

Old man pay day

Daughter and father drinking beer. Down the creek one woman got two tail. Two man coming with the beer two rum with the bag

Two rum and two coca cola in the bag

Woman taking tail

Man taking rum and coca cola with the bag

Man taking beer at the creek

Sally M Nangala Mulda, 2023

Sally M Nangala Mulda’s work is a form of documentary storytelling. She started painting in 2008 and has frequently portrayed town camp life since the 2007 Northern Territory intervention: people camping in the riverbed in swags, council rangers moving people on, people cooking kangaroo tail down the creek. Her practice represents an important catalogue of lived experience of town camp life and colonisation.

Read more here.


Sally M Nangala Mulda

Old man pay day

acrylic on linen

59.5 x 91.5 cm

May 6, 2023

ELIZA GOSSE FINALIST IN THE ARCHIBALD PRIZE

Eliza Gosse is a finalist in the 2023 Archibald Prize.

This dual portrait features Eliza Gosse and her husband, architect and designer Benjamin Jay Shand, who was the subject of her portrait somewhere near home in the Archibald Prize 2022.

Gosse describes this 2023 work – one of several recent portraits, all painted on board – as ‘a cut-out of our weekend at sunrise – just us and our fluffy robes’.

‘Robes are mandatory if you come to breakfast at ours. The coffee percolates as the muesli is garnished and the CD is chosen,’ she says. ‘Wouldn’t it be wonderful if every morning could be spent lazing over several cups of coffee with a dash of honey and a side of strawberries?

‘While painting these portraits in my studio, I indulged in a few afternoons on the floor – tea and biscuits included – with the works propped up against the wall, as a sort of tea party with my wooden friends.

‘My studio mates will be glad to see these cut-outs gone; they say they came to life at night.’

Read more here.

Artwork:

Eliza Gosse

Breakfast At Ours

oil on board

two panels: 137.5 x 86.5 cm (left); 145.5 x 97 cm (right)

May 6, 2023

ELIZA GOSSE FEATURED IN THE DESIGN FILES

Eliza Gosse was featured in The Design Files article 'Eliza Gosse's Paintings Capture the Nostalgia of Retro Architecture' by Christina Karras.

"There’s a magical attention to detail within Eliza Gosse's architectural paintings.

She expertly captures the light-filled interiors and magical Modernist facades of homes inspired by designs of the ’50s, ’60s and ’70s with a dreamy pastel palette that makes you want to leap right into them. All the while maintaining a beautiful ‘flatness’ about her work."

You can read the article here.

May 6, 2022

SALLY M NANGALA MULDA - SULMAN ART PRIZE FINALIST

Congratulations to Sally M Nangala Mulda who is a finalist in the 2022 Sulman Art Prize.

The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist.

Sally Mulda's painting 'Old Days at Amoonguna' depicts the art centre's toyota picking up all the woman for painting. That kungka Nadine driving. Long time ago I use to get picked up at Little Sisters. Now Abbott’s Camp. Every day. We listen to CAAMA radio. Good ways. Everybody talkin’ talkin’. This one [middle] – three woman, they on the hospital lawn, playing card for money. Pay day. Night time [right panel] four woman by the fire at town camp. They sitting round the fire at night time. Keeping warm, talking story. Maybe they by the fire because no power card? This is town camp life. Every day.

READ MORE HERE

Old Days at Amoonguna 2021
acrylic on linen
66 x 122.5 cm

May 6, 2022

ELIZA GOSSE - ARCHIBALD FINALIST

The Archibald Prize is a prestigious Australian portraiture art prize that has been running since 1921. The national portrait prize is entering a new century with 816 submissions entered this year, of which 52 finalists were announced on Thursday 5th of May. It is with great pleasure to congratulate Eliza Gosse who was selected as a finalist in the 2022 Archibald Art Prize.

Gosse depicts in her painting an architect and designer Benjamin Jay Shand. She states,

"He sees beauty in the most peculiar places, has great hair and likes to wear sunglasses more than is usual. I can say that because he is my husband. I don’t often paint people; however, Benj finds himself the constant muse for my sketchbook scribbles. And as this is my first large-scale portrait, it felt natural for him to be the subject..."

READ MORE HERE

Somewhere Near Home (Painting of Benjamin Jay Shand) 2022
oil on canvas
122 x 152 cm

March 23, 2022

ELIZA GOSSE - National Art School in the NSW Landscape

National Art School in the NSW Landscape is a new exhibition at NSW Parliament House from 9 – 31 March 2022. It explores the relationship between people, land and culture across the state through artworks by 21 significant Australian artists who studied at the National Art School (NAS), which this year celebrates 100 years since moving into the former Darlinghurst Gaol site in inner-city Sydney. Featuring 27 major artworks in various media including tapestry, collage and ceramics, this show represents the enormous diversity of NSW’s landscape, environment and culture.

Congratulations to Eliza Gosse for featuring her work in the exhibition.

READ MORE HERE

March 4, 2022

TARA MARYNOWSKY: Australians and Hollywood

National Film and Sound Archive of Australia first major original exhibition in two decades opened to the public on Friday, bringing with it an insight into Australian films and film talent - both behind and in front of the camera.

"Australians & Hollywood is both a celebration and a provocation to rethink Australian cinema today, at home, in Hollywood and beyond. Visitors will be taken on a journey through the pivotal moments in recent and contemporary Australian cinema, starting from the ‘70s." - Tara Marynowsky

Curator Tara Marynowsky shares how this treasure trove of beloved cinema moments came to life.

READ MORE HERE

July 22, 2021

SALLY M NANGALA MULDA, FINALIST IN THE ARCHIBALD PRIZE AGNSW 2021

This open competition is judged by the trustees of the Art Gallery of NSW. Finalists are displayed in an exhibition at the Gallery (although in the early years all entrants were hung). Although it is a non-acquisitive prize, several of the entries are now part of the Gallery’s collection.

Born in Titjikala in 1957, Mulda experienced a childhood accident that left her with impaired vision, but surgery has improved her sight. Exhibiting since 2008, she creates bright canvases with distinctive cursive text, depicting scenes of everyday life within Abbott’s Camp and drawing attention to social and political issues with emotional honesty.

In this portrait, the artist is wearing the stripey top and sits with her daughter, Louise Abbott. The other two people cooking roo tails on the fire represent all town camp women. As Mulda puts it: they are ‘maybe me and Louise, maybe any womans. This is town camp life. Every day.’

Mulda is also a finalist in this year’s Sulman Prize.

READ MORE HERE

    June 9, 2021

    SALLY M NANGALA MULDA FINALIST IN THE BAYSIDE ART PRIZE

    Established in 2015, the Bayside Acquisitive Art Prize is a celebration of contemporary Australian painting. The finalist exhibition brings together a broad range of artists, both established and lesser known, whose varied approaches to the painted medium conveys the breadth and diversity of painting in Australia today.

    The annual prize is an important opportunity for Bayside City Council to add exceptional works of art to its collection and to promote art and artists as a valuable part of the Bayside community.

    Sally Mulda's work 'Town Camp Stories' 2020 is a finalist in this year's prize.

    READ MORE HERE

    March 2, 2021

    JOHN BOKOR FINALIST IN THE DOBELL PRIZE FOR DRAWING

    John Bokor is a finalist in the Dobell Drawing Prize with this work titled Lounge Room in Spring 2020, charcoal, wash and collage, 84 x 100 cm.

    The Dobell Drawing Prize is the leading drawing exhibition in Australia and an unparalleled celebration of drawing innovation. Presented in partnership with the Sir William Dobell Art Foundation (SWDAF), the biennial prize explores the enduring importance of drawing within contemporary art practice.

    William Dobell’s love of drawing was recognised in 1993 when the Art Gallery of New South Wales established an annual drawing prize in his name, initiated by the trustees of the SWDAF. For twenty years, the annual Dobell Prize for Drawing encouraged excellence in drawing and draughtsmanship among Australian artists.

    August 19, 2020

    ELIZA GOSSE FINALIST IN THE WYNNE PRIZE | ART GALERY OF NEW SOUTH WALES

    Eliza Gosse's work 'Spoonfuls of Milo at Kosciuszko' is a finalist in the 2020 Wynne Prize at the Art Gallery of New South Wales.

    The Wynne Prize is awarded annually for 'the best landscape painting of Australian scenery in oils or watercolours or for the best example of figure sculpture by Australian artists'. This open competition is judged by the trustees of the Art Gallery of NSW.

    READ MORE HERE

    August 12, 2020

    ELIZA GOSSE FINALIST IN THE MOSMAN ART PRIZE

    Eliza Gosse's work 'A Triangle of Vegemite Toast Lay Forgotten Under the Mustard Chair' is a finalist in the 2020 Mosman Art Prize.


    April 16, 2020

    ELIZA GOSSE FINALIST IN THE RAVENSWOOD AUSTRALIAN WOMEN'S ART PRIZE 2020

    Congratulations to Eliza Gosse who is a finalist in the 2020 Ravenswood Australian Women's Art Prize with her work "He Watched Cars Passing By Beyond The Cracks In The Curtains", 2020, oil on canvas, 120x150cm.

    The Ravenswood Australian Women's Art Prize is an annual prize that was launched in 2017 to advance art and opportunity for emerging and established female artists in Australia. It is the highest value professional artist prize for women in Australia. There are three prize categories; the Professional Artist Prize of $35,000, the Emerging Artist Prize of $5,000 and the Indigenous Emerging Artist Prize of $5,000.

    Artwork judging is overseen by Ravenswood Australian Women's Art Prize Patron and acclaimed artist, Jennifer Turpin and the winners will be announced 26 May 2020.

    April 16, 2020

    ELIZA GOSSE FEATURED IN HARPERS BAZAAR MAGAZINE

    To coincide with her exhibition 'Mini Mokes and Mini Skirts', Eliza Gosse is featured in the April edition of Harpers Bazaar magazine

    July 13, 2019

    JOHN BOKOR FINALIST IN THE NATIONAL STILL LIFE AWARD AT COFFS HARBOUR REGIONAL GALLERY

    John Bokor's work 'Spring' has been selected as a finalist in the National Still Life Award at Coffs Harbour Regional Gallery.

    Still is a biennial, acquisitive award for artworks in the genre of still life, in all mediums. The award is open to artists at all stages of their careers.

    Still: National Still Life Award seeks to highlight the diversity and vitality of still life in Australian contemporary art practice, broadening the interpretation and meaning of this enduring genre.

    The Still exhibition opens on Friday 20th September 2019, with the official opening on Saturday 21st September, and runs until Saturday 16th November 2019. The judge is Rebecca Coates, Director of the Shepparton Art Museum.

    READ MORE HERE

    June 17, 2019

    JOHN BOKOR FINALIST IN THE MUSWELLBROOK ART PRIZE 2019

    The Muswellbrook Art Prize began in 1958 as the Festival of the Valley Art Prize with the winning painting Death of Voss by Tom Gleghorn becoming the inaugural work in what has grown to become an excellent collection of modern and contemporary Australian painting, works on paper and ceramics from the Post War period of the 20th Century and now the first two decades of the 21st Century. The Muswellbrook Shire Art Collection was created as a direct result of this ongoing acquisitive art competition.

    John Bokor is a finalist in the 2019 prize.

    Image: The Red Velvet Lounge 2018 oil on linen 68 x 91cm

    READ MORE HERE

    May 26, 2019

    ELIZA GOSSE NAMED FINALIST IN THE RAVENSWOOD WOMEN'S ART PRIZE

    The Ravenswood Australian Women's Art Prize is an annual prize that was launched in 2017 to advance art and opportunity for emerging and established female artists in Australia. There are two prize categories, including a $35,000 prize — the richest professional art prize for women in Australia. Artwork judging will be overseen by Ravenswood Australian Women's Art Prize Patron and acclaimed artist, Jennifer Turpin, and announced at the exhibition opening on 31 May, 2019.

    Eliza Gosse is a finalist with her work 'Your Yellow Brick Holding Up the Sky' 2019, oil on canvas 50 x 40cm

    READ MORE HERE

    May 16, 2019

    SALLY NANGALA MULDA FINALIST IN THE SULMAN PRIZE AT THE ART GALLERY OF NEW SOUTH WALES

    Sally Nangala Mulda has been selected as a finalist in the 2019 Sulman Prize, administered by the Art Gallery of New South Wales. The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist.

    Sally says of her working this years prize:

    This is me outside my home at Abbott’s Town Camp in Alice Springs feeding my cats. Little cat, mother cat. One woman, my family, playing cards. Nobody bothering anybody. No papa bothering the cats! We are just sitting quietly. I like quiet. Nobody talking.

    Sally M Nagala Mulda, 2019

    Image: Sally feeding little cat, mother cat, acrylic on linen, 76 x 92 cm

    May 14, 2019

    JOHN BOKOR FINALIST IN THE SULMAN PRIZE AT THE ART GALLERY OF NEW SOUTH WALES

    John Bokor is a finalist in the 2019 Sulman Prize, administered by the Art Gallery of New South Wales.

    The Sulman Prize is awarded in the terms of the gift of the family of the late Sir John Sulman, to the best genre painting and/or mural project done by an artist resident in Australia during the five years preceding the date fixed by the Trustees for sending in entries.

    'Four thirty pm is from a group of works I started making in 2017 depicting interior spaces. They are hybrid paintings of real and imagined scenes made using an airbrush and traditional painting tools. This painting took a very long time to resolve. I thought at one point in 2018 that it was finished and had it framed, only to realise early this year that it needed more work. I treated it as badly as it had me and sanded the surface down and reworked the whole painting, destroying most of what was underneath. When it was finally finished the light in the studio resembled the light in the painting. I checked my clock and it was 4.30pm' John Bokor, 2019

    Image: JOHN BOKOR ' Four thirty pm' oil on board 125 x 147 cm

    READ MORE HERE

    May 1, 2019

    SALLY NANGALA MULDA FEATURED IN ART/EDIT

    Louise Martin-Chew writes about Sally Nangala Mulda's life and painting for Art/Edit magazine. She says:

    'WHAT IS MOST DISTINCTIVE about the paintings of Sally M. Nangala Mulda is that they tell us just how it is to live in Abbott’s Town Camp, not far from the mostly dry Todd River bed in Alice Springs (Mparntwe). Many of the paintings produced by Indigenous artists working out of the region use colour and pattern to evoke the romance of their connections to Country. However, Sally’s approach delivers the gritty reality of the place in which she lives, the interactions between police and Aboriginal people, the supermarket as the source of “a feed”, the tension around alcohol consumption and people sleeping rough, all set amongst saltbush, waterholes, homes and shops.'

    READ MORE HERE

    April 25, 2019

    SALLY NANGALA MULDA FEATURED IN RUNNING DOG FOR 'THE NATIONAL' AT THE AGNSW

    On Sally Nangala Mulda's work for 'The National' at the Art Gallery of New South Wales, Snack Syndicate for Running Dog writes:

    'Sally Mulda’s narrative style mimics the pedantic, forensic language of the state while at the same time showing that such language tends to obfuscate its subjects—people who live and die. Mulda’s frank descriptions of the Town Camp index the countless different ways that black life is both constrained by, and always in excess of, white law.

    Together, the paintings in the exhibition are quietly unsettling, staging a series of encounters that produce both minor affects (annoyance, confusion, amusement, affection) and their major implications. Engaging with the paintings, we feel the enormity of living under occupation, as well as the conviction that such enormity can never be total.'

    READ MORE HERE

    April 17, 2019

    SALLY NANGALA MULDA FEATURED IN 'THE NATIONAL - NEW AUSTRALIAN ART' AT THE ART GALLERY OF NEW SOUTH WALES

    Curator Isobel Parker Philip talks about Sally Mulda's work for 'The National' at the Art Gallery of New South Wales:

    'Sally Nangala Mulda is an artist who lives in Abbott's Town Camp in Alice Springs in the Northern Territory.

    She paints scenes from her daily life. She paints people having breakfast. She paints going to the football. She paints people going to sleep. She also paints the routine and intrusive presence of the police amongst the indigenous communities in the Northern Territory.

    All of these scenes are painted with the same frank and stark honesty. There is a normalisation of the police presence amongst the Indigenous community that is shocking to see at first and is amplified by the regularity with which Sally paints it and that we see it again and again across the installation.

    This reminds us about what life looks like for a huge portion of our Indigenous people. In this work we see the lived effects of the 2007 Northern Territory intervention. It's a brutal reminder about what reality can really look like.

    Sally paints her figurative scenes and then applies text on top of them to tether each work to a particular time and place. These are diaristic documents. They're paintings that do the job of photographs or snapshots. There's a kind of direct relationship between these scenes and the real world. We read them as snapshots. We read them as kind of episodes from life as it is lived.'

    READ MORE HERE

    March 22, 2019

    TARA MARYNOWSKY: FIVE AUSTRALIAN ARTISTS TO WATCH

    In 2017, three of Sydney’s major galleries – Carriageworks, Art Gallery of NSW and the Museum of Contemporary Art – presented the first instalment of the The National, an ambitious look at contemporary art in Australia.

    Far from a quick snapshot of the art world, The National is a six-year project encompassing three shows at three galleries every two years. It features more than 100 emerging, mid-career and established artists. Each iteration speaks to the present, charting a brief arc in the story of Australian contemporary art.

    Daniel Mudie-Cunningham, senior curator at Carriageworks, has worked on his section of the show for two years. He travelled around the country to meet artists and find new voices to add to a list of already-established names.

    “There are connections between what we’re doing,” Mudie-Cunningham says of the three galleries and their curators. “Often there’s a particular zeitgeist, or political themes that recur.”

    There are 65 artists involved in The National 2019. Tara Marynowsky is one to seek out:

    Tara Marynowsky: the interventionist

    'At a glance: A Sydney-based artist who doesn’t start with a blank canvas but builds on existing images, interacting with and subverting the past. She has appeared in exhibitions here and overseas.

    What she’s known for: Her watercolour and gouache “interventions” on vintage postcards, which merge colour and surrealism with sepia-tinted images of young women. Her 2018 exhibition at Brisbane’s Edwina Corlette Gallery, Balancing Actress, featured vintage images of nude dancing “girls” with their faces obscured, bathed in pastel textures.

    For The National: Her work starts with a more recent jumping-off point, and an angrier, more overtly political tone. For her piece, Coming Attractions, Marynowsky found 35-millimetre reels of ’90s Hollywood film trailers, including Pretty Woman, Shakespeare in Love, Species and Indecent Proposal, and took to the negatives with a knife, scratching each frame. It’s a labour-intensive and imprecise process. When the film is scanned and played back the result is a series of frenzied animations. Julia Roberts’s face is removed, making her almost monstrous. Gwyneth Paltrow is given a Medusa-like head of snakes. The dodgy gender politics of each film is subverted by force.' BROADSHEET March 2019

    READ MORE HERE

    March 20, 2019

    TARA MARYNOWSKY IN ART GUIDE REVIEW OF 'THE NATIONAL'

    Anna Dunnill reviews Tara Marynowsky's work in The National for Art Guide. She writes:

    'Artist Tara Marynowsky has long been fascinated with the monstrous feminine – the twin forms of female beauty and ugliness. She collects old photographic portraits from the first half of the 20th century, often sent as postcards, and applies delicate layers of watercolour and gouache – giving the women bulging brains, greenish skin and purple rouge; eyes blank or goggling.

    In addition to her well-known drawing practice, Marynowsky has long worked with film and video; in fact, video came first, having majored in time-based art at Sydney’s College of Fine Arts (now University of New South Wales, Art & Design). However, after focusing on video for some time, her drawing practice came out of a yearning for the tactile: “I just really wanted to get back to using my hands,” she says.

    In her forthcoming installation for The National, she has managed to do both. To be exhibited at Carriageworks, Marynowsky’s work Coming Attractions consists of four videos, each taking as its raw material a film trailer from the 1990s: Pretty Woman (1990), Indecent Proposal (1993), Species (1995), and Shakespeare in Love (1998). While at one level these films may spark nostalgia, in each of them the female character is an object of men’s pursuit and desire: variously bought, sold, rescued, hunted and bargained over. Their release dates mark out Marynowsky’s adolescence and highlight some of the female role models available for mass consumption at that time.'

    READ MORE HERE

    March 12, 2019

    TARA MARYNOWSKY'S WORK FEATURED IN THE GUARDIAN REVIEW OF 'THE NATIONAL'

    Andrew Frost writes:

    Key works at Carriageworks include Sean Rafferty’s Cartonography (FNQ), a wall of cardboard fruit boxes, everyday objects given a monumental treatment that highlights the surreal oddity of their design, and in Coming Attractions (2017-19) there’s another use of found objects. Tara Marynowsky takes 35mm feature film trailers sourced from eBay and scratches out key figures from the image, such as Julia Roberts from Pretty Woman. The result is amusing but pointed – the pretty woman is erased.

    READ MORE HERE

    January 30, 2019

    ELIZA GOSSE FEATURED IN PLAIN MAGAZINE

    Toby Orton from Plain Magazine features Eliza Gosse's work. He writes:

    Delving into social issues of national identity and immigration, artist Eliza Gosse focuses on the post-war houses built for European migrants in her home country of Australia in the 50s, 60s and 70s. In her striking oil paintings, Gosse’s style combines clean, color blocked geometric forms that call to mind the utopian ideals of suburban planning with a ‘nostalgic
    inflection’. The ‘Suburban Modernism’ that she has created is a response to her interests in design history, the initial impact of inexpensive post-war architecture on communities and the way that the design’s influence and meaning is viewed over time. In her paintings of the Australian (and to a lesser extent, American) suburbs she celebrates an era of design that mocks the unflattering stereotype of bland suburbia and celebrates the unabashed invention of the time.

    READ MORE HERE

    December 16, 2018

    ELIZA GOSSE IN 'THE IDEAL HOME' AT PENRITH REGIONAL GALLERY

    The Ideal Home presents a history of the 20th century Australian home told through household objects, furniture and design classics from the MAAS Collection.

    For much of the 20th century Australia enjoyed one of the highest rates of home ownership in the world. This situation emerged following the landmark ‘Harvester Judgement’ of 1907, which enshrined a ‘living wage’, and enabled ordinary workers to purchase a home and support a family.

    Post war affluence, technology, mass manufacturing and the ready availability of goods, created both a consumer base and desire. In this setting, suburbs grew and homes became our castles. Australians enthusiastically adopted international trends in architecture, interior furnishings and design. Labour saving devices liberated us from domestic drudgery and increased the time available for leisure. Indoors and outdoors Australians aspired to a lifestyle centred upon the comfort, style, amenity and function of the home.

    The Ideal Home presents a history of the 20th century Australian home told through household objects, furniture and design classics from the MAAS Collection. See more of The Ideal Home including modernist design and artworks at MAAS Powerhouse, Ultimo.

    The Ideal Home is a partnership between the Museum of Applied Arts and Sciences and Penrith Regional Gallery & The Lewers Bequest.

    The exhibition suite features works across the site from the following Australian artists:

    • Cope Street Collective: Mathew Cooper and Colin Kinchela
    • Karla Dickens
    • Victoria Garcia
    • Richard Goodwin
    • Blake Griffiths
    • eX de Medici
    • Catherine O’Donnell
    • Eliza Gosse

    READ MORE HERE

    November 12, 2018

    JOHN BOKOR HIGHLY COMMENDED IN THE EMSLA ART AWARD

    John Bokor has been awarded a highly commended in the 2018 EMSLA prize.

    Now in its twelfth year, the Eutick Memorial Still Life Award comes to Wollongong to coincide with the city’s signature festival, Viva La Gong. Judged annually by critic and art historian John McDonald, the EMSLA has added prestige to the festival and increased still life’s importance as a genre in art.

    9 November - 1 December 2018

    READ MORE HERE

    November 1, 2018

    ELIZA GOSSE WINS WILLIAM FLETCHER GRANT

    The William Fletcher Trust (now the William Fletcher Foundation) was established in 1985 to celebrate the life and to commemorate the work of William Fletcher whose straitened circumstances, ill health and early death cut short his developing talents. In 1988, the Trust awarded its first grants for study to tertiary students of the visual arts. The William Fletcher Trust was incorporated in 2006 as William Fletcher Foundation following a generous bequest. Since 1988, grants totalling over $400,000 have been distributed to over 500 highly talented students of the visual arts, to assist them to continue their studies.

    In 2018 the grant was awarded to Eliza Gosse.

    READ MORE HERE

    October 9, 2018

    JOHN BOKOR FINALIST IN THE KEDUMBA DRAWING AWARD

    John Bokor is a finalist in the Kedumba Drawing Award at Orange Regional Gallery. Now in its 29th year, the Award plays a vital role in fostering the production and appreciation of drawing in Australia. Initiated by Jeffrey and Marlene Plummer in 1989, the Kedumba Drawing Award has grown steadily. Each year, the Judge is an established artist whose only guideline is “to enrich and enhance the Collection”

    The Kedumba Collection of Australian Drawings, with over 230 works, is currently on long term loan to Orange Regional Gallery. It is an Orange Regional Gallery and Kedumba Trust partnership exhibition.

    20 October to 2 December 2018.

    October 5, 2018

    STATE LIBRARY OF NEW SOUTH WALES PERMANENT COLLECTION

    John Bokor's artwork, 'Collection Day' 2011 is now on permanent display at the State Library of New South Wales’ new galleries. The new space opens 6th October 2018.

    'Collection Day' shows Organs Road, Bulli, looking east, the morning after garbage collection day. The bins, with lids flung open, capture the everyday aspect of suburban recycling practice. This loose and lively suburban street scene celebrates the commonplace.

    'Collection Day', 2011, oil on board, 90 x 120cm

    September 30, 2018

    JOHN BOKOR, FINALIST IN THE TATTERSALL'S ART PRIZE

    John Bokor is a finalist in the 2018 Tattersall's Art Prize with his work A Walk in the Park 2018, oil on canvas, 108x122cm.

    A total of 93 artists across Australia accepted the invitation to articipate in the 2018 Tattersall's Club and Mercedes-Benz Toowong Landscape Art Prize Award. The prize is acquistive and the winning painting is added to the Club's art collection. The judging panel for 2018 includes Dr David Middlebrook, former Tattersall's Art Prize winner and senior painting lecturer, Mrs Bettina MacAuley, Gallery and Museum Consultant Antiques and Fine Art Valuer , Ms Angela Goddard, Director of Griffith University Art Gallery and Mr Stuart Waddington, Committee Member of Tattersall's Club.

    September 30, 2018

    TARA MARYNOWSKY IN THE NATIONAL 2019

    The Art Gallery of New South Wales (AGNSW), Carriageworks and the Museum of Contemporary Art Australia (MCA) today announced that The National 2019: New Australian Art will present the work of 65 emerging, mid-career and established Australian contemporary artists living across the country and abroad.

    A major collaborative venture, The National 2019 is the second edition of a six-year initiative presented in 2017, 2019 and 2021, exploring the latest ideas and forms in contemporary Australian art.

    Connecting three of Sydney’s key cultural precincts – The Domain, Redfern and Circular Quay – The National 2019 follows a successful first edition of the exhibition held in autumn of 2017 that attracted 286,631 visitors.

    Tara Marynowsky will present new work for the National 2019 at Carriageworks.

    Exhibition Dates

    Art Gallery of New South Wales: 29 March – 21 July 2019

    Carriageworks: 29 March – 23 June 2019

    Museum of Contemporary Art Australia: 29 March – 23 June 2019

    Read more HERE.

    July 5, 2018

    ELIZA GOSSE FINALIST IN THE WAVERLEY WOOLLAHRA ART PRIZE

    With an annual prize pool worth $12,000, the Waverley Art Prize is open to painting, drawing print & mixed media.

    Eliza Gosse's work "Lone Ficus on New South Head Road is a finalist in the 2018 Prize.

    May 15, 2018

    ELIZA GOSSE FINALIST IN THE RAVENSWOOD WOMEN'S ART PRIZE

    Eliza Gosse's work is included in the 2018 Ravenswood Australian Women's Art Prize. The theme of the prize is resilience. Gosse's work depicts a house in the suburbs of Melbourne designed by Russian architect Antol Kagan and is part of a larger series that investigates the architecture of post WWII refugees in Australia.

    READ MORE HERE

    April 16, 2018

    SALLY M NANGALA MULDA IN THE STUDIO


    This is us, this is the way it is – that’s what Sally Mulda’s paintings of life seem to say.  Paddy wagons in the river, policemen pouring out grog, an assortment of bottles and cans lying on the ground; four disconsolate people, probably men, walking away.  Dogs, children sleeping and everything in between that makes up life in the Alice Springs Town Camps, are depicted in her paintings, raw and free.

    April 16, 2018

    YARRENYTY ARLTERE ARTISTS AT THE MCA

    Yarrenyty Arltere Artists In Our Hands are soft sculptures made with bush dyed woollen blankets, embellished with wool and feathers for the 21st Biennale of Sydney. 

    SUPERPOSITION: Equilibrium & Engagement, Museum of Contemporary Art Australia, Sydney, 2018. Commissioned by the Biennale of Sydney with generous assistance from Georgie and Alastair Taylor. 

    Yarrenyty Arltere Artists Founded 2000 in Alice Springs, Australia Live and work in Alice Springs. Participating artists:

    Cornelius Ebatarinja (Western Arrernte/Arrernte), Trudy Inkamala (Western Arrernte/Luritja), Roxanne Petrick (Alyawarre), Sonya Petrick (Eastern Arrernte/Alyawarre), Dulcie Raggett (Luritja), Marlene Rubuntja (Arrernte), Katherine Ryder (Eastern Arrernte), Rosabella Ryder (Arrernte), Dulcie Sharpe (Luritja/Arrernte), Rhonda Sharpe (Luritja)

    Yarrenyty Arltere Artists is a not-for-profit Aboriginal owned and run art centre located in the Larapinta Valley Town Camp, Alice Springs, one of the oldest Town Camp communities on Arrernte country.

    Yarrenyty Arltere Artists present a series of the whimsical soft sculptures that demonstrate the unique style for which they are renowned. Representing the past, present and future, the pieces reflect memory and traditional stories as well as exploring contemporary issues and challenges faced by the community. Embodying local flora and fauna, stories of family and country, or scenes from everyday life in the Town Camp, the sculptures are made from recycled woollen blankets which are dyed using local plants, tea and corroded metal. Embroidered with brightly coloured wool thread and embellished with feathers, the soft sculptures are filled with character and humour. They are emblematic of the vitality of the Town Camp and its people, and the ingenuity of the Yarrenyty Arltere Artists who, through creativity and perseverance, have reignited the confidence and spirit of their community.

    READ MORE HERE

    April 16, 2018

    YARRENYTY ARLTERE ARTISTS AT THE NGV TRIENNIAL

    ESTUDIO CAMPANA | YARRENYTY ARLTERE ARTISTS | ELLIAT RICH

    NGV TRIENNIAL

    Victoria Amazonica 2017, was created by Brazilian designers Fernando and Humberto Campana in collaboration with Yarrenyty Arltere Artists, designers Elliat Rich and James Young and the Centre for Appropriate Technology – all based in Alice Springs in the Northern Territory.

    Based initially on a sketch Humberto Campana made in Alice Springs of a giant South American lily, this exuberant, large-scale soft domed structure features intricate embroidery by the Yarrenyty Arltere Artists that tells stories of rain, rivers and water.

    March 6, 2018

    TARA MARYNOWSKY AT GOULBURN REGIONAL ART GALLERY

    Chris Bond, Ricky Emmerton, Tara Marynowsky, Daniel Mudie Cunningham, Nicola Smith

    Sauced Material brings together a group of artists who extend the narrative or form of existing media. Their works have been shaped, moulded and crafted from film, music, personal histories and literature but with flavour anew and enhanced. This adaptive approach orients audiences to and from a new point of orbit in reference to the work. Memory is at play - but so is the politics of origin and ownership.

    Within the breadth of time that has passed between the first and the now, a clear history has been created. These artists reveal that distance in their own remaking. Their approaches differ but the commentaries and techniques are crystallised and ready for service.

    From 2 March - 14 April 2018

    READ MORE HERE

    March 10, 2015

    Tara Marynowsky Wins Marten Bequest Travelling Scholarship

    Congratulations Tara Marynowsky for receiving a Marten Bequest Travelling Scholarship worth $20,000. The scholarship is paid over a two year period to support the scholars in furthering their artistic careers.

    Tara Marynowsky will travel widely with her scholarship funds, including to New York, where she will engage with contemporary art practices, and the UK, where she will collect Edwardian and Victorian documents and artefacts. These experiences will inform her new work, which she will commence during a four month residency at La Cité Internationale des Arts (Paris). Her overarching aim is to investigate symbolism in art and cultural belonging through African American art, French symbolism and English culture.

    March 3, 2015

    Tara Marynowsky Features in Art Collector

    Congratulations Tara Marynowsky for featuring in the latest issue of Art Collector magazine. Tara was listed as one of Art Collector’s ’50 Things Collectors Need to Know About’ and is considered to be one of the artists who will be shaping the Australian and New Zealand art worlds in 2015.

    December 19, 2014

    Tara Marynowsky features in Artbank’s ‘Sealed Section’ Exhibition

    Tara Marynowsky features in Artbank’s exhibition ‘Sealed Section’ curated by Miriam Kelly, showing from 28 November, 2014 until 7 February, 2015.

    “Tearing open the ‘perforated pages’ of the Artbank collection, Sealed Section reveals works that canvas the topics of impolite dinner conversation: sex, politics and religion. Underpinning these often controversial topics is a consideration of the complexities of human relations and the human condition. As a result, Sealed Sectionincludes a rich and diverse group of works that highlight the strength and pertinence of contemporary art as a response to the key issues of our time.”

    12 June 2024 – 2 July 2024
    JOHN BOKOR

    10 – 30 April 2024
    SALLY M NANGALA MULDA 'Pay Day'

    10 – 30 April 2024
    ‘Yarrenyty Arltere Artists’ featuring Rhonda Sharpe, Marlene Rubuntja, Roxanne Petrick, Louise Robertson, Beth Ebatarinja, Trudy Raggett

    7 – 21 December 2023
    SMALL WORKS - Click and Collection

    8 – 11 September 2022
    SYDNEY CONTEMPORARY

    26 April 2022 – 14 May 2022
    John Bokor ‘Domestic Splendour’

    23 November 2021 – 15 December 2021
    THE ART OF CHRISTMAS | ONLINE ONLY

    17 September 2020 – 7 October 2020
    Sally M Nangala Mulda ‘Remembering Now’

    17 September 2020 – 7 October 2020
    YARRENYTY ARLTERE ARTISTS 'Art of Women'

    18 July 2019 – 7 August 2019
    JOHN BOKOR 'At My Table'

    27 June 2019 – 17 July 2019
    YARRENYTY ARLTERE ARTISTS

    26 June 2019 – 17 July 2019
    THE NEW GALLERY SHOW — A Group Exhibition

    19 February 2019 – 9 March 2019
    Eliza Gosse ‘Distance From Here’

    12 – 16 September 2018
    SYDNEY CONTEMPORARY ART FAIR - DAN KYLE, MIRANDA SKOCZEK, MARK WHALEN, YARRENYTY ARLTERE ARTISTS

    29 August 2018 – 15 September 2018
    THE 10TH ANNIVERSARY EXHIBITION

    10 – 28 April 2018
    YARRENYTY ARLTERE ARTISTS

    10 – 28 April 2018
    SALLY M NANGALA MULDA

    21 April 2015 – 9 May 2015
    Tara Marynowsky ‘Tide Is High’

    9 – 27 September 2014
    Sense of Surround (Gallery 2)