Abbey McCulloch ‘Zero’
June 2, 2017
Abbey McCulloch's recent exhibition 'Zero' is featured in the current edition of Art Almanac:
'Abbey McCulloch’s portraits articulately render the complexities of human emotion. ‘Zero’ is a series of new paintings of opaque pigments and translucent washes, reflecting on the idea that stillness is an illusive and yet essential state of being. Through her portraiture, McCulloch explores the inherent battle in what she calls ‘silencing our self-chatter’.'
May 8, 2017
LYNDAL HARGRAVE, ABBEY McCULLOCH, PAUL RYAN, TIM McMONAGLE, BUNDIT PUANGTHONG and JULIAN MEAGHER FINALISTS IN THE SUNSHINE COAST ART PRIZE
The Sunshine Coast Art Prize is a national contemporary acquisitive award presented by Sunshine Coast Council. The Award is open to any artist who is an Australian resident, working in a 2D medium.
Forty finalists have been selected for an exhibition at the Caloundra Regional Gallery and the winning work will be added to the Sunshine Coast Art Collection.
Angela Goddard is the judge for the Sunshine Coast Prize 2017. Angela is the Director of Griffith Artworks, responsible for the Griffith University Art Collection and the Griffith University Art Gallery, Brisbane. Angela was previously the Curator of Australian Art at the Queensland Art Gallery I Gallery of Modern Art (QAGOMA). Winners announced 31 August.
November 20, 2016
Like bursts from a camera shutter, Abbey McCulloch’s new series Performance at Tweed Regional Gallery captures not only the most consciously posed and poised bodies, but those moments in between that reveal the out-takes, where gestures belie the vivacious, confident woman caught only a millisecond before.
Somehow, we all know one of these fabulous creatures. She oozes with self-possession, acuity and style. She has a kind of élan, or je ne sais quoi that can be neither bought or photoshopped. With a prolonged and desiring gaze we realise that she is not one, but many women. She is composite and contemporary taste. She is a construction created by you and I, and them ‘out there’.
In this moment, McCulloch’s aim comes into sharp relief, problematising the very act of looking. She asks simply, “What do you want from her?” And in asking this question, McCulloch characterises the expectations we place on others and ourselves in the performance of everyday life. Dr Laini Burton, 2016
Friday 9 December, 2016 to Sunday 26 February, 2017 at Tweed Regional Gallery.
November 12, 2016
The Art Life's Sharne Wolff recently posed six and a half questions to Abbey McCulloch about being a finalist in the 2016 Portia Geach prize, and what it's like to paint portraits.
Sharne Wolff: You’ve been an Archibald finalist twice and your portrait of curator and arts writer Alison Kubler Two 2016, is now showing in the Portia Geach Memorial Award. Tell us a bit about the process of making portraits.
Abbey McCulloch: Actually three times in the Archie but hey, who’s counting? They’ve all been great experiences getting to meet the subjects – even the ones that didn’t make the cut – so in some ways the motivation to have a specific encounter is behind my wanting produce a portrait at all. I think my idea of a person shapes the portrait, and playing around with that preconception is far more interesting to me than simply re-creating someone on canvas. I keep the sitting brief as there is usually something that happens in those initial moments of meeting someone that sticks with you and I don’t like to lose that feeling. There is this immediate wrestle with the person you expected in your mind and I like to play around with that. I also hope to capture some of the nerves as they’re there somewhere too – for both of us.
Read more here.
October 30, 2016
Abbey McCulloch's work 'Two', a portrait of writer and curator Alison Kubler has been selected as a finalist in the Portia Geach Memorial Art Award for women artists for 2016.
The award, which was first given in 1965 in memory of the artist Portia Geach, displays selected entries from artists across the nation representing diversity in contemporary portraiture. The award is recognised as one of the most important celebrations of the talents and creativity of Australian female portrait painters and has played a major role in developing the profile of the nation’s women artists.